1980s Paintings

Acrylic on Paper

Tomoe Todd Boppel, American (1934–2000) Date: 1985 Oil on Canvas, signed verso Size: 66 x 44 inches Frame Size: 67 x 45 inches

Serene landscape of fresh snow in the desert by Tru Trudeau (20th Century). Signed and dated "Tru Trudeau 87" in the lower left corner. No frame.

Artist: Edd Meyers Title: A Kiss Year: 1983 Medium: Oil on Canvas, signed l.c. Size: 45 in. x 57 in. (114.3 cm x 144.78 cm)

A pair of original mixed media paintings by American contemporary artist Bruce Adams from the artist's technology series. "Sometime around 1981 I was at my mother-in-law’s house r...

An original acrylic on paper expressionist painting by American contemporary female artist Jackie Felix. This painting from Felix's Beauty Series was exhibited in the artist's solo ...

Flames Michel Picotte, Canadian (1947) Date: 1984 Acrylic on paper, signed and dated in pen Image Size: 28.5 x 21 inches Size: 30 x 22.5 in. (76.2 x 57....

The Girls of Canby Hall Series by Emily Chase, published by Scholastic (1984–1989), is a collection of young adult novels, based around the lives of a group of students at a New England boarding School.

Acrylic on Canvas

Brilliant floral watercolor painting by Mary Burke (American, 20th Century). Signed "M. Burke - SWA" lower right. Titled "Floral" and sign...

Colorful and idyllic impressionist oil painting of an old wooden barn surrounded by trees by Redwood City, California artist, Irma "Edy" Caprini (American...

Helen Cartmell  (American, 1923 -2015 )  “Refusal of the Brass Ring” 1989 Signed and titled in pencil on stretcher, with name tag showing the title and date 60 x 51 inches 61 ¼ x 51...

Country townscape with figures walking along the fronts of the buildings. The work is signed by the artist and had a plate attached to the frame. It is framed in a wooden frame with ...

Sunil Das - Confrontation Series - 7.5 x 7.5 inches (unframed size) Oil on Canvas Inclusive of shipment in ready to hang form. Hence the major motifs in his drawings and paintings a...

Acrylic on Canvas

Modesto ROLDAN The Precious Pearls Original Oil on Canvas Handsigned on the bottom left On canvas 24 x 30 cm (c. 9.5 x 12 inch) Presentend in golden wood frame 33 x 37 cm (c. 13 x 1...

Gorgeous abstracted geometric landscape titled, "Cliff's Formation" by Erle Loran (American, 1905-1999), 1984. Unframed. Signed and dated lower right "Loran '84" and titled "Cliff's ...

Large, vertical photo-realist painting on canvas of industrial red ball and steel grey crane on a sky blue background by Joseph Richards oil on canvas,...

Artist: Lowell Blair Nesbitt Title: Lemons and Limes on Quilt Year: 1988 Medium: Oil on Canvas, signed and dated verso Size: 39 in. x 48 in. (99.06 cm x 121.92 cm) Frame Size: 40.25 ...

Medium: Oil on Board Cover Illustration for the New York Times Best Seller, The Dinner Party written by Howard Fast, published by Dell Books

Gorgeous watercolor painting of a landscape depicting light blue hills with faint pink mountains in the background and vibrant green grasslands in the front....

Acrylic on Canvas

Sandy Kinnee is known for paper making, printmaking and collage. This has the artists stamp verso and is signed, titled and dated verso. Sandy Kinnee lives and works in Colorado Springs, CO. Kinnee was born on March, 30, 1947 in Port Huron, MI. He received his BFA from the University of Michigan in 1969 and MFA from Wayne State University in 1976. Kinnee has taught at Colorado College, the University of Colorado, Colorado Springs and the Colorado Springs Fine Art Center. Sandy Kinnee was awarded a Pollack-Krasner Foundation grant. His work bears some surface similarities to Sam Francis and Alan Shields works. This has the feel of the Pattern and Decoration art movement. His print works are represented in numerous public and private collections including The Metropolitan Museum of Art, New York, NY, Brooklyn Museum, Brooklyn, NY, Princeton University Art Museum, Princeton, NJ, University of Michigan Museum of Art, Ann Arbor, MI, New Britain Museum of American Art, New Britain, CT, Swissair, Zurich, CH Suchard Chocolate, Walt Disney World (Michael Graves designed Hotel, at), Westinghouse Art Collection, General Mills Art Collection. Select Solo Exhibitions 2019 Buell Theatre, Denver, CO 2019 McNichol’s Building, Denver, CO 2019 William Havu Gallery, Denver, CO 2017 Special Collections, Tutt Library, Colorado Springs, CO 2002 Visual Arts Gallery, Central Arizona College, Coolidge, AZ 1999 Art Selection, Zurich, Switzerland Select Group Exhibitions 2015 “Director’s Favorites: 1999–2015”, New Britain Museum of American Art, CT. 2008 “The Imbedded Image – Current Work In Hand Papermaking”, St. Louis, MO. 1999 Art Multiple, Dusseldorf, Germany 1999 SAGA/FICA Edition, Paris, France 1996 Kunstmessig, Olso, Norway 1994 Dresden Art Fair, Dresden, Germany 1993 Dusseldorf, Germany 1992 “Four Americans” Art Selection, Zurich, Switzerland 1990 Alumni Exhibition, University of Michigan, Ann Arbor, MI 1989 Virginia Miller Galleries, Coral Gables, FL 1984 “Watercolors”, Cunningham Memorial Art Gallery, Bakersfield, CA 1984 “Paper Transformed: A National Exhibition of Paper Art”, Terre Haute, IN 1984 “Paperworks”, Academy of Art College Gallery, San Francisco, CA 1983 “Fan and Kimono”, Kauffman Galleries, Houston, TX 1980 “In Celebration of Prints”, The Philadelphia Art Alliance, PA 1980 “Selected Prints”, Educational Testing Services, Princeton, NJ 1980 “Ten Western Printmakers”, a Traveling Exhibition, organized by WSAF 1980 “Its Pure Paper”, Lake Placid School of Art, Lake Placid, NY 1980 “Fire and Water”, Rockland Center for the Arts, West Nyack, NY 1979 “Fans”, Philadelphia Museum of Art, Philadelphia, PA 1978 “Paper as Medium”, traveling exhibition, organized by the Smithsonian Institution 1977 “Works on Handmade Paper”, National Collection of Fine Arts, Washington, DC 1977 “Paper Art”, Land Gallery, Scripps College, Claremont, CA 1976 “Works...

In these abstract landscapes which reached a peak in the early 1980s, Pinajian appears to strive for visual and spiritual conclusions regarding flatness and color that parallel the goals of the Abstract Expressionsts.- Peter Falk...

Artist: Stephen Greene, American (1917 - 1999) Title: Untitled Year: 1985 Medium: Oil on Canvas, signed l.l. Size: 34 x 34 in. (86.36 x 86.36 cm) Frame Size: 36 x 36 inches

Bold acrylic still life painting defining a concise perspective of room corner with portion of chair in frame by French artist Isabelle Troquet, circa 1980. Signed lower left. Ori...

Early Morning St. AM 1987 (Impressionist Figurative City Scene by William Clutz) Impressionist Painting of A Man Crossing a Street in Manhattan in the Early Morning Sunlight Colorful Painted by William Clutz in 1987 50" X 40" x 2", oil on canvas This figurative oil on canvas was painted in 1987 by William Clutz as part of a series of works called "Crossings". These paintings were a study of NYC dwellers engaging in the simple, daily activity of crossing the street. Clutz discovers the extraordinary in the ordinary, simply by studying how the sunlight bounces and reflects off the human form. In New York in the early 50's and 60's,, abstract expressionism was the orthodox approach to art at the time. However, Clutz was committed to his personal style that focused on abstracted human figures within urban tableaux. Working in a context of artists who challenged abstract expressionism's popularity in New York, Clutz established himself as a significant proponent of abstract figuration. His paintings focus on human figures within the urban environment, often exposing the transfiguration of his subjects as they travel through the complex light of city streets or summer parks, as shown in two of his early works. Clutz's interest in working from direct observation of urban life was influenced by a long-standing interest in German Expressionism, as well as artists like Henri Matisse, Arshile Gorky, and Nicholas De Stael...

Red Arc Jackie Battenfield, American Acrylic on paper, signed and dated in pencil Size: 30 x 22 in. (76.2 x 55.88 cm) Frame Size: 34 x 25.5 inches

Legendary illustrator Wilson McLean depicts "Celestial Bodies" of all sorts floating in the inky black expanse of space. This is a story about a transition from a human to plant. A nude female holds a flower and she becomes the flower she holds while she floats in an inky black void framed by planets. This is a story about a transition from a human to a plant. The painting looks better in person... A Stellar Experience. During the 1970s and 1980s, McLean was a dominant force in American Illustration with his work gracing the covers... Sports Illustrated, Time, The Saturday Evening Post, Look, Playboy...

Abstract painting accented in bright hues of red, blue and a soft lavender by French artist AM Vivent, 1986. Signed and dated lower right. Original artwork on paper displayed on a ...

Signature: This piece was a study for future prints, and contains artist’s notes in margin and on back This piece was a study for future prints, and contains artist’s notes in margi...

An oil on canvas painting by contemporary artist Leonid Lamm. "State Power" is an abstracted work executed in greens, yellows and reds and depicts an abstracted, mask like face abov...

Acrylic on Canvas

Oil on canvas painting of red, white, and yellow flowers in a vase next to a bottle of wine and a glass by California artist Molly E. Brubaker (American, 1922-2000). from aFcollecti...

An abstract acrylic on canvas executed in bright, primary red, blue and yellow by Post War artist Jack Roth. Signed, dated and titled verso, "ROTH81 "NEW SYNTHESIS - 15".

Larry Poons Spring Field 1989 Acrylic on canvas 39.37 x 95.25 cms (15 1/2 x 37 1/2 ins) LP10155

Beautiful portrait of woman with gold earring by Patricia E. Gillfillan (American, 1924-2016), c.1980s. From a collection of her works. Unsigned. Unframed. Image, 20"H x 16"W. Patri...

Large scale, colorful abstract painting, with pink, orange and purple against a pale blue ground. Milly Ristvedt approaches color in her work with sincere consideration and expertise...

Abstract painting with geometric forms in grey tones with a red background. The work is from the Davis / McClain Gallery. It is titled and dated by the artist. The work is not framed. Artist Biography: The following is from the artist: I started drawing seriously at the age of 14 after attending a summer program at Indian Hill...

This meticulously rendered work depicts a three-quarter view of a young woman lost in deep introspection. Inscribed on verso: " The Captain's Lady" Leslie of ____________ St. ...

An original watercolor painting by American artist Catherine Koenig.

This painting with added elements is an excellent example of Joe Doyle’s abstract illusionist art. It is composed of acrylic on shaped canvas with fabric elements added. It measures 36 x 43 inches. Each edge has been painted except for the left edge which has a frame. The right edge has been shaped. The black elements of the tent-like structure are added fabric. The work is signed, titled "564" and dated on the reverse. As well it bears a label from Harcourts Gallery, a gallery in San Francisco during the 1980s and 1990s. The work is in very good condition. Joe Doyle established himself as a painter during the movement toward new abstraction in San Francisco in the mid-seventies. Stylistically his work evolved from photo-realist renderings of aircraft which exaggerated differences in focus of background and foreground" By 1975 his imagery shifted to arrangements of flat, geometric forms and tubular squiggles in a trompe l'oeil manner that created the illusion of a multi-layered, three dimensional space. By the late 1970s Doyle, along with James Havard, Jack Reilly, George D. Green, and others, had attained national prominence working this style now referred to as Abstract Illusionism. Doyle and others were included in 'Reality of Illusion' a large touring exhibition of primarily American illusionist artists organized by the University of Southern California and The Denver Art Museum. Doyle enrolled at San Francisco State College receiving his M.A. in 1971. From 1971 to 1975 he was a photo-realist transferring images from photographs using airbrush techniques on canvas, occasionally adding political satire into the subject matter, as in "Ice House...

Acrylic on Canvas

Signed Tschacbasov l.r. dated 1982 Professionally matted and framed

Acrylic on Canvas

A pair of beautiful geometric abstracts with highly saturated color by San Francisco Bay area abstract expressionist R. Williams (American, 20th Cent...

This item is located in our New York City warehouse and can be viewed by appointment. A self-taught artist, Dermot Seymour was born in Belfast in 1956. Like many of his contempora...

Large scale abstract painting of another abstract painting on artist's easel by California artist D. Silver (American, 20th Century), 1984. Signed and dated lower right corner and on...

Cyrus Afsary studied art under the strict discipline of the Russian Realist style of painting, graduating with two degrees. He has won numerous awards, including the Best of Show at ...

Signed Lower Left The Girls of Canby Hall Series by Emily Chase, published by Scholastic (1984–1989), is a collection of young adult novels, based around the lives of a group of stu...

Acrylic on Canvas

ADAM NIEMCZYC (born in 1914) Painter, graphic artist, poet, novelist. He practiced easel, mural painting and book illustration. Since 1958 he participated in numerous exhibitions in ...

Rotor IV Todd Boppel, American (1934–2000) Date: 1990 Oil on Canvas, signed verso Size: 60 x 44 in. (152.4 x 111.76 cm) Frame Size: 61 x 45 inches

Hand signed verso, mixed media on two sections of joined canvas Work is titled "Ego Wall with Mess," circa 1983. Provenance: Brooke Alexander Gallery, New York, New York. bearing their label verso. 24 x 30 x 3-3/4 inches (61.0 x 76.2 x 9.5 cm) Hand signed on the reverse: Judy Rifka Judy Rifka (born 1945) is an American woman artist active since the 1970s as a painter and video artist. She works heavily in New York City's Tribeca and Lower East Side and has associated with movements coming out of the area in the 1970s and 1980s such as Colab and the East Village, Manhattan art scene. A video artist, book artist and abstract painter, Rifka is a multi-faceted artist who has worked in a variety of media in addition to her painting and printmaking. She was born in 1945 in New York City and studied art at Hunter College, the New York Studio School and the Skowhegan School of Painting and Sculpture in Maine. Rifka took part in the 1980 Times Square Show, (Organized by Collaborative Projects, Inc. in 1980 at what was once a massage parlor, with now-famous participants such as Jenny Holzer, Nan Goldin, Keith Haring, Kenny Scharf, Jean-Michel Basquiat, and Kiki Smith, the roster of the exhibition reads like a who’s who of the art world), two Whitney Museum Biennials (1975, 1983), Documenta 7, Just Another Asshole (1981), curated by Carlo McCormick and received the cover of Art in America in 1984 for her series, "Architecture," which employed the three-dimensional stretchers that she adopted in exhibitions dating to 1982; in a 1985 review in the New York Times, Vivien Raynor noted Rifka's shift to large paintings of the female nude, which also employed the three-dimensional stretchers. In a 1985 episode of Miami Vice, Bianca Jagger played a character attacked in front of Rifka's three-dimensional nude still-life, "Bacchanaal", which was on display at the Museum of Art Fort Lauderdale. Rene Ricard wrote about Rifka in his influential December 1987 Art Forum article about the iconic identity of artists from Van Gogh to Jean-Michel Basquiat and Keith Haring, The Radiant Child.The untitled acrylic painting on plywood, in the collection of the Honolulu Museum of Art, demonstrates the artist's use of plywood as a substrate for painting. Artist and writer Mark Bloch called her work "imaginative surfaces that support experimental laboratories for interferences in sensuous pigment." According to artist and curator Greg de la Haba, Judy Rifka's irregular polygons on plywood "are among the most important paintings of the decade". In 2013, Rifka's daily posts on Facebook garnered a large social media audience for her imaginative "selfies," erudite friendly comments, and widely attended solo and group exhibitions, Judy Rifka's pop art figuration is noted for its nervous line and frenetic pace. In the January 1998 issue of Art in America, Vincent Carducci echoed Masheck, “Rifka reworks the neo-classical and the pop, setting all sources in quotation for today’s art-world cognoscenti.” Rifka, along with artists like David Wojnarowicz, helped to take Pop sensibility into a milieu that incorporated politics and high art into Postmodernism; Robert Pincus-Witten stated in his 1988 essay, Corinthian Crackerjacks & Passing Go that "Rifka’s commitment to process and discovery, doctrine with Abstract Expressionist practice, is of paramount concern though there is nothing dogmatic or pious about Rifka’s use of method. Playful rapidity and delight in discovery is everywhere evident in her painting." In 2016, a large retrospective of Rifka's art was shown at the Jean-Paul Najar Foundation in Dubai. In 2017, Gregory de la Haba presented a Rifka retrospective at the Amstel Gallery in The Yard, a section of Manhattan described as "a labyrinth of small cubicles, conference rooms and small office spaces that are rented out to young entrepreneurs, professionals and hipsters". In 2019 her video Bubble Dancers New Space Ritual was selected for the International Istanbul Bienali. Alexandra Goldman Talks To Judy Rifka About Ionic Ironic: Mythos from the '80s at CORE:Club and the Inexistence of "Feminist Art" Whitehot Magazine of Contemporary Art. She was included in "50 Contemporary Women Artists", a book comprising a refined selection of current and impactful artists. The foreword is by Elizabeth Sackler of the Brooklyn Museum’s Sackler Center for Feminist Art. Additional names in the book include sculptor and carver Barbara Segal...

Beautiful oil painting of a crumbling farmhouse. By J.B. Holmes, British artist 20th Century Oil painting on board, unframed Board size : 14 x 10 inches The autumnal colours of pl...

Signed lower right, 'V.M. Di Carlo' for Vittorio Maria Di Carlo (Italian, 1939-2015) and painted circa 1980. Accompanied by artist label with title, 'Musicante' and gallery exhibition information. Born in San Marco, Maria Vittorio Di Carlo...

Vertical photo-realist painting on canvas of pale pink ball with steel colored hook on a bright sky blue background 72 x 36 x 1.5 inches oil on canvas, thin wood stripping signed "Richards" on bottom right corner in yellow paint wire is installed on the back for easy hanging This precisely detailed photo-realist painting was made by Joseph E. Richards in 1981. The artist painted this piece when he was 60 years old during a successful career painting trains, cargo ships, and industrial machinery. Richards served in the US Navy during WWII and went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia before showing with Ivan Karp of O.K. Harris Gallery in NYC. The artist moved upstate to Hillsdale, NY for the later years of his life. This painting captures one of Richards' most beloved subjects, close up views of industrial equipment against a vivid blue sky. With a photo-realist approach to the subject, Richard was able to capture detailed changes in light and shadow, shape and form. The pale pink colored ball and steel colored hook, down to each screw and bolt, is completed with extreme focus and precision. One could easily confuse this painting with a photograph since it was completed with a very smooth application of paint, with no texture built upon the surface. It is not until you examine the painting up close, do you realize the artist's calculated brushwork. The painting is framed with natural wood stripping. The work is lightweight and easy to hang with wire installed on the back.The artist's signature is located on the front and back of the canvas. About the artist: Joseph Richards’ precisely painted canvases of giant cranes, cargo booms, propellers and train engines are fueled with a fascination like that of a six-year old boy. Working directly from photographs, Richards unites light and color together as one element, evident in the reflective surfaces of steel. The otherwise mundane signs of corrosive wear are magnified; rust stains glow on the canvas and yellow painted pulleys radiate like beacons against a bright, blue sky. Richards finds beauty in their dramatic color, resilient texture, definitive form and functionality. Richards paints sections of these objects in grand scale, with canvases up to 6 feet long and eye-popping color, calling attention to their massive proportions and exceptional strength. Richards had solo exhibits in New York City, Scottsdale AZ, and Washington DC, and his work is found in private and corporate collections here and abroad, e.g., the Tucson Museum of Fine Arts, Mobil Oil, Lankenau Hospital in Philadelphia, and E. Jean Belloni in Geneva, Switzerland. Resume: Born in 1921 in Des Moines, Iowa, Joseph Richards left for Chicago after high school to pursue a career in art. After serving in the U.S. Navy from 1942 – 1945, he went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia. He eventually settled with his wife, Betty, in New York City. In 1969, longtime dealer Ivan Karp opened The OK Harris Gallery on West Broadway in Manhattan’s SoHo. Karp was at the forefront of the Photorealism movement, showing artists such as Duane Hanson and Manny Farber...

Artist: Charles Lanier, French/American (1938 - ) Title: Three Sisters Medium: Oil on Canvas, signed l.r. Size: 30 x 40 in. (76.2 x 101.6 cm) Frame Size: 38.5 x 48.5 inches