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Period: 1980s
Sea. 1989 Oil on canvas, 81x75 cm
Located in Riga, LV
Sea Oil on canvas, 81x75 cm 1989 Paikule Arija (1955).
Category

Contemporary 1980s Paintings

Materials

Canvas, Oil

"Image, " Abstract Figurative Acrylic & Pastel on Paper signed by Reginald K. Gee
Located in Milwaukee, WI
"Image" is an original acrylic and pastel painting on paper by Reginald K. Gee. The artist initialed the piece on the back. It features abstracted, simplified figures and faces in fr...
Category

Contemporary 1980s Paintings

Materials

Pastel, Acrylic

American School New York City Abstract Outsider Artist Animal Abstract Painting
Located in Buffalo, NY
Incredible Outsider Artist Barry Johnson presents a new series of canvas paintings from his creatures series. Wild Colors! Utterly unique compositions....
Category

Outsider Art 1980s Paintings

Materials

Canvas, Watercolor, Gouache

Swan Lake
Located in Long Island City, NY
Artist: Ilya Shenker, Russian/American, (1922 - ) Title: Ballet Dancer Year: 1987 Medium: Oil on Canvas, signed Size: 55 x 42 inches Frame Size: 55.5 x 42 inches
Category

Contemporary 1980s Paintings

Materials

Canvas, Oil

Bolder Strokes 16
Located in Long Island City, NY
Artist: Julia Marc, American XXth Title: Bolder Strokes 16 Year: circa 1980 Medium: Acrylic on Canvas, signed l.l. Size: 48 x 60 in. (121.92 x 152.4 cm)
Category

Abstract Expressionist 1980s Paintings

Materials

Canvas, Acrylic

Puppet With the Green Eyes Contemporary Surrealist Painting Ellen Steinfeld
Located in Buffalo, NY
An original modern surreal oil painting by American artist Ellen Steinfeld titled, "Puppet with the Green Eyes"
Category

Surrealist 1980s Paintings

Materials

Canvas, Oil

Large Purple and Green Abstract Expressionist Painting by Olympian Frank Shorter
Located in Long Island City, NY
Frank Shorter, the Olympian long-distance runner, painted this work in 1980 as part of a charity event that other Olympians participated in.
Category

Abstract 1980s Paintings

Materials

Canvas, Acrylic

Waiting for Godot, The Message 2, Mixed media painting by Donald Bradford
Located in Long Island City, NY
Artist: Donald Bradford Title: Waiting for Godot, The Message 1 Year: 1986 Medium: Mixed media on panel, signed verso Size: 19.5 x 15.5 in. (49.53 x 39.37 ...
Category

Contemporary 1980s Paintings

Materials

Mixed Media

Far Rockaway Seascape, Oil Painting by Vladimir German
Located in Long Island City, NY
Artist: Vladimir German, Russian/American (1940 - ) Title: Far Rockaway Seascape Year: 1988 - 89 Medium: Oil on Paper mounted on Board, signed verso Size: 18.5 in. x 26.25 in. (46.99...
Category

American Impressionist 1980s Paintings

Materials

Oil

Strong Seas
Located in Wiscasett, ME
Signed lower left. (Born in Yorkshire, England in 1927; died in 2008). Dinsdale painted the sea and great ships of the era when “Britannia ruled the waves” with her fleets of clipper and fighting ships...
Category

Realist 1980s Paintings

Materials

Oil

During flowering. Cardboard, oil, 23x28 cm
Located in Riga, LV
During flowering. Cardboard, oil, 23x28 cm
Category

Impressionist 1980s Paintings

Materials

Oil, Cardboard

Malcah Zeldis Folk Art Gouache Painting Outsider Circus Trapeze Horse Acrobats
Located in Surfside, FL
MALCAH ZELDIS Circus, Trapeze Artists, Horse rider and Acrobats gouache on paper Hand signed and dated bottom right. titled in pencil on paper verso. Fr...
Category

Folk Art 1980s Paintings

Materials

Paper, Gouache

Maze, Watercolor Painting by Alfredo Garzon
Located in Long Island City, NY
Artist: Alfredo Garzon Title: Maze Year: circa 1980 Medium: Watercolor on paper, signed Paper Size: 8 x 6 inches
Category

Abstract 1980s Paintings

Materials

Watercolor

Young Woman Portrait Mixed Media On Paper
Located in Lake Worth Beach, FL
Young Model Expressionist Portrait Rutsch is always "scribbling and scrabbling." He is an artist of the purest breed—an artist who has no choice but to paint. He is a chosen traveler of the depths of existence; a man who follows a longing to explore his inner self and relate his findings with the energy and identity of the universe. The celebrated Austrian artist approaches painting and sculpture as he lives life—with the eyes of a child and the hand of a poet. Constantly in the quest for rhythms of form and vibrations of color, he catches those "sparks in the shadow" and evidences their fullest reality and beauty in his creations. Each of his paintings is a careful construction as it is a spontaneous act of love. While he might attribute certain artistic expressions to "coincidence," his inspiration comes from such diverse sources as: memories, dreams, sounds, numbers, telephone poles and drift wood. Rutsch has an affinity to vibrant colors, strong contours and rich brush strokes which are apparent in his oils, mixed media works and ink drawings. He has a sensitivity to the unusual, the discarded and a fondness for the ugly as well as the chaotic. These, he often transforms into poignant welded steel abstractions. Rutsch has an aversion to politics, citing dates and expounding upon honors achieved. There is no talk about 'profound symbolism' in his work and as Carlo McCormick writes in the introduction to Rutsch's monograph, "Meaning is not a seed that Rutsch plants, nurtures and then harvests. It is what grows wild in a volcanic swamp of fossilized, decaying and new-born fancies—as an afterthought and aftershock." Alexander Rutsch is not concerned with interpretations; he is, however, passionate about the process of making art and surrenders his entire being as an instrument to the act of creation. The geometry of his imagination overflows with figures, profiles and penetrating strong eyes—windows to a deeper place. Their vitality and sensuality pulsate through the "dreamscapes" of Rutsch's created worlds. At times romantic, yet always wild with energy, human forms and experiences are essential to the artist's vocabulary. The son of opera singers and a singer himself, Rutsch speaks of "the art of painting as the art of silence" and the job of the painter "to dedicate himself to the silence." He adds though, "that this silence is the greatest existing sound in the universe." One wonders why then, if painting is "the art of silence," that Rutsch's paintings scream with sound. Sometimes melancholy, sometimes sensual, sometimes dissonant and sometimes whispering, the rhythms are always rich in the celebration of life and our shared humanity. Painter, sculptor and poet, Rutsch's oeuvre over the past four decades is tremendous. Celebrated and collected especially in Vienna, Paris, Brussels and New York, he studied with renowned teachers like Boeckl and Dorowsky and collaborated with such geniuses as Salvador Dali. Having left Vienna in the fifties, Rutsch moved to Paris and took the city's art scene by storm. There, Picasso was so enthralled with a portrait Rutsch has done of him that, in a state of great excitement, he countersigned it. Biography Alexander Rutsch was born in Russia in 1916 but raised in Belgrade, Yugoslavia. After studying voice in Austria he became an opera singer like his parents, but after WWII, Rutsch's love for visual expression propelled him to change careers. He was a painter, sculptor, philosopher, musician, singer and poet. His life as a romantic is reflected in his work, as he sought to perfect his soul and humanity, "I paint my dreams," said Rutsch. "My dreams are color and life. They soar in my head like millions of symphonies. I can never stop building dreams." In 1952, after studying under Josef Dobrowsky, Josef Hoffmann and Herbert Boeckl at the Vienna Academy of Fine Arts, Alexander Rutsch received a scholarship to study in France. There he made contacts and began collaborations with his contemporaries, Picasso and Dali. Rutsch said of his experiences with Picasso, "Picasso played a short but important moment in my life in Paris that affected my entire artistic future. I learned from him that it is not important if art is not aesthetically finished. It can be raw, uncooked, rough. If an artist feels he has said it—it is not important to polish or finish it. Because of Picasso, I learned that if I don't feel the need to finish—I don't have to." In 1954 he exhibited his work at the Salon Artistique International de Saceux and won first prize for abstract painting, the first of may awards received during his prolific career. During the 13 years he lived in Paris, Rutsch exhibited in many prominent galleries there and throughout Europe. In 1958, The City of Paris awarded him the prestigious Arts, Science and Letters Silver Medal. In 1966, Jean Desvilles presented his prize winning film "Le Monde de Rutsch" at the Cannes Film Festival and the Venice Biennial. In 1968 Rutsch moved to Pelham, New York where he continued to work in his studio and exhibit in galleries and museums worldwide. Rutsch's work, as seen through his mastery of many art forms—sculpture, painting, print-making, and drawing, and a wide variety of other media has been described as "vibrating showers of lines, bold geometries, wounded anatomically rambling scrap-wood skeletons...
Category

Expressionist 1980s Paintings

Materials

Charcoal, Oil Pastel, Watercolor, Archival Paper

El Llano en Llamar, Acrylic and Watercolor Painting by J. Benito Zamora
Located in Long Island City, NY
Artist: J. Benito Zamora, Mexican (1951 - ) Title: El Llano en Llamar Year: 1986 Medium: Acrylic and Watercolor on paper, signed l.r. Size: 22 in. x 30 i...
Category

Surrealist 1980s Paintings

Materials

Acrylic, Watercolor

Abstract Mixed Media Painting. Oil on Silver Lame Screen Fabric
By Izhar Patkin
Located in Surfside, FL
Internationally celebrated, Israel-born artist Izhar Patkin has lived in the United States since 1977, first coming to prominence in the mid-1980s with his iconic Black Paintings, an inventive visual adaptation of Jean Genet's play The Blacks: A Clown Show. As a painter and sculptor, Patkin works in a narrative form, often drawing upon historical and cultural material to make complex visual metaphors. He imaginatively uses materials to achieve novel effects. For an exhibition in 1994 at Holly Solomon Gallery in New York City Patkin included six paintings depicting man’s expulsion from the primal garden. In his works on paper exploring the history of the Mendelssohn family, a Jewish family in Berlin around 1769 well-known for their cultural and artistic contributions, Patkin developed a trademark technique of stenciling, cutting, weaving, folding, and bending the paper. Patkin's major mid-career museum survey "The Wandering Veil," was shown at MASS MoCA in North Adams, the Tel Aviv Museum, and The Open Museum in Tefen, Ireland. His work has been included in exhibitions at Centre Pompidou, The Stedelijk Museum, MoMA PS1, Kustverein Stuttgart, among others. His work was also featured in the 1990 Venice Biennale and the 1987 Whitney Biennial. Courtesy of the Jewish Museum 1955 Born: Haifa, Israel The artist currently lives and works in New York, NY Exhibitions 2013 MASS MoCA Retrospective, North Adams, MA (solo) 2012 The Dead Are Here, Shoshana Wayne Gallery, Santa Monica, CA (solo) 2011 Paul Clay...
Category

Abstract 1980s Paintings

Materials

Mixed Media

"Transmutations: A Study of Systems Substitution, Painting by Mary Fish
By Mary Fish
Located in Long Island City, NY
Artist: Mary Fish Title: Transmutations: A Study of Systems Substitution Year: 1980 Medium: Ink and Tempera on Paper, signed Size: 33.5 x 56 in. (85.09 x 142.24 cm)
Category

Academic 1980s Paintings

Materials

Ink, Tempera

More Afterthoughts 14, Large Abstract Painting by Nick Wallis
Located in Long Island City, NY
Artist: Nick Wallis Title: More Afterthoughts 14 Year: circa 1980 Medium: Acrylic on Canvas, signed l.r. Size: 36 x 48 inches (91.44 x 121.92 cm)
Category

Abstract Expressionist 1980s Paintings

Materials

Acrylic, Canvas

UNTITLED
Located in New York, NY
fantastical landscape
Category

85 New Wave 1980s Paintings

Materials

Canvas, Oil

Spring Afternoon before the Drought
By Steven Kozar
Located in Three Oaks, MI
Watercolor on paper, signed and dated "Steven Robert Kozar 1988" to bottom right corner, linen mat under plexiglass with silvered wood frame, overall 54 ⅛" x 25 ⅜".
Category

Contemporary 1980s Paintings

Materials

Watercolor, Archival Paper

Mountain ash. 1989. Paper, watercolor, 61x70 cm
Located in Riga, LV
Mountain ash. 1989. Paper, watercolor, 61x70 cm Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits, landscapes, flowers and s...
Category

Realist 1980s Paintings

Materials

Paper, Pastel, Watercolor

The Stream, Oil on Canvas Painting by Lowell Nesbitt, 1982
Located in Long Island City, NY
This painting was created by American artist Lowell Blair Nesbitt. His most well known series, and perhaps his most beautiful and poetic, are the more than four hundred works he crea...
Category

Photorealist 1980s Paintings

Materials

Canvas, Oil

Boats. 1980. Canvas, oil, 70x70 cm
Located in Riga, LV
Boats. 1980. Canvas, oil, 70x70 cm Contrasting landscape with boats in cubistic style in red and yellow tones
Category

Cubist 1980s Paintings

Materials

Canvas, Oil

Conceptual Pop Art Color Oil Monotype Painting Abstract Figure Robin Winters
Located in Surfside, FL
Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...
Category

Pop Art 1980s Paintings

Materials

Monoprint, Monotype

Blue Sailing Diptych, Landscape Oil Painting on Canvas by Ted Lownik
Located in Long Island City, NY
Artist: Ted Lownik, American Title: Blue Sailing Diptych Year: circa 1980 Medium: Oil on Canvas, signed l.r. Size: 30 x 38 in. (76.2 x 96.52 cm) Frame Size: 32 x 40 inches
Category

Contemporary 1980s Paintings

Materials

Canvas, Oil

Abstraction No. 5
Located in Long Island City, NY
Artist: Jenik Cook Title: Abstraction No. 5 Medium: Acrylic on Canvas, signed l.r. Year: circa 1980 Size: 32 x 44 inches Framed: 38 x 50 inches
Category

Abstract Expressionist 1980s Paintings

Materials

Canvas, Acrylic

Americana Landscape Oil on Canvas Painting Signed P. Paul, Framed
Located in Plainview, NY
An elegant oil on canvas landscape painting featuring a lake view in a paradisiac environment. The painting is finely framed in custom giltwood frame. A wonderful addition to any liv...
Category

American Modern 1980s Paintings

Materials

Canvas, Oil

Still life in earth colors. 1986. Oil on board, 94x93 cm
Located in Riga, LV
Still life in earth colors, with dried flowers Juris Zvirbulis was born in 1944 in Riga. 1970 graduated from the Riga Secondary School of Applied Arts decorators department. 1971 Member Artists' Union of the Latvia. In 1971 First solo exhibition in the artistic and historical museum of Tukums in Latvia. In 1974 his illustrations for the A.S. Pushkin's book, "Eugene Onegin" (published Liesma) was awarded at the 7th All-Union competition of books, posters and postcards design (Moscow, USSR). Significant exhibitions: 1976 - First place in the All-Union Exhibition of Young Artists in Moscow 1983 - Solo exhibition at the Museum of Foreign Art (Riga, Latvia) 1988 - personal exhibition at the Pushkin State Museum (Moscow, Russia) Museum bought more than 100 of the artist miniatures to collection. 1989 - Group exhibition "Contemporary Soviet Painters from Riga" Edward Nahamkina Art Gallery (New York, USA) 1990 - Group exhibition at the Astra Gallery (Chicago, USA) 1990 - 1992 - works exhibited in the Harmony Gallery (Paris, France) 1992 - Solo exhibition at Gallery Carre d'Or (Paris, France) 1993 - Solo exhibition at the Gallery of the Riga (Riga, Latvia) 1994 - Exhibition in honor of the 50th anniversary at the Latvian National Art Museum, Exhibition Hall Arsenals (Riga, Latvia) 1997 - Solo exhibition at the Gallery of Riga (Riga, Latvia). In cooperation with IBM Latvia and Modo Paper released exhibition catalog. 1998 - Exhibition of watercolors - miniatures at Gallery "Nocturne", Riga 1999 - personal exhibition at the Pushkin State Museum (Moscow, Russia) 2004 - personal exhibition at gallery "Manss" (Jekabpils, Latvia) 2005 - Group exhibition of Latvian-French festival "Amazing Latvia" (in Bourgoin-Jallieu, France). 2011 - Contemporary Art exhibition-fair at Gallery Birkenfeld ArtVilnius'11 (Vilnius, Lithuania) Group Exhibition-Fair of Lineart Contemporary Art (Ghent, Belgium). Group exhibition at the Art Museum Nerima (Tokyo, Japan) 2012 Released artist album "Retrospective". Solo exhibition "The Battle of Waterloo would have ended differently ... Dedication to Marshal L.N. Davu." At gallery Birkenfelds. The artist works in the following genres and techniques: watercolor, painting, drawing, book illustrations, murals for public interiors in Latvia and abroad. Works in museums and private collections: At the Latvian National Museum of Art, at collection of Artists' Union of Latvia, Russian Ministry of Culture (Moscow, Russia), the Pushkins` State Museum (Russia), Bank of Latvia, Džeinas Vorhīsas Cimerlī Art Museum, Radzhersa, State University of New Jersey, at collection of Norton and Nancy Dodge nonconformist art of the Soviet Union (US), Vitaly Gotlib (Latvia), and Indra Benjamin Wilson...
Category

Naturalistic 1980s Paintings

Materials

Oil, Board

R
Located in Aventura, FL
Original acrylic on canvas. Hand signed, titled and dated on verso by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will ...
Category

Abstract Expressionist 1980s Paintings

Materials

Canvas, Acrylic

R
R
$9,000 Sale Price
25% Off
Sea. 1980. Canvas, oil, 50x70 cm
Located in Riga, LV
Sea. 1980. Canvas, oil, 50x70 cm
Category

Realist 1980s Paintings

Materials

Canvas, Oil

Flowers. Cardboard, mixed media, 60x73 cm
Located in Riga, LV
Flowers. Cardboard, mixed media, 60x73 cm Still life with flowers Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits, landsca...
Category

Expressionist 1980s Paintings

Materials

Mixed Media, Cardboard

"Procession" coney island theme beach scene humorous lush green colors
Located in Brooklyn, NY
this is an oil on canvas heavy duty stretchers signed on reverse It was selected for the summer in the city exhibition at the tabla rasa gallery in brookl...
Category

Neo-Expressionist 1980s Paintings

Materials

Oil, Canvas

Wear of time 1
Located in Genève, GE
Work on canvas White wooden frame 52.3 x 41.7 x 2.8 cm
Category

Abstract 1980s Paintings

Materials

Oil

Blessing From Above, Judaica Oil Painting, Rabbi with Lulav and Esrog
Located in Surfside, FL
Genre: Judaica Subject: Religious Medium: Oil Surface: Canvas Country: United States Dimensions: 20.5" x 16" Chaim Goldberg -- born in the Polish shtetl of Kazimierz Dolny Chaim Go...
Category

Impressionist 1980s Paintings

Materials

Canvas, Oil

Cinderella
Located in Buffalo, NY
An original oil painting by American female artist Jackie Felix titled Cinderella from the artists Argentina Series.
Category

Expressionist 1980s Paintings

Materials

Canvas, Oil

Guest. 1981, author technique on plywood, 89x54, 5 cm
Located in Riga, LV
Guest. 1981, author technique on plywood, 89x54,5 cm Mihailov Vyacheslav Sawich / Михаилов Вячеслав Саввич (1945) EDUCATION Painting Sculpture...
Category

Expressionist 1980s Paintings

Materials

Plywood, Mixed Media

Prayer Rug 2
Located in Buffalo, NY
A Modern realist “trompe l’oeil” egg tempera painting by American female artist Catherine Catanzaro Koenig depicting a person curled up titled “Prayer Rug #2″. Catherine C. Koenig was born Caterina Catanzaro in 1921 and grew up on the West side of Buffalo, NY. She graduated from Lafayette High School Buffalo in 1939. She exhibited a talent for drawing and painting early on and attended Albright Art School, where she graduated with an Associate's Degree in 1942. Her professional career as an artist began in the 1940s when she started to exhibit her work. From 1946-1956, she taught drawing and painting at the Art Institute of Buffalo. She married Buffalo artist...
Category

Realist 1980s Paintings

Materials

Board, Egg Tempera, Tempera, Wood

Prayer Rug 2
$2,800 Sale Price
37% Off
Bouquet of tulips. 1980. Oil on canvas, 65, 5x54 cm
Located in Riga, LV
Bouquet of tulips. 1980. Oil on canvas, 65,5x54 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Stu...
Category

Expressionist 1980s Paintings

Materials

Canvas, Oil

Dandelions are blooming. 1981. Oil on cardboard, 40x50 cm
Located in Riga, LV
Dandelions are blooming. 1981. Oil on cardboard, 40x50 cm Realistic sunny landscape with dandelions and lilacs Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional educat...
Category

Realist 1980s Paintings

Materials

Oil, Cardboard

Fishing boat. 1980. Paper, watercolor, 36.5x55 cm
Located in Riga, LV
Fishing boat. 1980. Paper, watercolor, 36.5x55 cm Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits, landscapes, flowers and...
Category

Expressionist 1980s Paintings

Materials

Paper, Watercolor

Three figures. Oil on canvas, 65x60, 5 cm
Located in Riga, LV
Three figures. Oil on canvas 65x60,5 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the...
Category

Expressionist 1980s Paintings

Materials

Oil, Canvas

Church. Cardboard, oil, 49x35 cm
Located in Riga, LV
Church. Cardboard, oil, 49x35 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born in Riga in a Russi...
Category

Impressionist 1980s Paintings

Materials

Cardboard, Oil

Israeli Contemporary Abstract Geometric Painted Pierced Sculpture Zigi Ben Haim
Located in Surfside, FL
Zigi Ben-Haim, Metal sculpture Hand signed and dated Zigi Ben-Haim, 1998 Untitled, patinated aluminum or steel, Dimensions: 6"h x 2"w x 2"d This listing is for 1. I have 2 similar ones available. Zigi Ben-Haim (born 1945 in Baghdad, Iraq) is an Iraqi-American-Israeli painter, collage artist and sculptor who lives and works in New York City and Israel. Ben-Haim unveiled his sculpture, Treasure the Green, in SoHo on Broadway. The project was sponsored by the SoHo Broadway Initiative and the New York Department of Transportation's Art Program. The sculpture is considered to be the first sculpture to receive permission to be installed on a bus bulb on Broadway. The sculpture was made to "emphasize the importance of nature in our lives," and stands as a reminder of "the importance of reconnecting with the pure nature of the green." The sculpture uses the symbol of the leaf, which has been a major icon of Ben-Haim's work for the past 30 years. It symbolizes nature and it is a metaphoric way of emphasizing nature and the surrounding environment. He is of the first generation of Israeli artists to develop large international followings like Yaacov Agam, Menashe Kadishman and Avigdor Arikha. Ben-Haim has received numerous grants and awards, including from Pollock-Krasner Foundation, National Endowments for the Arts, New York State Council on the Arts, The German Academic Exchange Service (DAAD), Emily Harvey Foundation Venice, Muestra Int. de Obra Grafica (Spain), and the Ministry of Culture in Israel. His works are included and exhibited in numerous public and private collections around the world, including the Guggenheim Museum in N.Y.C., the Jewish Museum, the Brooklyn Museum, the Israel Museum, and the Tel-Aviv Museum. Education 1972-74 M.F.A., San Francisco State University, San Francisco, California, USA. 1972-73 M.A., J.F.K. University, Orinda, California, USA. 1971 California College of Arts & Crafts, Oakland, California, USA. 1966-70 The Avni Institute of Fine Arts, Tel Aviv, Israel. Selected public collections Splendid Step (2003) next to the Tel Aviv Museum of Art Museum of Contemporary Art, Athens, Greece Columbia Museum of Art, Columbia, SC Israel Air Force Center Foundation, Tel Aviv, Israel NASA, Houston, Texas Bank Leumi USA, Fifth Avenue, New York, NY Pfizer Company Collection, New York, NY Reading Public Museum, Reading, PA Guggenheim Museum, New York, NY Haifa Museum, Haifa, Israel Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY New School, New York, NY University of Maryland, College Park, Maryland. Israel Museum, Jerusalem, Israel. Brooklyn Museum, Brooklyn, NY Malmö Museum, Malmö, Sweden. Jewish Museum, New York, NY Tel Aviv Museum of Art, Tel Aviv, Israel. Museum of Fine Arts, Ghent, Ghent, Belgium. National Gallery of Art, Washington D.C. Fine Arts Museum of Long Island, Hempstead, NY Buscaglia-Castellano, University Museum, Lewiston, NY Dan Eilat Hotel, Israel. International Paper Company, New York, NY World Bank, Washington D.C. Westminster Bank, New York, NY Israel Embassy, Washington D.C. Frederick R. Weisman, Los Angeles, CA. Rikers Hill Sculpture Park, Livingston, NJ Heckscher Museum of Art, Huntington, NY Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio Group Exhibitions Bertha Urdang Gallery, NY, USA Artists: Larry Abramson, Yosef Zaritsky, Zelig Segal...
Category

Abstract Geometric 1980s Paintings

Materials

Metal

Jazzue (abstract, warm, purple, geometric, large, acrylic on canvas painting)
Located in New York, NY
1980s Geometric Abstract painting in earth tones, oil on linen
Category

Contemporary 1980s Paintings

Materials

Linen, Oil

Tessa (figure, gestural, dark colors, acrylic painting)
Located in New York, NY
Acrylic on linen
Category

Contemporary 1980s Paintings

Materials

Acrylic, Linen

Rural Stylized Watercolor Landscape Painting
Located in Houston, TX
Rural landscape painting in an idealized style. The painting is done in watercolor and is signed by the artist in the bottom left corner. Lem Palmer is known for his stylized landsca...
Category

Impressionist 1980s Paintings

Materials

Watercolor

Boat on the waterfront. 1989, Cardboard, oil, 86x100 cm
Located in Riga, LV
Boat on the waterfront. 1989, Cardboard, oil, 86x100 cm Painting in blue, orange colors Valdis Bush (1924-2014) studied at the Art academy of Latvi...
Category

Expressionist 1980s Paintings

Materials

Oil, Cardboard

By the footbridge. Canvas, oil, 42.5x50 cm
Located in Riga, LV
By the footbridge. Canvas, oil, 42.5x50 cm Bruno Celmins (1927 19 IV – 1992 31 I) – painter. Education: - Riga’s Craft school; - Art School of J. Rozenthals 1947 – 1948; - Art Academy of Latvia...
Category

Realist 1980s Paintings

Materials

Canvas, Oil

Java 1989 acrylic painting by Dan Christensen
Located in Hudson, NY
Signed and dated "© D. Christensen 1989" with an orientation arrow verso. Medium "Acrylic on Canvas", title "Java", size "22 x 20" are all inscribed verso. Dimensions of this artwo...
Category

Abstract 1980s Paintings

Materials

Canvas, Acrylic

Lake Effect # 3
Located in Buffalo, NY
An original ink, acrylic, & collage on paper created in 1989 by American contemporary artist Mark Lavatelli. The paper size is 31" X 25".
Category

Abstract Expressionist 1980s Paintings

Materials

Ink, Mixed Media, Acrylic

Malcah Zeldis Folk Art Gouache Painting Outsider Circus Trapeze Artist Acrobats
Located in Surfside, FL
MALCAH ZELDIS Circus, Trapeze Artists and Acrobats gouache on paper Hand signed and dated bottom right. titled in pencil on paper verso. Framed to 15 X ...
Category

Folk Art 1980s Paintings

Materials

Paper, Gouache

"Jackson Pollock, " Red Grooms, New York School Pop Art Portrait
Located in New York, NY
Red Grooms (American, b. 1937) Jackson Pollock, 1986 Pastel on paperboard 9 1/4 x 9 1/4 inches Signed and dated lower right Provenance: Hirschl & Adler Modern, New York Charles Rog...
Category

Pop Art 1980s Paintings

Materials

Board, Pastel

Jean-Pierre Cassigneul -- Canal
Located in BRUCE, ACT
Jean-Pierre Cassigneul Canal, c.1984 Watercolour on paper Signed lower right Image size 21.7 x 16.5 cm Frame size 48 x 40 x 3 cm Gallery COA
Category

1980s Paintings

Materials

Watercolor

Large Modern Abstract Geometric Red, Yellow & Green Mixed Media Collage Painting
By John Pavlicek
Located in Houston, TX
Large geometric mixed media collage painting by Texas artist John Pavlicek. The piece features layers of red, yellow, and green paint and paper to create depth. Signed by artist in f...
Category

Abstract 1980s Paintings

Materials

Mixed Media, Acrylic

Collective farmer. 1980, watercolor on paper, 57, 5x58 cm
Located in Riga, LV
Collective farmer. 1980, watercolor on paper, 57,5x58 cm Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions,...
Category

Expressionist 1980s Paintings

Materials

Paper, Watercolor

New York Sunset with Blue Gray Cloud.
Located in New York, NY
"New York Sunset with Blue Gray Cloud" is a mixed media painting on paper (oil and waterbased paint) by artist Emilio Sanchez. It is painted to the paper edge. Emilio Sanchez return...
Category

Modern 1980s Paintings

Materials

Oil, Watercolor

Prayer Rug 1
Located in Buffalo, NY
A Modern realist “trompe l’oeil” egg tempera painting by American female artist Catherine Catanzaro Koenig depicting a person curled up titled “Prayer Rug #1″. Catherine C. Koenig was born Caterina Catanzaro in 1921 and grew up on the West side of Buffalo, NY. She graduated from Lafayette High School Buffalo in 1939. She exhibited a talent for drawing and painting early on and attended Albright Art School, where she graduated with an Associate's Degree in 1942. Her professional career as an artist began in the 1940s when she started to exhibit her work. From 1946-1956, she taught drawing and painting at the Art Institute of Buffalo. She married Buffalo artist...
Category

Realist 1980s Paintings

Materials

Board, Egg Tempera, Tempera, Wood

Prayer Rug 1
$2,800 Sale Price
37% Off
Red Sofa seated female figure with cat and pillows dominant red color
Located in Brooklyn, NY
This painting of a seated woman with her cat is an early work by the artist. It has been held by the artist, exhibited only twice in the 36 years since its creation and is on excelle...
Category

Expressionist 1980s Paintings

Materials

Canvas, Oil

Modern Abstract Watercolor Blue Cross Landscape
Located in Houston, TX
Modern abstract watercolor painting with blue and grey tones. The artist sketched out crosses within the blue abstract landscape. The piece is signed by the artist. It is framed in a silver metal frame with a white matte. Dimensions without Frame: H 25 in x W 33 in. Artist Biography: Peter Keefer...
Category

American Modern 1980s Paintings

Materials

Watercolor, Pencil

"Portrait of Barbara"
Located in Austin, TX
By Gustav Likan The only known portrait of Gustav Likan's wife Barbara. 16" x 9.25" Oil on Canvas Framed Size: 22" x 15" 1982
Category

Fauvist 1980s Paintings

Materials

Canvas, Oil

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