1980s Paintings

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Fishing Lure on Gold II Year: 1987 Medium: Acrylic and Screenprint on Canvas, signed, dated, and stamped verso Image Size: 1...

Papunya Tula Artists Pty. Ltd., Alice Springs The Holmes Court Collection, Perth Austral Gallery, Saint Louis, MO; acquired in 1996; Richard Kelton Collection, Santa Monica; Exhibite...

Sunil Das - Rare Early Drawing II Pen & Ink on paper, 24 x 14 inches Complimentary shipment in a roll form. Sunil Das ( 1939-2015) was a Master Modern Indian Artist from Bengal . E...

Close up of pair of soulful eyes. Muted tones of browns and blues in oil on paper, circa 1985. Original artwork on paper displayed on a white mat with a gold border. Archival plasti...

Abstract paintung profile portrait in cool hues of blue against a black background. Original artwork on paper displayed on a white mat with a gold border. Archival plastic sleeve ...

An original painting of Wilt Chamberlain of the Los Angeles Lakes and New York Knicks Willis Reed by famed New York Daily News Sports Artist, Bill Gal...

Acrylic on canvas Elena Borstein currently lives and works in New York City and the Adirondack Mountains. Born in Hartford, Connecticut, She received her B.S. Degree from Skidmore C...

IN CURRENT SHOW The Corridors Gallery at Hotel Henry Fall Show at Resource Art Composition 1 & 2, 1988 Paper, ink, mixed media 40 1/2 × 55 in; 102.9 × 139...

Window XXIII. 1982, pastel on paper, 39x28 cm Ivan Chuikov / Иван Семёнович Чуйков (1935-2020) - Russian artist, one of the Moscow Conceptualism classics...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

This painting by gold medalist sprinter Wilma Rudolph was commissioned in 1980 by Anheuser Busch to be auctioned off for charity. This work is particularly interesting because it app...

A Modern realist “trompe l’oeil” egg tempera painting by American female artist Catherine Catanzaro Koenig depicting a person curled up titled “Prayer Rug #2″. Catherine C. Koenig was born Caterina Catanzaro in 1921 and grew up on the West side of Buffalo, NY. She graduated from Lafayette High School Buffalo in 1939. She exhibited a talent for drawing and painting early on and attended Albright Art School, where she graduated with an Associate's Degree in 1942. Her professional career as an artist began in the 1940s when she started to exhibit her work. From 1946-1956, she taught drawing and painting at the Art Institute of Buffalo. She married Buffalo artist...

Artist: Ilya Shenker, Russian/American, (1922 - ) Title: Ballet Dancer Year: 1987 Medium: Oil on Canvas, signed Size: 55 x 42 inches Frame Size: 55.5 x 42 inches

Forest Cardboard, oil, 30x30 cm Lidija Auza (1914. 24. 02 Vitebsk, Belarus – 1989. 13. 12 Riga, Latvia) Painter She studied at the Art Academy of Latvia (1936-1938) and gradua...

Work on canvas Silver wooden frame 54.5 x 66.5 x 5 cm

Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, ...

Riga. Tulips 1988, oil on cardboard, 100x80 cm The composition depicts a light-colored cityscape with a prominent element of red tulips placed on a windowsill in the foreground. In...

City - roses 1988. Oil on cardboard 100x80 cm The composition features a vibrant arrangement of roses positioned on a windowsill, set against a stylized cityscape that represents t...

Artist: Roy Miller, British (1938 - ) Title: Lanfranco - Steve Cauthen up Year: 1986 Medium: Oil on Canvas, signed and dated l.r. Size: 24 in. x 28 in. (60.96 cm x 71.12 cm) Frame ...

During flowering. Cardboard, oil, 23x28 cm

A calligraphy portrait painting of a woman by Tatsuya Nakamoto. Nakamoto is a postwar & contemporary artist from Japan. Calligraphy on paper Dimensions: 9" x 9" Framed Size: 14.25" x...

A Pacific Northwest native, Bauer was born in Vancouver, Washington, and has maintained a studio in Portland, Oregon since 1976. She attended the Pacific Northwest College of Art and the University of Oregon where she received her M.F.A. Since that time, she has exhibited her work throughout the Northwest while teaching art as an associate professor at Marylhurst University. Bauer applies her modernist approach to her artwork, and her paintings become a sort of balancing act in reconciling her subjects and her techniques. Teetering between abstraction and representational, Bauer's houses are depicted as simplified forms, exploiting a universal iconography. The recognizable elements in her artwork – trees, buildings – are unconventionally depicted in wide patches of overlapping color, "pulling each painting away from literal interpretation." Marlene Bauer's abstractions stem from her interest in the visual dynamics of a quick impression of a landscape from a moving car or a glance out a window. The artist has exhibited her work in solo exhibitions at the Laura Russo Gallery, the Elizabeth Leach Gallery (both in Portland), and the Davidson Galleries in Seattle. Bauer's artwork is included in many of the region's public and private collections including the King County Regional Justice Center, Bank of America, the City of Portland, the City of Seattle, the Oregon State...

Judy Chicago Birth Tear/Tear, 1985 Signed, dated, and numbered in margin Serigraph on Stonehenge Natural White Image 25 x 35 inches Sheet 30 x 40 inches Judy Chicago’s “Birth Tear/T...

Wave Square #1 Jackie Battenfield, American Date: 1981 Mixed media on paper, signed and dated in pencil, titled verso Size: 22.5 x 30 in. (57.15 x 76.2 cm)

Vase with field flowers. 1985. Oil on cardboard, 68x54,5 cm Laimdots Murnieks (1922-2011) studied at Cesis and Jelgava teachers’ institutes (1938 – 44). He graduated from the Painti...

Abstract harbor scene with boats, in bold, vivid colors on heavy mould made paper. Hand signed and dated, 1980 22 X 30 not frame Robert Freiman, deaf from birth, was born in March 1917 in New York City. He attended an oral program near his home and later transferred to the Lexington School for the Deaf when he was six. Early in his childhood, his love for drawing, painting and studying became apparent, and as an adult, he continued his studies in New York at the National Academy of Design, Pratt Institute, the Art Students League and the Parsons School of Design. In Paris, France he studied at the Ecole des Beaux Arts. Bob Freiman was especially focused on painting portraits and figures in motion in various mediums, especially the mixed-media combination of watercolor, acrylic and pen. Among his subjects were acrobats, ballet dancers, cyclists and other athletes. He as well focused on abstracts for a time, discovering new media in his works with quick brushwork and expressive movements. In the latter part of his career, his style became abstract and surreal with images of metaphysical landscapes with architectural elements such as arches, towers, pyramids and castles floating in the air. The famed art critic Pierre Rouve wrote: “It is therefore refreshing to see them revitalized by the colourist wealth and virile handwriting of Robert Freiman, probably the best American water-colorist since John Marin. He worked in Provincetown and Nantucket and regularly exhibited there. He showed at Doll & Richards gallery of Boston alongside John Chetcuti, Lloyd Goodrich, Tod Lindenmuth, William Meyerowitz, Dwight Shepler, Elizabeth O'Neill Verner, Stanley Woodward, Andrew Wyeth, and others. His work bears the influence of the mid century school of Paris in particular Jean Carzou. He was a regular exhibitor at the Sidewalk Art...

Artist: Nick Wallis Title: More Afterthoughts 15 Year: circa 1980 Medium: Acrylic on Canvas, signed l.r. Size: 36 x 48 inches [91.44 x 121.92 cm]

Work on paper

La obra va firmada en la parte inferior y fechada del año 1981 Se presenta enmarcada (leves signos de uso en la enmarcación) Medidas de la obra: 92 x 73 cm. Medidas del marco: 103...

Great Italian painting from 80s. Mixed media framework on canvas depicting allegory of the judgment of soldiers in war signed Vittorini C. in the lower center (see photo). Exceptiona...

Winter landscape. 1984, canvas, oil, 60x80 cm Slepyshev Anatoly Stepanovich (1932 - 2016) - Soviet and Russian painter, sculptor, graphic artist. Anatoly Slepyshev was a distinguished Russian artist and a recognised master who had a great talent and a distinctly recognisable style that cannot be confused with anyone. The most characteristic feature of his paintings is a swirl, maelstrom of colourful formations, vigorously, rapidly, almost frantically put on canvas in a burst of sudden emotion, of spontaneous sensuality. The artist brilliantly managed to blend the subjects of the Russian hinterland, simple village life with horse-driven carriages, small humble churches and familiar landscapes with refined, pompous images of French Rococo, the atmosphere inherent in the works of Jean-Antoine Watteau. This liberal, highly personal interpretation of the sophisticated French motifs of the XVIII century, processed by means of dashing Russian folklore, sometimes even containing vulgar, staggering elements, is very typical for many works by Slepyshev. Solo exhibitions 1967 Exhibition of watercolors by Anatoly Slepyshev. Central House of Artist, Moscow 1970 Anatoly Slepyshev. Drawing. Central House of architect, Moscow 1971 Anatoly Slepyshev. Print workshop, Moscow 1976 Exhibition in the flat of art historian Leonid Bazhanov, Moscow 1981 Anatoly Slepyshev. Painting. House of scientists of the Scientific Center of the USSR Academy, Troitsk 1982–1983 Ausstelung Anatoli Slepyschev, Nicolai Grizjuk. Kleine Galerie Hoger Sweda, Berlin, Germany 1983 Anatoly Slepyshev. Puskin Museum of Fine Arts, Moscow 1984 Anatoly Slepyshev. Historical-Architectural and Art Museum of the New Jerusalem, Istra 1987 Anatoly Slepyshev. Exhibition of one picture. Dramatic theatre named after M. Ermolova, Moscow Anatoly Slepyshev. Drawing. Central House of Artist, Moscow 1989 Anatoly Slepyshev. Painting. AZLK Palace, Moscow Anatoly Slepyshev. MARS Gallery, Moscow Anatoly Slepyshev. Drawing. Moscow Gallery, Moscow Anatoly Slepyshev. Painting. Vadim Sidur...

Artist: Julia Marc Title: Bolder Strokes 21 Year: circa 1980 Medium: Acrylic on Canvas, signed l.r. Size: 48 x 60 in. (121.92 x 152.4 cm)

Benjamin Eisenstat (1915-2001) Oil on board, 1981 Measures: 10 1/4" H x 14" W, frame 14 1/2" H x 18 1/2" W. “New York City” in excellent condition. Signed lower right and also on the...

An original woven paper and staple wall sculpture by Jozef Bajus. This piece is comprised of hundreds of pieces of old textile patterns created by the artist in his capacity as a fa...

Artist: Jaimendes, Brazilian (1939 - ) Title: Grinding Sugar Cane Year: circa 1983 Medium: Oil on Canvas, signed l.l. Size: 21.5 in. x 25.5 in. (54.61 cm x ...

Artist: Victor Delfin, Peruvian (1927 - ) Title: Adios Pueblo de Ayacucho Year: 1985 Medium: Oil on Canvas, signed l.r. Size: 64 x 52 in. (162.56 x 132.08 cm)

Fabulous abstract painting by California artist John Millei (b. 1958). The 1982 painting is titled "Greek House" and features oil and acrylic paint on a three dimensional canvas.

Artist: Fernando Farulli, Italian (1923 - 1997) Title: Il Suicida Year: circa 1980 Medium: Oil on Canvas, signed l.r. Size: 59 in. x 71 in. (149.86 cm x 180.34 cm)

Artist: Vladimir German, Russian/American (1940 - ) Title: Seascape Year: circa 1988 Medium: Oil on Paper Paper Size: 9 x 20.5 in. (22.86 x 52.07 cm) Frame: 18.5 x 30.5 inches

Unique. Acquired directly from the artist. Free shipment worldwide. Arman explores reality. He strives to transform and sublimate artefacts into works of art. Everyday objects bec...

- The theme of fertility and fecundity is explored in this work. - The arrangement of the forms within the abstract composition and the handling of the paint creates texture and a rhythmic quality. - The palette of earth pigments creates an inherent nurturing, wamth and the dark umber tones draw the eye into the work - A striking, warm, decorative picture Oil on board Length 54.5 cm, Height 54cm Floated in a black box frame Length 72cm, Height 54 cm, Depth 3cm JENS KJAER...

Fishermen's happiness. Cardboard, tempera, 21x29 cm

Artist: Vladimir Poutchkov (Russian/American XXth) Title: Landscape with Ruins Year: circa 1985 Medium: Tempera and Watercolor on Paper, signed l...

Flames Michel Picotte, Canadian (1947) Date: 1984 Acrylic on paper, signed and dated in pen Image Size: 28.5 x 21 inches Size: 30 x 22.5 in. (76.2 x 57....

An explosion of colour radiates from one side of the canvas in this extraordinary abstract painting dedicated to renowned NY art critic, Clement Greenberg. As a student, Joseph Drapell met and was influenced by Greenberg while studying at an American art school. This piece is rendered in thickly applied waves of shiny orange, purple, plum, white, and turquoise. Holographic materials are also used. The Czech-born artist creates remarkably vibrant paintings using trowels...

Untitled, Arcived no. 1327. Oil on board. In these abstract landscapes which reached a peak in the early 1980s, Pinajian appears to strive for visual and spiritual conclusions regarding flatness and color that parallel the goals of the Abstract Expressionsts.- Peter Falk...

Country townscape with figures walking along the fronts of the buildings. The work is signed by the artist and had a plate attached to the frame. It is framed in a wooden frame with ...

A charming 1983 oil on canvas painting by HENRI MAIK (French) titled "Comme maman" depicting a Tiger, Tiger Cub, butterfly & flowers Signed and dated lower right Signed and titled v...

Three figures. Oil on canvas 65x60,5 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the...

Artist: Nick Wallis, American XXth Title: More Afterthoughts 3 Year: circa 1980 Medium: Oil on Canvas, Signed l.r. Size: 60 x 60 in. (152.4 x 152.4 cm)

A mixed media painting by Michael Platt from 1981. A representational image of a figure in a diverse color pallet. Platt creates artwork that centers on figurative explorations of li...

McLean's consummate skill as a portrait artist, graphic designer and master of composition is on full display in the complex narrative work. This work contains 41 portraits including those of Bette Midler, Jimi Hendrix, and Benny Goodman...

Sublime landscape of mountains and a river dominated by dramatic clouds. Signed, titled, and dated along bottom edge of the work. Hung in a dark wood frame with a white matte. Dimensions Without Frame:H 32 in x W 32 in. Artist Biography: A seventh generation West Virginian, McWhorter went to California in 1968. Upon returning from service in Vietnam, he enrolled in California State University. Here he began his quest to create the illusion of light on canvas by studying the works of the impressionists and hiking the Sierra Nevada region where the dazzling light plays on the atmosphere and the mountains. “I was clearly moved by the dynamic landscape of the Western States and became fascinated by the Hudson River artists...

Artist: Jenik Cook, American (1940 - ) Title: Abstract Composition I Year: 2012 Medium: Oil on Canvas, signed and dated l.l. and verso Size: 24 x 36 in. (60.96 x 91.44 cm)

Rosamond Berg (American, 1931 - 2018) Voyage I, 1982 Mixed media construction including hand-dyed cotton cloth pouches 24 x 24 inches Signed, titled an...

Artist: Boris Sveshnikov, Russian (1927 - 1998) Title: April Year: 1987 Medium: Watercolor on Paper Size: 27 x 19.25 in. (68.58 x 48.9 cm)

Fishing boat. 1980. Paper, watercolor, 36.5x55 cm Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits, landscapes, flowers and...

A Venus' birth is a watercolor painting by Italian-born multidisciplinary artist Lucio Pozzi. It is currently housed at Hal Bromm Gallery.