Early 20th Century Paintings

Oil on canvas on board Image size: 15 3/4 x 21 3/4 inches (40 x 55 cm) Contemporary style frame This sensitive portrait captures the use of contemporary dress of this lady beautifu...

One of the Crew by David W. Haddon (British early 20th century) signed oil on board , framed framed: 18 x 14 inches board: 15 x 12 inches provenance: private collection, England cond...

Early 20th Century oil on canvas painting of a garden by M Lagrosk. The painting is signed bottom right. Interestingly to the back stretcher there is a trade stamp for 'Montmartre, B...

Medium: Oil on Canvas Signature: Unsigned This is a study for the very large Howard Pyle mural now in the historic County Courthouse in Hudson County, New Jersey. It was commissione...

Antique Oil Painting of Madonna and Child Oil on canvas. Approximate dimensions 20" wide x 24" high. The frame is approximately 22" wide x 2...

Early 20th century hand painted terracotta plaque from the Longpark pottery in Torquay, England painted by W Hayworth. The painting is signed bottom right and the plaque carries an i...

Pont du Chemin de Fer à Moret by Georges Manzana Pissarro (1871-1961) Oil on canvas 54.5 x 65.2 cm (21 ¹/₂ x 25 ⁵/₈ inches) Signed lower right, manzana. Titled and date on the stret...

Signed with monogram HLv: Excellent condition.

A Country Lane, Somerset, dated 1939 by THOMAS WILLIAM ARMES (1894-1963) Large 1939 English Country lane landscape, Somerset, oil on canvas by Thomas William Armes. Good quality an...

An early twentieth-century, American Impressionist School oil landscape showing a sunlit view of a woman standing on a country road lined with eucalyptus trees. The work of an anonym...

An unsigned, early twentieth century oil showing a view of an old wooden wharf with longshoremen working. A well-composed work by an anonymous but skilled hand; painted circa 1925.

Spanish Souvenir- mantilla, peineta, by Francis Luis Mora is a painting of beautiful Spanish women in traditional dress with their entourage. It's is a museum-quality work. In fact, ...

Signed lower left, 'G. Giardiello' for Giuseppe Giardiello (Italian, 1877-1920) and painted circa 1900. A skilled late 19th century Italian landscape painter, little is known about ...

Artist/ School: R. O. Byers, signed and dated 1913 Title: Misty Scottish Highlands Landscape Medium: oil on canvas, framed Framed: 21 ...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) signed bottom right watercolour on paper, unframed painting: 10 x 14 inches Delightful early 20th century Fre...

FOUQUET Armand (1904-nc) Paris view around 1930 - Flower Bank and Conciergerie Oil on canvas Signed low left Frame gilded with gold leaves Dim canvas : 61 X 50 cm Dim frame : 87 X 75 cm FOUQUET Armand (1904-nc) French painter born 1904 Lived and active in France and USA in the first part of 20th Century. Post-impressionist Parisian daily street scenes, Beach “Belle Epoque”, Orientalism Armand FOUQUET...

The S.S. San Jose shown making way in medium water. This early refrigerated freighter, built in 1904, was designed to transport bananas between the Caribbean and the American mainlan...

Signed lower right, 'Komaromi-Kacz' for Endre Komaromi-Kacz (Hungarian, 1880-1969) and titled, 'Molm'. Born in Komarom, Kacz was initially a pupil of Eduard Ballo, a painter of port...

Rendered with an alla prima paint application and quick gestural brushstrokes, "Tender Family Portrait - Mother and Child" reflects Margery Ryerson's deep knowledge of academic training. Reyerson studied with Robert Henri at The Art Students League. This painting is aesthetically pleasing and communicates a sense of maternal tenderness from a female artist. Margery Ryerson did a book on her former teacher. Henri's philosophical and practical musings were collected by former pupil Margery Ryerson and published as The Art Spirit (1923), a book that remained in print for several decades. Signed. Lower Left Margery Austen Ryerson (September 15, 1886 - 1989) was an American artist, painter, etcher, lithographer and watercolorist.Her work is included in the collections of the Smithsonian American Art Museum Biography Ryerson earned her Bachelor's of Fine Arts in English from Vassar College in Poughkeepsie, New York, after attending private schools in Morristown. She went on to study under Charles Hawthorne at the Cape Cod School of Art in Provincetown, Massachusetts, and with Robert Henri at the Art Students League in New York. During the years 1920 through 1940 Ryerson taught in New York settlement houses. There she got the privilege to paint and draw the children in their care. The subjects of these paintings were often the children of the underclass and immigrants. Her artistic technique and subjects gained universal recognition and appealed to many people. Miss Ryerson is most known for her portraits...

An early twentieth-century, American School oil study of a two-masted, clinker-built schooner undergoing repair in dry dock. Unsigned and painted circa 1925.

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: painting: 19 x 13 inch...

Signed lower left "Vantore" for Mogens Erik Christien Vantore (Danish, 1895-1977) and painted circa 1925. A substantial, early twentieth-century Impressionist still-life of blue ast...

Graceful Portrait of the Countess Carrobio with elegant white dress. Pastel on Canvas with finely carved gilt wood frame. Signed CFroschl . Carl Forsche 1848- 1934 . Austrian Painte...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: painting: 12.5 x 20 in...

Graceful Portrait of the Countess Carrobio with elegant white dress. Pastel on Canvas with finely carved gilt wood frame. Signed CFroschl . Carl Forsche 1848- 1934 . Austrian Painte...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 24.75" x 18.63", Framed 34.00" x 18.50" Saturday Evening Post Cover, March 23, 1918 Exhib...

One is Signed Lower and the Other is Signed Lower Right Louis Kronberg (1872 - 1965) Kronberg, often referred to as "the American Degas,"was born in Boston on December 20, 1872. He displayed artistic talent in his elementary school years and while he was only fifteen years old, his brother, who had become an impresario, made it possible for Louis to copy portraits of stage and concert celebrities backstage. Louis came to know Ignaz Paderewski, Boris Chaliapin...

In this interior illustration for "When the Heart Beats Young" by J.W. Riley, pioneering female illustrator Ethel Franklin Betts creates an intimate statement of mother and child in an embrace. The composition is abstract with patterns that suggest the influence of Asian art—initialed lower right. Work is framed under glass - Oil on board Ethel Franklin Betts Bains (September 6, 1877 – October 9, 1959) was an American illustrator primarily of children's books during the golden age of American illustration in the late 19th and early 20th centuries. Betts first gained work illustrating magazines, including St. Nicholas Magazine, McClure's, and Collier's. Beginning in 1904, she was commissioned to illustrate several books, including James Whitcomb Riley's The Raggedy Man, While the Heart Beats Young, and Frances Hodgson Burnett's A Little Princess...

Cubist influence mixed with soft warm colors is on full display in this charming work. Signed twice. 6 Gallery Tags on verso Sotheby's Kennedy Galleries Barbara Mathes Gallery Sid Deutsch Gallery The Downtown Gallery University of Arizona Art...

Artist: Henry Rollet (British, 1881-1916) Title: Rue De Village Breton Year: c. 1910 Medium: Oil on canvas Canvas size: 12 x 18 inches Signature: Signed lower right Conditi...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

Bright impressionist views done with almost pointillist brushwork are rare and even more so from this vantage point in Provincetown. It is in a h...

Date: 1918 Medium: Oil on Mounted Canvas Signature: Signed Lower Left Dimensions: 24.70" x 18.20" Illustration from “The Fire Flinger’s” written by William J. Neidig, featured ...

Hans Pinggera "An Evening Recital" original oil painting circa 1940 Hans Pinggera (Austria b.1900) A Fine oil painting of a young pianist giving an e...

Signed 'ORPEN' (upper left) Sitter is bathed in warm window light that creates subtle patter of light and shadow in the background. Artists depicts Mr. Glass in a beige and brown ...

Oil on canvas sold with frame Total size with frame 47x65 cm Signed Christian Axtmann, Swiss artist from the 19th and 20th century. 8 artworks from him were sold in public auctions...

Rikard Lindström (1882–1942) Silent Interior oil on canvas mounted on board signed lower right framed: 50 x 58 cm (19.69 x 22.83 inches) unframed: 39 x 47 cm (visible image) (15.35...

⭐ La Défense ⭐ It's a cityscape, dominated by modern, high-rise buildings (Sky scrappers, office in Paris ) buried on snow.. The architecture suggests a contemporary urban environme...

The painting is hand signed by the artist at the lower left part "I. Ryback". It was probably painted between 1925 to 1935 in France. Provenance: Josef Steiglitz Gallery, Tel Aviv. ...

Artist/ School: early 20th century (c. 1930's) French School Title: Lady in an interior, painted with very thick impasto oil Medium: oil on canv...

An early-20th-century figural study showing a finely dressed young woman seated in the countryside and admiring her necklace in a hand-mirror. Signed lower right "Biro J." for Jozs...

Signed lower left, 'Karl Larsen' (Danish, 1897-1977) and dated 1922; additionally inscribed and stamped verso with provenance information. Provenance: Formerly in the collection of ...

Signed lower right, 'André Prévot-Valéri' (French, 1890-1959) and painted circa 1920. André Prévot-Valéri was the son of the landscape painter, August Prévot-Valéri (1857-1930), and...

Signed lower right, "Hagedorn-Olsen" for Theodor Hagedorn-Olsen (Danish, 1902-1996) and painted in 1989. Formerly in the collection of the Johannes Larsen Museum, Norway (label vers...

Signed lower right, 'A. W. Kerr' for Alexander Kerr (Australian, 1875-1950) and painted circa 1920. Inscribed on original frame, 'Menam River, Bangkok, Siam' A finely painted, early...

Work on canvas This work of art reveals a captivating alpine landscape, where the viewer is transported to the heart of a serene mountain village. The winding path, bordered by a si...

Rabbi in the synagogue at prayer wearing tallit and tefillin. Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter. Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including: "The Nell Walden Collection," Kunsthaus Zürich (1945) "Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950) "Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964) "Ungarische Avantgarde," Galleria del Levante, Munich (1971) "Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978) "L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980) "Ungarische Avantgarde in der Weimarer Republik," Marburg (1986) "Modernizmus," Eresz & Maklary Gallery, Budapest (2006) "Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007) Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...

A fine pastel winter landscape of Dublin, New Hampshire looking east toward Pack Monadnock by American artist Alexander Robertson James (1890-1946). James, nephew of writer Henry James, was born in Cambridge, MA, studied painting while living with Abbott Thayer...

PS 243 La Contrebasse d'Ingres Such as Odalisque from Ingres or the photography composition from Man Ray, the most important point is the round shape of the body. The pale body shap...

Signed lower right "H.V. Mook" (Dutch, born 1905) and painted circa 1925. A delicate, early-20th-century Impressionist oil landscape showing a pastel view of sand dunes sprinkled wi...

The very ordinariness of this European street scene is a delight. With Armistice recently signed, all the depravations of the recent war are letting up, enough so that two women can ...

This is a lovely oil on canvas painting that was attributed to Charles Harold Davis when I purchased it about ten years ago. It is unfortunately not signed. The scene is a view throu...

'Still Life', Carnegie, Biltmore, Mills College, CPLH, LACMA, WPA, CWS, Hollywood Signed, lower right, 'Boris Deutsch' (Lithuanian-American, 1892-1978) and dated 1926. Deutsch bega...

Signed lower right, 'Ludvig Jacobsen' (Danish, 1890-1957) and dated 1926. An exceptional early twentieth-century figural work by this notable Danish modernist and follower of Wattea...

Tranquil River Scene French Impressionist artist, 1901 signed with initials lower corner oil on canvas, unframed Canvas: 9.5 x 13 inches Provenance: private collection, France Condit...

This framed 14.25" x 17" watercolor by British artist Joseph Fred-Percy Rendell features a quiet landscape of rolling hills among a cluster of dense white clouds in a summer blue sky...

Signed lower right, 'Ludvig Jacobsen' (Danish, 1890-1957) and painted circa 1925. Ludvig Jacobsen first studied at Copenhagen's Technical School, working initially as a book-illustr...

Attributed to Hortense Mattice Gordon (Canadian, 1886-1961) and painted circa 1925. Attribution based on similar style, composition and subject matter of McGill University's 'Old Cou...

Initialed upper right 'A.B.' for Axel Bentzen (Danish, 1893-1952) painted circa 1925. Axel Bentzen studied art as a child and, by the age of 14, was copying Old Master paintings at ...

Crashing Waves signed oil on canvas, framed Framed: 23.5 x 27.5 inches Canvas: 20 x 25 inches Provenance: private collection, UK Condition: very good condition Description: This dr...