Portrait Paintings

This illustration was published as the paperback cover for Gambler's Girl by Kermit Welles, Original Novels 704, 1951.

Work is nicely archival matted to 17.75 x 16.75 inches but not framed. Signed lower left Published : Oct. 29, 1951 Cover, Time Magazine

The Board measures 13.5 x 12.5 Ernest Hamlin Baker is one of America's greatest artist that no one has ever heard of. Take a look at his full body of work. If you haven't noticed, Er...

Signed lower right Printer's and designer's marks in margins "Tool pearls in bodice, train & headband & ribbon under bosom." Ex-collection photographer Frank Paulin...

Redhead Girl in Window with Flower Pots by Lorraine Fox can be a joyful addition to your home. A beautiful redheaded young girl looks back at us from ...

Cover of Newsweek, Kruschev, March 16th 1959 Works on Paper (Drawings, Watercolors etc.), Gouache on board 12 x 12 in. (30.5 x 30.5 cm.) Signed Lower left Powerful study of Russian ...

The painting is being offered with a work and authenticity certificate

Artist: Ernest Crichlow, American (1914 - 2005) Title: Portrait of a Girl Year: 1954 Medium: Oil on Board, signed and dated l.r. Size: 19.5 in. x 15.5 in. (49.53 cm x 39.37 cm) Frame...

Portrait of Lady Mansfield of Ringwood Oil on Canvas Image size: 25 x 30 inches (63 x 76 cm) Original carved & gilded frame POA Provenance Descended through the Family Estate Born in Poland in 1760 to the 2nd Earl of Mansfield and his wife, Elizabeth Mary Murray would later come under the care of her uncle, William Murray (1st Earl of Mansfield) at Kenwood House in Hampstead. David Murray (2nd Earl of Mansfield) was set to inherit the title and full wealth of his uncle, including Kenwood House. Lady Mansfield’s second cousin would soon join her at Kenwood, where they would be raised together and featured in multiple portraits of the time. Her younger sister, Henrietta, is seen in a separate portrait done by Thomas Hudson as well. At the age of 25 she married George Finch-Hatton, an English aristocrat and politician who sat in the House of Commons from 1772-1784. Gazing out at the viewer, Lady Mansfield wears a decorated dress, with an abundance of pearls and lace, and a transparent gold lined veil surrounding her right shoulder. The excess of luxurious fabric matches another Hudson portrait of another Lady Mansfield, with the lace detailing and complementary bodice. The depiction of this Lady Mansfield epitomizes the style of portraiture in the 18th century, such as the styles Hudson’s pupils Joshua Reynolds, Joseph Wright, and Peter Toms. From Hudson’s travels to the Low Countries and Italy, he no doubt brought back artistic inspiration from the international pieces he encountered. Thomas Hudson Hudson was a celebrated 18th century portrait painter. Born in Devon in 1701 he studied under the artist Jonathan Richardson and married his daughter, against Richardson’s wishes. He had many artistic friends including William Hogarth and Francis Hayman and travelled with them in Europe in 1748. He also visited Italy with the sculptor Louis-François Roubiliac in 1752. Hudson’s style of portraiture proved so successful that for a decade from 1745 to 1755 he was London’s most popular portrait painter and made a fortune painting the cream of London society and members of the Royal Family. He was also a talented teacher, perhaps too good, as subsequently a number of his former assistants overtook him in popularity including the artist Joshua Reynolds. Hudson retired in the late 1750’s and died in Twickenham in 1779. His most notable works include portraits of King George II and George Friedrich Handel and his “Portrait of a Nobleman in Van Dyck dress.” Many of Hudson’s works may be seen in art galleries. These include the National Portrait Gallery, the National Maritime Museum, the Tate Gallery, the Foundling Museum and the Bristol City Museum and Art Gallery. His works are also in Museums across the world...

Portrait of Lady Mansfield of Ringwood Oil on Canvas Image size: 25 x 30 inches (63 x 76 cm) Original carved & gilded frame POA Provenance Descended through the Family Estate The y...

Spanish School (18th Century), A Rare Portrait of Juan Procopio de Bassecourt, count of Santa Clara, governor of the island of Cuba between December 1796 and May 1799. The lighthouse...

Oil on canvas Image size: 22 x 20 inches (22.75 x 51 cm) Pierced gilt frame This half-length portrait shows the sitter with her head and eyes looking over her shoulder, to the right. She is dressed in a delicate blue dress and blue shawl with her hair tied up away from her face. The composition of the painting is simple but effective; the woman stands out and is the undeniable focus of the viewer's attention. George Romney's artistic style is characterised by its focus on the beauty and elegance of human forms. Here, one can appreciate his ability to capture the delicacy of facial features and the soft textures of clothing. In addition, Romney has used a soft and diffuse brushstroke technique that creates a light and soft effect in the work. The dark and diffused background highlights the young woman's figure even more, creating an effect of depth and realism. It is possible that this sitter is Miss Anne Dutton. George Romney Romney was a fashionable portrait painter of late 18th-century English society. In his portraits Romney avoided delving into the character or sensibilities of the sitter. His great success with his society patrons depended largely on just this ability for dispassionate flattery. Line rather than colour dominates; the flowing rhythms and easy poses of Roman classical sculpture underlie the smooth patterns of his compositions. From 1755 to 1757 Romney was the pupil of Christopher Steele, an itinerant portrait and genre painter. Romney’s career began when he toured the northern English counties painting portraits for a few guineas each. In 1762 he went to London. His history painting The Death of General Wolfe won him an award from the Society of Arts; nonetheless he turned almost immediately to portrait painting. In 1764 he paid his first visit to Paris, where he was befriended by Joseph Vernet. Romney especially admired the work of Nicolas Le Sueur, whose use of the antique strongly appealed to him. In 1773 he went to Italy for two years, where he studied Raphael’s Stanze frescoes in Rome, Titian’s paintings...

Portrait of a well-to-do gentleman in pastel on parchment. Signed left: Marteau L. 1760. French School, possibly by Louis Marteau (1715 – 1804) In a gilded 19th century frame. Dimen...

CELSO LAGAR Spanish, 1891 - 1966 THE CLOWN signed and dated "Lagar 52" (lower right) gouache on cardboard 10-5/8 x 8 inches (27 x 20.5 cm.) PROVENANCE Private French Collector Cel...

Armando Barrios India, 1955 Pastel on paper 41 x 26 cm 16.1 x 10.2 in. The work is illustrated page 70 No. 0256, in the General Catalog (1930 - 1999) La Pintura Como Razón de Ser, edited by Armando Barrios Foundation, Caracas, Venezuela, 2005. " Armando Barrios was born in Caracas on August 21, 1920. Son of Serapio Barrios and Carmen Rodríguez de Barrios, both of Spanish origin. Since his adolescence he developed a great love for the arts, so from the age of 12 he was already studying at the School of Fine Arts and Applied Arts in Caracas. His searches in the artistic field were initially directed towards the study of the Impressionist and Cubist schools...

Oil on canvas Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City Born in California, John Button (1929-1982) was educated at University of California, Berkeley. After moving to New York City in the early 1950s, he became friends with Fairfield Porter and Frank O’Hara...

Noted German Expressionist artist Fritz Schwaderer(1901-1974), , was classically schooled in fine art in Germany in the early-mid 1920as. ...

American artist Ron Blumberg was classically trained at La Grande Academie Chaumiere in Paris, 1932, before moving to New York where he became a National Academy artist and a member of the Art Students League. "The Guitarist...