Portrait Paintings

Julian Alden Weir Study of a Girl Oil on canvas 7 x 6 inches The youngest of sixteen children of Robert W. Weir, artist and art instructor at West Point Military Academy, J. Alden ...

Portrait of a Lady French artist, Rococo period 18th century oil on canvas, framed framed: 15 x 12.5 inches canvas: 10.5 x 8.5 inches provenance: private collection, France condition...

Portrait of a Lady Artist: Ferdinand Georg Waldmüller (1793–1865) Medium: Oil on canvas Period: Early 19th century Dimensions: Framed: 84 x 61 cm Unframed: 72 x 62 cm Provenance:...

Auguste Adolphe CHAUVIN (Liege, 1810 – Liege 1884) Portrait of Coraline Oil on canvas Signed and dated lower right 91 x 68cm 1868 Auguste Adolphe Chauvin, born in Liège on October 2...

18th century Dutch old master oil, A boy playing the flute by Margaretha Wulfraet The present painting captures a young boy standing gracefully in a sunlit park, his fingers resting...

'Morning Amusement' English School, circa 1800's after the painting by Sir Joshua Reynolds, British 1723-1792 oil painting on canvas, unframed please...

William-Adolphe Bouguereau 1825-1905 French La fille du pêcheur (The Fisherman’s Daughter) Signed and dated “W-Bouguereau-1882” (middle right) Oil on canvas William Bouguereau's...

Portrait of Marie Camille (nee de Beer), Countess de Lalaing and her dog, 18th Century - married to Charles II Joseph, count de Lalaing, 11th Viscount of Audenaerde and Count of Thildoncq school of Alexander ROSLIN...

Antique Dog Painting "The Bulldog and the Fly" Auguste Vimar (France, 1851-1916) Gouache on paper Circa 1900 7 1/4 x 9 3/4 (13 1/2 x 16 frame) inches An amusing study of a bulldog in a stable on a horse blanket staring at a bothersome fly. Auguste Vimar was a French painter, sculptor, designer and illustrator though he is best known for his talents as an illustrator. He illustrated great classics like La Fontaine's Fables or books by his friends, such as L'Arche de Noé by Paul Guigou...

Portrait of a Young Girl with her Dog French School, circa 1800 period oil on canvas, unframed canvas : 23.5 x 19 inches provenance: private collection, France condition: the paintin...

19th century male portrait, painting Oil on canvas No visible signature, 25 x 30 unframed

Up for sale is a beautiful Antique 18-century original oil painting on canvas depicting a portrait of a Nobleman with a large whig, and red lined jacket...

This fine mid-19th-century German miniature depicts a woman wearing a black dress and a beautiful white and lilac day cap. Produced around 1840, this exquisite piece on porcelain is...

Portrait of Girl with Plaited Hair European School, late 19th century oil on canvas, framed framed: 41.5 x 35.5 inches canvas: 36 x 30 inches provenance: private collection, UK condi...

Signed center left, 'Christine Sundberg' (Swedish, 1837-1892) and dated 1888. Displayed in a period golden maple frame; Framed dimensions: 25.5 x 1...

A fine French academic study sketch on paper of a classical head. The work is unsigned but very much in the style of the period and its early exponents such as Jacques-Louis David. ...

Scandinavian Family Portrait Artist 18th century 18th Century Scandinavian School Signature: Not signed Medium: Miniature Dimensions: Image size ...

This captivating oil portrait by Albert William Holden (1848-1932) depicts a jovial cavalier, raising a glass in a dimly lit tavern interior. The composition has been signed 'Albert ...

The Flagellation of Christ, 17th Century Italian School Fine huge 17th Century Italian Old Master depiction of the Flagellation of Christ, oil on canvas. Excellent quality full len...

Paul Gervais was one of the most highly regarded painters of the female form in the late 19th Century but this is one of his most famous images as it was used in the advertising camp...

The Young Shepherdess by Charles Amable Lenoir (1860-1926) Oil on canvas 48 x 32 inches unframed (121.92 x 81.28 cm.) 58 ½ x 42 ¾ inches framed (148.59 x 10...

‘Young Beauty holding a Red Rose’ by Étienne Adolphe Piot (1831-1910). The painting is signed by the artist and hangs in a fine quality gold metal leaf frame. Academy Fine Paintings...

The Head of Christ 19th Century Dutch School oil on paper laid down on board, unframed size: 7.5 x 6 inches private collection The painting is in overall very good and sound condition

Ceremonial Portrait of Noble German Lady - amazing discovery of hidden monogram "J.E. 1826" disclosing Great American portraitist Jacob Eichholtz (17...

Up for sale is an unusual unique antique 18-century original oil painting on board depicting a figure of a gentleman wearing a white wig and is dressed in a red jacket and white jab...

The painting depicts James (Jacques) Dalbiac, his wife Louise (ne de la Porte) and their five children, James, Charles, Louise, Marianne and Martha in the ornamental gardens of a grand country estate. The extensive gardens extend into the distance with gardeners working in the background and figures strolling through the avenues of trees. A peacock and peahen can be seen on the wall to the left and a potted orange tree to the right. Louise Dalbiac holds an orange taken from the orange tree, aluding to the family's faith and their loyalty to the protestant King William of Orange and their adopted country. The Dalbiacs were wealthy London silk and velvet merchants of French Huguenot origin who had fled France at the end of the 17th century to escape persecution for their protestant faith. England offered safe refuge and their skills and industriousness allowed them to establish one of the most successful businesses in London's Spitalfields which became a new centre of the silk trade, effectively leading to the collapse of the once dominant French silk industry. Both sons, James and Charles followed their father and Uncle into the family business, successfully growing the family's fortune and each going on to own their own country estates. A conversation piece is a genre of painting used to describe group portraits of families and friends, often depicted with their servants and family pets and set within an elegantly furnished interior or the garden of a grand country house. They were a celebration of the intimacy of family relations as well as a sign of status, property and the power of succession. The informality of conversation pieces grew popular in 18th century England, allowing the sitters to present themselves in a more relaxed pose, perhaps engaged in intellectual conversation or showing their talents or interests. In this present portrait, the Dalbiacs are shown richly dressed and and at leisure in a grand country house setting, conveying their success and cultural and social aspirations. Charles Philips (c.1703–1747) was an English artist known for painting a number of portraits and conversation pieces for noble and Royal patrons in the mid-eighteenth century. He was the son of portrait painter Richard Philips...

Family Devotion with Cherubs French School, 18th century after the earlier work by Sir Peter Paul Rubens oil on canvas, unframed Canvas : 29 x 24 inches Provenance: private collectio...

Up for sale is an amazing original antique oil painting on a wooden board depicting a portrait of a nobleman in a red camisole with a guitar. He peers around the corner as if he is a...

'Looking out to Sea' The Cornish Fisherman Signed by David W. Haddon (British, flourished end of the 19th century) Oil on canvas, unframed Canvas: 10...

Artist/ School: Continental School (19th Century) Title: Cherubs In Garden Setting Medium: oil on canvas, framed in beautiful gilt frame. Frame...

Charming work in the Regency style, mid 19th Century after Sir Thomas Lawrence. High quality painting. Old Christie's Stencil to verso. Would grace any home, suitable for contempor...

Portrait of a Man with a Cigar, c. 1840s Oil on Canvas 30" x 25" Housed in a 4 3/8" Frame Overall Size: 38 1/4" x 33 1/4" Light craquelure, some in-painting. Please view all pho...

Portrait of an Elegant Lady by Victor Charles GUÉRIN (1815-1881) signed oil on canvas, unframed Canvas : 25.5 x 21.5 inches Provenance: private collection, France Condition: very good condition Description: This enchanting 19th century painting by the elegance of a lady dressed in lavish Rococo-style attire. Set against the backdrop of grand European architecture, the woman is depicted in a voluminous blue and gold gown...

This mid-18th-century half-length German portrait depicts a middle-aged aristocrat wearing armour and a wig. Despite his heavily-clad appearance, it’s likely that this rather noncha...

Portrait of a Gentlemen, c. 1835 Oil on Canvas 30" x 25" Housed in a 2 1/2" Frame Overall Size: 34 1/2" x 29 1/2" Craquelure throughout, some inpainting. In otherwise good condi...

This superb French Old Master oval portrait oil painting is attributed to circle of Nicolas de Largilliere. Painted circa 1700 it is a half length portrait of a gentleman in a red co...

This superb British 18th century Old Master portrait oil painting is attributed to Matthew William Peters. Painted circa 1780 it is a fine half length portrait of a woman gazing to her left. She has a lovely blue bow and sash on her dress. The sympathetic detail in her face is sublime. A really wonderful 18th century Old Master portrait. Matthew William Peters was known for his late 18th century portraits which had both the influence of Sir Joshua Reynolds and Thomas Gainsborough. Provenance. Lincolnshire estate. Condition. Oil on canvas 30 inches by 25 inches unframed and in good condition. Has has restoration. Frame. Housed in an ornate gilt carved swept period frame, 40 inches by 35 inches framed and in good condition. Matthew William Peters (1742-1814) was an English portrait and genre painter who later became an Anglican clergyman and chaplain to George IV. He became known as "William" when he started signing his works as "W. Peters". Peters was born in Freshwater, Isle of Wight, the son of Matthew Peters (born at Belfast, 1711), a civil engineer and member of the Royal Dublin Society; by Elizabeth, the eldest daughter of George Younge of Dublin. The family moved from England to Dublin when Peters was young. Peters received his artistic training from Robert West in Dublin; in 1756 and 1758 he received prizes from the first School of Design in Dublin. In 1759, he was sent by the Dublin Society to London to become a student of Thomas Hudson and won a premium from the Society of Arts. The group also paid for him to travel to Italy to study art from 1761 to 1765. On 23 September 1762 he was elected to the Accademia del Disegno in Florence. Peters returned to England in 1765 and exhibited works at the Society of Artists from 1766 to 1769. Beginning in 1769, Peters exhibited works at the Royal Academy. In 1771 he was elected an associate and in 1777 an academician. He returned to Italy in 1771 and stayed until 1775. He also probably traveled to Paris in 1783–84, where he met Léopold Boilly, Antoine Vestier, and was influenced by the work of Jean-Baptiste Greuze. On 27 February 1769, Peters became a freemason, and he was made the grand portrait painter of the Freemasons and the first provincial grand master of Lincolnshire in 1792. In 1785, he exhibited portraits of the Duke of Manchester and Lord Petre as Grand Master at the Royal Academy exhibition. According to Robin Simon's article in the Oxford Dictionary of National Biography, no British contemporary had such an Italian manner of painting as Peters, reflecting the old masters he copied. Many of Peters' works were erotic and although these works did not damage his career, according to Simon, Peters later regretted these when he became an ordained clergyman in 1781. He served as the Royal Academy's chaplain from 1784 to 1788, at which time he resigned to become chaplain to the Prince of Wales. In 1784, Peters was awarded the living of Scalford, Leicestershire by Charles Manners, 4th Duke of Rutland. In 1788, the Dowager Duchess gave him the living at Knipton, at which time he also obtained that at Woolsthorpe. These livings were near to Belvoir Castle...

An unusual detailed oil depicting a female figure darning socks in a country cottage. Signed and dated 1889 to the lower left. Well presented in a swept gilt effect frame. On canvas ...

Bearded Fisherman English artist, second half 19th century inscribed 'W.M.Wyllie' to the frame Oil painting on board, framed Framed: 12 x 12 inches Board: 10 x 10 inches Condition: ...

Two Warwickshire hounds, named Hermit and Wildboy, standing in a landscape. Signed and dated 1889 (lower right) and signed, inscribed and dated on the reverse. Oil on canvas in a gil...

Jean François Portaels 1818 - Brussels - 1895 Belgian Painter ‘Oriental Girls - Mediants à Tanger, Maroc’ Signature: signed lower right ‘J. Portaels’ Medium: oil on canvas Dimensions: image size 40,5 x 28,5 cm, frame size 67,5 x 56 cm Biography: Jean François Portaels, also known as Jan Portaels, was a versatile Belgian painter born on April 3, 1818, in Vilvoorde and passed away on February 8, 1895, in Schaerbeek. He was celebrated for his genre scenes, biblical stories, landscapes, portraits, and Orientalist subjects. As a teacher and director of the Academy of Fine Arts of Ghent and the Académie Royale des Beaux-Arts in Brussels, Portaels significantly impacted Belgian art, becoming a pivotal figure in the Belgian Orientalist school. His works were known for their 'everyday elegance and feminine grace,' and he played a crucial role in influencing the next generation of Belgian artists, including notable figures like Théo van Rysselberghe. Portaels was the son of a wealthy brewer who also served as Vilvoorde's mayor. Showing an early passion for drawing, he was sent to the Académie Royale des Beaux-Arts in Brussels in 1836, where he studied under François-Joseph Navez, a former student of Jacques-Louis David. Navez invited him to his studio, which was renowned at the time, allowing Portaels to refine his skills alongside other talented students like Charles de Groux and Joseph Stallaert. In 1841, Portaels moved to Paris, enrolling at the Ecole des Beaux-Arts and studying under Paul Delaroche. He became influenced by the emerging Orientalist movement, which was gaining traction in Paris. In 1842, he won the Grand Prix de Rome, which funded his travels across Italy and other regions, including Morocco, Algeria, Egypt, Lebanon, Judea, Spain, Hungary, and Norway. These journeys profoundly influenced his artistic vision, particularly his Orientalist works. Upon his return to Belgium in 1847, Portaels was appointed Director of the academy in Ghent. In 1849, he married Marie Hélène Navez, the daughter of his first teacher. Despite being offered the directorship of the Brussels Academy, he initially declined, opting to preserve his independence. He later accepted a teaching position at the Academy and eventually became its director in 1878, succeeding Eugène Simonis. Portaels was known for his broad range of artistic talents, including history painting, portraiture, and genre art. He was particularly recognised for his Orientalist depictions, often portraying the 'Oriental woman' with distinctive features like arched eyebrows and almond-shaped eyes. His style, marked by charm and elegance, distinguished him from the dominant artistic movements of Classicism and Romanticism. He was a pioneer in monumental art in Belgium, working with Jean Baptiste van Eycken to introduce fresco techniques like water glass painting...

Portrait The Honourable Mrs Elizabeth Tufton (Wilbraham), circa 1710 Sir Godfrey Kneller (1646-1723) Large circa 1710 portrait of The Honourable Mrs E...

Portrait of Princess de Joinville riding a Bay Horse Henri d’Aincy, Le Comte Monpezat (French 1817-1859) Painted circa 1837-9 oil on canvas 113 x 92 inches (including frame) 92 x 70 inches (unframed) Provenance – from a private royal collection This magnificent portrait depicts Princess de Joinville, the daughter of Pedro I, Emperor of Brazil and the King of Portugal. Through her illustrious family she was directly related Alexander III and Nicholas II of Russia and the Russian royal family, as well as to many of the great ruling families of Europe. The work clearly confirms Monpezat as one of the most accomplished equestrian portrait painters in France in the early nineteenth century. In terms of scale, quality and dramatic power, it must surely be considered amongst his finest works. The stance of the powerful thoroughbred - in half rear - emphasises the calm nature and courage of the Princess. Francisca of Brazil (1824-98) married a son of Louis Philippe I, the King of the French, and had three children. Born at the Imperial Palace of Saint Christopher, her youngest brother was the future Pedro II...

5055 Antique German female oil portrait in a period frame on board Signed T.H.Fischem Berlin 91 Image size 19.5x16.5"

Renowned portraitist Frank West Benson paints a young woman by the fireplace reclining in a chair in his artwork entitled, “Firelight.”

Work on canvas Work re-lined Plaster and gilded wood frame 86 x 105 x 7 cm

Portrait of a Country Lady Dutch Impressionist, late 19th century oil on wood - looks like a cigar box lid? framed framed: 11 x 8.5 inches board: 8...

Edgard Farasyn 1858 – Antwerp – 1938 Belgian Painter 'The Mischievous Little Artists' Signature: signed middle lower left and dated 'Edg. Farasyn 1881' Medium: oil on canvas Dimens...

This young shepherd clearly didn't want to pose for the artist, but something caught his attention, and in this expression and look, the artist masterfully depicted the whole range o...

"Moorish Soldier Holding a Rifle" Manuel Garcia Hispaleto (Spanish, 1836-1898) Watercolor on paper Signed lower left "MGHispaleto" Original wood frame with gilded stucco 18 3/4 x 12 1/2 (33 1/2 x 26 frame) inches Manuel García Hispaleto, originally Manuel García y Martínez (22 November 1836, Seville -26 December 1898, Madrid) was a Spanish painter known for portraits and costumbrista (genre) scenes. His brother, Rafael García...

Edwin Howland Blashfield was born in New York and as he grew up, he prepared for a life as an engineer: studying at Harvard, Boston, and MIT. He later grew into a love of art and beg...

The Death Of Patroclus, 18th Century School of Jacques-Louis David (1748-1825) 18th Century French Neo-Classical scene of the Death Of Patroclus, oil on panel. Excellent quality an...

This lovely Victorian oil painting is by British artist E Stott. The painting, painted circa 1880 is a portrait of a large dog. The artist is clearly a very talented dog artist and k...

Fabio Fabbi, born in Italy in 1861, stands as an acclaimed Orientalist painter renowned for his devotion to capturing the exotic allure of the Orie...

Self-portrait as an Oriental Oil on canvas 56 x 46 cm Monogrammed lower left After his first training with the brothers Achille and Eugène Devéria, Glaize began his career at the S...

French Romantic School 19th Century Manly head of bearded man oil on canvas 46 x 37.8 cm In fairly good condition, some inpaintings visible under UV light, mainly in the backgrounds ...

William Richard Waters Picture Size: 36 x 28" (92 x 72cm) Outside Frame Size: 44 x 36" (112 x 92 cm) Oil on Canvas signed bottom right and dated 1847 This painting is nearly 200 year...

After Carlo Dolci (Italian, 1616-1686), "La Madonna del Dito" [Madonna of the Finger], Oil on Canvas, 19th century, unsigned, framed oval in carved gilwood frame. Image: 22" H x 18" ...