Gouache Portrait Paintings

This is a signed portrait painting done in an outsider, folk art, expressionist style. it is signed in Hebrew, also marked with a Jewish star. this is from a collection of works by the same hand. they are all signed. Some have markings to the back of the paper. they have some age to them. They bear similarities to artists as dissimilar as Moshe Tamir, Mane Katz and an Israeli version of Purvis Young. In this piece the artist choice of colors is muted yet powerful. Israel has had a Vibrant Folk Art, Naive art scene for a long time now, artists like Yisrael Paldi, Nahum Guttman, Reuven Rubin and even Yefim Ladyzhensky had naive periods. The most well know of the strict naive artists are Shalom of Safed, Irene Awret, Gabriel Cohen, Natan Heber, Michael Falk and Kopel Gurwin. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. Art brut, primitive art, primitive, art naïf, naïve art. Outsider art. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard (b. 1922) Jan Balet (1913–2009) Michel Delacroix (b. 1933) France Howard Finster (1916–2001) Ivan Rabuzin (1921–2008) Spontaneous Art Museum in Brussels Art en Marge Museum in Brussels MADmusée in Liege International Museum of Naive Art of Brazil in Cosme Velho, Rio de Janeiro Gallery Jacques Ardies in São Paulo Musée international d'art naïf de Magog in Magog Croatian Museum of Naïve Art in Zagreb Gallery of Croatian Naïve Art...

Artist: Roger Etienne, French/American (1922 - ) Title: Portrait of a Girl Year: 1949 Medium: Gouache On Paper, signed and dated Size: 20 x 16 in. (50.8 x 40.64 cm) Frame Size: 29 x ...

AGATA STOMMA She studied at the Academies of Fine Arts in Gda?sk and in Warsaw (1975-1981). After graduation she worked as an animator of animated films and made illustrations for bo...

Paintnig is on exhibition, please cuntact us for availability AGATA STOMMA She studied at the Academies of Fine Arts in Gda?sk and in Warsaw (1975-1981). After graduation she worked...

MALCAH ZELDIS (American-Israeli, b. 1931) Moses and the burning bush, 1982, gouache on paper, Hand signed and dated lower middle. Paper 9''h, 11-3/4''w...

Ian and Oliver Hartt, Diptych, 2016 by Ramonn Vieitez Watercolor and Gouache on canvas Overall size: 15.7 H x 23.6 W in. Individual Size: 15.7 H x 11.8 W in. Signed on the back by th...

Jeremy Abbott and Oliver Hartt, Diptych, 2016 by Ramonn Vieitez Watercolor and Gouache on canvas Overall size: 15.7 H x 23.6 W in. Individual Size: 15.7 H x 11.8 W in. Signed on the ...

Set Ian, Jeremy Abbott, Adam and Oliver Hartt, 2016 by Ramonn Vieitez Watercolor and Gouache on canvas Overall size: 15.7 H x 47.2 W in. Individual Size: 15.7 H x 11.8 W in. Signed o...

Adam, 2016 by Ramonn Vieitez Watercolor and Gouache on canvas Size: 15.7 H x 11.8 W in. Signed on the back by the artist Unframed ___ Ramonn Vieitez is a self-taught Brazilian arti...

Donald Stacy "Cubed Figures on Bench" c.1950s Gouache paint on paper site 19"x15.75" black wood frame 21.5"x1"x18.25" Unsigned Came from artist's estate ...

Lorraine Fox was an American illustrator and commercial artist who illustrated magazines, book covers, and advertisements. Among the magazines, she illustrated for were Woman's Day, ...

An incredibly vibrant and eye catching painting in gouache showing a young woman a hardened young woman sitting on the floor, smoking a cigarette in her boarded up home. She is surrounded by supplies for the apocalypse with an iPad at her side showing the breaking news...

Antique illustration of a golfer getting out of a sand trap by well listed illustrator Leslie Saalburg whose work appeared in Vanity Fair and Esquire.

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Very vibrant, dynamic orchestra scene reminiscent of the work of Mopp (Max Oppenheim) David Aronson, (1923-2015) son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work. In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts. included in the catalog Contemporary Religious Imagery in American Art Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others. Selected Awards 1990, Certificate of Merit, National Academy of Design 1976, Purchase Prize, National Academy of Design 1976, Joseph Isidore Gold Medal, National Academy of Design 1976, Purchase Prize in Drawing, Albrecht Art Museum 1975, Isaac N. Maynard Prize for Painting, National Academy of Design 1973, Samuel F. B. Morse Gold Medal, National Academy of Design 1967, Purchase Prize, National Academy of Fine Arts 1967, Adolph and Clara Obrig Prize, National Academy of Design 1963, Gold Medal, Art Directors Club of Philadelphia 1961, 62, 63, Purchase Prize, National Institute of Arts and Letters 1960, John Siimon Guggenheim Fellowship 1958, Grant in Art, National Institute of Arts and Letters 1954, First Prize, Tupperware Annual Art Fund Award 1954, Grand Prize, Third Annual Boston Arts Festival 1953, Second Prize, Second Annual Boston Arts Festival 1952, Grand Prize, First Annual Boston Arts Festival 1946, Traveling Fellowship, School of the Museum of Fine Arts 1946, Purchase Prize, Virginia Museum of Fine Arts 1944, First Popular Prize, Institute of Contemporary Art 1944, First Judge's Prize, Institute of Contemporary Art Selected Public Collections Art Institute of Chicago Virginia Museum of Fine Arts Bryn Mawr College Brandeis University Tupperware Museum, Orlando, Florida DeCordova Museum Museum of Modern Art Print Collection, New York Atlanta University Atlanta Art...

Golden Age of Illustration preliminary drawing with Art Nouveau influence that was most likely for a major magazine commission. Eastman captures the elegance, style, and self-confidence associated with the upper-class American woman. The work is masterfully crafted and demonstrates a deep knowledge of academic drawing skills. The female figure is depicted in a classic pose with her scarf blowing in the wind, geese at her feet, clutching a red umbrella, and isolated against a neutral background. Signed lower right. Providence: The Illustrated Gallery...

Vivid and contemporary style gouache portrait of a female cellist at work by G. Lachausse, circa 1970. Original one-of-a-kind artwork on paper displayed on a white mat with a gold...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper signed lower corner Image : 12.5 x 9.75 inches Superbly decorative 1960's French portrai...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper signed lower corner and dated 1955 Image : 12.5 x 9.5 inches Superbly decorative 1960's F...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper Image : 12. x 19.5 inches Superbly decorative 1960's French portrait painting. Ideal for ...

'Abstract Figure' Suzanne Vattier, French 1901-1996 signed gouache painting on artist paper, framed size: 13 x 10 inches Fabulous 1970s abstract goauche painting. The colours used i...

A sensitive portrait beautifully rendered in watercolor and gouache. Mid century. I am guessing from the 1940s it is not dated. Robert Philipp (February 2, 1895 – November 22, 1981) was an American painter influenced by Impressionism and Post-Impressionism, and known for his nudes, still lifes, and portraits of attractive women and Hollywood stars. Noted art critic Henry McBride called Philipp one of America's top six painters of his generation. He was an instructor of painting at the Art Students League of New York for 33 years. WPA Era. Philipp was Secretary of the National Academy of Design, and National Academician, Benjamin Franklin Fellow, Royal Society of Arts in London. He was married to model and fellow artist Rochelle ("Shelly") Post, who frequently posed for him until her death in 1971. His compositions and painting style have been compared to the art of Edgar Degas and Pierre-Auguste Renoir. Philip won prizes in most of the important exhibitions of his time, and his paintings are in numerous museums and important private collections. In 1940, Philipp was invited to Los Angeles by Hollywood mogul Louis B. Mayer to paint portraits of Metro-Goldwyn-Mayer movie stars. The same year, Walter Wanger, producer of The Long Voyage Home, directed by John Ford and based on plays by Eugene O'Neill, contracted with Reeves Lewenthal, head of the Associated American Artists gallery in Manhattan, to bring nine well-known artists to the set and paint scenes from the movie and portraits of the actors in character. The artists included Robert Philipp, Thomas Hart Benton, Grant Wood, Ernest Fiene, George Schreiber, Luis Quintanilla...

Primary Hughes' "McKenna" is an original, handmade gouache painting that depicts a portrait of a female model with her hair pulled into a low bun as sh...

Max Walter Svanberg (1912-1994) Untitled, 1957 Gouache on paper Paper: 36 x 29 cm 14 1/8 x 11 in. Frame: 57 x 49 cm 22 1/2 x 19 1/3 in Signed and dated Max Walter Svanberg artwor...

Wonderful 60's chic is on full display in this beach scene. It's masterfully designed. The beautiful model horizontally fills the center space while supporting players fill background spaces. The style is very flat with lots of gray muting the colors and defining the artist's palette. Fuch's was a giant talent who is overlooked by today's art world participants. His style could be described as a post-post impressionist. This particular work is so deftly designed and exhibits the most intriguing positive and negative spaces. The model is rendered with loose, quick and authoritative brush strokes which give an air of chic confidence. Most of all, it's her dreamy blue eyes that truly captivate the viewer. All parts of the eye ( Iris, Pupil, Sclera ) are composed of a soft robin's egg blue which is in counterpoint the pink day-glow color on her lips. She looks at you. You look back and the process is repeated and repeated. Fuch's not just a great painter, designer, academic artist but a brilliant and innovative colorist as well. To demonstrate how great this simple work is, out of a world population of 7.2 billion people, as a betting man, I would say there may be no other artist who could render a scene this good. An artist such as Peter Doig, who does nice and beautiful work, may come close to the talent of Fuchs. Bernard Fuchs American, 1932 - 2009 Girl at the Beach...

MALCAH ZELDIS (American-Israeli, b. 1931), ''David and Saul'', 1982, Gouache on paper Hand signed and dated lower right, titled in pencil on paper verso...

Timur Akhriev's (US and EU based) "Worship" is an original, handmade oil painting that depicts a lone nude female figure kneeling on a bed of lily pads with pink flowers and bent ove...

Since the 12th century people in China have used folding screens and doors to partition and decorate their homes—the vivid scenes backing the screens added life and color to a room. ...

In this painting, Nussbaum depicts a Rabbi as his subject; a recurrent figure in his body of work. The artist uses gestural marks and vibrant blue colors in this composition. Nussba...

Cubist style mixed media contemporary portrait of a Middle Eastern woman. The work has fabric glued to the paper to represent her clothing. The work is signed by the artist in the bo...

Julia (Elsie Julia Miller) Schleicher (Canadian/American, 1916-1988) she was an important female illustrator Woman Tennis Player Pastel and gouache on boa...

“Graduation Day” is emblematic of mid-century American Illustration. But the real story of this storytelling work is that it embodies the lost art of portrait painting and graphic design. Alex Ross borrows on the classical tradition and flaunts his skills as a narrative painter. In “Graduation Day”, he paints a complex composition involving at least thirteen portraits. The subjects are beautifully rendered and lit. They are set against a dark grey background and jump off the surface at the viewer. The composition is complexly designed. The future graduate in the red jacket engaging with a girl photographer is a compositional device that leads the viewer's eye to the main subject - a father congratulating his son on graduating from medical school. Creating art that relies on facial expressions and body gestures is a talent absent in contemporary art. Why? It’s very hard to do and takes years and training and practice to get it right. Despite Alex Ross's folksy subject matter, this work is a high example of naturalism and representation by an important member of the Golden Age of American Illustration. Signed lower right Born in the town of Dunfermline, Scotland, Alexander Sharpe Ross (1908-1990) moved with his family to Pittsburgh, Pennsylvania in 1911. After attending Carnegie Tech (now Carnegie Mellon University), Ross moved to New York and joined the Charles E. Cooper Studio, where he worked among such notable illustrators as Ward Brackett, Stevan Dohanos, J. Frederick Smith...

This work is remarkable for its intense dramatic lighting effects and wide-angle composition. Very few artists conceived and executed with acutely dramatic light in the arc of art hi...

Alternate cover for Fortune Magazine February, 1940. Gouache on board. 350x285 mm; 13 3/4x11 1/4. Signed "A. Petrucelli" in lower left image. Tipped t...

Glamorous Redhead is a poster-like iconic image that sums up an era in American visual history - The 1950s. Al Parker is a giant in the history of American Illustration. He possess...

This graphic composition depicts Lord Cardigan on horseback commanding an equestrian military unit with the Union Jack flag proudly displayed. The famous battle scene "Charge of the Light Brigade...

This brilliantly rendered female portrait by a major American post-war illustrator known for his stunningly glamorous women. Notice how all the elements of the composition work tog...

When the Wood Grows Dry "Good House Keeping Magazine" illustration Surreal depiction of a young mid-century girls social life Good House Keeping Magazi...

This deceptively naive painting was most likely done for a children's book. Upon close study, the viewer will recognize that this painting is anything but a child's effort. It's a g...

medium: gold gouache on paper The artist says of the inspiration in her latest work . . . Moving to Washington, DC in 2016 changed me. The unraveling of this country's leadership ...

medium: gold gouache on paper The artist says of the inspiration in her latest work . . . Moving to Washington, DC in 2016 changed me. The unraveling of this country's leadership ...

Signed lower right, unframed - Interior Illustration for Redbook Magazine

Gouache on paper Unique work Hand-signed lower right by the artist

Gustaf Tenggren- Attributed This masterfully designed and graphic interpretation of the Arabian Nights saga features a monumental figural profile while small figures float above on a magic carpet. Gustaf Tenggren (American 1896-1970) Attributed - We are not certain if Tenggren did this work. There is stylistic evidence to support Tenggren. It's the brilliance factor of how he assembles all the elements of the work and composes it into a cogent and readable form. This says Tenggen. As a former New York advertising agency art director, I have seen artists work in different styles. Usually this is not the case but great artist can do it. Their styles can change but the brilliance remains. Untitled Untitled 1957 Gouache on illustration board - Unframed Not signed 9 x 7.25 live - 10.5 x 9.5 board Original book illustration...

Al Parker was one of America's greatest and most inventive illustrators. He did work for magazines such as: Chatelaine, Collier's, Ladies' Home Journal and Woman's Home Companion. ...

Elizabeth Voss was a top mod-century illustrator at Merrill Company and was a major figure in Children's Art and Children's Illustration Published by Merrill Company Publishers, Co...

Legendary female illustrator creates a graphic and tightly designed triple portrait of her signature subjects. Kids! Signed lower right. Unframed on heavy illustration board. Grace Drayton had a recognizable style which is a hallmark of all great artists. Instantly recognizable, a Grace Drayton subject is a stylized child with a cherubic style, often with round faces, plump bodies, rosy cheeks, and a happy disposition. Three Rosy Cheek Children is an excellent example of her best work. Grace Drayton Born: Grace Gebbie October 14, 1878 Philadelphia, Pennsylvania, US Died: January 31, 1936 (aged 58) Cartoonist, Illustrator Grace G. Wiederseim Notable works Campbell Soup Kids Dolly Dimples Dolly Dingle...

O MARA'S MUNICIPAL TAVERN - Saturday Evening Post Illustration Supreme technical skill allows the artist to realistically capture an...

Pioneering Female Illustrator Barbara Briggs Bradley was an in-demand illustrator in the 1950s. Merrill Publishers of their famous children's books hired Barbara Briggs Bradley to d...

Airbrush Illustration on paper Signed Risko lower right Blindstamp Upper Right Published: Vanity Fair Magazine Unframed

This work is meticulously and brilliantly rendered to capture not only the likeness of the sitter but spirit as well. The image is pushed to the forefront of the composition and s...

A handsome man and a beautiful woman are depicted in a rapturous pose. Their bodies are intertwined with each other and with the surrounding floral elements. This masterfully render...

Works on Paper, watercolor, gouache, and pencil on paper Robert L. B. Tobin Foundation San Antonio, Texas initialed in cartouche bottom center

Jon Whitcomb was know for is dipictions of Handsome men and glamous women. Most likely for a major newsstand magazine like. Cosmopolitan, McCall's and Pl...

This graphic and flatwork was an Interior illustration for the Saturday Evening Post. George Giusti( Italian - American 1908-1990)- ''The Last Snapshot''- ink and acrylic on illust...

Italian illustrator Gianni Benvenuti paints a charming fantasy scene. It's of an extreme closeup of a tiny crowned and winged Prince and Princess They are standing upright in a dand...

The Artist captures a "caught moment" of cloths blowing in the wind. It's being witnessed by an inquisitive bird, while be ducklings and a cute kitty cat accompany her. Signed lower...

One Thousand and One Nights - It is often known in English as the Arabian Nights. What is notable about this work is how magnificently composed, designed, and rendered it is. Its l...