Oil Portrait Paintings

Beautiful Blue Eyed Boy Vintage Portrait California Impressionist Wonderful 1940s portrait of young boy on cusp of adulthood. His piercing blue eyes draw y...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Gershon Benjamin (1899 – 1985). An American Modernist of portraits, landscapes, still lifes, and urban scene...

Oil on canvas with wooden frame. Total size with frame is 88x109 cm Ilse VOIGT is an artist born in 1905 and died in 1997. His works have been sold at public auction 24 times, mostl...

1949 French Portrait of an Elderly Jewish Man, Signed Stern

Work on canvas

Work on canvas Molded frame in plaster and gilded wood 103.5 x 93 x 7 cm

Oil on canvas signed by artist Angelo Di Benedetto (1913-1992) featuring two young figures reading a book together while sitting from 1947. Painted in shades of green, orange, red, gray, and green. Image measures 28 x 38 inches, framed dimensions are 33 ¾ x 39 ¾ inches. Painting is in good condition - please contact us for a detailed condition report. About the Artist: Born New Jersey 1913 Died Central City, CO 1992 The son of Italian immigrants from the Salerno province in southern Italy, as a teenager Di Benedetto worked to study at the Cooper Union Art School in New York City (1930-34) from which he graduated with a certificate in freehand drawing. He won a scholarship to the Boston Museum Art School where he studied for three years, beginning in 1934. In 1937, he entered his first juried exhibition at the Montclair Museum in New Jersey, winning first prize and first honorable mention. In December 1938, the Royal Netherlands Steamship Line sent him on a two-month ethnological study trip to Haiti, his first exposure to a different environment outside the United States. In 1940, his Haitian paintings were exhibited at the Montross Gallery in New York – his first solo show. Before World War II, Di Benedetto traveled extensively around the United States doing regional paintings. During the war in 1941, Di Benedetto volunteered for a secret mission based in Eritrea, Africa before the Allied invasion. Following Africa, he served as an orientation officer and aerial photographic officer in the District of Columbia. In 1945 he was assigned to a mapping unit at Buckley Airfield in Denver where he served until his discharge in 1946. Like many other servicemen stationed at the time in Colorado, Di Benedetto chose to remain in Colorado, impressed by the state’s physical grandeur and healthful climate. He settled in the old mining town of Central City in 1947. In 1949 Di Benedetto and his wife, ceramist Lee Porzio, opened the Benpro Art School in his studio where he conducted summer art classes. In 1950, Di Benedetto teamed up with Frank Vavra...

Untitled (Portrait of Bessy Lyon, Artist Wife) is an oil on canvas painting by Hayes Lyon (1901-1987) from 1945. Presented in a wood frame, outer dimensions measure 35 ¼ x 29 ¼ x 1 ¾ inches. Image size is 30 x 24 inches. About the Artist: A native of Athol, Kansas, Lyon is primarily associated with Colorado. After several summer vacations at the Boulder Chautauqua and at Manitou near Colorado Springs, his family relocated in 1920 to Boulder where his father had a lumber business. Nine years later they settled in Denver where his father owned the Acme Lumber Company. To comply with his desire for his son’s financial self-reliance, Lyon graduated from the University of Colorado at Boulder in 1931 with a B.A. degree in economics. But shortly thereafter he returned to his first love – art – that ultimately became his career. His interest in the arts was nurtured by his mother, herself a talented amateur artist, and by two of his aunts who served as role models. Beginning in 1932, he pursued a five-year course of study at the Chappell School of Art in Denver which by then had become part of the University of Denver. During his time at the school he studied with John E. Thompson and Santa Fe artist, Józef Bakoś. He also met two other Santa Fe-based artists, Willard Nash and B.J.O. Nordfeldt, when they exhibited at Chappell House, then the home of the Denver Art Museum. Lyon likewise attended the Cooke-Daniels Lecture Series there on the arts in the 1930s. Following graduation with a B.F.A. degree from the University of Denver in 1937, he studied privately for about a year with Andrew Dasburg in Taos, New Mexico, that redirected his attention to the rugged Rocky Mountain landscape, which he saw with directness and painted with an economy of means. His canvas, Winter Vista, done following his study with Dasburg, received the Edward J. Yetter Memorial Prize at the 45th Annual Exhibition of the Denver Art Museum in 1939. The painting was reproduced in the September 1939 issue of the Magazine of Art (Washington, DC). That same year his painting, Mount Evans, was included as one of Colorado’s entries in the American Art Today Pavilion at the 1939 World’s Fair in New York. The money he received from the Yetter Prize financed his trip to Mexico City and Guadalajara in 1939 to see firsthand the frescoes of José Clemente Orozco and Diego Rivera and the easel paintings of David Alfaro Siqueiros. Their work was admired by many Americans who participated in the WPA-era mural projects in the United States in the 1930s and early 1940s. The economic fallout from the Great Depression affecting many American artists at the time likewise resulted in Lyon’s participation in the Colorado Art Project, part of the WPA’s national program. Under its auspices he produced three murals in 1940 about the pioneer era of Fort Lupton, Colorado, which were installed in the auditorium of the local high school. Covering 367 square feet of wall space, one of the murals – Behold the West (the largest one) – incorporates the old fort for which the town is named. Before Lyon painted the murals, the students at Fort Lupton High School researched the history of their community and contributed to their cost, facilitating the murals’ allocation to their school under the Colorado Art Project. In the early 1940s Lyon shifted his focus to two new subjects – bathers, and canyons with conifers – reflecting his ongoing search for personal artistic growth. However, his reliance on structure to create form in his paintings and works on paper alienated some of his longtime followers. Nonetheless, his painting Conifers and Canyons won recognition at the 47th Annual Exhibition at the Denver Art Museum. The watercolor version of the piece was among three hundred works in that medium selected by John Marin, Charles Burchfield and Eliot O’Hara from a national competition held by the Section of Fine Arts (Federal Works Agency) and shown at the National Gallery of Art in Washington, DC, in 1941. Later that year Lyon spent time in California where he saw Orozco’s Prometheus, influencing him to increase his range of originality and expression. In 1942 Lyon enlisted in the U.S. Army, spending almost three years in the Mediterranean Theater – Africa and Italy – preparing camouflage operations and scale models of proposed landing sites. He used his free time in Italy to expand his artistic vocabulary by seeing cultural masterpieces in Rome, Florence, Siena and Milan, and through his extensive contact with Giorgio de Chirico, founder of the scuola metafisica art movement, and Gino Severini, a leading member of the Futurist movement. Because of Lyon’s low army rank and pay, de Chirico did a small watercolor for him signing it, "For Mr. Lyon; G de Chirico, 1944." Lyon often visited de Chirico and his wife, Isa, at their apartment near the Spanish Steps in Rome. Following his Army discharge in 1945 fellow Kansas native, Ward Lockwood, invited him to join the Art Department at the University of Texas at Austin where he taught painting from 1946 to 1951. During this period some of Lyon’s work employed the palette of the School of Paris which he had seen while stationed in Europe, while other paintings had a certain flatness found in some of Lockwood’s work from the 1930s. From 1951 to 1953 he was affiliated with the Lower Colorado River Authority in Austin as an illustrator and editor of the employee magazine. In 1953, following time spent in Mexico, he returned to Denver, working as an illustrator at Lowry Air Force Base until retirement in 1961. During that time he did little of his own art because he also was designing and building a home in Arvada, Colorado, and re-establishing himself in the Denver art community after a decade-long absence. His painting, Autumn Aspens (1953-present location unknown) illustrates his experimentation with abstraction. In the early 1960s he began painting from memory that continued until the steadily degenerative effects of Alzheimer’s disease took their toll a decade later. He depicted scenes from his wartime European sojourn and from his early adulthood. The latter include Souvenir of Boulder (1962), a nostalgic return to his boyhood home in Boulder; and Holly Mayer and Friends, a painting of Glenn Miller and his musicians, inspired by Lyon’s first encounter with jazz in Boulder in the 1920s. His lifelong passion for vintage cars and automobile racing...

Antique American school modernist portrait painting. Oil on canvas, circa 1950. Signed . Framed. Image size, 26L x 32H.

Oil on board, signed and dated '44 lower right Image size: 15 x 19 inches (38 x 48.25 cm) Contemporary style hand made frame This portrait of an unknown man certainly captures the p...

Pedtro Gasto Vilanova (Spanish, 1908-1997) Untitled (Family), 1944 Oil on canavas 21 7/8 x 18 3/8 in. Framed: 24 3/4 x 21 1/3 in. Signed and dated on left side. Inscribed verso: PAG...

Babies are falling from the sky and not bombs. British female artist and illustrator Noel Laura Nisbet makes a passionate twist to the reality of En...

Mid century portrait of two children, a young boy and girl in traditional dress, set in a rustic interior by M. Ray Stancliff (American, b. 1925). Si...

"Femme Rousse Sur Fond Vert" is an original oil on canvas impressionistic portrait of a woman by Albert Bertalan. A red-headed lady in a purple and white striped collared coat sits in front of a green background daydreaming about something personal. The painting is framed with an ornate gold frame. From the late 19th century until World War Two, Paris was the center of the art world. Artists and intellectuals from around the globe descended on Paris, drawn by the atmosphere of creative freedom established by the French Impressionists. Because of the Impressionists’ innovations the direction of art had changed forever, the times were ripe for another Renaissance. The School of Paris, as this broad-based group of artists are referred to embodied the spirit of modernism. Albert Bertalan was born on September 21, 1899 in Jaszbereny, Hungary. He is known for painting compositions of figures in unique environments, including women by the sea, among other similar subject matters. He studied at the Nagybanyai Art School under some of the most important Hungarian artists, including Ivànyi Grünwald...

Work on canvas Gray wooden frame 56 x 48 x 5.5 cm

The painting is a portrait of an unknown lady, here depicted with a with an absorbed look. The intense red lipstick, matching with the the dress-allusion to fire and passion-creates ...

Antique American school modernist portrait oil painting. Oil on canvas. Signed. Framed. Image size, 20L x 18H.

A bright portrait of a woman in pageant dress before a St. Louis skyline and riverboat.

'The Fisherman', oil on board, by Gabriel Vié (circa 1940s). This artwork depicts a solitary man fishing in a river surrounded by abundant foliage. He is p...

'Nude Posing on the Sofa', oil on canvas, by Louis Latapie (circa 1940s). From a long line of renowned paintings whose subject is reclining nudes, this ext...

A magnificent oil on canvas by Russian American WPA artist Nahum Tschacbasov (1899-1984), dating from 1943. Depicting a Maternity scene - or possibly a m...

James Britton Gantt (1911 - 1984) Child in an American Landscape, 1940 Egg tempera on board 17 1/2 x 14 inches Signed and dated lower right Provenance: Private Collection, San Francisco Regarding this painting, the artist's daughter said, "The subject matter of your painting reflects my father's propensity for presenting minority figures with dignity, as well as an admiration for the contributions of hard-working people. The painting's background packs in details reminiscent of the technique he used working on mural projects." Painter, printmaker, muralist. Born in Lawrence, Douglas County, Kansas (some sources wrongly indicate Kansas City), the son of Euphemia Lane Fox Blackburn (1883 – 1929) and Charles Whittle Gantt (1881 – 1952). He was the grandson and namesake of Judge James Britton Grant (1845 – 1912), a former Chief justice of the Supreme Court of Missouri. His father, Charles, though trained as a lawyer, suffered from alcoholism and instead worked for the railroad. James Gantt...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Father, Daughter and Horse by Orovida Pissarro (1893-1968) Oil on canvas 60 x 73 cm (23 ⅝ x 28 ¾ inches) Signed a...

Ralph Pallen Coleman (American 1892-1968) A Monumental Painting of "The Resurrection of Jesus Christ", circa 1940. Measuring 102" high x 77" wide (framed), this massive oil on canvas painting is truly one of a kind. The quality throughout the entire painting is masterful. The painting is very realistically painted with bright, vibrant, colors which shows the artists true passion and love for Jesus and Christianity. Ralph Pallen Coleman was an American painter and illustrator. His career spanned more than half a century during which he illustrated stories for many magazines, and later, religious illustrations and paintings which provided images of Christianity to millions of people during the 1950s-1960's. A native of Philadelphia, Pennsylvania, he grew up and lived there throughout his 75 years. He received his formal art education at the Philadelphia School...

Portrait of harlequin by Vassyl Khmeluk was executed in circa 1946-1947. This impressive stylistic artwork by Khemluk falls well into a series of portraits masterfully created by the...

A Game of Cards by Orovida Pissarro (1893-1968) Oil on canvas 59 x 72 cm (23 ¹/₄ x 28 ³/₈ inches) Signed and titled upper right Orovida 1949 Artist biography Orovida Camille Pissarr...

Oil on panel painting by Lewis Lee Tilley (1921-2005) titled "Opera Matinee" from 1948. Image presents two women at an opera, one in pink leans over to the other in blue to whisper i...

'Portrait of Renée', oil on board, by Louis Latapie (1941). When combined with the artist's passionate brush strokes, the wood panel upon which this piece is painted, creates both a ...

Label verso: "Portrait of a Lady / Oil / MUC / Beatrice Whitney Van Ness / unsigned / size 30h x 25w ". From the estate of the artist. Beatrice Whit...

Oil on canvas painting from 1946 by Colorado/Woodstock modernist Jenne Magafan (1916-1952) titled 'Deserted Street'. Single figure portrayed in a ghost town with buildings and teleph...

Love at sea. A nautical romance is captured as a handsome couple embrace. The big splash of water at the peak moment of drama symbolizes passion and defines Falter's creativity in communicating a romantic narrative. This is a companion piece to a romance story. Most likely done on assignment for a major newsstand magazine. Hand-signed by artist, sticker label, Magazine Illustration circa 1940 Oil on board Signed lower right h: 28.5 x w: 30 in / h: 72.4 x w: 76.2 cm Morris Weiss collection...

CONSTANTIN Andreevic TERECHKOVITCH 1902-1978 (Russian) Title: Portrait of the Artist's Wife, 1945 Technique: Original Signed Oil Painting on canvas size: 33 x 24 cm / 13 x 9.5 ...

Mischievous Child, Impressionist Portrait, Signed Oil Painting By French artist Claude Benard, (1926 - 2016) Signed by the artist on the lower right hand corner Oil painting on board...

Jean Dominique Van Caulert, (1897-1979), although most often associated with his celebrity portraits and works for the theater, he was also a true symbolist in the tradition of the Belgian symbolist's. "The Nurturing", oil on canvas, dated 1947, is Van Caulert's depiction of the nurturing of post war Europe, as the shrouded woman offers an apple to an androgynous figure.

A strong modernist oil painting depicted in the 1940's by Spanish painter Julio Moises. Mostly known for his abstract figures on canvas, this piece is a w...

There is a reason why there are few contemporary painters who can paint a portrait this good. It's hard to do. It's easy to throw some paint or spray a mess of graffiti on canvas. That's easy art. Executing a portrait with a great depth of anatomy and structure takes years of academic training. In Riggs's time, there were teachers who knew how to pass on this knowledge. He studied at the Art Students League and the Académie Julian . Today, they are very few and far between. Tempera mixed with gum arabic and alcohol on Renaissance Panel - Robert Riggs was a Gay Artist...

Artist born in Vienna, Austria in 1887. Died in 1970 in Geneva. Work on canvas

Young Lady, Impressionist Portrait, Oil Painting, Signed By French artist Claude Benard, (1926 - 2016) Signed by the artist on right hand corner Oil painting on board, unframed Board...

3423 English writer portrait, oil on board displayed in a gilt -wood frame, signed by Welsh.Image size 10 H x 8 W

Antique surrealist oil painting of a landscape with a sculpture. Oil on board, circa 1949. Signed. Displayed in a period frame. Image, 35"L x 22"H.

This elegant and sophisticated oil painting was realized by an underrecognized (but extraordinary) Flemish painter named F.V. Sliches in 1946. Entitled Les Masons (or the masons), th...

Bert Lahr shined in the role of The Cowardly Lion in the Wizard of OZ. Here he is depicted in his comedian's costume which he wears while staring in Jea...

Portrait of a woman holding a bouquet of flowers by Helen Enoch Gleiforst (American, 1903-1997). Signed "Gleiforst" lower right. Unframed. From the Estate of Helen Gleiforst. Helen...

This is an original oil on velvet painting created c. 1942. Syd Cockell was an accomplished American illustrator during World War II.

Medium: Oil on Canvas Signature: Signed Lower Right In the Timken War Bond campaign, JC Leyendecker completed more than a dozen paintings that were rep...

A charming portrait of a Black woman with stylized hairstyle of the period - Midtown Galleries label on verso, Unframed Signed and date...

Coreen Mary Spellman (1905 - 1978) Dallas Artist Image Size: 20 x 14 Frame Size: 25 x 19 Medium: Oil Bio: Exhibited in the Ninth Annual Student Art show at the State University of Iowa Coreen Spellman Biography Coreen Mary Spellman (1905 - 1978) Coreen Mary Spellman was a fine-art teacher as well as a painter, designer, illustrator, lithographer and muralist. Many of her paintings depicted human-made structures and industrial landscapes in a style combining realism, precisionism and abstraction. Often the central subject such as in "Railroad Signal" was the only suggestion of humanity against a backdrop of stark Texas landscape. Of her painting these isolated subjects she said: "I enjoy taking some rather obscure or unimportant subject or theme and making something fine and important out of it . . . It always gives me great pleasure to discover something which has been passed over as being inadequate material". (Trenton 199) Spellman was born in Forney, Texas in 1905. At an early age she moved to Dallas, Texas and studied under Vivian Aunspaugh before attending the College of Industrial Arts (Texas Woman's University). She received a Master of Arts degree from Columbia University and a Masters Degree from the University of Iowa, Iowa City in 1942. In addition, Spellman received a Carnegie Scholarship for study at Harvard University, followed by studies with Kenneth Hayes Miller, Vaclav Vytlacil, and Charles Wheeler...

Attributed to WiniFred CleMence Ashton Dane: 1888-1965. She was a British novelist, playwright, and artist. She has auction prices over $2,900. This incredible portrait seems to be ...

This work sells itself. Just look at it and an elaborate explanation is not required. There is virtually no one alive who can paint a picture like Crockwell. Hand-signed by artist, sticker label, Signed lower left Provenance: National Museum of American Illustration , Newport, Rhode Island Crockwell gives us a complex and inventive composition by showing two wonderful portaits in the foreground and beyond a broken wall...

Signed lower left: FANTUZZI. Archived in the General Catalogue of Eliano Fantuzzi, No. A-6, order number 15/76741. Very good conditions. This artwork is shipped from Italy. Under ex...

Portrait study of the grand daughter of the artist. Oil on panel. Signed. Unframed. This work will be recorded in the catalogue raisonné of the...

"Le Roi de Rome, d'apres Laurance", Impressionist Portrait, Signed By French artist Claude Benard, (1926 - 2016) Signed and dated '1942' by the artist on the lower right hand corner Titled verso Oil painting on board, unframed Board size: 8.5 x 6.5 inches Wonderful portrait of a little boy, who we believe was called 'Laurance'. Also, 'Le Roi de Rome' translates to 'The King of Rome' which is a mystery. The painting itself is quite exceptional. He has strawberry blond coloured hair, piercing big blue eyes and a beautiful mouth, a very handsome little boy. This would make a lovely addition to an interior looking to add some vintage oil painting portraits...

JOSEPH FLOCH 1894-1977 Vienna 1894 – 1977 New York (Austrian) Title: Collette II, 1944 Technique: Signed Oil Painting on Canvas Size: 120 x 89 cm. / 47.2 x 35 in. Additional Inf...

A sensitively painted portrait of the artist's daughter, Nancy, aged two and a half, shown wearing a floral-striped, jade green gingham dress. Signed lower right, 'Martha Tracy Frey' (American, 1915-2010) and painted 1944; additionally inscribed verso 'Picture of Nancy Jane Frey from life-sized photograph when about 2 1/2. Painted by her mother in 1944.' This Kern County...

"D'apres Delacroix" Impressionist Portrait, Signed Oil Painting By French artist Claude Benard, (1926 - 2016) Signed and dated '47 by the artist on the lower left hand corner Oil pai...

A recent Kuhn Circus Performer sold for $312,000 at Bonhams, NY Bert Lahr shined in the role of The Cowardly Lion in the Wizard of OZ. Here he is depict...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...