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18th Century and Earlier Portrait Paintings

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Period: 18th Century and Earlier
18th Century Portrait of a Gentleman French School Man Oil on Canvas Blue White
Located in Sanremo, IT
Painting, oil on canvas, measuring 92 x 75 cm without frame and 102 x 87 cm with frame depicting a nobleman of the French school of the first half of the 18th century. In its formal...
Category

French School 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait of General Henry Ireton (1611-1651) Son In Law to Oliver Cromwell
By Robert Walker
Located in Blackwater, GB
Portrait of General Henry Ireton (1611-1651) Son In Law to Oliver Cromwell, 17th Century attributed Robert WALKER (1607-1658) Large 17th Century portrait of General Henry Ireton, oil on canvas. Excellent quality and condition Civil War portrait...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil, Canvas

Portrait Of The Persian Sybil, 17th Century School of GUERCINO (1591-1666)
Located in Blackwater, GB
Portrait Of The Persian Sybil, 17th Century School of GUERCINO (1591-1666) Large 17th Century Italian Old Master portrait of the Persian Sybil, oil on canvas. Excellent quality an...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil, Canvas

17th-18th Century By Benedetto Luti Head of a Girl Oil Pastel on Canvas
Located in Milano, Lombardia
Original "cassetta" frame in carved and gilded wood. Expertise by Prof. Giancarlo Sestieri.
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil Pastel

The Prayer, 19th Century after JOSHUA REYNOLDS (1723-1792)
By Henri Pierre Danloux
Located in Blackwater, GB
The Prayer, 19th Century after JOSHUA REYNOLDS (1723-1792) Large 18th Century English School portrait of a girl at prayer, oll on canvas attributed to Joshua Reynolds, Excellent qu...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil, Canvas

Portrait Of Czechoslovakian Theologian Jan Hus (1370-1415), 17th Century Europe
Located in Blackwater, GB
Portrait Of Czechoslovakian Theologian Jan Hus (1370-1415), 17th Century European School 17th Century European School portrait of Czech Theologian Jan Hus, oil on panel. Excellent...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Ecce Homo
By Bartolomé Esteban Murillo
Located in MADRID, ES
Oil on canvas. Bartolomé Esteban Murillo and workshop. Certificated by Enrique Valdivieso who is the most inportant expert in this artist.
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas

Portrait Of A Spanish Marquess, 18th Century
Located in Blackwater, GB
Portrait Of A Spanish Marquess, 18th Century attributed to Louis-Michel VAN LOO (1707-1771) Large 18th European portrait of a Spanish Marquees / Noble at a bureaux signing a docum...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait of a Young Man
By Sir Allan Ramsay
Located in London, GB
Oil on canvas Image size: 10 3/4 x 7 3/4 inches (27.25 x 19.5cm) Handmade William Kent frame This quickly created oil sketch is a study for a larger work, its purpose being to aid the artist and give the client a visual representation of the final piece. The subject is a young gentleman in a colourful pink and white outfit. He also wears a powdered wig and bears a decorative sword...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait Of A Gentleman Holding Flowers, circa 1600 Flemish School
Located in Blackwater, GB
Portrait Of A Gentleman Holding Flowers, circa 1600 Flemish School Large circa 1600 Flemish School portrait of a man holding flowers wearing a plumed hat, oil on panel. Exceptional...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

PPortrait Of Barbara Villiers (1640–1709), Countess of Castlemaine and Duchess o
Located in Blackwater, GB
PPortrait Of Barbara Villiers (1640–1709), Countess of Castlemaine and Duchess of Cleveland Circle of Sir Peter Lely (1618-1680) Huge 17th Cent...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait of Owen Ormsby, bust-length, in a brown coat
Located in London, GB
Attributed to Gainsborough Dupont (1754 - 1797, British) Portrait of Owen Ormsby, bust-length, in a brown coat, with slightly later inscription identifying the sitter oil on canvas 2...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil

Saint Elizabeth Of Hungary, circa 1600 School of Palma il Giovane (1548-1628)
Located in Blackwater, GB
Saint Elizabeth Of Hungary, circa 1600 School of Palma il Giovane (1548-1628) Fine Large circa 1600 Venetian School depiction of Saint Elizabeth of...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil, Canvas

18th Century Oil Painting Portrait of Phillip, 6th Viscount Wenman.
By Nathaniel Dance-Holland
Located in London, GB
Sir Nathaniel Dance-Holland (1750-1811) was an English portrait painter and one of the founding members of the Royal Academy in 1768. Justly celebrated in his lifetime he won several...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait of a Bewigged Gentleman
By Vittore Ghislandi
Located in New York, NY
Vittore Ghislandi, called Fra Galgario Provenance: Robert L. and Bertina Suida Manning, New York, ca. 1966-1996 Private Collection, USA Exhibited: “Eighteenth Century European Pai...
Category

Baroque 18th Century and Earlier Portrait Paintings

Materials

Copper

Half Length Portrait of Mr. Robertson of Edinburgh
Located in Miami, FL
Half Length Portrait of Mr. Robertson Sir. Henry Raeburn ( Scottish 1756 - 1823 ) Half Length Portrait of Mr. Robertson 29x 24 Purchased, J Leger & Son,...
Category

Realist 18th Century and Earlier Portrait Paintings

Materials

Oil

Madonna with the book. Genovese School. Follower of Bernardo Strozzi.
Located in Firenze, IT
Madonna with the book. XVIIth century. Oil on Canvas. Antique painted wooden frame, in need of restoration. Reintel. Baroque Era. Interesting painting of the Genoese school, with ch...
Category

Italian School 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait of a Lady in a Blue & Pink Silk Dress, possibly Mrs Rowe, Signed Dated
Located in London, GB
This charming picture, which has been signed and dated: H. Pickering pinxt 1752 is a type favoured by the highly successful artist Henry Pickering. Pickering’s painting life, from 1...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Canvas

Portrait of Abigail, Countess of Kinnoull, Signed Dated Godfrey Kneller Painting
Located in London, GB
Presented by Titan Fine Art, this elegant and beautiful portrait depicts Abigail Hay, Lady Dupplin, Countess of Kinnoull; it is an excellent example of English portraiture from the f...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait of a Lady in an Elaborate Ruff & Lace Coif c.1610-20, Dutch Old Master
Located in London, GB
This magnificent oil on panel portrait, presented by Titan Fine Art, is a splendid example of the sumptuous female portraits that were painted for members of the upper echelons of so...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Wood Panel

Portrait of a Lady in Red Dress on Porch c.1680, English Aristocratic Provenance
Located in London, GB
Presented by Titan Fine Art, this painting formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Regency Grade-I listed family home, Ombersley Court. The house was among the most fascinating survivals of its kind in this country. The atmospheric interiors were distinguished above all for the works of art associated with two key moments in national history. The collection was acquired or commissioned over five centuries and remained at Ombersley Court until its recent sale, the first in 294 years. This portrait hung in the Grand Hall. This exquisite grand manner work is an evocative example of the type of portrait in vogue during a large part of the seventeenth and eighteenth centuries. The artist has depicted an elegant lady, three quarter length and seated on porch with a luxurious crimson swag curtain by her side. The clothing – known as “undress” at the time, consists of red silk fastened at the front and sleeves by large gold and diamond jewels over a simple white chemise. In her lap she holds a blue wrap and in her other hand, at her chest, she clutches the end of a sheer gauzy scarf that has been draped around her body with the other end a type of headdress – this type of sheer scarf was often employed by Wissing in his portraits. The classical architecture signifies cultivation and sophistication and the luxurious swag curtain is a signifier of wealth. The portrait can be dated to circa 1680 based on the sitter’s attire, the “hurluberlu” hairstyle, and other portraits by Wissing using the same formula. This oil on canvas portrait has been well cared for over its life, which spans almost 350 years. Having recently been treated to remove an obscuring discoloured varnish, the finer details and proper colour can now be fully appreciated. Once owned by Evesham Abbey, the manor of Ombersley was acquired by the Sandys family in the early 1600s, when Sir Samuel Sandys, the eldest son of Edwin Sandys, Bishop of Worcester and later Archbishop of York, took a lease on the manor, before receiving an outright grant in 1614. The present house, Ombersley Court, dates from the time of Samuel, 1st Lord Sandys, between 1723 and 1730. The house itself is a fine example of an English Georgian country house set in rolling countryside and surrounded by Wellingtonias, planted to commemorate the Battle of Waterloo by Arthur Hill, 2nd Baron Sandys, who played a distinguished part in the battle and was one of the Duke of Wellington’s aides de camp. The Duke also stayed in the house and in the Great Hall, was the Waterloo banner which was brought to the house by Sir Arthur Hill, aide-de-camp to the Duke of Wellington, who succeeded his mother, the Marchioness of Downshire as 2nd Lord Sandys. Further Waterloo memorabilia are kettle drums from battle. The family had a strong tradition of military and political service, dating back to the 17th century, and this was also reflected in the fine collection of portraits and paintings in the house. In short, Ombersley represented a vital aspect of British history. The house and more especially the collection were of the greatest historical importance. Houses that have remained in the possession of the same family for as many as three centuries have become increasingly rare. Through this portrait, collectors have a chance to acquire a piece of British history and an evocative vestige of a glittering way of life, which is now gone. Much of the attractiveness of this portrait resides in its graceful manner and the utter beauty of the youthful sitter. Presented in a beautiful carved and gilded period frame, which is a work of art in itself. Willem Wissing was a Dutch artist who enjoyed a solid artistic training at The Hague under Arnold van Ravesteyn (c.1650-1690) and Willem Dougijns (1630-1697). He came to London in 1676 and most probably joined the studio or Sir Peter Lely as an assistant that same year. After Lely’s death in 1680 he effectively took over his business and he scaled the heights of patronage with extraordinary ease, creating an independent practise in 1687, and painted for very important aristocratic patrons. King Charles II was so impressed by a portrait Wissing painted of his son, the Duke of Monmouth, in 1683 that he commissioned his own portrait and that of his Queen Catherine...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Christ Salvator Mundi Paint Oil on copper 16/17th Century Flemish school
Located in Riva del Garda, IT
Antique painting depicting the Face of Christ as Salvator Mundi Flemish painter, 16th-17th century Oil on copper 22 x 18 cm./ framed 42 x ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait Philip V King Rigaud Paint Oil on canvas 17/18th Century Old master Art
Located in Riva del Garda, IT
Hyacinthe Rigaud (Perpignan 1659 - Paris 1743) Circle Portrait of Philip V, King of Spain (Versailles 1683 - Madrid 1746) Oil on canvas 72 x 59 cm - framed 87 x 74 cm. The painting...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Double Portrait of Sir John Rivers 3rd Baronet of Chafford, and Lady Anne Rivers
Located in London, GB
This magnificent grand-scale work, offered by Titan Fine Art, formed part of a collection of family pictures and heirlooms of the Rivers Baronets and their descendants for over 325 years, before it was dispersed by the last in the line in 1988. The work was painted by the most technically proficient painter in England after the death of Van Dyck, and the dominant court painter to Charles II and James, Duke of York, Sir Peter Lely. It is no surprise that for years Lely had no serious rivals, was enormously influential and successful, and one of the country’s most important painters – and his work influenced countless artists over generations. The exquisite carved and gilded auricular frame is an astounding work of art in itself. The sitters in this exquisite double portrait are Sir John Rivers, who succeeded as the 3rd Baronet Chafford in 1657 (c.1638 - c. 1679), and his wife, Lady Anne Hewitt (c.1640-c.1689). They are seated in an outdoor setting beside a fountain modelled as a female figure with water issuing into a scallop-shell. The water, the elaborate sculpted fountain with its scallop-edged bowl, and the open shell in her hand are symbols of fertility - as such they make an appropriate allusion to Lady Anne’s potential as wife and mother, recalling Proverbs, chapter 5, verse 18: “Let thye fountain be blessed, and rejoice in the wife of thye youth”. This reference was realised, as Sir John and Lady Anne produced at least six children; their son George (1665-1734) became 4th Baronet of Chafford. The composition, thus, represents a celebration of marriage and was likely commissioned around the time of the betrothal (the marriage took place 26th Feb 1662 or 1663). The statues in the left margin are 'Youth and 'Old Age' and are a typical form of Memento Mori reminding virile young man that even they will lose their youth and grow old. The Rivers family, originally of Kent, traces its history to Sir Bartholomew Rivers, in the reign of Edward IV. The family included several prominent members including several knights, a Commander in the King's Army, a steward of a ducal estate, a Lord-Mayor of London, and an M.P. John Rivers (c.1659-c.1651) was made 1st Baronet of Chafford in 1622 by King James I. The Chafford estate was the family seat and it remained so until the early 1700s with the death of Sir George Rivers, 4th Baronet (1665–1734), whose sons had all died. The Chafford estate was left to his daughters while the baronetcy passed to nephew John Rivers, 5th Baronet (c. 1718–1743), and then Sir John’s brother, Sir Peter Rivers-Gay, 6th Baronet (c. 1721–1790). Upon Sir Peter Rivers Gay's death the estate passed to his eldest son, Sir Thomas Rivers Gay, 7th Baronet (c. 1770–1805). Sir Thomas, dying in 1805 with no children, bequeathed the estate to his mother Dame Martha Rivers Gay, who managed the estate until 1834 when she settled it on the then Sir Henry Rivers, 9th Baronet (c. 1779–1851) her younger son, before dying shortly thereafter in 1835. Sir Henry had married in 1812 to Charlotte Eales, with whom he had 6 sons and 8 daughters. Upon his death in 1851 the estate passed to his eldest surviving son Sir James Francis Rivers, 10th Baronet (1822–1869). Sir James married Catherine Eastcott in 1867 but died childless in 1869, and the estate passed to his only surviving brother Sir Henry Chandos Rivers, 11th Baronet (1834–1870) but he died a year later in 1870 also childless; with no male heir the Baronetcy was therefore extinguished. The estate was bequeathed, in trust, by Sir Henry Chandos Rivers to Thomas Frederick Inman, a solicitor of Bath, who then managed the estate as a trustee on behalf of Sir Henry Chandos Rivers' sister Katherine Rivers (c.1826-1895). It then passed to Katherine River’s daughter, Katherine Wall (born c.1855), who had also inherited Worthy Park House from her father, George Alfred Ellis Wall (1825-1875). Until 1958 our portrait is known to have hung at Worthy Park House. Upon Katherine Wall’s death, the Rivers estate passed to her daughter, Katherine Eleonora Rivers Fryer (1889-1963), who married Colonel James Alexander Butchart 1877-1853. In 1958 the family sold Worthy Park House but our portrait was loaned to Southampton Museum and Art Gallery. After the death of Katherine and Colonel James, the estate was left to their only son, Charles Bruce Rivers Butchart (1917-2005) and upon Charles’ retirement to a nursing home in 1988, and without heirs, our portrait, along with the residual assets of the Rivers estate were sold, thus ending over 325 years of continual family ownership. Lady Anne Rivers is thought to have been born circa 1640. She was the fourth child of the second marriage of Sir Thomas Hewitt (or Hewett) (1606-1662), 1st Baronet of Pishobury, Herts, and his wife Margaret Lytton (died 1689). Sir Thomas was an English landowner and M.P. for Windsor and upon the English Restoration...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Grand-Scale Old Master Garland Portrait, 17th Century, Signed & Dated, Rare work
Located in London, GB
Indistinctly signed and dated In the first quarter of the 17th century a new form of flower painting was developed in Flemish painting, which, recreated by a large group of artists and workshops, would achieve considerable success throughout the century in much of Europe: the garland of flowers surrounding a central figure. Brueghel de Velurs was the initiator of this type of composition, however, it was his pupil, Daniel Seghers, who was the dominant figure in this specialised production and the creator of a prototype that would serve as a model for the numerous artists who followed in his wake. It seems undeniable that the artist of the present painting had seen the Garlands of Flowers Surrounding a Medallion Depicting the Triumph of Love by Daniel Seghers and Domenico Zampieri (now in the Musée du Louvre in Paris). In our painting, the present floral wreath encircles a carved cartouche within which sits Saint Dorothy of Caesarea and the attribute which often accompanies her in art, a basket of roses. The extremely delicate flowers have been rendered in meticulous detail, so that every species can be identified from exotic tulips to roses, irises and forget-me-nots; this obvious attention to naturalism is inherited from the Flemish manner. Each flower is so precise and refined that they are an individual study in their own right. The still-lifes are from the hand of Jan Anton van den Baren, with the central figures by another accomplished hand. Van den Baren’s arrangement of flowers would have delighted connoisseurs in both Flanders and in Vienna, where the impossibility of their all blooming at the same time of year would have been understood as a further statement of the wonder and beauty of the divine. Van den Baren worked first in Brussels, where he collaborated with Erasmus Quellinus II for the figures in his works, before moving with Archduke Leopold Wilhelm, his patron, to Vienna in 1656, where he instead worked with fellow Flemish émigré painter Nikolaus van Hoy. The iconography relates to an eighth century legend where she was presented a basket of roses by a child. In addition to the brilliance of his handling of still-lifes Van den Baren played an important art historical role as Director of Archduke Leopold Wilhelm’s Picture Gallery in Vienna, then one of the greatest collections in the world and the core of what was to become the present collection of the Kunsthistorisches Museum, Vienna. Van der Baren compiled an inventory of the collection in 1659, and his predecessor as Director of the Archduke’s Picture Gallery (when it was still housed in Flanders), David Teniers, depicted van der Baren (third from right) in his celebrated Archduke Leopold Willem in his gallery at Brussels, conserved at the Kunsthistorisches Museum. It is a shining example of the Flemish Baroque and is a very rare object indeed, considering there are only 14 paintings accepted as authentic works by this artist. We are grateful to Fred Meijer for confirming the attribution to Johannes Antonius van der Baren. A feature of this painting is its outstanding carved and gilded frame with a plethora of flowers and foliage. Titan Fine Art
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait of a Lady in Silver Silk Dress & Pearls c.1660, Oil on canvas painting
Located in London, GB
This exquisite work is an accomplished example of the type of portrait in vogue in England during the third quarter of the 17th century. There was a large demand for paintings in England and the demand for portraits was greatest. Many artists worked in this lucrative field, even artists who initially trained in the more respected field of history painting, such as Peter Lely, turned their attention to portraiture to meet this demand. Moreover, it was not uncommon for the British, even for men, to present a gift of one’s portrait to a friend - portraits were first and foremost a memento. Woman at court often vied with one another in displays of rich and fashionable clothing. The drapery was either painted from the customer’s own clothes or was perhaps a creation using fabrics loosely tacked together in the studio. This was a common practice of Lely and his studio props included swathes of fabric and pieces of cloth. The sitter’s sumptuous attire and gauze scarf, fastened by a large diamond brooch, is of the finest material and is representative of wealth. Pearls were an obligatory accompaniment since at least the 1630s and they are worn in abundance – in her hair, on her attire, as a necklace, and as pear-shaped earrings called unions d’excellence, reflecting the difficulty of finding perfectly matched pearls of such large size. They could range up to 20 millimetres in diameter. Her hairstyle help date the painting to the early 1660’s. Peter Lely, the son of a Dutch...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Huge 18th Century English Oil Aristocratic Portrait of a Gentleman Standing
Located in Cirencester, Gloucestershire
Portrait of an Aristocratic Gentleman British artist, first half 18th century oil on canvas, unframed canvas: 50 x 40 inches provenance: private collection, Dorset, England condition...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Ritratto del Re di Sardegna Vittorio Amedeo III di Savoia. Ambito di G. Panealbo
Located in Firenze, IT
Ritratto del Re di Sardegna Vittorio Amedeo III di Savoia. Ambito di Giovanni Panelalbo. Ritratto di Vittorio Amedeo III di Savoia (Torino, 26 giugno 1726 – Moncalieri, 16 ottobre 1...
Category

Rococo 18th Century and Earlier Portrait Paintings

Materials

Oil, Canvas

Michiel Jansz. Van Mierevelt (Follower), Portrait of Maurice of Orange
Located in Cheltenham, GB
This early to mid-17th-century oil on panel depicts Maurice of Nassau (1567-1625), Prince of Orange. It’s a bust-length portrait, presented in a feigned oval, after a full length by ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Wood Panel

Portrait of an Italian Noblewoman
Located in London, GB
15th century, Italian Circle of Antonio del Pollaiuolo (1429-1498) Portrait of an Italian Noblewoman Oil and tempura on poplar panel With partial inscription: ALZETAPIN Provenance:...
Category

Renaissance 18th Century and Earlier Portrait Paintings

Materials

Oil, Tempera, Wood Panel

A Portrait of a Gentleman, thought to be Moses Diego Lopez Pereira
Located in London, GB
Austrian School, 18th Century A Portrait of a Gentleman, thought to be Moses Diego Lopez Pereira, 1st Baron d’Aguilar, in an elaborate coat and a powdered wig Oil on canvas Provena...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

18th century Portrait of a lady as Erato, the muse of poetry - Angelica Kauffman
By Angelica Kauffmann
Located in Antwerp, BE
18th century English school portrait of a lady, said to be Mrs. John Ruscombe of Colne, Lancaster, as the muse Erato This very skilfully painted portrait depicts a lady as the muse ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait of a couple
Located in BELEYMAS, FR
Jean-Baptiste SANTERRE (Magny en Véxins 1651 - Paris 1717) Portrait of a couple Oil on original oval canvas H. 115 cm; L. 90 cm (140 x 115 cm with frame) Around 1695 Jean-Baptiste S...
Category

French School 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Madonna and Child with St Catherine and Putti - Italian 17thC art oil painting
By Giuseppe Bartolomeo Chiari
Located in London, GB
This stunning Italian 17th century Old Master religious oil painting is by Baroque artist Giuseppe Bartolomeo Chari. Painted circa 1684 it is a large and vibrant oil painting of the ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Painting Portrait of a Noblewoman 18th century
Located in Milan, IT
Oil on Canvas. Italian School of the 18th century. portrait of noblewoman in rich evening dress, with an ermine cloak draped over her shoulders, indicating high lineage. Retelated, t...
Category

Other Art Style 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait Of A Lady, Stilte Family, 17th Century Cornelisz VERSPRONCK (1597-1662)
Located in Blackwater, GB
Portrait Of A Lady, Stilte Family, 17th Century by Jan Cornelisz VERSPRONCK (1597-1662) Large 17th Century Dutch Golden Age portrait of a lady identified as a member of the Stilte ...
Category

18th Century and Earlier Portrait Paintings

Materials

Panel, Oil

An Allegory of Architecture, 18th Century School of François BOUCHER (1703-1770)
By François Boucher
Located in Blackwater, GB
An Allegory of Architecture, 18th Century School of François BOUCHER (1703-1770) One of a set of Three Large 18th Century French allegory of Architecture, oil on canvas. Excellen...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

An Allegory of Music, 18th Century School of François BOUCHER (1703-1770)
By François Boucher
Located in Blackwater, GB
An Allegory of Literature, 18th Century School of François BOUCHER (1703-1770) One of a set of Three Large 18th Century French allegory of Literature, oil on canvas. Excellent qu...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

An Allegory of Music, 18th Century School of François BOUCHER (1703-1770)
By François Boucher
Located in Blackwater, GB
An Allegory of Music, 18th Century School of François BOUCHER (1703-1770) One of a set of Three Large 18th Century French allegory of Music, oil on canvas. Excellent quality and ...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Painting Portrait of Soldier in Armor 17th century
Located in Milan, IT
Oil on Canvas. Italian school of the seventeenth century. The oval portrait features the bust of a soldier in armor, stern and grim. The painting , retouched, is presented in an earl...
Category

Other Art Style 18th Century and Earlier Portrait Paintings

Materials

Oil

18th Century English School Portrait of a young girl, half length
Located in Harkstead, GB
A charming portrait of a young girl presented in the original, hand carved giltwood frame. Circle of John Opie (1761-1807) Portrait of a young girl, half length With old label to t...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait De La Fosse Rigaud Paint Oil on canvas 17/18th Century Old master Art
Located in Riva del Garda, IT
Hyacinthe Rigaud (Perpignan 1659 - Paris 1743) attributable Portrait of the painter Charles de La Fosse (1636-1716) oil on canvas 60 x 52 cm/ In a beautiful frame cm. 113 x 78 The ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

A Portrait of a Bewigged Gentleman
By Enoch Seeman
Located in St. Albans, GB
Enoch Seeman Canvas Size: 30 x 25" (76 x 62cm) Outside Frame Size: 37 x 32" (92 x 80cm) 1694-1744 He was born in Danzig, now Gdansk, Poland, around 1694. His father, also Enoch...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait of Giovanni Morosini (1719 - 1789), Italian school. Late 18th century
Located in Firenze, IT
Portrait of Bishop of Verona Giovanni Morosini (1719 - 1789), Italian school. Technique: oil on canvas painting, relined canvas. Late 18th century. Represents a church man. The fig...
Category

Baroque 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait of Frances Lady Whitmore nee Brooke, Exquisite Carved Frame, Old Master
Located in London, GB
Portrait of Frances, Lady Whitmore nee Brooke (c.1638-1690) Circle of Sir Peter Lely (1618-1680) Titan Fine Art presents this exquisite portrait that depicts Frances Brooke, Lady Wh...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

English School 18th Century Old Master Portrait Dated 1767 Oil Painting
Located in Holywell, GB
English School 18th Century Old Master Portrait Dated 1767. An intriguing painting dating to the mid 18th century bearing a label verso which is indistinct, but appears to read, “Mr...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Fine Italian Old Master Oil Painting Angel & Saints Appearing to Figures
Located in Cirencester, Gloucestershire
Artist/ School: Italian Old Master, 18th century Title: Angel and Saints appearing to figures, one dressed in a white ruff collar. Medium: oil on canvas...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Canvas

Portrait of Venetian the Doge Domenico Contarini.
Located in Firenze, IT
Fragment of an ancient painting portraying the doge Domenico Contarini. Painting features numerous repaintings and shortcomings. Oil on canvas technique. Relined. Doge wears a typ...
Category

Italian School 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait of Raimondo di Montecuccoli in armor with a marshal's staff. Circa 1660
Located in Firenze, IT
Portrait of Raimondo di Montecuccoli in armor with a marshal's staff. Dutch School. Oil on canvas Dutch School. Circle of Peter Nason (Amsterdam, 1612 - 1690 The Hague). Portrait ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait Christ Titian 16th Century Paint Oil on canvas Old master Venezia Italy
Located in Riva del Garda, IT
Anonymous Titianesque, 16th century Portrait of Christ the Redeemer Oil on canvas cm. 50 x 40/ Framed cm. 72 x 62 (full details by clicking on the following LINK) Intense portrait o...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

circa 1700s Huge Old Master Portrait of an Aristocratic Lady Oil Painting canvas
Located in Cirencester, Gloucestershire
Portrait of a Noble Lady circa 1700 circle of John Closterman (German 1660-1711) oil on canvas, unframed canvas : 50 x 40 inches provenance: private collection, Somerset, England con...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Oil On Canvas portrait Elisabeth de Fontenay Circle of Largilliere With Frame
Located in Gavere, BE
"Oil On Canvas From The Eighteenth Century Entourage De Largilliere With Frame" 18th Century French School, Surroundings of Nicolas de Largilliere Presumed portraits of Louise Elisa...
Category

French School 18th Century and Earlier Portrait Paintings

Materials

Gold Leaf

An Artist Grinding Colours, Possibly a Self-Portrait
Located in London, GB
Jan Kupetsky (1667 - 1740) Czech School An artist grinding colours, possibly a self-portrait Oil on canvas Signed, verso : "Joseph Prinzig" Provenance: Private Collection, Hungary ...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Madonna Addolorata By Sassoferrato
By Giovanni Battista Salvi da Sassoferrato
Located in New Orleans, LA
Sassoferrato (Giovanni Battista Salvi) 1609-1685 Italian Madonna Addolorata Oil on canvas Celebrated Italian artist Sassoferrato and his moving religious imagery are the epitome ...
Category

Baroque 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Fine 1700's French/ Dutch Oil Painting on Copper Portrait Man Ruff Collar
Located in Cirencester, Gloucestershire
Portrait of a Gentleman wearing a Ruff Collar Dutch/ French artist, 18th century oil painting on copper, unframed copper board : 6.75 x 5 inches provenance: private collection, UK co...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Copper

Portrait of three children - Bernhard Keil (1624-1687)
Located in Gent, BE
“A portrait of three children, one of them holding a basket of grapes, while another plays the flute” Oil on canvas Housed in a blackened 17th-century frame. We'd like to thank dr...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Panel

Portrait Woman Princess Diziani Paint 18th Century Oil on canvas Old master Art
Located in Riva del Garda, IT
Gaspare Diziani (Belluno 1689 - Venice 1767) Portrait of a Young Princess (Salome?) Oil on canvas 42 x 33 cm Framed 70 x 63 cm A charming portrait of a beautiful young woman with ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

16th Century by Bernardino Detti Face of Christ Oil on Canvas
Located in Milano, Lombardia
Dimensions: 41 x 32 cm without frame - 47 x 55.5 cm with frame Antique box frame made of solid wood and walnut burl. Publications: unpublished The painting by Bernardino Detti (14...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

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