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18th Century and Earlier Portrait Paintings

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Period: 18th Century and Earlier
Portrait Of A Noblewoman. Attributed To Carlo Ceresa. About 1640.
By Carlo Ceresa
Located in Firenze, IT
Portrait of a noblewoman. Attributed to Carlo Ceresa. (1609 - 1679, Bergamo) Oil on canvas. Size cm 110x86,5cm with frame Around 1640. This portrait depicts a middle-aged woman with great realism, typical of Lombard and Bergamo painters in particular. Carlo Ceresa, probable author of this unsigned painting, had studied with Daniele Crespi...
Category

Baroque 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

English School 18th Century Oil - The Young Master
Located in Corsham, GB
This delightful portrait is set within an ornate gilded frame featuring intricate scrollwork and floral motifs. The young gentleman is well dressed in a fashionable brown coat and cr...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil

1780 Antique 18c. original oil painting on canvas Portrait of a Nobleman Signed
Located in Palm Coast, FL
This original oil on canvas is a refined and characterful 18th-century British portrait, signed and dated in the lower left: "Js. Jones P.X. 1780." The work depicts a gentleman of st...
Category

Impressionist 18th Century and Earlier Portrait Paintings

Materials

Oil

18th century Portrait of a young girl, Miss Cator in a landscape, white dress
Located in Woodbury, CT
Portrait of a young British Girl, in her white dress with Pink Sash. Choosing to acquire an 18th-century portrait of a young girl by English artist John Russell is an opportunity to...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

17th Century Large Italian Old Master Oil Christ and the Penitent Canaanite
Located in Cirencester, Gloucestershire
17th Century Italian School Christ and the Canaanite Woman oil on canvas, framed Framed: 30.5 x 35 inches in an antique gilt 'hollow' fra...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Holy Family St John Scarsella Paint 17th Century Oil on table Old master Italy
Located in Riva del Garda, IT
Ippolito Scarsella, known as Lo Scarsellino (Ferrara, c. 1550 - 1620) workshop Holy Family with the Infant St John oil on arched panel 46 x 29 cm. in a small temple frame 75 x 55 cm This interesting work shows us one of the most sought-after iconographic subjects in the Christian tradition, presented here according to an ancient and proven scheme. We see the Virgin, majestic, in the centre of the scene while holding a chubby child, who is offering a small bird to the young St John (tradition has it that it is a goldfinch, one of the symbols of the passion of Christ) to be caressed. Completing the Holy Family, we can see Saint Joseph in the shadows, apart from the loving everyday scene depicted in the foreground, calmly leaning on his walking stick. Regarding the stylistic characteristics of this small panel, it is easy to recognise the influence of 16th and 17th century Emilian painting, which leads us to confirm its traditional attribution to Ippolito Scarsella (circa 1550 - 1620) from Ferrara, undoubtedly one of the most important artists of this pictorial context. It could very well be a trial sketch...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Ecce Homo Coxie Paint 16/17th Century Paint Oil on table Old master Flemish Art
Located in Riva del Garda, IT
Circle of Michael Coxie (Malines, 1499 - Malines, 1592) Ecce Homo with Pontius Pilate Oil on panel Flemish school 16th-17th century 112 x 81 cm - framed 121 x 90 cm. The proposed p...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Angelic Cherubs with Classical Figure in Wilderness Finely Painted Preparatory
Located in Cirencester, Gloucestershire
Figure with Cherubim in Wilderness Italian School, 17th century oil painting on wood panel framed 13 x 11 inches condition: overall for its age very good, though the work is most likely a preparatory...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Wood Panel

Mater Dolorosa Madonna Maria Dolci 17/18th Century Paint Oil on table Old master
Located in Riva del Garda, IT
Carlo Dolci (Florence 1616 - 1686) shop Mater Dolorosa, known as Our Lady of the Finger Oil on oval canvas, 29 x 23 cm. In frame 48 x 43 cm. The painting we present to you depicts ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Equestrian Portrait Florentine Painter 17/18th Century Paint Oil on canvas Italy
Located in Riva del Garda, IT
Florentine painter, 17th-18th century Equestrian portrait of Pietro Strozzi (Florence, 1511 - Thionville, 1558) Oil on canvas 79 x 115 cm. - Framed cm. 92 x 127 A valiant knight, p...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait Knight Paint Oil on canvas 17th Century Lombard school Old master Italy
Located in Riva del Garda, IT
Lombard painter of the 17th century Portrait of a Knight in Armour Oil on canvas 81 x 70 cm./ Framed 93 x 82 A handsome gentleman in armour, immortalised in an authoritative and pr...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait Lady Woman Voet Paint Oil on canvas Old master 17th Century Italian Art
By Jacob Ferdinand Voet (Antwerp 1639 - Paris 1689)
Located in Riva del Garda, IT
Jacob Ferdinand Voet (Antwerp 1639 - Paris 1689) Atelier Portrait of the Young Ortensia Mancini, Duchess of La Meilleraye (Rome 1646 - Chelsea 1699) Oil on canvas 75 x 61 cm. - exquisite gilded and lacquered wooden double frame 105 x 91 cm. The beautiful painting depicting the young and attractive Duchess Ortensia Mancini is part of the refined portraiture of Jacob Ferdinand Voet (Antwerp 1639 - Paris 1689). Of Flemish origin, the painter achieved great success with the aristocratic families of Rome - where he stayed from 1663 to 1679 - thanks to the famous series of portraits commissioned by Cardinal Flavio Chigi, depicting the most enchanting women of the time, and now housed in the Palazzo Chigi in Ariccia. The paintings became so popular that the artist was repeatedly asked to reproduce replicas and similar versions of them: the 'cabinet des dames' was thus one of the Roman fashions of the 17th century, justifying the large number of female portraits attributable to his workshop that gravitated on the market. Voet flaunted in his portraits a peculiar softness and grace in the rendering of the complexions, a subtle voluptuousness in the description of the lips, entrusted to small brushstrokes of red, a sense of calm fixity in the pose, all characteristics that are immediately reflected in the work under examination. Our young effigy, Hortense Mancini...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Madonna Maria Sassoferrato Paint Oil on canvas Old master 18th Century Italian
Located in Riva del Garda, IT
Madonna with Sleeping Child Follower of Giovan Battista Salvi known as 'il Sassoferrato' (1609 - 1685) Roman painter 18th century Oil on canvas Measurements: canvas 64 x 50 cm, in frame 76 x 62 cm. This delicate depiction of the Madonna in adoration of the Child exhibits all the human dimension and sweetness of the maternal atmosphere: Mary clasps the sleeping child to her in a tender embrace, which touches her cheek, enveloped and protected by the mantle and even a flap of the mother's veil. The pictorial style and composition recall the ambit of Giovan Battista Salvi, the Sassoferrato, who distinguished himself expressly for this subject, with the Virgin immortalised in a humble and strongly earthly pose, depicted with simple white, red and blue colours and delicate plays of nuances on the faces and hands. This iconographic prototype was so successful that it became the painting for countless works destined for devotion during the 17th and 18th centuries, particularly appreciated for private commissions due to its marked gentleness and formal perfection, particularly of the faces. Born in Marchigiano, Salvi developed his activity in Rome, following the dictates of the classicist sacred painting of the Bolognese school of Reni, Carracci and Domenichino, but succeeding in having an autonomous and therefore clearly distinguishable style.  In very good overall condition, there are some small scattered restorations and some unravelling of the painted surface. Framed in a beautiful gilded frame. ADDITIONAL INFORMATION: The work is sold with a certificate of authenticity and descriptive iconographic card. We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers. It is also possible to see the painting in the gallery in Riva del Garda...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Madonna Correggio Paint Oil on table 16th Century Old master Italian Religious
Located in Riva del Garda, IT
School of Antonio Allegri, known as Correggio (Correggio c. 1489 - 1534) Attributable to Pomponio Allegri (Correggio, 1522 - Parma, 1593) Madonna and Child, Two Angels and John the B...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait of a lady in blue dress ”Countess of Peterborough”
Located in Stockholm, SE
This exquisite portrait, with its new attribution to Theodore Russel, is believed to depict Lady Penelope O'Brien, daughter of Barnabas O'Brien, the sixth Earl of Thomond, and wife of the Earl of Peterborough, whom she married in 1644. The painting thus belongs to a historically significant period, capturing the refined elegance of the time. The portrait has a prestigious provenance from Elleholms Hofgård, a historic estate in Mörrums socken, Blekinge, Sweden. Elleholms Hofgård, whose two-story, timber-framed main building was constructed in 1730 and expanded in 1804, has changed ownership several times since the 17th century. The ancestors of the present owners acquired the estate in 1915, and from the 20th century until 2023, this painting was prominently displayed in the estate’s main building, making it an integral part of the estate’s history. Theodore Russel, an English portrait artist born in 1614, studied under the renowned Sir Anthony van Dyck, whose influence can be seen in Russel’s meticulous style. Russel often painted on cabinet-sized panels, such as this one, which measures approximately 39 x 31 cm. This preference for panels is a notable characteristic that sets him apart from contemporary artists like Sir Peter Lely, who exclusively used canvas. The size of the panel is a key reason for the reattribution to Russel from Peter lely, as Lely never used panels for his works. This distinctive format, along with Russel’s characteristic style, strongly supports the new attribution. Russel, the son of Nicasius Rousseel, a goldsmith and jeweler to James I and Charles I, refined his skills under the mentorship of his uncle, the famous portrait painter Cornelis Janssen. He also worked as an assistant and copyist for van Dyck, further honing his artistic style. This captivating portrait exemplifies Russel’s craftsmanship, reflecting the elegance of the period’s fashion and the artist's refined techniques. oil on wood panel with indistinct inscription Countess of Peter[...] upper left. with inscription on the reverse: ”Countess of Peterborough. P. Lely 1670. S Beatty Picture Restorer [...] Warwick”. unframed 39 x 31 cm = 15.35 x 12.2 inches framed 52 x 41.5 cm = 20.47 x 16.34 inches Condition: The portrait has just been restored by a professional art conservator in Stockholm and is now in a very good condition. The colors are vivid, and the skin tones appear more natural than before. It is a very fine painting. The frame is newly made and included. Provenance: Elleholms Hofgård, Mörrums socken, Blekinge, Sweden **; Stockholms Auktionsverk, Fine Art & Antiques Autumn...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Wood Panel

Portrait Noble Man Ceresa Paint Oil on canvas Old master 17th Century Italy Art
Located in Riva del Garda, IT
Carlo Ceresa (San Giovanni Bianco 1609 - Bergamo 1679) attributable Full-length portrait of Giacomo Pesenti Oil on canvas (206 x 121 cm - in frame 212 x 133 cm.) This fascinating portrait, portraying a full-length gentleman and datable to the 17th century, illustrates the stylistic and compositional details typical of the pictorial production of the Lombardy area, Bergamo in particular. This reference is reflected in elements such as the natural light, the sober and austere setting and, above all, the subtle psychological characterisation of the face. We are inclined to identify the hand of portrait painter Carlo Ceresa, one of the most illustrious Bergamasque figure painters of the 17th century, capable of developing a style of intense realism and acute psychological investigation. In his works, and our portrait perfectly reflects his canons, an extraordinary naturalistic imprint, great realism and remarkable essentiality are evident. Those traits of severity, moral rigour and austerity typical of his portraiture find a perfect balance here: never courtly or rhetorical, his portraits are profoundly linked to the concept of counter-reform. Immortalising the main personalities of the time, he established himself as a point of reference for the Bergamasque aristocracy, from the Vertova to the Pesenti to the Secco Suardo. The subject of the portrait is Giacomo Pesenti, here immortalised life-size in a rigorous black suit, his left hand resting on a table, on which is placed the necessities for writing and a manuscript, and his right hand, with a sealed ring on his little finger, abandoned along his side while he holds his gloves. He wears a suit of incredible rigour, dressed as befits a man of his high social standing, while the sharp light focuses on his face, with an intensity that seems to be accentuated by the reflection of the white collar, with its sharp profile. For Ceresa, it is not the richness of the garment that gives value to the person portrayed, it is the need to give feeling and bring out the character of the person, and this he succeeds in marvellously, aided by his ability to capture the essence of the person and return it to us in painting through the face and light used as a strong expressive element. In fact, the image highlights that 'counter-reformed' composure typical of the portraiture of painters active in this area and era, adhering to a verism...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait of Mrs Harborough - British 18th century art portrait lady oil painting
Located in Hagley, England
This lovely 18th century Old Master portrait oil painting is attributed to the circle of noted portrait artist Enoch Seeman. Seeman came from Poland to England as a youngster with hi...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Presumed portrait of Marie-Anne de Bourbon
Located in BELEYMAS, FR
Nicolas de LARGILLIERRE (Paris 1656 – 1746) Portrait of a woman, presumed to be Marie-Anne de Bourbon, Princess of Conti (1666-1739) Oil on oval canvas H. 8...
Category

French School 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Holy Family Piola Paint Oil on canvas Old master 17th Century Maria Religious
Located in Riva del Garda, IT
Genoese school of the second half of the seventeenth century Circle of Domenico Piola (Genoa 1627-1703) The Holy Family Oil painting on canvas 83 x 68 cm. - in an antique frame 99 x...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

The Card Players by a Flemish 1600s Artist
Located in Stockholm, SE
Flemish 1600s School The Card Players oil on oak panel panel dimensions 22.5 x 20 cm frame included Provenance: From a Swedish private collection. Condition: Flat and stabl...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oak, Oil, Panel

Fine 17th Century Flemish Baroque Oil Painting Roman Charity Large Wood Panel
Located in Cirencester, Gloucestershire
Roman Charity Flemish Baroque period, first half 17th century circle of Peter Paul Rubens oil on wood panel, framed framed: 24.5 x 30 inches panel: 20 x 26 inches Provenance: Private...
Category

Baroque 18th Century and Earlier Portrait Paintings

Materials

Oil

Christ Cross Religious Van Dyck 17th Century Paint Oil on canvas Old master
By Anthoon van Dyck (Antwerp 1599 - London 1641)
Located in Riva del Garda, IT
Anthoon van Dyck (Antwerp 1599 - London 1641) workshop Christ Carrying the Cross - 17th century Oil on canvas (120 x 94 cm - framed 140 x 112 cm). This remarkable canvas, depic...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait Woman Princess Diziani Paint 18th Century Oil on canvas Old master Art
Located in Riva del Garda, IT
Gaspare Diziani (Belluno 1689 - Venice 1767) Portrait of a Young Princess (Salome?) Oil on canvas 42 x 33 cm Framed 70 x 63 cm A charming portrait of a beautiful young woman with ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portraits King Louis XV Queen Gobert Paint Oil on canvas old master 18th Century
Located in Riva del Garda, IT
Pierre Gobert (Fontainebleau 1662 - Paris 1744) Atelier of Pair of fine portraits Louis XV, King of France and his wife, Maria Leszczyńska oils on canvas (2), 41 x 32 cm., in frame 53 x 44 cm. It is easy to identify the sitters of this charming pair of portraits in the rulers of France, namely Louis XV of Bourbon, who ascended the throne in 1715 at the age of just thirteen and was nicknamed the 'Beloved', and Maria Leszczyńska, Queen Consort of France and Navarre and daughter of the King of Poland Stanislaus I. The queen is depicted in a three-quarter-length figure, her face smiling and turned towards the spectator. She wears a wig in shades of grey with her hair gathered around the nape of her neck and a diadem on her head, and pendants on her ears. She wears a dress with a wide neckline made of red velvet, brocaded with gold threads, with rich lace sleeves, and a bodice adorned with a jewelled bodice of diamonds and pearls. On the shoulders rests a blue velvet mantle embroidered with the heraldic...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Saint Catherine Religious Reni 17th Century Paint Oil on canvas Old master Italy
Located in Riva del Garda, IT
Guido Reni (Bologna 1575 - 1642) Workshop of Probably Gian Domenico Cerrini, the Cavalier Perugino (Perugia 1609 - Rome 1681) Saint Catherine of Alexandria Oil on canvas 65 x 5...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Painting Portrait of a Clergyman 17th century
Located in Milan, IT
Oil on Canvas. The painting was previously restored and re-tinted; it has a small hole in the upper left corner. It is presented in a stylish, early 20th-century frame.
Category

Other Art Style 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait of a Young Man
Located in London, GB
Pupil of Rembrandt Portrait of a Young Man 17th Century Oil on oak panel Image size: 4 1/4 x 5 inches (11 x 13 cm) Dutch ebonised frame This small portrait is of a young man, staring inquisitively out towards the viewer. The realism of his appearance is striking, with great care taken in the depiction of the man’s features - for example, his full lips and the slight bump in the bridge of his nose. The man wears a rich burgundy doublet and a black cap and is adorned with gold accessories, indicating a degree of wealth - it is likely that this is a miniature portrait for a wealthy patron. The warm flesh tones of this painting and the intricate rendering of the man’s curly brown hair demonstrate the artistry of the painter, who has successfully captured the image of youth within his brushstrokes. Rembrandt’s Pupils Upon completing his artistic education, Rembrandt opened a studio and began to take students - the first of which were Gerrit Dou and Isaac Jouderville. The studio functioned as an art school, in which materials and guidance were provided - contrary to the studios of his peers, Rembrandt did not offer lodging to his pupils. The families of prospective pupils had to pay Rembrandt 100 guilders (enough for a house at the time) for this artistic education, and the profits from any works produced by pupils under Rembrandt would be paid to the master rather than kept by the student-artist - this contributed substantially to  the master’s income.When taking on pupils, Rembrandt looked for those who could already paint, and guided their styles to reflect his. By choosing pupils who were somewhat experienced artists, Rembrandt had an array of painters that could be involved at any stage of assisting with the creation of his works - in this way, Rembrandt’s pupils often functioned as studio assistants as well. In order to perfect Rembrandt’s style, pupils would paint copies of their teacher’s works, sometimes adding their own distinct variations. They would use the same subjects and models as Rembrandt himself, and would accompany him on outdoor trips to paint nature and landscapes. The extensive copying and utilisation of same source materials has rendered Rembrandt’s work and the work of his pupils difficult to differentiate, even in the modern era.At least 50 pupils were taught by Rembrandt, with many continuing on to become his studio assistants. A few graduated into successful artists in their own right - for example, Govaert Flinck...
Category

18th Century and Earlier Portrait Paintings

Materials

Oak, Oil, Panel

Pietà Cherubs Paint Oil on canvas Religious Rome 16/17th Century Michelangelo
Located in Riva del Garda, IT
Peintre actif à Rome au XVIe siècle - entourage de Scipione Pulzone (Gaeta 1550 - Rome 1598) La Pietà (Christ mort soutenu par la Madone) huile sur t...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Fine 17th Century Dutch Old Master Oil on Wood Panel Ester before Ahasuerus
Located in Cirencester, Gloucestershire
Ester before Ahasuerus Dutch School, 17th century circle of Rembrandt oil painting on wooden panel, unframed panel: 28 x 20 inches provenance: private collection, London condition: very good and sound condition for its age though there are old panel splits evident and minor, but stable, paint loss in those areas, as shown in the photos. The subject of ‘Ester before Ahasuerus’ was narrated by the Bible’s Book of Ester (V: 2-34). Here, the Persian King...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Maria Verelst (Circle), Portrait Of Miss Richards
By Maria Verelst
Located in Cheltenham, GB
This charming early 18th-century three-quarter length portrait depicts a lady wearing a decolleté blue velvet dress with a slit in the bodice. Red fabric is draped around her, and sh...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil, Canvas

Portrait Of Lorenzo Suarez 5th Count Of Corona 16th Century - Antonis Mor
Located in Blackwater, GB
Portrait Of Lorenzo Suarez, 5th Count Of Corona, 16th/17th Century School of Antonis Mor (1517-1577) Large Spanish School Old Master portrait of Lorenzo Suarez, Count of Corona, oi...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil, Canvas

Set of Eight Apostles, Portrait of Men, Head Studies, Flemish School, Van Dyck
Located in Greven, DE
Set of Eight Apostles each oil on panel each framed (different as some are golden, some are not, please view the photos) So far there is no certain attribution. The style of the ser...
Category

Baroque 18th Century and Earlier Portrait Paintings

Materials

Oil, Panel

Portrait Of King Henry VIII (1491-1547), 17th Century Royal Court Portrait
Located in Blackwater, GB
Portrait Of King Henry VIII (1491-1547), 17th Century English School Royal Court Portrait Large 17th Century English Royal Court Portrait of King Henry VIII Of England, oil on canv...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

16th Century Jan van Scorel Portrait of a member of the brotherhood of Jerusalem
By Jan van Scorel
Located in Milano, Lombardia
Jan van Scorel (Schoorl, The Netherlands, 1495 – Utrecht, The Netherlands, 1562) Title: Portrait of a member of the brotherhood of Jerusalem Medium: Oil on panel Dimension: without ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Wood Panel

Spanish School (18th Century), A Rare Portrait of Juan Procopio de Bassecourt
Located in Queens, NY
Spanish School (18th Century), A Rare Portrait of Juan Procopio de Bassecourt, count of Santa Clara, governor of the island of Cuba between December 1796 and May 1799. The lighthouse...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil

Oil Painting by George Romney "Portraits of a Lady and Gentleman"
Located in Mere, GB
Oil Painting Pair circle of by George Romney "Portraits of a Lady and Gentleman" 1734 - 1802 Romney was a leadway society portrait painter of the Georgian ear...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil

18th century portrait painting of a boy with a spinning top on a garden terrace
Located in Bath, Somerset
Portrait of a young boy, full-length in a blue velvet coat and breeches, standing on a stone terrace in a garden landscape, playing with a spinning top. Signed and dated ' Phil. Merc...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

French Old Master The Garden of Gethsemane Unusual Shape Panel
Located in Cirencester, Gloucestershire
Artist/ School: French School, 18th century Title: The Garden of Gethsemane Medium: oil painting on wooden panel, unframed. painting: measurem...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait Sibyl Lady Zanotti Paint Oil on canvas Old master 18th Century Italian
Located in Riva del Garda, IT
Portrait of an Eritrean Sibyl who writes the prophecy Circle of Lorenzo Pasinelli (Bologna 1629 - 1700) - Attributable to Giampietro Cavazzoni Zanotti ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Resurrection Christ Tiziano 16/17th Century paint Oil on canvas Old master Italy
By Tiziano Vecellio (Pieve di Cadore 1490 - Venice 1576)
Located in Riva del Garda, IT
The Resurrection of Christ Follower of Tiziano Vecellio (Pieve di Cadore 1490 - Venice 1576)   Venetian school of the late 16th/early 17th century Oil on canvas 108 x 78 cm. - Framed 129 x 99 cm. This jewel of the Venetian school, a work executed between the 16th and 17th centuries by a Venetian artist, illustrates the episode of the Resurrection of Christ: as reported in the Gospel of Matthew (Matthew 28:1-7) the event is accompanied by an explosion of light and glow, with the figure of Christ rising into the sky. Christ's face, serene and victorious, looks up towards the Light and the Infinite, in contrast to his majestic figure, here constructed with the appearance of a classical sculpture, contrasted by an intensely luminous background. The Risen One firmly holds in His hand the banner (white with a red cross) of the Resurrection, also known as the flag of St. George, which iconographically represents His victory over death, while raising His right hand in a blessing act. With his feet he crushes a snake and a skull, a sign of Christ's triumph over sin and death. The painting belongs to the Venetian school and presents clear reminiscences with the works of Titian Vecellio...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Large 18th Century European Oil Painting Three Figures in Landscape
By (After) Bartolomé Esteban Murillo
Located in Cirencester, Gloucestershire
Three Figures in a Landscape Continental School, late 18th century after the earlier painting by Murillo oil on canvas, framed Framed: 31.5 x 35 inches Canvas: 26 x 36.5 inches Prove...
Category

Baroque 18th Century and Earlier Portrait Paintings

Materials

Oil

Fine 17th Century Italian Old Master Oval Portrait of Lady on Copper Wooden Frm
Located in Cirencester, Gloucestershire
Portrait of a Lady (female saint?) Italian School, 17th century oil on copper, framed frame: 9 x 8 inches board: 5 x 4 inches provenance: private collection condition: very good and ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Mid-18th-Century German School, Portrait Of An Aristocrat In Armour
Located in Cheltenham, GB
This mid-18th-century half-length German portrait depicts a middle-aged aristocrat wearing armour and a wig. Despite his heavily-clad appearance, it’s likely that this rather noncha...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Madonna with Holy Child and St. John
Located in Fredericksburg, VA
Madonna with Holy Child and St. John is a masterful depiction of a tender religious scene, capturing the sacred relationship between the Virgin Mary, the infant Jesus, and St. John t...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Wood, Oil

"Mme de Noirmont", Oil on Canvas Portrait, circa 18th Century
By (circle of) Nicolas de Largillierre
Located in Detroit, MI
This painting titled "Mme de Noirmont" is an oil on canvas work from the studio of Nicolas de Largilliere, one of the most prolific and esteemed French portrait painters of the 18th ...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Adhesive, Oil

Fine 1700's French/ Dutch Oil Painting on Copper Portrait Man Ruff Collar
Located in Cirencester, Gloucestershire
Portrait of a Gentleman wearing a Ruff Collar Dutch/ French artist, 18th century oil painting on copper, unframed copper board : 6.75 x 5 inches provenance: private collection, UK co...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Copper

Portrait of Flying Childers Racehorse Oil on Canvas British 18th Century
Located in London, GB
Thomas Spencer (British, active c. 1740-1756) A Portrait of Flying Childers Oil on canvas With an incorrect label "a racehorse second at new market by John Wotton” With an indistinct...
Category

English School 18th Century and Earlier Portrait Paintings

Materials

Oil

Eastern European Mannerist Portrait, woman in traditional dress
Located in Hillsborough, NC
Eastern European young woman in traditional dress with silver lacings and jewelry holding an open book. This portrait pose is in the Renaissance period Mannerist style, and the young...
Category

Mannerist 18th Century and Earlier Portrait Paintings

Materials

Oil, Canvas

French Rococo 18th-Century Portrait Young Boy Playing a Flute Oval Oil Painting
Located in Cirencester, Gloucestershire
Portrait of a Young Boy French Rococo School, 18th century oil on canvas, framed Framed: 24 x 20 inches Canvas : 20 x 16 inches Provenance: private collection, France Condition: very...
Category

Rococo 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait Knight Venetian School 17th Century Paint Oil on canvas Old master
Located in Riva del Garda, IT
Venetian School, early 17th century Portrait of a knight in armour The inscription at the top, ‘MAR...DIT...VICO’, is only partly legible Oil on canvas. 81 x 71 cm. - Framed: ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Saint Lawrence Looking at the Treasures
Located in Fredericksburg, VA
"Saint Lawrence Looking at the Treasures" is a captivating painting attributed to the Bolognese School, a prominent art movement from Bologna, Italy, flourishing primarily in the 16t...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Madonna and Child- Italian Old Master religious art portrait oil painting
Located in Hagley, England
This superb Italian Old Master religious portrait oil painting is attributed to circle of Bartolomeo Schedoni. Painted circa 1700 it is a half l...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Cavalier & Lady Diuing A Recital, 17th Century Dutch School
Located in Blackwater, GB
Cavalier & Lady During A Recital, 17th Century Dutch School Large 17th Century Dutch Old Master interior scene of a lady and cavalier during a recital. oil on canvas. Excellent qua...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Emperors Caesar Octavian Tiziano Paint Oil on canvas Old master 17/18th Century
By Tiziano Vecellio (Pieve di Cadore 1490 - Venice 1576)
Located in Riva del Garda, IT
Tiziano Vecellio (Pieve di Cadore 1490 - Venice 1576) follower of Portrait of the emperor Julius Caesar (Rome 100 BC - 44 BC), inscribed above C. IVLIVS. CAESAR Portrait of the Emperor Octavian Augustus (Rome 63 BC - 14 BC), inscribed on top OCTAVIANUS II ROM IMP 17th century oil painting on canvas Measurements (cm.): 65 x 50, with frame 81 x 68 cm. The Latin writer Suetonius with his work 'De vita Caesarum' (and in particular with his tradition in the vernacular of 1543, edited by the Florentine scholar Paolo del Rosso) inspired Tiziano Vecellio who, in 1537, painted for Duke Frederick II of Gonzaga portraits of the eleven emperors, adorning the walls for a small room in the Palazzo Ducale in Mantua, later known as the Cabinet of the Caesars. These effigies were intended to establish the link between the new era and classicism with its splendor, as well as to celebrate the value and wisdom of the rulers, who perceived themselves, in their lordships, as valiant new emperors. Titian's paintings soon became enormously popular and many patrons and lords of the time, including Ferdinando d'Avalos, Marquis of Pescara and Governor of Milan or Vespasiano Gonzaga, turned to the workshop of the Cremonese Bernardino Campi...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

18th Century by Alessandro Longhi Portrait of a young musician Oil on canvas
Located in Milano, Lombardia
Alessandro Longhi (Venice, Italy, 1733 – 1813) Title: Portrait of a young musician in front of his desk with a score in his hand Medium: Oil on canvas Dimensions: without frame 39.5 ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Virgin Madonna Mater Dolorosa Reni 17th Centutr Paint Oil on canvas Old master
By Guido Reni (Bologna, 1575 - 1642)
Located in Riva del Garda, IT
The workshop of Guido Reni (Bologna, 1575 - Bologna, 1642) The Virgin at Prayer (or Mater dolorosa) Oil on canvas 77 x 64 cm, framed 97 x 83 cm. The Madonna of our canvas is depict...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Court Portrait Of King Edward VI (1537-1553) King Of England
Located in Blackwater, GB
Portrait Of King Edward VI (1537-1553) King Of England after William SCROTS (1510-1553) Large circa 17th/18th Century portrait of Edward VI, King Of England, oil on canvas. Excellent quality and condition half length portrait of the only surviving son of King Henry VIII and Jane Seymour wearing Prince Of Wale Feathers and the crown upon a pendant. Exceptional quality distinctly similar to the works of court painter William Scrots. Presented in a gilt & ebony frame. Measurements: 40" x 34" framed approx Provenance: The estate of Richard Philip...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Antique French Miniature Portrait of Lady Biographical details with painting
Located in Cirencester, Gloucestershire
Miniature Portrait French School, late 18th/ early 19th century framed: 5.5 x 5.5 inches board: 2 x 2 inches provenance: private collection, France condition: very good and sound c...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Watercolor

Saint George 17/18th Century Paint Cima Da Conegliano Oli on canvas Old master
Located in Riva del Garda, IT
Saint George A follower of Giovanni Battista Cima, known as Cima da CONEGLIANO (Conegliano c. 1449 - Conegliano c. 1517) Oil on canvas 126 x 49 cm. Framed 143 x 65 cm. The painting...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait De La Fosse Rigaud Paint Oil on canvas 17/18th Century Old master Art
Located in Riva del Garda, IT
Hyacinthe Rigaud (Perpignan 1659 - Paris 1743) attributable Portrait of the painter Charles de La Fosse (1636-1716) oil on canvas 60 x 52 cm/ In a beautiful frame cm. 113 x 78 The ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

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