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18th Century and Earlier Portrait Paintings

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Period: 18th Century and Earlier
Mary Magdalene - Oil on Canvas by Italian School 19th cent.
Located in Roma, IT
Oil on canvas. cm 60.5 x 2 x 50 Nice Oil painting (Italian School of XIX century) with a rapid sign and intense colors backgrpound. Some color cracking on left margin and top edge, ...
Category

Modern 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait Of Lucas Cranach The Elder (1472-1553), 16th Century German Renaissance
Located in Blackwater, GB
Portrait Of Lucas Cranach The Elder (1472-1553), 16th Century German Renaissance School Large 16th Century German School portrait identified as Lucas Cranach The Elder, oil on canv...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

English 17th century portrait of James Thynne as a young boy by a fountain
By Johann Kerseboom
Located in Bath, Somerset
Portrait of the Hon. James Thynne (c. 1680-1704), full-length, in the gardens of Longleat House, seated beside a fountain, holding a shell beneath water spouting from a horn blown by a cherub on a dolphin. A glimpse of part of Longleat House can be seen upper left. Oil on canvas in a period giltwood frame, decorated with leaves and acorns. C. 1682. Dimensions: 145 x 123cm (57 x 48in) in frame Provenance: Ex Longleat House, Wiltshire Private collection, Bath James Thynne was the youngest son of Thomas Thynne, 1st Viscount Weymouth and Frances Finch of Longleat House, Wiltshire. He died in his youth and his Aunt, Anne Kingsmill Finch, Countess of Winchilsea (1661-1720), wrote a moving poem on his death. He was buried in the family vault at Longbridge Deverill, Wiltshire. A mezzotint of this painting by William Faithorne the Younger is held in the Royal Collection. Johann Kerseboom (d.1708) was the nephew of Frederick Kerseboom and first worked in Germany before coming to England in the 1680's where his sitters included the 'Electress Sophia Dorothea' (known from a mezzotint by William Faithorne). His early works were influenced by William Wissing...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Canvas

William Lord Russell
Located in Douglas, Isle of Man
Sir Godfrey Kneller 1646-1723, was a German born English portrait painter. He was a pupil of Bol and Rembrandt, he was born in Leiden, travelled to Rome , Venice, Hamburg and later t...
Category

Baroque 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait Of Sir James Hamlyn (1735-1811), MP for Carmarthen, Sheriff of Devon
By Joshua Reynolds
Located in Blackwater, GB
Portrait Of Sir James Hamlyn (1735-1811), MP for Carmarthen, Sheriff of Devon, 18th Century follower of Sir Joshua REYNOLDS (1723-1792) Large 18th Century portrait of Sir James Ham...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

17th Century portrait oil painting of a gentleman
By John Riley
Located in Nr Broadway, Worcestershire
Circle of John Riley British, (1646-1691) Portrait of a Gentleman Oil on canvas Image size: 29 inches x 24 inches Size including frame: 36 inches x 31 inch...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

18th Century Circle of Jean-Étienne Liotard Portrait of a lady Oil on canvas
Located in Milano, Lombardia
Circle of Jean-Étienne Liotard (Geneva, Switzerland, 1702 – 1789) Portrait of a lady Medium: Oil on canvas Dimensions: without frame 73 x 58 cm – with frame 87.8 x 73.7 x 4.5 cm Not ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait Gentleman Man Kneller 17/18th Century Paint Oil on canvas England
By Godfrey Kneller (Lübeck 1646 - London 1723)
Located in Riva del Garda, IT
Godfrey Kneller (Lübeck 1646 - London 1723) circle of Portrait of a Gentleman in a Garden Oil on canvas 67 x 47 cm. Framed 84 x 64 cm. The painting depicts a nobleman portrayed f...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait Of A Lady As Diana, 17th Century
Located in Blackwater, GB
Portrait Of A Lady As Diana, 17th Century Dutch School Large 17th Century Dutch Old Master portrait of a lady as Diana, oil on canvas . Exc...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Hercules At The Funeral Pyre at Mount Oeta, 18th Century
By Guido Reni
Located in Blackwater, GB
Hercules At The Funeral Pyre at Mount Oeta, 18th Century follower of GUIDO RENI (BOLOGNA 1575-1642) 18th Century Italian Old Master depiction of Hercules at his funeral pyre, Moun...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait of Lady in Mob Cap - British Old Master 18th century art oil painting
Located in Hagley, England
This charming British Old Master Regency pastel portrait is attributed to John Russell RA. Painted circa 1790 the composition is a blonde woman in pretty mob cap with a blue ribbon. A really lovely image. Provenance. Oxford estate. Condition. Oil pastel on paper, 23 inches by 19 inches unframed and in good condition but has line in paper in middle. Frame. Housed in a fine frame, 30 inches by 26 inches framed and in good condition. John Russell RA (1745-1806) was an English painter renowned for his portrait work in oils and pastels, and as a writer and teacher of painting techniques. Russell was born in Guildford, Surrey, the son of John Russell Snr., book and print seller and five times mayor of the town; his father was something of an artist, and drew and published two views of Guildford. Russell was educated at the Royal Grammar School, Guildford, and soon showed a strong inclination for art. He trained under Francis Cotes RA (of Cavendish Square, London), one of the pioneers of English pastel painting, and, like Cotes, was an admirer of the pastel drawings of Rosalba Carriera whose methods influenced his technique of "sweetening". At the age of 19 he converted to Methodism, which was the cause of tension with his family and with his teacher; he made no secret of his strong evangelical leanings and would attempt to preach and convert at every opportunity. Russell set up his own studio, in London, in 1767. He made the acquaintance of the notorious Dr. William Dodd, whose portrait he painted in 1768. He was introduced to Selina, Countess of Huntingdon, who unsuccessfully attempted to persuade him to give up painting and attend her Methodist ministers' training college at Trevecca in Wales. On 5 February 1770, he married Hannah Faden, daughter of a Charing Cross print and map seller...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

18th Century by Pietro Bardellino Mary Magdalene Painting Oil on Canvas
Located in Milano, Lombardia
Pietro Bardellino (Naples, Italy, 1731 – 1806) Title: Mary Magdalene Medium: Oil on canvas Dimensions: without frame 75 x 60 cm – with frame 97 x 82 cm Antique shaped and carved wood...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Canvas

17th Century portrait oil painting of a gentleman
By Willem Wissing
Located in Nr Broadway, Worcestershire
Circle of Willem Wissing Dutch, (1656-1687) Portrait of a Gentleman Oil on canvas Image size: 29 inches x 24.5 inches Size including frame: 35 inches x...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Miracle Saint Francis Cignani 17th Century Paint Oil on canvas Old master Italy
Located in Riva del Garda, IT
Felice Cignani (Bologna 1658 - Forlì 1724) The Miracle of Saint Francis of Paola Oil on canvas 165 x 111 cm In frame 182 x 129 cm Work accompanied by an appraisal by Prof. Em...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Gruppo 8 dipinti Eroine dell’antichità, Francesco Conti, XVIII secolo
Located in Milan, IT
Oil on gattice wood in octagon. Il gruppo di otto dipinti in oggetto (figg. 1-8) rappresenta, nel classico formato fiorentino dell’ottagono, una serie di effigi femminili a mezza figura. Più precisamente, si tratta di giovani fanciulle elegantemente vestite, disposte in varie attitudini ma accomunate, ad eccezione di due esemplari sui quali ci soffermeremo in seguito, dall’accento sulla ricchezza, evidenziata sia da particolari di fastose console e drappeggi, sia da collane di perle o tessuti preziosi che le donne talvolta maneggiano, ponendovi così l’accento. Una delle figure porta in testa una corona reale, altre dei turbanti o inconsueti copricapi. Questi dettagli conferiscono ai personaggi un aspetto principesco, talvolta abbinato a richiami orientaleggianti. Una formula che riporta alla mente il caso di un dipinto da poco riscoperto nella sua vera identità, il “Ritratto fino a mezzo busto di Regina Armena” di Mario Balassi, seducente connubio di recuperi alloriani ed elementi di fantasia conservato alle Gallerie degli Uffizi (vedi F. Berti, Da ritratto mediceo di Jacopo Ligozzi...
Category

Other Art Style 18th Century and Earlier Portrait Paintings

Materials

Oil

The cabbage cutter
Located in BELEYMAS, FR
Jean-Baptiste SANTERRE (Magny-en-Vexin, 1658- Paris, 1717) The cabbage cutter Oil on canvas H. 86 cm; L. 70 cm Jean-Baptiste Santerre began his apprent...
Category

French School 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

A portrait of a lady and her daughter with an exotic bird
By Michael Dahl
Located in Bath, Somerset
A portrait of a lady three-quarter length, seated in an interior, wearing a red silk gown draped in a pink silk sash with an exotic bird perched on her hand and one arm resting on a stone plinth, her young daughter wearing a green silk gown standing at her side. Oil on canvas, housed in a period 'Lely' giltwood frame. This double portrait was painted at the height of Dahl's career in circa 1715 when Dahl had become firmly established as one of the leading portrait painters in Britain. Although the identities of the sitters are currently unknown, it is a sensitive depiction of a close and affectionate bond between a mother and daughter, with the young girl's hand resting affectionately on her mothers lap. The tamed exotic bird adds a charming decorative element which also serves to convey the high social status of the lady, given only the very wealthy would be able to own such a rare and expensive pet and the lively colouring of the bird's feathers is reflected in the colours of the sitters' silk gowns. Provenance: Private collection, London Michael Dahl (Stockholm 1659-1743 London) was born in Stockholm in Sweden and studied under Martin Hannibal (d 1741) and later with David Klöcker Ehrenstrahl. In 1682 he travelled to London, where he became acquainted with Godfrey Kneller and Henry Tilson, and in 1685 he left for Europe with Tilson, working briefly in Paris before continuing to Venice and Rome, where they stayed for about two years. In Rome Dahl converted to Roman Catholicism and gravitated towards the circle of Christina, former Queen of Sweden, who sat for him (Grimsthorpe Castle, Lincs). He returned to England with Tilson via Frankfurt and arrived in London in 1689, staying in England for the remainder of his career. During Dahl's absence, Kneller had consolidated his supremacy in London as the most fashionable portrait painter, but Dahl rapidly became Kneller’s closest competitor. His patrons probably had roots in the Swedish diplomatic circles, but it expanded as a result of his ability and his agreeable personality. His prices were lower than those of Kneller and he favoured softer, more diffused, colour tones and could respond to his sitters with sincerity and humanity. Politically, Kneller supported the ascendant Whigs while Dahl was a Tory, but they frequently painted the same sitters from both parties, and in spite of fundamental differences in technique and temperament, their work was sometimes similar in appearance. Dahl was prolific but rarely signed his work, and comparatively few of his portraits were engraved in mezzotint, the method used by Kneller to widen his reputation. By 1690 he had painted the aged Duke of Schomberg (engraved by William Faithorne) and Prince George of Denmark (London, Kensington Palace). He was ignored by William III but received commissions from Princess Anne, including one for a portrait of herself (Oakly Park, Ludlow, Salop). He also painted the future Duke and Duchess of Marlborough, and his informal portrait of the Duchess (Althorp House, Northants), formerly attributed to Kneller, is perhaps the most intimate of all images of her. During the 1690s he secured the patronage of Charles Seymour, the ‘Proud’ 6th Duke of Somerset, who ordered a series of seven full-length portraits of notable contemporary beauties from Dahl (1690s; Petworth House, W. Sussex, NT). This was originally a scheme similar to Kneller’s more famous ‘Hampton Court Beauties’, but the portraits were subsequently reduced to three-quarter-length formats. The features of the sitters are not individualized, but they possess a decorative, languorous glamour that recalls Lely rather than Kneller. Somerset gave Dahl further employment over the next 25 years. In 1698, following the death of Klöcker Ehrenstrahl, Dahl was offered the post of court painter at Stockholm, which he apparently refused, preferring to remain in London at his studio in Leicester Fields, near the Swedish legation. In about 1700 he was joined by a young compatriot, Hans Hysing, who worked with him for many years. Dahl seems not to have married until after 1708, He had a son Michael (d. 1741), also a painter, of whose work nothing is known, and two daughters. After the accession of Queen Anne in 1701, she and Prince George sat for a number of official portraits. His royal patronage ceased with Queen Anne’s death, and when Dahl refused to paint the infant Duke of Cumberland in 1722. He was suspected of Jacobite sympathies, and relations had cooled between him and the Swedish legation. However, his practice continued to prosper, and he acquired another important patron in Edward Harley, 2nd Earl of Oxford, who shared his political views and whose circle included the architect James Gibbs and the poets Matthew Prior and Alexander Pope, all of whom Dahl painted. Oxford commissioned several portraits of himself. In the earliest (1719; Welbeck Abbey...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Saint Jerome Oil on copper 16th Century Paint Old master Italy Emilian school
By Giuseppe Mazzuoli known as Bastarolo (Ferrara 1536 - 1589)
Located in Riva del Garda, IT
Ferrara school of the late sixteenth century - circle of Giuseppe Mazzuoli known as Bastarolo (Ferrara 1536 - 1589) St. Jerome penitent in the cave ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Jesus Son Salvi Paint Oil on canvas Old master 17th Century Italian Religious
Located in Riva del Garda, IT
Ancient painting depicting Jesus with the Commissioner's son (Alternative reading: St. Joseph with the Child, or the 'Paternity') Giovan Battista Salvi known as "the Sassoferrato" (1609 - 1685) circle / follower Oil painting on canvas 76 x 59 cm. -With frame in the shape of a small temple, not coeval 99 x 84 cm. The interesting canvas that we are pleased to offer you recalls the iconographic model of classic paternity, which traditionally sees Saint Joseph holding the sleeping baby Jesus...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Scandinavian Family Portrait, Artist 18th Century, Scandinavian School
Located in Knokke, BE
Scandinavian Family Portrait Artist 18th century 18th Century Scandinavian School Signature: Not signed Medium: Miniature Dimensions: Image size ...
Category

Medieval 18th Century and Earlier Portrait Paintings

Materials

Egg Tempera

St. Vincent Ferrer Preaching to the People of Salamanca
Located in New York, NY
Provenance: Private Collection, New Jersey The present painting depicts Saint Vincent Ferrer preaching from a raised pulpit to a group of seven peopl...
Category

Renaissance 18th Century and Earlier Portrait Paintings

Materials

Oil, Wood Panel

Portrait of a young woman in Louis XV period dress
Located in BELEYMAS, FR
French School Portrait of a young woman in Louis XV period dress Pastel on paper mounted on oval canvas H. 68 cm; W. 54 cm (Frame: H. 102 cm; W. 71 cm) 18th century frame, anti-refle...
Category

French School 18th Century and Earlier Portrait Paintings

Materials

Canvas, Paper, Pastel

17th Century Oil on Canvas Italian Religious Painting Saint Bartholomew, 1670
Located in Vicoforte, IT
Antique Italian painting from the 17th century. Painting oil on canvas depicting a religious subject Saint Bartholomew of excellent pictorial quality. Painting of beautiful size and ...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

The Death Of Patroclus, 18th Century School of Jacques-Louis David (1748-1825)
By Jacques-Louis David
Located in Blackwater, GB
The Death Of Patroclus, 18th Century School of Jacques-Louis David (1748-1825) 18th Century French Neo-Classical scene of the Death Of Patroclus, oil on panel. Excellent quality an...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil, Wood Panel

18th century portrait of the artist’s daughter, Catharina, playing the cello
By Balthasar Denner
Located in Bath, Somerset
The sitter, seated in a yellow silk gown trimmed with a pink bow playing the cello, is believed to be the artist Balthazar Denner's eldest daughter Catharina (1715-1744), after his marriage to Esther Winter in Hamburg in 1712. She is also recognisable in another portrait of the Denner family in the Hamburg Kunsthalle, painted circa 1740 by the artist's son, Jacob Denner (1722-1765). Oil on canvas in a period giltwood frame. Provenance: Private collection, Northern Germany Professor Helmut Borsch-Supan, Berlin, confirmed the authenticity of the painting after examining it in 2013. The painting will also be included in the forthcoming catalogue raisonnée of the artist, by Ute Mannhardt. Balthasar Denner...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Antique Flemish Baroque painting, 17th Century Portrait "Medici" Oil on canvas.
By Justus Sustermans
Located in Berlin, DE
Antique Flemish Baroque painting, 17th century, portrait, Medici. Oil on canvas. The painting is probably attributed to the Flemish painter Justus Sustermns. Pictured is most likel...
Category

Baroque 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

17th Century Oil on Canvas Italian Painting Genre Scene Bamboccioni, 1650
Located in Vicoforte, IT
Antique Italian painting from the 17th century. Oil painting on canvas depicting a lively popular genre scene of great charm, typical of the Bamboccianti school. Many Flemish and Ita...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Holy Family Ramenghi Paint Oil on canvas Old master 17th Century Religious Art
Located in Riva del Garda, IT
Bolognese school of the seventeenth century Circle Giovanni Battista Ramenghi, known as Bagnacavallo (Bologna, 1521 - 1601) Oil painting on canvas (86 x 72 cm. - With antique frame ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

18th Century Venetian School Portrait of a Bishop Oil on Panel Green Brown Black
Located in Sanremo, IT
Painting oil on panel measuring 40 x 30 cm without frame and 48 x 38 with frame representing a great bishop of the Venetian school from the first half of the 18th century. Very curi...
Category

Italian School 18th Century and Earlier Portrait Paintings

Materials

Oil, Wood Panel

18th Century large scale portrait oil painting of a lady with a lamb
By Arthur Pond
Located in Nr Broadway, Worcestershire
Attributed to Arthur Pond British, (1701-1758) Portrait of a Lady Oil on canvas Image size: 50.75 inches x 41.5 inches Size including frame: 58.5 inches x...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait d’un militaire 1660
Located in GOUVIEUX, FR
Huile sur toile Dim avec cadre 92/69 cm Dim sans cadre 62/85 cm Il est tout à fait possible que ce portrait ait été réalisé par un peintre itinérant,spécialiste du portrait d’appar...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

French Art, Rococo, Portrait Queen Marie Antoinette France, Oval, Circle Vivien
Located in Greven, DE
French School, Portrait of Queen Marie Antoinette of France, Pastel /oil Pastel on Paper, Rococo, 18th Century. The Pastel is made in the style...
Category

Rococo 18th Century and Earlier Portrait Paintings

Materials

Paper, Pastel, Oil

17th Century by Bernardo Strozzi Portrait of a man with white collar
By Bernardo Strozzi
Located in Milano, Lombardia
Bernardo Strozzi, also known as “Il Cappuccino” and “il Prete Genovese”, (Genoa, Italy, 1581 – Venice, Italy, 1644) Title: Portrait of a man with white collar Medium: Oil on canvas D...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

PPortrait Of Barbara Villiers (1640–1709), Countess of Castlemaine and Duchess o
Located in Blackwater, GB
PPortrait Of Barbara Villiers (1640–1709), Countess of Castlemaine and Duchess of Cleveland Circle of Sir Peter Lely (1618-1680) Huge 17th Cent...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait of a noble Gentlemen, Max Franz of Austria, Archduke, Meytens, Habsburg
Located in Greven, DE
Portrait of Max Franz as coadjutor of the Teutonic Order Oil on canvas, 54 x 45 cm Maximilian Franz of Austria Austrian Archduke Maximilian II. Franz, was Grand Master of the Teutoni...
Category

Rococo 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait of a girl with a rose and a red coral necklace (c. 1631)
Located in Amsterdam, NL
David Finsonius (Veere 1597- Bergen op Zoom 1646/1648) Portrait of a girl with a rose and a red coral necklace With traces of the artist’s signature and annotated AETATIS S.V. 2 1⁄2 Ao 1631 Oil on panel, H. 104.5 x 79.5 cm Provenance: Purchased by Jonkheer Helenus Marius Speelman (1857-1909), Kasteel de Wittenburg; thence by descent The work shows a strong resemblance to a portrait by Finsonius in the North Brabant Museum. This signed and dated "Girl with Basket and Cherries" (Inv. 15529), was painted just a year later, in 1632. Not only are the paintings remarkably similar in overall size and format, in painting style, and in the positioning of the girls in full length in their white lace dresses. They are also connected by the iconographic scheme of the respective coral necklaces, each with a gold memorial medal hanging from it. Although they are of course individuals, the faces are very similar in their depictions of features such as eyes, nose, and lips. This points to the same technique applied by the same painter. Finally, the handwriting is almost the same on the works by Finsonius known so far. About the painter, David Finson named 'Finsonius' (related to the better-known Louis Finson...
Category

Dutch School 18th Century and Earlier Portrait Paintings

Materials

Oil, Wood Panel

Cardinal Mazarin portrait
Located in BELEYMAS, FR
French School circa 1645 Portrait of Cardinal Mazarin - Sketch Oil on canvas H. 41.5 cm; W. 27 cm Provenance: Collection of the Reverend Georges Downing Bowles (1789-1863) Would ...
Category

French School 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait Of Elizabeth Plumer (nee Byde) & Daughter, circa 1735
Located in Blackwater, GB
Portrait Of Elizabeth Plumer (nee Byde) & Daughter, circa 1735 by ENOCH SEEMAN (1694-1744) Large 1735 portrait of Elizabeth Plumer & her daughter holding a rattle, oil on canvas by...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas

Trompe l'oeil, Trick of the Eye, Maria, Child St. Anthony, Van Dyck, Old Master
Located in Greven, DE
After a copper engraving (46 x 34 cm) by Gilles Rousselet after Van Dyck, ca. 1640 Paris. Oil on cardboard, 44 x 35 cm Trompe-l'oeils are pictures whose depicted objects are painte...
Category

Rococo 18th Century and Earlier Portrait Paintings

Materials

Oil

Christ Wearing The Crown Of Thorns, 17th Century circle Carlo Dolci (1616-1686)
Located in Blackwater, GB
Christ Wearing The Crown Of Thorns, 17th Century circle of Carlo Dolci (1616-1686) Large 17th Century Italian Old Master of Christ wearing the Crown of Thorns, oil on canvas. Excel...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Hare coursing outside a country house with hounds Oil British 18th Century
Located in London, GB
Thomas Burford (British, c. 1710-1779) Hare coursing outside a country house Oil on canvas Property of a gentleman From the collection of Peter Roe Dimensions: (Frame) 12.5 in. (H)...
Category

English School 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait of Ochius, also called The Passia Ahmed ex Royal Collection of Hanover
By (Attributed to) Sir Godfrey Kneller
Located in London, GB
Attributed to Sir Godfrey Kneller (1646 - 1723) A Portrait of Ochius, also called The Passia Ahmed Oil on canvas In a gilded frame Painted circa 1689 following the siege of Belgrad...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil

Early European Portrait Painting of a Young Woman
Located in Houston, TX
Portrait painting of a young woman dressed in black with a bonnet. The woman has a rose in her right hand and presents her left hand with a r...
Category

Naturalistic 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

18th century portrait painting of a clergyman Pieter Van Bleeck (follower)
Located in York, GB
18th century portrait painting of a clergyman Pieter Van Bleeck (follower) (unsigned) A fine late 18th century/early 19th century portrait oil on canvas three quarter length study of a clergyman The artist has managed to capture the gentle demeanour of the sitter. housed in a gilt frame by a follower of Pieter Van Bleeck the size being 58 x 69 cm approx whilst overall the picture is 76 x 90 cm In very good condition having been cleaned and relined at some point. Pieter Van Bleeck Petrus Johannes (Pieter) van Bleeck (baptized 25 June 1697 in The Hague – 20 July 1764 in London) was an 18th century Dutch portrait painter and mezzotint engraver active in London, where he moved in 1723. Van Bleeck is especially known for theatrical subjects such as Owen Swiny, Kitty Clive...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait of Laura Keppel, later Lady Southampton
Located in New York, NY
Inscribed, upper left: “Miss Laura Keppel” Provenance: Commissioned from the artist and by descent in the Keppel family estate, Lexham Hall, Norfolk, to: Major Bertram William Arnol...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait Of 1st Baron Hawkstone, Sir Rowland Hill, Tory MP for Lichfield
Located in Blackwater, GB
Portrait Of 1st Baron Hawkstone, Sir Rowland Hill, Tory MP for Lichfield (1705-1783) by Charles JERVAS (1675-1739) Large 18th Century portrait of Baron Hawkstone, Sir Rowland Hill,...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Cardinal Thomas Wolsey 16th Century Oil Portrait
Located in London, GB
English School Cardinal Thomas Wolsey 16th Century Oil on oak panel Image size: 22 1/4 x 18 inches (56.5 x 46 cm) Contemporary style frame Provenance T. L. Thurlow Esq, Baynards Par...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil, Oak

Flower Still-life Virgin Trevisani Stanchi Paint Oil on canvas 17/18th Century
Located in Riva del Garda, IT
Flower garland with a portrait of the Virgin Francesco Trevisani (Capodistria 1656 - Rome 1746) and Niccolò Stanchi (Rome 1623 - 1690), attributable Oil on canvas 66 x 49 cm. - In f...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Annunciation De Matteis Paint Oil on canvas Old master 17/18th Century Leonardo
Located in Riva del Garda, IT
The Annunciation Circle of Paolo De Matteis (Piano Vetrale, 1662 - Naples, 1728) oil painting on canvas (106 x 90 cm - with frame 118 x 103 cm.) The work,...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

French School of the 17th Century Female portrait with flowers Oil on canvas
Located in Milano, Lombardia
French School of the 17th Century – Circle of Pierre Mignard (1612-1695) Title: Female portrait with flowers Medium: Oil on canvas Dimensions: without frame 81 × 68 cm – with frame ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Clan Murray, Coat Of Arms, Duke Of Atholl, 18th Century Scottish School
Located in Blackwater, GB
Clan Murray, Coat Of Arms, Duke Of Atholl, 18th Century Scottish School Large 18th Century Scottish Clan Murray Coats of Arms, oil on canvas. The shield bearing allegiance to the c...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait Lady Pulzone Paint Oil on canvas Old master 16th Century Italian Roma
Located in Riva del Garda, IT
Scipione Pulzone, called Il Gaetano (Gaeta 1544 - Rome 1598) - workshop of Portrait of Bianca Cappello (Venice, 1548 - 1587) Grand Duchess of Tuscany, second wife of Francesco I de 'Medici Second half of the 16th century oil on canvas, cm. 70 x 56 cm., Framed 103 x 87 cm. The proposed painting illustrates the portrait of Bianca Cappello (Venice, 1548 - 1587), a noblewoman of Venetian origins, second wife of the Grand Duke of Tuscany Francesco I de 'Medici, whose expressive power is wisely highlighted by the composite cut of light three quarters, with the head and gaze directed at the observer. The beam of light coming from her right brings out the volumes of her face plastically and lingers on her features, highlighted by the large white lace ruff that surrounds his neck and by the details of her precious clothing. Bianca wears a dark red dress, perhaps a zimarra, embroidered in gold with a plunging neckline and a raised collar of the shirt curled in a ruff and also edged with precious lace, embroidered with the motif of the Florentine lily.   The favorite jewels of the noblewoman were pearls: we see them on a choker that adorns the neckline, in the earrings and again in the hairstyle, which sees the hair gathered at the nape of the neck and adorned with a string of small black pearls and embellished with a clasp. It is a high-quality painting that can be confined to the workshop of the painter Scipione Pulzone called Gaetano, representing at best a pictorial genre, that of portraiture, in which the master excelled. This attribution would be confirmed by comparisons with the numerous portraits that Pulzone dedicated to the Medici family. Our painting, in particular, could represent one of the versions that the workshop has replicated, at the request of the numerous art collectors who wish to have a portrait of one of the most influential personalities of the Florentine scene. The characters drawn by Pulzone were icons of incomparable elegance: noblewomen, knights and religious lent their faces to the eye of the artist who was able to grasp every meticulous detail with his superb technique. A photographic wealth and surprising material attention that trace the pictorial prototypes of Flemish inspiration, in particular of Antonis Mor...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait du XVIIIe siècle attribué à Pierre Gobert (1662/1744)
By Pierre Gobert
Located in GOUVIEUX, FR
Portrait du XVIIIe siècle attribué à Pierre Gobert Nous vous présentons un portrait remarquable, daté de la première moitié du XVIIIe siècle, attribué à Pierre Gobert, un peintre fra...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil

Christ as a Boy
Located in London, GB
Attributed to Francesco Bonsignori Italian 1455-1519 Christ as a Boy Oil on wood panel Image size: 12 1/4 x 16 inches (31 x 40.5 cm) Original gilt frame  In this painting on panel, ...
Category

Italian School 18th Century and Earlier Portrait Paintings

Materials

Oil, Wood Panel

Judith Beheading Holofernes, 17th Century School of Carlo MARATTA (1625-1713)
By Workshop Of Carlo Maratta
Located in Blackwater, GB
Judith Beheading Holofernes, 17th Century School of Carlo MARATTA (1625-1713) Carlo Maratta Large 17th century Italian Old Master depiction of Jud...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil, Canvas

18th century diptych portraits man and woman American formal dress flower
By William Jennys
Located in Milwaukee, WI
The present pair of portraits would make an exceptional addition to any collection of early American art not only because they were painted by the notable William Jennys, but also because the sitters are members of notable and influential New England families. In addition, these pendants have impeccable provenance: they have never left ownership of the decedents of the Kimball family and this is the first time they have been available for purchase. David Kimball (1766-1848) and Nancy Stacy Kimball (1774-1844) were members of historic Massachusetts families. David Kimball is a sixth-generation decedent of Richard Kimball (d. 1675) and Ursula Scott (d. 1659), who emigrated from Rattlasden, Suffolk County, England to Watertown MA around 1634. The family then relocated in 1637 to Ipswich, the city with which the family is now most strongly identified, when Richard was appointed to be a wheelwright.[1] Nancy likewise had early New England ancestry, descended from Simon Stacy and Elizabeth Clark, who were married in London in 1620.[2] Nancy Stacy was the second wife of David Kimball, and the two were married in 1799. Given this, the present pendant portraits were likely completed shortly after the marriage. David had two children by his first wife Mary Morse, who died in September of 1798. David and Nancy would have nine additional children between 1801 and 1815.[3] Most notably, the couple were parents of the Boston politician and showman Moses Kimball (1809-1895).[2][3] Moses would found the Boston Museum, an early for-profit museum and theater opened in 1841 that resembled European curiosity cabinets: the museum displayed paintings of Thomas Scully and Charles Peale alongside Chinese artwork, stuffed animals, dwarves and mermaids. Alongside these exhibits, visitors could attend the theater which held performances by gymnasts and contortionists, followed by performances of Shakespeare and Dickens.[4] This museum set the model for the Museum of Fine Arts, Boston, which when founded in 1870 held a similarly diverse collection and appealed to the interests of a diverse set of visitors.[5] Moreover, some Greek antiquities from Moses Kimball's museum were eventually given to the MFA and Moses donated approximately $5,000 to the MFA's endowment upon his death.[6][7] William Jennys (1774–1859), also known as J. William Jennys, is an important American primitive portrait...
Category

Academic 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Early 17th Century by Tiberio Titi Portrait of a Gentleman Oil on panel
Located in Milano, Lombardia
Tiberio Titi (Florence, Italy, 1573 – 1638) Title: Portrait of a Gentleman Medium: Oil on panel Dimensions: Without frame 122 x 91 cm – with frame 162 x 133 x 10 cm Publications: G...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Wood Panel

Portrait of Nicholas Poyntz
Located in London, GB
Remigius Van Leemput Portrait of Nicholas Poyntz 1607-1675 Oil on oak panel, unsigned Image size: 13 x 10 1/4 inches (33 x 26 cm) Contemporary style frame Provenance The Dalva Brot...
Category

Flemish School 18th Century and Earlier Portrait Paintings

Materials

Oil, Panel

Portrait of Benedict Arnold
By Ralph Earl
Located in Fredericksburg, VA
This portrait, attributed to the American painter Ralph Earl, captures Benedict Arnold, one of the most controversial figures of the American Revolutionary War. Ralph Earl, known for...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

17th Century by Juan Alfonso Abril Head of St Paul Painting Oil on Canvas
Located in Milano, Lombardia
Juan Alfonso Abril (active in the 17th century in Valladolid, Spain) Title: Head of Saint Paul Medium: Oil on canvas Dimensions: without frame 48.5 x 62 ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Canvas

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