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18th Century and Earlier Portrait Paintings

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Period: 18th Century and Earlier
Portrait of an Italian Noblewoman
Located in London, GB
15th century, Italian Circle of Antonio del Pollaiuolo (1429-1498) Portrait of an Italian Noblewoman Oil and tempura on poplar panel With partial inscription: ALZETAPIN Provenance:...
Category

Renaissance 18th Century and Earlier Portrait Paintings

Materials

Oil, Tempera, Wood Panel

European Portrait of a Priest
Located in Milford, NH
A fine European portrait of a priest, oil on canvas, probably dating to the 17th or 18th century, unsigned, with original stretcher, minor surface losses and damage, craquelure, edge...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Conestabile Madonna Old Master Renaissance
Located in London, GB
After Raphael Conestabile Madonna 1483 - 1520 Oil on poplar panel Image size: 8 x 8 inches (20.5 x 20.5 cm) Original ornate hand carved gilt frame Conestabile Madonna Made in compos...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Nicolaes Maes workshop (Baroque Dutch)- 17th century figure painting - Portrait
Located in Varmo, IT
Nicolaes Maes (Dordrecht 1634 - Amsterdam 1693) circle of - Portrait of a Gentleman. 81 x 65 cm unframed, 100.5 x 83.5 cm with frame. Antique oil painting on canvas, in a carved an...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Canvas

Fine 17th Century Flemish Baroque Oil Painting Roman Charity Large Wood Panel
Located in Cirencester, Gloucestershire
Roman Charity Flemish Baroque period, first half 17th century circle of Peter Paul Rubens oil on wood panel, framed framed: 24.5 x 30 inches panel: 20 x 26 inches Provenance: Private...
Category

Baroque 18th Century and Earlier Portrait Paintings

Materials

Oil

Double Portrait Oil Painting Brothers George, 2nd Duke Buckingham & Lord Francis
Located in London, GB
Aftrer Anthony VAN DYCK - maybe Studio (1599, Antwerp – 1641, London) Flemish Double Portrait of George Villiers, 2nd Duke of Buckingham (1628-1687) & Lord Francis Villiers (1629-1648) Oil on Canvas 170 x 147 cm Anthony Van Dyck (1599-1641) No painter has done more to define an era than Anthony van Dyck. He spent only seven and a half years of his short life (1599- 1641) in England. He grew up in Antwerp, where his precocious talent was recognised by Peter Paul Rubens, the greatest painter of his age. He worked in Rubens’s studio and imitated his style as a religious artist, painting biblical scenes redolent of the lush piety of the counter-reformation. But soon he was on the move. In 1620, he visited London for a few months, long enough to paint a history picture, The Continence of Scipio, for the royal favourite, George Villiers, Marquess of Buckingham, and a portrait of his other English patron, the great art collector, Thomas Howard, 2nd Earl of Arundel. After a stint in Italy, making imposing portraits of the wealthy aristocracy and sketching and copying works by Titian, he returned to the Spanish Netherlands in 1627, becoming court artist to Archduchess Isabella before departing for The Hague in 1631 to paint the Dutch ruler Frederick Henry, Prince of Orange. Charles I’s invitation in 1632 led Van Dyck back to London where he was knighted, paid an annual salary of £200 and installed in a house in Blackfriars with a special jetty at which the royal barge might tie up when the King was visiting his studio. By this time Van Dyck was recognised as the leading court painter in Europe, with Velazquez at the court of Philip IV of Spain his only rival. He also excelled as a superbly observant painter of children and dogs. Van Dyck’s notoriety in depicting children led to the introduction of groups of children without their parents as a new genre into English painting (amongst other new genres). For the next 300 years, Van Dyck was the major influence on English portraiture. Nearly all the great 18th Century portraitists, from Pompeo Batoni and Allan Ramsay to Thomas Gainsborough and Joshua Reynolds, copied Van Dyck’s costumes, poses and compositions. George Duke of Buckingham & his brother Francis Villiers Painted in 1635, this double portrait was originally commissioned by Charles I, who raised the two brothers after their father, George Villiers, was assassinated in 1628. Together with their sister, Lady Mary Villiers, they enjoyed the King’s favour absolutely. Francis whose absolute ‘inimitable handsomeness’ was noted by Marvell (who was killed in a skirmish near Kingston upon Thames). The young duke who commanded a regiment of horse at the Battle of Worcester, remained closely associated with Charles II, held a number of high offices after the Restoration and was one of the most cynical and brilliant members of the King’s entourage, immortalised as ‘Zimri’ in Dryden’s Absalom and Achitopbel. As a young man he had sold his father’s great collection of pictures in the Spanish Netherlands, many of them to the Archduke Leopold Willhelm. Painted for Charles I and placed near the portrait of their sister in the Gallery at St James’ Palace. The handling of both costumes is very rich, and the heads are very carefully and sensitively worked. That of the younger boy in particular is more solidly built up than the lower part of the figure. A preparatory drawing for the younger boy is in the British Museum. There are copies at, e.g., Highclere Castle...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Fine 18th Century English Portrait of Aristocratic Gentleman Huge Oil Painting
Located in Cirencester, Gloucestershire
Portrait of an Aristocratic English Gentleman circle of Thomas Hudson (British (1701-1779) oil on canvas, framed framed: 53.5 x 45 inches painting: 45 x 40 inches provenance: private...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait of Lady Bagot - Niece to the Duke of Wellington
Located in Miami, FL
The sitter is Mary Charlotte Anne Wellesly-Pole, eldest daughter of William, 4th Earl of Mornington and niece to the Duke of Wellington. This is one of Hoppner's best works. The sitt...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Allegory of Music Ste Cecilia School After Lorenzo Lippi
Located in Pasadena, CA
The painting is about the Florentine school and a seventeenth-century Italian school. Oil on canvas After Lorenzo Lippi (1606–1665) who was a prominent Florentine Baroque painter a...
Category

Renaissance 18th Century and Earlier Portrait Paintings

Materials

Oil

18th Century, Antique Oil Painting, Old Master. Portrait of Mother with child.
Located in Berlin, DE
18th century, antique painting, oil on canvas, old master. Mother with child. Relined canvas. Stretcher frame also renewed. Artist unknown.
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait of a Lady
By Francesco Guardi
Located in Paris, Île-de-France
Francesco GUARDI (1712-1793) Portrait of a Lady Oil on copper 5 1/8 x 4 3/8 in 13 x 11 cm Unsigned Provenance Private collection, France We are pleased to present an exceptional...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Copper

Portrait Duchess Woman 17th Century Paint Van Gelder Oil on canvas Old master
Located in Riva del Garda, IT
Jan van Gelder, Italianised as Giovanni Vangheldri (Antwerp 1621 – Modena 1685) Portrait of the Duchess Vittoria Farnese d'Este (Parma, 1618 – Modena, 1649) wife of Francesco I d'E...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

18th c. French Portrait of a Lady as Venus, attributed to Pierre Gobert
By Pierre Gobert
Located in PARIS, FR
Portrait of a Lady as Venus ATTRIBUTED TO PIERRE GOBERT (1662-1744) FRENCH SCHOOL AROUND 1720 OIL ON CANVAS: H. 55.51 in, W. 42.91 in. IMPORTANT 18TH CENTURY GILTWOOD FRAME (RE-GILT)...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

16th Century Jan van Scorel Portrait of a member of the brotherhood of Jerusalem
By Jan van Scorel
Located in Milano, Lombardia
Jan van Scorel (Schoorl, The Netherlands, 1495 – Utrecht, The Netherlands, 1562) Title: Portrait of a member of the brotherhood of Jerusalem Medium: Oil on panel Dimension: without ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Wood Panel

17th Century Saint Jerome Francesco Fracanzano Saint Skull Oil on Canvas Red
Located in Sanremo, IT
Painting, oil on canvas, measuring 92 x 77 without frame and 107 x 82 cm with frame , depicting a Saint Jerome in ancient philosopher and ascetic version, typical of the greatest tra...
Category

Italian School 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait of Lady with Garland of Flowers - British 17thC Old Master oil painting
By Michael Dahl
Located in Hagley, England
This charming 17th century Old Master portrait oil painting is attributed to the circle of Swedish born Michael Dahl who lived and work in England for most of his life. Painted circa...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Madonna Correggio Paint Oil on table 16th Century Old master Italian Religious
Located in Riva del Garda, IT
School of Antonio Allegri, known as Correggio (Correggio c. 1489 - 1534) Attributable to Pomponio Allegri (Correggio, 1522 - Parma, 1593) Madonna and Child, Two Angels and John the B...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait of a young fisherman in a landscape
Located in BELEYMAS, FR
Attributed to Godfried SCHALKEN (Made 1643 – The Hague 1706) Young fischer Oil on panel in one board H. 32.5 cm; L. 25.5 cm Around 1670/75 Related works: - Autograph version with nu...
Category

Dutch School 18th Century and Earlier Portrait Paintings

Materials

Oil, Wood Panel

Portrait Of Thomas Smythe (1514-1577) School of Hans HOLBEIN (1497-1543)
Located in Blackwater, GB
Portrait Of Thomas Smythe (1514-1577), 16th Century School of Hans HOLBEIN (1497-1543) Fine huge 16th Century English Old Master portrait of Sir Thomas...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

18th Century Italian Portrait Credited to Maria Giovanna Battista Clementi
Located in Roma, IT
18th Century Italian Portrait Credited to Maria Giovanna Battista Clementi The painting probably depicts a young nobleman of Savoy court ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Canvas

Portrait of Ann Austen, nee Grey
Located in London, GB
Signed 'BDandridge/ pinxit' lower left Provenance By descent through the sitter's family to The Collection of R. W. Vivian-Neal of Poundisford Park, Somerset, from whom acquired by With Lane Fine Art, UK, where purchased by the present owners in 1996 Literature 'Poundisford Park, Somerset' in Country Life, 22 December 1934, ill. A.W. and C.M. Vivian-Neal, Poundisford Park, Somerset: A catalogue of pictures and furniture, Taunton 1939, cat. nos. 11 and 13 This is a portrait of Ann Austen, nee Grey, three-quarter-length seated in a landscape with her dog. Painted in a superb white satin dress, she holds horn spectacles and a spectacle case...
Category

English School 18th Century and Earlier Portrait Paintings

Materials

Oil

Late 18th Century English Family Portrait
Located in Houston, TX
English family portrait from the late 18th century. The canvas is aged accordingly with newsprint from October 1847. The painting is framed in a decorative gold frame with an open ba...
Category

Naturalistic 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait of a Man
Located in New York, NY
Provenance: with Leo Blumenreich and Julius Böhler, Munich, 1924 Dr. Frederic Goldstein Oppenheimer (1881-1963), San Antonio, Texas; by whom given to: Abraham M. Adler, New York, until 1985; thence by descent to the present owners While old inscriptions on the verso of this panel propose its author to be Hans Holbein and the sitter Sir John More—a lawyer, judge, and the father of Sir Thomas More—this fine portrait has long been recognized to be by a Flemish hand. Max Friedländer gave the painting to Bernard van Orley (1487/1491 – 1541) in 1924, but did not include it in the volume dedicated to the artist in his Early Netherlandish Paintings...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Panel

Large 1700's Italian Oil Painting on Canvas Portrait of a Clerical Gentleman
Located in Cirencester, Gloucestershire
Portrait of a Clerical Gentleman Italian artist, mid 18th century Circle of Giovanni Battista Carboni (1725-1790) oil on canvas, unframed canvas: 26 x 22 inches provenance: private c...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Canvas

The Infant St John the Baptist with Lamb - Italian Old Master art oil painting
Located in Hagley, England
This beautiful 18th century Italian Old Master oil painting is something rather special. Painted circa 1750 the subject matter is Saint John the Baptist as a very young child. He is ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait of Gentleman Blue & Cloak, Portrait of Lady, Fine Carved Gilded frames
Located in London, GB
Portrait of a Gentleman with Blue Cloak and Portrait of a Lady in Russet Dress c.1697 Thomas Murray (1663-1735) These fascinating portraits are exquisite examples of portraiture in ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Canvas

Mid-18th-Century German School, Portrait Of An Aristocrat In Armour
Located in Cheltenham, GB
This mid-18th-century half-length German portrait depicts a middle-aged aristocrat wearing armour and a wig. Despite his heavily-clad appearance, it’s likely that this rather noncha...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Canvas

Portrait of a lady in widow’s weeds, seated in an architectural setting
Located in Maidenhead, GB
Charles d’Agar (1669-1723) (attrib.) Portrait of a lady in widow’s weeds, three-quarter-length, seated in an architectural setting Oil on canvas In an original carved and gilded Le...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

17th Century Oil Painting Portrait of a Young English Boy
By Gerard Soest
Located in London, GB
Gerard SOEST (1600 - 1681) Portrait of a Young Boy oil on canvas 35.5 x 30.5 inches inc. frame Gerard Soest (circa 1600 – 11 February 1681), also known as Gerald Soest, was a portra...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait of Bridget Drury Lady Shaw, formerly Viscountess Kilmorey
Located in London, GB
Sir Peter Lely (Soest 1618 – 1680 London) Portrait of lady with a crown, possibly Bridget Drury Lady Shaw, formerly Viscountess Kilmorey, later Lady Baber (d.1696) c.1665 Oil on canvas 46 1/2 x 40 3/4 inches, Framed 42 1/4 x 36 1/4 inches, Unframed Inscribed left [……….]Isabella James Mulraine wrote the following for this piece: This portrait dates to the middle of the 1660s, the decade when Lely’s career took off as successor to Sir Anthony van Dyck. At the Restoration Charles II had appointed him Principal Painter to the King and paid a pension £200 per annum ‘as formerly to Sr. Vandyke...’1 Lely had trained in Haarlem and he was in his early twenties when he came to London in 1643. He was an astute businessman and a wise courtier. In 1650 he painted a portrait of Oliver Cromwell (Birmingham Museum and Art Gallery) while maintaining links with the Royalist exiles through the 1650s. He had arrived in England as a painter of small-scale portraits and lush scenes of nymphs in landscapes in a Dutch style. His experience of Van Dyck in English collections transformed his painting. His lavish and alluring vision of Arcadia exactly captured the spirit of the Court and as Principal Painter he dominated English portraiture for the next twenty years. Lely ran a highly efficient studio along Netherlandish lines, employing a team of specialists like the drapery painter John Baptist Gaspars and young artists-in-training like Nicolas de Largilliere. He had numerous rivals during that period, and by 1670 he had introduced numbered standard poses to speed up production, while collaborating with printmakers for further revenue and advertising. He died in 1680 of a stroke while painting, working to the last. The portrait, painted at a date when Lely’s poses and execution were still individual and inventive shows a lady sitting at three-quarter length facing away from the viewer. She has begun to turn towards the viewer, a pose with a long pedigree in art, first used by Leonardo da Vinci in the Mona Lisa (Louvre). She steadies her blue drapery where it might slip from her arm with the movement, a flash of realism beautifully captured. Like Van Dyck, Lely painted his female sitters in a timeless costume rather than contemporary fashion, showing a loose gown and floating silk draperies. It presented the sitter as a classical ideal. The portrait would not date. The saffron dress may be the work of a drapery painter but the brown scarf must be by Lely himself, and appears unfinished, broadly sketched in behind the shoulder. The delicate blue glaze and nervous highlights suggest shimmering translucence. Lely was a master of painting hands – his hand studies are marvels of drawing – and the lady’s hands are superb, exactly drawn, delicately modelled and expressive. The fidgety gestures, clutching the gown, fiddling with the edge of the scarf, give the portrait psychological bite, suggesting the personality behind the calm courtier’s expression, adding to the sense shown in the look of the eyes and mouth that the lady is about to speak. The portrait’s language is Vandykian. The inspiration comes directly from Van Dyck’s English portraits of women. Lely owned Van Dyck’s Portrait of Lady Elizabeth Thimbleby and Dorothy Viscountess Andover (National Gallery, London) and the sitter’s costume quotes Lady Andover’s saffron dress and brown scarf. But Lely paints a generation who sat nearer to the ground and through a dialogue of expression and gesture he shows sitters who are more flesh and blood than Van Dyck’s. The background with a column and curtain is different to those shown in most of Lely’s portraits of women. They tend to include trees or fountains, with a glimpse of landscape. But there are other examples. A portrait of the King’s reigning mistress, Barbara Villiers Duchess of Cleveland...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil

Two royal portraits (the Duc d'Angoulême and the Duc de Berry) by H.P. Danloux
Located in PARIS, FR
These two royal portraits are a major historical testimony to the stay of the Comte d'Artois (the future Charles X) and his family in Edinburgh in 1796-1797. Given by the sitters to Lord Adam Gordon, the Governor of Edinburgh, and kept by family descent to this day, these two portraits provide us with a vivid and spontaneous image of the Duc d’Angoulême and his brother the Duc de Berry. Danloux, who had emigrated to London a few years before, demonstrate his full assimilation of the art of British portrait painters in the brilliant execution of these portraits. 1. Henri-Pierre Danloux, a portraitist in the revolutionary turmoil Born in Paris in 1753, Henri-Pierre Danloux was first a pupil of the painter Nicolas-Bernard Lépicié (1735 - 1784) and then, in 1773, of Joseph-Marie Vien (1716 - 1809), whom he followed to Rome when, at the end of 1775, Vien became Director of the Académie de France. In Rome he became friends with the painter Jacques-Louis David (1748 - 1825). Returning to France around 1782, he settled in Lyon for a few years before returning to Paris in 1785. One of his first portraits was commissioned by the Baroness d'Etigny, the widow of the former Intendant of the Provinces of Gascony, Bearn and Navarre Antoine Mégret d'Etigny (1719 – 1767). He then became close to his two sons, Mégret de Sérilly and Mégret d'Etigny, who in turn became his patrons. In 1787, this close relationship with the d'Etigny family was further strengthened by his marriage to Antoinette de Saint-Redan, a relative of Madame d'Etigny. After his marriage, he left for Rome and did not return to France until 1789. It was during the winter of 1790-1791 that he painted one of his masterpieces, the portrait of Baron de Besenval. Set in a twilight atmosphere, this portrait of an aristocrat who knows that his death is imminent symbolizes the disappearance of an erudite and refined society which would be swept away by the French Revolution. The Jacobin excesses led Danloux to emigrate to England in 1792; many members of his family-in-law who remained in France were guillotined on 10 May 1794. Danloux enjoyed great success as a portrait painter in England before returning to France in 1801. During his stay in England, Danloux was deeply under the influence of English portraitists: his colors became warmer (as shown by the portrait of the Duc d'Angoulême that we are presenting), and his execution broader. 2. Description of the two portraits and biographical details of the sitters The Duc d'Angoulême (1775-1844) was the eldest son of the Comte d'Artois, the younger brother of King Louis XVI (the future King Charles X), and his wife Marie-Thérèse of Savoie. He is shown here, in the freshness of his youth, wearing the uniform of colonel-general of the "Angoulême-Dragons" regiment. He is wearing the blue cordon of the Order of the Holy Spirit, which was awarded to him in 1787, and two decorations: the Cross of Saint-Louis and the Maltese Cross, as he was also Grand Prior of the Order of Malta. Born on 16 August 1775 in Versailles, Louis-Antoine d'Artois followed his parents into emigration on 16 July 1789. In 1792, he joined the émigrés’ army led by the Prince de Condé. After his stay in Edinburgh (which will be further discussed), he went to the court of the future King Louis XVIII, who was in exile at the time, and in 1799 married his first cousin Marie-Thérèse Charlotte of France, the daughter of Louis XVI and the sole survivor of the royal family. The couple had no descendants. He became Dauphin of France in 1824, upon the accession to the throne of his father but played only a minor political role, preferring his military position as Grand Admiral. Enlisted in Spain on the side of Ferdinand VII, he returned home crowned with glory after his victory at Trocadero in 1823. He reigned for a very short time at the abdication of Charles X in 1830, before relinquishing his rights in favor of his nephew Henri d'Artois, the Duc de Bordeaux. He then followed his father into exile and died on 3 June 1844 in Gorizia (now in Italy). His younger brother, the Duc de Berry, is shown in the uniform of the noble cavalry of the émigrés’ Army. He is wearing the blue cordon of the Order of the Holy Spirit, awarded to him in May 1789, and the Cross of Saint-Louis (partly hidden by his blue cordon). Born on 24 January 1778 in Versailles, Charles-Ferdinand d'Artois also followed his parents into emigration and joined the émigrés’ army in 1792. After his stay in Edinburgh, he remained in Great Britain, where he had an affair with Amy Brown...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil, Wood Panel

Oil On Canvas Self Portrait of the artist Sir Anthony Van Dyck 18Th c
Located in Gavere, BE
"Oil On Canvas Self Portrait After Sir Anthony Van Dyck" Follower of Sir Anthony van Dyck (Flemish painter, 1599-1641), Self portrait Oil on canvas (doubled), Probably end 18th centu...
Category

Baroque 18th Century and Earlier Portrait Paintings

Materials

Gold Leaf

Young girl portrait
By Jacob Ferdinand Voet 1
Located in BELEYMAS, FR
Circle of Jacob Ferdinand Voet Portrait of a Little Girl Oil on canvas H. 44 cm; W. 38 cm Unsigned This delicate portrait of a child, from the circle of Jacob Ferdinand Voet, demons...
Category

French School 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Expertised Italian 14th Century Gold Ground on Panel Painting
Located in Roma, IT
Museum-quality gold ground painting from the Renaissance period by Smeraldo di Giovanni. It depicts the “Virgin of the Roses” seated on a throne h...
Category

Renaissance 18th Century and Earlier Portrait Paintings

Materials

Tempera, Wood Panel

Portrait of a Lady with White Gloves - British 18thC art Old Master oil painting
Located in Hagley, England
This charming British 18th century Old Master portrait oil painting is attributed to noted portrait artist Thomas Hudson. Hudson was most prolific between 1740 and 1760 and, from 174...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Angelic Cherubs with Classical Figure in Wilderness Finely Painted Preparatory
Located in Cirencester, Gloucestershire
Figure with Cherubim in Wilderness Italian School, 17th century oil painting on wood panel framed 13 x 11 inches condition: overall for its age very good, though the work is most likely a preparatory...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Wood Panel

English 18th century portrait of a lady, Circle of Thomas Murray (1663-1735)
Located in Bath, Somerset
An early 18th century portrait of a young lady, half length, wearing a blue silk gown with white chemise and gold trimmed cloak draped across her arm and shoulders. Her sensitively observed soft expression and skilfully painted youthful 'dewy' complexion are reminiscent of the portrait style of John Closterman whose work Murray would have been familiar with, being a close colleague of Murray's teacher, John Riley. An old label on the reverse identifies the sitter as a young Princess Charlotte...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Jacques d'Agar (Circle), Portrait Of A Gentleman In A Silk Robe
Located in Cheltenham, GB
This enchanting late 17th-century French oil painting depicts an elegant gentleman in a silk robe with his right index finger on an open book. Stylistically, it’s comparable to the oeuvre of Jacques d'Agar (1640-1715). Dressed in a rather ostentatious embroidered silk robe...
Category

French School 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

1780 Antique 18c. original oil painting on canvas Portrait of a Nobleman Signed
Located in Palm Coast, FL
This original oil on canvas is a refined and characterful 18th-century British portrait, signed and dated in the lower left: "Js. Jones P.X. 1780." The work depicts a gentleman of st...
Category

Impressionist 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait of a monk att. to Pieter Leermans - Oil on canvas 21x40 cm
Located in Geneva, CH
Oil work on canvas sold with frame. Total size with frame: 58x39x5 cm
Category

Baroque 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait Young Boy Lombard School 17th Century Paint Oil on canvas Old master
Located in Riva del Garda, IT
Lombard School, 17th century Portrait of a Young Boy oil on canvas 109 x 78 cm - 127 x 97 cm with frame The protagonist of the offered canvas is a chubby little boy, aged approxima...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Antique Wooden Crucified Wood Tempera Giotto
Located in Riva del Garda, IT
Christ Crucified (Christus Patiens) with God the Father, the Virgin and St. John In the manner of 14th century Tuscan painting Tempera on panel Height: 150 cm Width: 99 cm Perform...
Category

Medieval 18th Century and Earlier Portrait Paintings

Materials

Egg Tempera

Charles Ii King Spain Child Del Mazo Paint 17th Century Oil on canvas Old master
Located in Riva del Garda, IT
Attributed to Juan Bautista Martínez del Mazo (Castile 1611 - Madrid 1667) pupil and collaborator of Diego Velázquez Portrait of Charles II, King of Spain, as a child (1661 -1700) Spain, c. 1670 Oil on canvas 68 x 49 cm. - In antique frame 96 x 75 cm. The analysis of this portrait, and in particular the style with which its features have been outlined, brings us back to the great tradition of the 17th century Spanish school. The portrait depicts the young King Charles II of Spain, dressed in typical Spanish fashion, the youngest and only son of Philip IV of Spain and his second wife Maria Anna of Austria, as well as the last of the Habsburg dynasty to rule Spain. which portrayed the young ruler in full length at the age of four (dated 1665), dressed in a black suit and cape, and a large feathered...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Allegory Of Time Stella Paint Oil on canvas Old master 16/17th Century Italian
Located in Riva del Garda, IT
Giacomo Stella (Brescia 1545 - Rome 1630) - Allegory of Time Indicating Truth, Oil painting on canvas, 192 x 74cm. - in golden frame 198 x 81 cm. The work is accompanied by a critic...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

The Virgin and Child Enthroned
Located in London, GB
Studio of Adriaen Isenbrandt 1510 - 1551 The Virgin and Child Enthroned Oil on oak panel, wax seal verso Image size: 10 3/4 x 8 inches (27 x 20.5 cm) Contemporary style frame (image below) POA Provenance Collection of Mrs Marianne Hudson Mary, holding Jesus in her arms, is centrally positioned against a gold detailed architectural backdrop, reflecting the traditional iconography of the enthroned Virgin and Child. This composition suggests the theme of “Maestà” or “Majesty,” emphasising the figures religious significance. In the painting from the studio of Adriaen Isenbrandt, the artist masterfully infuses the scene with rich symbolism and hidden meanings that reflect the cultural and religious context of the period. The infant Christ, seated on the Virgin Mary’s lap, is draped in a delicate, translucent white garment that symbolises his purity. In his hand, he clutches a piece of coral, a multifaceted symbol representing immortality, youth, and health. Notably, coral was also a common teething tool during that era, adding another layer of contemporary relevance. A scarlet-headed blackbird, native to South America, perches gracefully on Christ’s outstretched finger. This bird is a potent symbol of creation and protection, enhancing the divine narrative of the scene. Mary, with a tender and loving gesture, caresses Christ’s back while gazing adoringly at her son, underscoring her role as the nurturing mother of God. Mary is centrally positioned within an architectural alcove, which subtly suggests a heavenly halo without explicitly depicting one. The alcove’s niches, traditionally used to emphasise the importance of sculptures, further highlight her significance. She is adorned in a voluminous red gown, with the undulating folds of the fabric accentuated by white highlights. The red colour of her dress symbolises maternal qualities, while the iridescent blue undercoat, visible in certain areas, signifies sanctity and purity due to its rarity and expense at the time. Moreover, Mary is depicted as the epitome of contemporary Medieval...
Category

Dutch School 18th Century and Earlier Portrait Paintings

Materials

Oil, Wood Panel

Still Life Of Flowers In A Vase, 17th Century
Located in Blackwater, GB
Still Life Of Flowers In A Vase, 17th Century circle of JEAN BAPTISTE MONNOYER (1636-1699) Large 17th century French Old Master Still Life of various flowers in a vase upon a mantle, oil on canvas by Jean Baptiste Monnoyer. Excellent quality and condition example of the famous still life painters work, authenticated from the published designs of Nicolas de Poilly...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

18th - 19th C. Portrait Painting After Petrus Staverenus
Located in San Francisco, CA
18th-19th C. Portrait Painting After Petrus Staverenus depicting man with bottle Oil on canvas No visible signature Wax seal on verso 11" x 14"
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Painting Portrait of a Noblewoman 18th century
Located in Milan, IT
Oil on Canvas. The noblewoman is richly attired, with an elegant red cape resting on her shoulders, leaving her lace-trimmed dress uncovered; her hairstyle is embellished with pearls...
Category

Other Art Style 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait of Major General James Hanson Salmond - British 18thC art oil painting
By Sir Thomas Lawrence
Located in Hagley, England
This superb British Old Master oil painting is attributed to circle of Sir Thomas Lawrence. Painted circa 1795, the sitter is Major-General James Hanson Salmond (1766–1837) an office...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Madonna Child Maria Sassoferrato Paint Oil on canvas 17th Century Old master Art
Located in Riva del Garda, IT
Giovan Battista Salvi known as 'il Sassoferrato' (1609 - 1685) circle/ workshop Madonna with sleeping child Oil on canvas 84 x 66 cm - Framed (19th century) 112 x 95 cm The paintin...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Joseph interpreting Dreams - Italian Old Master 17thC religious art oil painting
Located in Hagley, England
This lovely 17th century Old Master religious oil painting is from the Italian School. The subject is Joseph in prison interpreting the dreams of Pharoah's Baker and Butler. The bars...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait Of Eleanor Of Toledo, Duchess of Florence (1522-1562)
Located in Blackwater, GB
Portrait Of Eleanor Of Toledo, Duchess of Florence (1522-1562), 16th Century after AGNOLO BRONZINO (1503-1572) 16th century Italian Old Master court portrait of Eleanor Of Toledo, Duchess of Florence, oil on panel. Excellent quality and condition early portrait of the young Spanish noblewoman...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil, Panel

Portrait of Scottish Gentleman with Clay Pipe - 18th century art oil painting
Located in Hagley, England
This atmospheric 18th century portrait oil painting is attributed to a Scottish artist. Painted circa 1790, The painting is a half length portrait of a seated gentleman. He is wearing a blue bonnet, the badge of a Scottish country gentleman and smoking a clay pipe. The way the light catches his hand and face and gleams on his buttons is lovely. The frame is super in that it echoes the button on his jacket. This is an excellent example of an 18th century Scottish portrait...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Thomas Hudson Style 18th Century English Portrait
Located in Roma, IT
Important English school painting in the style of the great artist Thomas Hudson (Devonshire 1701 - Twickenham 1779) It depicts the portrait of Harry Gray (1715-1768), 4th Earl of St...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

1800's French Neo Classical Old Master Chalk Drawing Roman Figures Court Scene
Located in Cirencester, Gloucestershire
The Roman Court French School, circa 1780-1820 period pencil/charcoal/white chalk drawing on artist paper stamped with a name (either a collector or the artist) size: 18 x 24 inches ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Chalk, Charcoal, Pencil

Spanish School (18th Century), A Rare Portrait of Juan Procopio de Bassecourt
Located in Queens, NY
Spanish School (18th Century), A Rare Portrait of Juan Procopio de Bassecourt, count of Santa Clara, governor of the island of Cuba between December 1796 and May 1799. The lighthouse...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil

Pair of Royal Portraits of the Duke and Duchess of Burgundy
By Pierre Gobert
Located in New Orleans, LA
Follower of Pierre Gobert 18th century French The Duke and Duchess of Burgundy Oil on canvas Refinement and intricacy characterize these royal portra...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Presumed portrait of Marie-Anne de Bourbon
Located in BELEYMAS, FR
Nicolas de LARGILLIERRE (Paris 1656 – 1746) Portrait of a woman, presumed to be Marie-Anne de Bourbon, Princess of Conti (1666-1739) Oil on oval canvas H. 8...
Category

French School 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Ecce Homo Christ Paint Oil on canvas 17th Century Old master Leonardo Italian
Located in Riva del Garda, IT
Lombard painter of the seventeenth century Ecce Homo Oil painting on canvas 56 x 43 cm. , framed 75 x 63 cm. Provenance: Florence, Pandolfini, 5.10.2021, lot 209 The proposed canv...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Equestrian Portrait Florentine Painter 17/18th Century Paint Oil on canvas Italy
Located in Riva del Garda, IT
Florentine painter, 17th-18th century Equestrian portrait of Pietro Strozzi (Florence, 1511 - Thionville, 1558) Oil on canvas 79 x 115 cm. - Framed cm. 92 x 127 A valiant knight, p...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

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