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Period: 18th Century and Earlier
Portrait of a Cleric - British 18th century art Old Master oil painting
By Joseph Highmore
Located in London, GB
This fantastic portrait oil painting is attributed to British Old Master Joseph Highmore and was painted in 1770. The half length standing portrait is of a Cleric, dressed in his wig...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
Portrait Of Elisabeth Marguerite, The Artist's Daughter
Located in Miami, FL
Nicolas de Largillierre painted Elisabeth Marguerite in oil on canvas. A larger version of this work was offered by Sotheby's for $500,000 and is now in a French Museum - Palais ...
Category
Rococo 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Portrait after Franz Josef Winter, Clemens August of Bavaria, Archbishop Cologne
Located in Greven, DE
Clemens August Ferdinand Maria Hyazinth, Duke of Bavaria (* August 16, 1700 in Brussels; † February 6, 1761 in Koblenz) was as Clemens August I from 1723 to 1761 Archbishop of Cologne and thus at the same time Elector of the Holy Roman Empire, sovereign of the associated archdiocese as well as the tributary lands of Recklinghausen and Westphalia. In addition, he was Legatus natus of the Holy Apostolic See in Rome and Archchancellor of Imperial Italy. Furthermore, he combined the offices of Grand Master of the Teutonic Order...
Category
Rococo 18th Century and Earlier Portrait Paintings
Materials
Canvas
PPortrait Of Barbara Villiers (1640–1709), Countess of Castlemaine and Duchess o
Located in Blackwater, GB
PPortrait Of Barbara Villiers (1640–1709), Countess of Castlemaine and Duchess of Cleveland
Circle of Sir Peter Lely (1618-1680)
Huge 17th Cent...
Category
18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
A Guardian Angel and a Child
Located in New York, NY
Provenance:
Cornelius Vanderbilt, New York; by whom gifted in 1880 to:
The Metropolitan Museum of Art, New York (80.3.673); deaccessioned and sold:
Christie’s, New York, 12 June 19...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Terracotta, Gesso
Portrait of Emperor Ferdinand I. Prague School, 17th Century, Copper, Old Master
Located in Greven, DE
Unknown artist
Prague School
Portrait of Emperor Ferdinand I. (1503-1564)
17th century
Oil on copper, 21,3 x 16,8 cm
Provenance:
Private collection, Pennsylvania, until 2016
This work by an unknown artist is a semi-portrait in predominantly brown-green tones.
brown-green tones of the emperor Ferdinand I, who was crowned emperor in 1558.
Ferdinand I of the Habsburg dynasty, who was crowned emperor in 1558.
in a suit of armour lavishly decorated with gold ornaments.
The portrait of Ferdinand...
Category
Baroque 18th Century and Earlier Portrait Paintings
Materials
Copper
Judith Beheading Holofernes, 17th Century School of Carlo MARATTA (1625-1713)
By Workshop Of Carlo Maratta
Located in Blackwater, GB
Judith Beheading Holofernes, 17th Century
School of Carlo MARATTA (1625-1713)
Carlo Maratta
Large 17th century Italian Old Master depiction of Jud...
Category
18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Portrait of Hortense Mancini, Duchess of Mazarin (1746-1699), 17th Century
By Jacob Ferdinand Voet 1
Located in Blackwater, GB
Portrait of Hortense Mancini, Duchess of Mazarin (1746-1699), 17th Century
by Jacob Ferdinand Voet (1639-1689)
Large 17th Century Italian portrait o...
Category
18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Rococò Venetian painter - 18th century figure painting - Portrait
Located in Varmo, IT
Venetian painter (18th century) - Portrait of an oriental swordsman.
58 x 45 cm without frame, 69 x 55 cm with frame.
Antique oil painting on canvas, in a gilded wooden frame.
Con...
Category
Rococo 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
18th Century Oil Painting Portrait of Phillip, 6th Viscount Wenman.
By Nathaniel Dance-Holland
Located in London, GB
Sir Nathaniel Dance-Holland (1750-1811) was an English portrait painter and one of the founding members of the Royal Academy in 1768. Justly celebrated in his lifetime he won several...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
17th Century by Cristoforo Serra Portrait of a Shepherd Oil on Canvas
Located in Milano, Lombardia
Cristoforo Serra (Cesena, Italy, 1600 - 1689)
Title: Portrait of a Shepherd
Medium: Oil on canvas
Dimensions: without frame 92 x 75 cm - with frame 106.5 x 94.5 cm
Antique gilt-wood...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Canvas, Cotton Canvas, Oil
Portrait of a Girl, 18th Century Oil Old Master
By George Knapton
Located in London, GB
George Knapton
1698-1778
Portrait of a Girl
Oil on canvas
Image size: 20 x 18 inches
Original giltwood frame
This beautiful half length portrait of a young woman, turned to left, gazing at the spectator, wearing a pink, white lace-embroidered, dress, in her hair a pink bonnet trimmed with lace to match her dress.
The depiction of a young girl epitomises child portraiture of the late eighteenth century, in which painters such as William Beechey, Joshua Reynolds, Thomas Gainsborough had begun to discover and express the true character of children, in contrast to the stiff, miniature-adults of previous generations.
The Artist
Knapton was born in Lymington, one of four sons of James Knapton. He was apprenticed to Jonathan Richardson from 1715 to 1722, and in 1720 was a founding subscriber to the academy of St. Martin's Lane established by Louis Chéron...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
18th Century Venetian School Portrait of a Bishop Oil on Panel Green Brown Black
Located in Sanremo, IT
Painting oil on panel measuring 40 x 30 cm without frame and 48 x 38 with frame representing a great bishop of the Venetian school from the first half of the 18th century.
Very curi...
Category
Italian School 18th Century and Earlier Portrait Paintings
Materials
Oil, Wood Panel
Saint Martin de Porres
Located in New York, NY
Provenance: Private Collection, New York, until 2022.
Martín de Porres was born in Lima in 1579, the illegitimate son of a Spanish-American father, J...
Category
18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Portrait of a Lady, After Sir Peter Lely (1610-1680) Oil Painting
By After Sir Peter Lely
Located in Uppingham, GB
Oil Painting After Sir Peter Lely (1610-1680) Portrait of a Lady
Housed in a Lely gold Leaf Frame.
Peter Lely:
In 1647 he became a member of the Pain...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
Portrait Of General George Monck, 1st Duke of Albermarle (1608-1670)
Located in Blackwater, GB
Portrait Of General George Monck, 1st Duke of Albermarle (1608-1670), 17th Century
by Jacob Huysmans (1633-1696)
Huge 17th Century British Old Master portrait of General Monck, 1st...
Category
18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Portrait of Ann Austen, nee Grey
Located in London, GB
Signed 'BDandridge/ pinxit' lower left
Provenance
By descent through the sitter's family to
The Collection of R. W. Vivian-Neal of Poundisford Park, Somerset, from whom acquired by
With Lane Fine Art, UK, where purchased by the present owners in 1996
Literature
'Poundisford Park, Somerset' in Country Life, 22 December 1934, ill.
A.W. and C.M. Vivian-Neal, Poundisford Park, Somerset: A catalogue of pictures and furniture, Taunton 1939, cat. nos. 11 and 13
This is a portrait of Ann Austen, nee Grey, three-quarter-length seated in a landscape with her dog. Painted in a superb white satin dress, she holds horn spectacles and a spectacle case...
Category
English School 18th Century and Earlier Portrait Paintings
Materials
Oil
18th century portrait painting of a clergyman Pieter Van Bleeck (follower)
Located in York, GB
18th century portrait painting of a clergyman Pieter Van Bleeck (follower)
A fine late 18th century/early 19th century portrait oil on canvas three quarter length study of a clergyman
The artist has managed to capture the gentle demeanour of the sitter.
housed in a gilt frame by a follower of Pieter Van Bleeck
the size being 58 x 69 cm approx whilst overall the picture is 76 x 90 cm
In very good condition having been cleaned and relined at some point.
Pieter Van Bleeck
Petrus Johannes (Pieter) van Bleeck (baptized 25 June 1697 in The Hague – 20 July 1764 in London) was an 18th century Dutch portrait painter and mezzotint engraver active in London, where he moved in 1723.
Van Bleeck is especially known for theatrical subjects such as Owen Swiny, Kitty Clive...
Category
18th Century and Earlier Portrait Paintings
Materials
Oil
Portrait Of Two Girls & A Servant, 17th Century
By Kneller Godfrey
Located in Blackwater, GB
Portrait Of Two Girls & A Servant, 17th Century
circle of Sir Godfrey KNELLER (1646-1723)
Huge 17th Century English Old Master portrait of two ...
Category
18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Portrait of a Young Boy Carrying a Fruit Basket, 18th Century Oil on Canvas
By Thomas Beach
Located in London, GB
Oil on canvas
Image size: 30 x 25 inches (76 x 63.5 cm)
Contemporary hand-carved frame
This is a charming 18th century portrait of a young boy, sporting a golden child's two-piece w...
Category
English School 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Three Angels
By Domenico Piola the Elder
Located in New York, NY
Provenance:
Robert L. and Bertina Suida Manning, New York, until 1996
Private Collection, USA
One of the leading artists in Genoa during the second half of the seventeenth century, Domenico Piola came from a successful family of artists, renowned for their many illusionistic ceiling programs throughout Genoese churches and palaces. A prolific draughtsman and painter, Domenico oversaw an extremely productive studio. In addition to his collaborations with numerous other artists, Domenico also provided many designs for book illustrations and prints that circulated throughout Europe, earning him international exposure and high acclaim in his own day.
As Dr. Anna Orlando has indicated (written communication), the present work is an early work by Piola, datable from the late 1640s. At this time the young artist came strongly under the influence of Castiglione and Valerio Castello, while admiring the works of Giulio Cesare Procaccini. Piola’s works from this period are exuberant and fluid, and the artist’s love of portraying children is evident from the angels and putti that populate both his altarpieces and more intimate paintings.
The present work depicts three angels...
Category
Baroque 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Portrait of a Gentleman, 17th Century English Oil on Canvas
By (Circle of) Mary Beale
Located in London, GB
Circle of Mary Beale
1633 - 1699
Portrait of a Gentleman
Oil on canvas
Image size: 30 x 25 inches
Contemporary gilt frame
Mary Beale was the daughter of a Suffolk clergyman.She married Charles Beale...
Category
18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Saint Anthony Of Padua, 17th Century Circle of CARLO DOLCI (1616-1686)
Located in Blackwater, GB
Saint Anthony Of Padua, 17th Century
Circle of CARLO DOLCI (1616-1686)
17th century Italian Old Master depiction of Saint Anthony of Padua, oi...
Category
18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
The Blood Of Christ, The Milk Of The Madonna, 16th Century
Located in Blackwater, GB
The Blood Of Christ, The Milk Of The Madonna, 16th Century
circle of Adriaen Isenbrandt (1480-1551)
Huge 16th Century Flemish old Master depiction of...
Category
18th Century and Earlier Portrait Paintings
Materials
Oil, Wood Panel
French School, Portrait of a Young Lady, Actress, Louis XIV sculpted frame, 1700
Located in Greven, DE
French School,
Portrait of a Young Lady, perhaps an actress
Oval
Louis XIV sculpted and gilded frame
French Art, Roccoco Art
The oval portrait of a young woman measures 61 by 50,5 cm canvas sight size and its 18th century oak carved and gilded frame...
Category
Rococo 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Portrait Holy Roman Emperor Charles VI (1685-1740), 18th Century Franz De Backer
Located in Blackwater, GB
Portrait Holy Roman Emperor Charles VI (1685-1740), 18th Century
bv Franz De Backer (1680-1749)
Large early 18th Century portrait of Charles VI, ruler of t...
Category
18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Colonel Mellish's Spaniels, Mother & Puppies, 18th Century
By Henry Bernard Chalon
Located in Blackwater, GB
Colonel Mellish's Spaniels, Mother & Puppies, 18th Century
attributed to HENRY BERNARD CHALON (1770-1849)
Large 18th Century portrait of Colonel Mellish's hunting spaniels, mother ...
Category
18th Century and Earlier Portrait Paintings
Materials
Oil, Panel
Portrait of a Gentleman
Located in New York, NY
Circle of Jacques-Louis David
(French, 18th Century)
Provenance:
Private Collection, Buenos Aires
Exhibited:
“Art of Collecting,” Flint Institute of Art, Flint, Michigan, 23 November 2018 – 6 January 2019.
This vibrant portrait of young man was traditionally considered a work by Jacques-Louis David, whose style it recalls, but to whom it cannot be convincingly attributed. Rather, it would appear to be by a painter in his immediate following—an artist likely working in France in the first decade of the nineteenth century. Several names have been proposed as the portrait’s author: François Gérard, Louis Hersent, Anne-Louis Girodet (Fig. 1), Theodore Gericault, and Jean-Baptiste Wicar, among others. Some have thought the artist Italian, and have proposed Andrea Appiani, Gaspare Landi...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Portrait of a Gentleman
By Ippolito Scarsella (Scarsellino)
Located in New York, NY
Provenance: Suida-Manning Collection, New York
Private Collection
Exhibited: Venetian Paintings of the Sixteenth Century, Finch College Museum of Art, New York, October 30-December 15, 1963, no. 31.
Veronese & His Studio in North American Collections, Birmingham Museum of Art, Oct. 1-Nov. 15, 1972, and Montgomery Museum of Fine Arts, Dec. 5-Dec. 31, 1972
Literature: Robert L. Manning, A Loan Exhibition of Venetian Paintings of the Sixteenth Century, exh. cat. New York 1963, cat. no. 31ill., as by Veronese
Stephen Clayton and Edward Weeks, eds., introduction by David Rosand, Veronese & His Studio in North American Collections, Birmingham 1972, as by Veronese, p. 38 ill.
Terisio Pignatti, Veronese, Venice 1976, I, p. 199, cat. no. A225, II, fig. 908, as attributed to Veronese
Terisio Pignatti and Filippo Pedrocco, Veronese; catalogo completo dei dipinti, Florence 1991, no. 54°, as attributed to Veronese.
Terisio Pignatti and Filippo Pedrocco, Veronese, Milan 1995, II, pp. 517-518ill., cat. no. A 56, under attributed paintings, by Veronese and workshop)
John Garton, Grace and Grandeur; The Portraiture of Paolo Veronese, London-Turnhout 2008, p. 237, fig. 77, cat. no. R16, as workshop of Veronese.
Scarsellino’s art is widely regarded as critical link between the Renaissance and the Baroque styles in Emilian painting; not only was he an important transmitter of the heritage of the Renaissance, but he was also open to innovative ideas, and was one of the earliest to experiment with the trend to naturalism that would become fundamental to art of the new century. Born around 1550, he received his earliest training from his father Sigismondo, an architect and painter; it was probably while working at his father’s side as a youth that he acquired the nickname Scarsellino, or “little Scarsella”. After absorbing the principles of his art in Ferrara and Parma, he went to Venice in 1570, staying for four years and working in the shop of Veronese. In the following decade, his art —especially in terms of its piety and its development of landscape— demonstrates a strong sympathy with that of the Carracci, with whom he worked in 1592-1593 at the Palazzo dei Diamanti in Ferrara. Maria Angela Novelli and later Alessandra Frabetti both propose that Scarsellino traveled to Rome, although such a trip has not been documented; if he did travel to Rome, it probably would have occurred during the years that Scarsellino’s colleagues Agostino and Annibale Carracci were there, that is, beginning in 1595 and until 1609. The last decades of Scarsellino’s career again involve stylistic experimentation, this time in a manner that would bring his work very close to the progressive figurative naturalism of Carlo Bononi and prepare the way for Guercino.
The present portrait of a distinguished gentleman had been long thought to be by Paolo Veronese and was in fact attributed to him by such distinguished connoisseurs as Adolfo Venturi and Wilhelm Suida. The portrait’s style is, however, distinct from Veronese’s, although clearly indebted to it, and the attribution to the young Scarsellino is wholly convincing. The painting would then date from the 1570s – a date confirmed by the costume the subject wears. The puffed hat that appears in the painting had a rather short-lived vogue in the early 1570s. One sees it in Giambattista Moroni’s Portrait of Count...
Category
Baroque 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
The Consecrated Madonna, circa 1700
Located in Blackwater, GB
The Consecrated Madonna, circa 1700
Eastern European School
Large 17th 18th Century European School depiction of the Consecrated Madonna, oi...
Category
18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Portrait Of Monsieur De Cotte, circa 1710
Located in Blackwater, GB
Portrait Of Monsieur De Cotte, circa 1710
circle of Hyacinthe RIGAUD (1659-1743) - one of a pair
Large circa 1710 French portrait of Monsieur De Cot...
Category
18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Portrait Gentleman Armor Carbone Van Dyck Paint Oil on canvas 17th Century Italy
Located in Riva del Garda, IT
Giovanni Bernardo Carbone (Genoa, 1616 - 1683), workshop
Portrait of a gentleman in armor with battle scene in the background
Oil on oval canvas (117 x 105 cm. - In gilded frame 124...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
Portrait of King Edward VI, Oil on panel with Gold Leaf, 18th Century English
Located in London, GB
Oil on oak panel
Image size: 25 1/2 x 19 inches (37.5 x 27 inches)
18th Century Auricular gilt frame
Provenance
New York private collection
This portrait of the King Edward VI depicts the boy-king standing in a black and gold embroidered doublet, wearing a jewelled cap. King Edward holds a staff with a globus cruciger set on the table beside him. No expense has been spared in the making of this piece, with gold leaf being applied in many areas to give the effect of the costume's gold embroidery, chain of office and other metal accessories.
As the precious male heir to the Tudor dynasty...
Category
English School 18th Century and Earlier Portrait Paintings
Materials
Gold Leaf
John and Thomas Young
Located in Naples, Florida
Philippe Mercier (also spelled Philip Mercier; 1689 – 18 July 1760) born in Berlin, was an artist of French Huguenot descent from the German realm of Brandenburg-Prussia (later Kingd...
Category
18th Century and Earlier Portrait Paintings
Materials
Oil, Canvas
Hunting dogs and a deer, British oil painting Richard ANSDELL 19Th c
Located in Gavere, BE
Hunting dogs and a deer, British oil painting Richard ANSDELL 19Th c
Description
Title: End of the run
Materials: oil on canvas
Signature: not signed
Provenance: private collection...
Category
Other Art Style 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
St Joseph Paint Oil on canvas Lombard School 17th Century Religious Old master
Located in Riva del Garda, IT
Lombard School of the 17th century
St. Joseph with Flower Stick
Oil on oval canvas
92 x 70 cm.
In antique frame 106 x 85 cm.
The work shows us an intense image of St. Joseph, portrayed according to the classical iconography that sees him as a mature man holding in his hands a staff from which lilies bloom, symbol of the Virgin's purity.
This iconographic attribute also alludes to his figure as God's chosen one as Mary's future husband. According to the apocryphal gospels, the Virgin had grown up in the Temple of Jerusalem, following a monastic lifestyle, and when she reached marriageable age, each of the suitors was given a dry branch...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
Joseph Highmore Portrait of a lady, 18th century
By Joseph Highmore
Located in York, GB
Portrait of a lady, traditionally identified as Grace Loftus,of Beverley hall yorkshire.Three-quarter-length, before a window.
Dressed in blue and wearing a white bonnet. The paintin...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
Portrait Of A Lady In A Lace Cap & Ruff, 17th Century 1640 Dutch School
Located in Blackwater, GB
Portrait Of A Lady In A Lace Cap & Ruff, 17th Century
1640 Dutch School
17th Century Dutch School portrait of a young lady wearing a lace cap and ruff, oil on panel. Excellent qual...
Category
18th Century and Earlier Portrait Paintings
Materials
Oil, Panel
18th century diptych portraits man and woman American formal dress flower
By William Jennys
Located in Milwaukee, WI
The present pair of portraits would make an exceptional addition to any collection of early American art not only because they were painted by the notable William Jennys, but also because the sitters are members of notable and influential New England families. In addition, these pendants have impeccable provenance: they have never left ownership of the decedents of the Kimball family and this is the first time they have been available for purchase.
David Kimball (1766-1848) and Nancy Stacy Kimball (1774-1844) were members of historic Massachusetts families. David Kimball is a sixth-generation decedent of Richard Kimball (d. 1675) and Ursula Scott (d. 1659), who emigrated from Rattlasden, Suffolk County, England to Watertown MA around 1634. The family then relocated in 1637 to Ipswich, the city with which the family is now most strongly identified, when Richard was appointed to be a wheelwright.[1] Nancy likewise had early New England ancestry, descended from Simon Stacy and Elizabeth Clark, who were married in London in 1620.[2]
Nancy Stacy was the second wife of David Kimball, and the two were married in 1799. Given this, the present pendant portraits were likely completed shortly after the marriage. David had two children by his first wife Mary Morse, who died in September of 1798. David and Nancy would have nine additional children between 1801 and 1815.[3]
Most notably, the couple were parents of the Boston politician and showman Moses Kimball (1809-1895).[2][3] Moses would found the Boston Museum, an early for-profit museum and theater opened in 1841 that resembled European curiosity cabinets: the museum displayed paintings of Thomas Scully and Charles Peale alongside Chinese artwork, stuffed animals, dwarves and mermaids. Alongside these exhibits, visitors could attend the theater which held performances by gymnasts and contortionists, followed by performances of Shakespeare and Dickens.[4] This museum set the model for the Museum of Fine Arts, Boston, which when founded in 1870 held a similarly diverse collection and appealed to the interests of a diverse set of visitors.[5] Moreover, some Greek antiquities from Moses Kimball's museum were eventually given to the MFA and Moses donated approximately $5,000 to the MFA's endowment upon his death.[6][7]
William Jennys (1774–1859), also known as J. William Jennys, is an important American primitive portrait...
Category
Academic 18th Century and Earlier Portrait Paintings
Materials
Oil, Canvas
16th Century By Circle of Giovan Battista Moroni Portrait of Woman Oil on Canvas
Located in Milano, Lombardia
Giovan Battista Moroni (circle of) (Albino, Italy, 1520 – 1580 ca.)
Title: Portrait of a woman
Medium: Oil on canvas
Dimensions: without frame 46 x 40 cm - with frame 55.5 x 50.5 cm
Antique shaped and gilded wooden cassetta frame.
Publications: unpublished.
The present portrait shows an adult woman, no longer young, as can be seen from her slightly blistered cheeks, but not elderly either. The suspicious and veiledly inquisitive gaze is well matched by the elegance of her extremely fashionable black clothes...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Canvas, Cotton Canvas, Oil
18th Century portrait oil painting of a boy
By Robert Byng
Located in Nr Broadway, Worcestershire
Circle of Robert Byng
British, (1666-1720)
Portrait of a Boy
Oil on canvas
Image size: 28.5 inches x 23.5 inches
Size including frame: 34.5 inches x 29.5 inches
A fine half-length ...
Category
18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
G. Albertoni portrait, Oil on Canvas Italy XVIII Century
Located in Milan, IT
Oil painting on canvas. At the top right are the name of the man portrayed and his age, 78 years old. The man's habit and the attitude of prayer, in front of the Crucifix, with the meditation book...
Category
Other Art Style 18th Century and Earlier Portrait Paintings
Materials
Oil
European Portrait of a Priest
Located in Milford, NH
A fine European portrait of a priest, oil on canvas, probably dating to the 17th or 18th century, unsigned, with original stretcher, minor surface losses and damage, craquelure, edge...
Category
18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
17th Century portrait oil painting of a gentleman
By Willem Wissing
Located in Nr Broadway, Worcestershire
Circle of Willem Wissing
Dutch, (1656-1687)
Portrait of a Gentleman
Oil on canvas
Image size: 29 inches x 24.5 inches
Size including frame: 35 inches x...
Category
18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
18th Century European Portrait of Saint John the Baptist as a Child.
Located in SANTA FE, NM
18th Century European Portrait of a Child Saint John the Baptist
Oil on Canvas
19 x 14 1/4 inches
This lovely and sensitively painting has been examined by a professional restorer w...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Sybil, 18th Century Italian School
By Guido Reni
Located in Blackwater, GB
Sybil, 18th Century
Italian School - After Guido Reni
Large 18th Century Italian Old Master depiction of a Sybil (Apollonian Oracle / Prophetess), oil on canvas. Beautiful quality ...
Category
18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Portrait Of A Man With A Crucifix, 16th Century
Located in Blackwater, GB
Portrait Of A Man With A Crucifix, 16th Century
circle of Agostino Carracci (1557-1602)
Huge 16th century Italian Old Master portrait of a gentleman holding a crucifix, oil on canvas. Exceptional early three quarter length portrait of the gentleman in black robes...
Category
18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Allegory of Music School After Lorenzo Lippi
Located in Pasadena, CA
After Lorenzo Lippi (Florence, May 6, 1606 - Florence, April 15, 1665) is a Baroque painter of the Florentine school and a seventeenth-century Italian poet.
Category
Renaissance 18th Century and Earlier Portrait Paintings
Materials
Oil
Portrait of William Wellesley-Pole, 3rd Earl Of Mornington, circa 1800
By Sir Thomas Lawrence
Located in Blackwater, GB
Portrait of William Wellesley-Pole, 3rd Earl Of Mornington, circa 1800
Circle of Sir Thomas LAWRENCE (1769-1830)
Large circa 1800 English Regency portrait traditionally identified ...
Category
18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Portrait Cardinal Barberini Alberti Paint Oil on canvas 17th Century Old master
Located in Riva del Garda, IT
Antonio Alberti (1603 - 1649)
Portrait of Cardinal Antonio Marcello Barberini (Florence 1569 – Rome 1646)
Inscription on the bottom: F.M D.D ANTONIUS BARBERINUS ROM. O. CAP. S.R.E. ...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
Portrait De La Fosse Rigaud Paint Oil on canvas 17/18th Century Old master Art
Located in Riva del Garda, IT
Hyacinthe Rigaud (Perpignan 1659 - Paris 1743) attributable
Portrait of the painter Charles de La Fosse (1636-1716)
oil on canvas
60 x 52 cm/ In a beautiful frame cm. 113 x 78
The ...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
18th Century portrait oil painting of a lady in an ermine trimmed cloak
Located in Nr Broadway, Worcestershire
Circle of Sir Godfrey Kneller
Dutch, (1646-1723)
Portrait of a Lady in an Ermine Trimmed Cloak
Oil on canvas
Image size: 26.5 inches x 22.5 inches
Size including frame: 33.5 inches x 29.5 inches
A well-executed half-length portrait of a lady painted in a feigned oval, circle of Sir Godfrey Kneller. The use of a feigned oval was a device used in portraiture to give a sense of depth and add an intimacy to the painting, drawing your attention to the sitter.
The subject, posed without her wig in the undressed fashion of the day, wears a blue ermine trimmed blue cloak over a white silk robe...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Cupid Paint Oil on canvas France Neo classicism Art Quality Love 18th century
Located in Riva del Garda, IT
Eighteenth-century French school
Entourage de François Boucher (Paris 1703 - 1770)
Cupid who shoots his arrow
Oil on canvas, 48 x 40 cm
with frame 58 x 49 cm.
The painting, of pl...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
Portrait of a Girl with Book, 18th Century Regency Oil Painting
Located in London, GB
Oil on canvas
Image size: 28 3/4 x 24 inches (73 x 61 cm)
Contemporary style gilt frame
This portrait is an evocative example of Devis' Regency period portraiture, featuring a pleasant looking young girl holding a book in an outdoor setting.
Working with a darker palette, a strongly accented diagonal recession, and dramatic contrasts of light and shadow, Devis heightens the girl's three-dimensional physical presence in the foreground of the composition.
The Artist
Arthur William Devis (10 August 1762 – 11 February 1822) was an English painter of history paintings and portraits. He painted portraits and historical subjects, sixty-five of which he exhibited (1779–1821) at the Royal Academy. Among his more famous works are a depiction of the Death of Nelson and a posthumous portrait of Nelson.
Devis was born in London, the nineteenth child of the artist Arthur Devis and his wife Elizabeth Faulkner. Devis was the younger brother of the painter Thomas Anthony Devis (1757–1810) and of the schoolmistress and grammarian Ellin Devis (1746–1820), teacher, among others, of author of Maria Edgeworth and Frances Burney (later novelist Madame d'Arblay).
He followed his elder brother Thomas Anthony in becoming a pupil at the Royal Academy Schools in 1774 and like his brother exhibited at the Free Society of Artists, of which in 1768 their father had become president, and at the Royal Academy. Early on he came to the notice of Sir Joshua Reynolds.
He was appointed draughtsman on the British East India Company's packet Antelope in a voyage in 1783, under Captain Henry Wilson. In her he was injured in an encounter with Papuans near the Schouten Islands and was then wrecked on the Pelew Islands before proceeding to Canton and thence to Bengal. During his voyages, the artist received arrow wounds, one of which inflicted permanent injury on his lower jaw. During his time in Bengal, he painted a portrait of Sir William Jones, at the time a judge in Fort William. The painting now hangs at the British Library.
He was back in London by 1795 and is recorded on 21 July 1797 as living at 27 George Street, Hanover Square, where he was insured by the Sun Assurance Office.
He is noted for his involvement in the creation of the posthumous cult of Horatio Nelson. As she returned from Trafalgar, Devis went out to meet HMS Victory and was present on board the ship during the autopsy of Nelson's body conducted by Dr Beatty, the ship's surgeon. With the help of sketches he took at that time, he painted a heroic Death of Nelson, which proved a sensation.
Devis also painted Dr Beatty, and was commissioned by him to produce a half-length painting of Nelson as vice-admiral, which he lent to Emma Hamilton (who later lost it in an accident whilst travelling). Either the original or a copy of this portrait was exhibited at the Royal Academy two years after the Battle and many copies were made of it. Lord Howe owned one, and another ended up in the collection of the National Maritime Museum. It also appeared as an engraving in Beatty's published account of Nelson's death.
Other work includes a portrait of King George III on horseback, and a range of portraits of admirals and generals, along with historical subjects, such as the Babington Plot and the signing of the Magna Carta...
Category
Victorian 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Head of a Classical Poet (Socrates?)
By Pier Francesco Mola
Located in New York, NY
Provenance:
Possibly Antonio Amici Moretti, Rome, 1690
Roy Clyde Gardner, Union, Mississippi, 1970s until 2004; by whom given to:
Mississippi Band of Choctaw Indians, 2004-2010
Lit...
Category
Baroque 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
St Jerome Religious Portrait Moretto 16th Century Paint Oil on canvas Old master
Located in Riva del Garda, IT
Sixteenth-century Lombard school
Workshop of Alessandro Bonvicino, known as Moretto (Brescia, c. 1498 – 1554)
St Jerome Oil on canvas 81 x 68 cm. - In a fine antique frame 98 x...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
Portrait Johann Theodor Bavaria, Son of Prince Elector, by Joseph Vivien, Rococo
By Joseph Vivien
Located in Greven, DE
Portrait of Johann Theodor of Bavaria (1703-1763)
by Joseph Vivien
Johann Theodor of Bavaria (* September 3, 1703 in Munich; † January 27, 1763 in Lièg...
Category
Rococo 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Portrait Of The Persian Sybil, 17th Century School of GUERCINO (1591-1666)
By Giovanni Francesco Barbieri (Il Guercino)
Located in Blackwater, GB
Portrait Of The Persian Sybil, 17th Century
School of GUERCINO (1591-1666)
Large 17th Century Italian Old Master portrait of the Persian Sybil, oil on canvas. Excellent quality an...
Category
18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
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