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18th Century and Earlier Portrait Paintings

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Period: 18th Century and Earlier
Portrait of the French Princess, late 17th c. French school
Located in PARIS, FR
Portrait of the Princess of Conti - Attributed to Louis Ferdinand Elle the Younger (1648-1717) Late 17th century French school Oil on canvas, h. 100 cm, l. 80 cm Important Louis XIV ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

A Portrait of a 55 year old Gentleman
Located in Stamford, GB
A finely painted portrait of Man aged 55 years. Signed, Inscribed and Dated with old Dutch family provenance. He weighs a large white millstone ruff and a black silk tunic.
Category

18th Century and Earlier Portrait Paintings

Materials

Oil, Panel, Wood Panel

Portraits of John Wood of Hollin Hall, Yorkshire; and Francis Wood (pair)
Located in West Sussex, GB
A Superb pair of oval portraits with full provenance .Portrait of John Wood Esq of Hollin Hall, Yorkshire; Portrait of Francis Wood. Circa 1710. Oils on canvas:29 x 24 in. Frame: 37...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait of Raimondo di Montecuccoli in armor with a marshal's staff. Circa 1660
Located in Firenze, IT
Portrait of Raimondo di Montecuccoli in armor with a marshal's staff. Dutch School. Oil on canvas Dutch School. Circle of Peter Nason (Amsterdam, 1612 - 1690 The Hague). Portrait of a military commander in armor with a marshal's staff. In the portrait of the illustrious general Raimondo Montecuccoli, it can be observed that he still appears without the Order of the Golden Toson. This detail suggests that the portrait could be dated before 1664. Raimondo Montecuccoli was a famous general and military strategist of the 17th century in the service of the Habsburg Empire. Born in 1609 in Italy, Montecuccoli fought in numerous European wars, distinguishing himself for his tactical and strategic abilities. He is best known for his victories during the Thirty Years' War and the war against the Turks. Montecuccoli is also remembered for his writings on military theory, which influenced subsequent generations of commanders. He died in 1680. Montecuccoli came from a noble Italian family but chose to pursue a military career in the service of the Habsburg Empire. He studied in Vienna and fought in numerous battles and military campaigns, earning the trust of Emperor Leopold I. Montecuccoli was known for his discipline, his ability to adapt to situations on the battlefield, and his skill in leading troops with cunning and determination. Montecuccoli fought in many significant battles during the Thirty Years' War and the wars against the Turks. Some of his most famous battles include the Battle of Lens in 1648, where he achieved a decisive victory against French forces, and the Battle of Vezekény in 1664, where he defeated the Ottoman army. He faced adversaries such as the renowned French general Turenne and the great Turkish commander Kara Mustafa...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait of Major General James Hanson Salmond - British 18thC art oil painting
By Sir Thomas Lawrence
Located in Hagley, England
This superb British Old Master oil painting is attributed to circle of Sir Thomas Lawrence. Painted circa 1795, the sitter is Major-General James Hanson Salmond (1766–1837) an office...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

17th Century Oil Painting Portrait Of Catherine Of Braganza Circle of Peter Lely
Located in Hoddesdon, GB
Catherine of Braganza (1638–1705), Circle of Sir Peter Lely (1618–1680) Queen consort of England, Scotland, and Ireland, married to King Charles...
Category

English School 18th Century and Earlier Portrait Paintings

Materials

Oil

Large 18th Century English Oil Painting Portrait of Aristocratic Lady in Blue
Located in Cirencester, Gloucestershire
Portrait of a Noble Lady English artist, mid 18th century circle of Thomas Gainsborough (English 1727-1788) oil on canvas, unframed canvas: 30 x 25 inches provenance: private collect...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Canvas

Diogenes looking for a man, studio of Pieter Van Mol, Paris, 17th century, Paris
By Pieter Van Mol
Located in PARIS, FR
Diogenes with his lantern looking for an honest man Studio of Pieter Van Mol (Antwerp 1599 – Paris 1650) Paris, mid-17th century Oil on canvas, h. 44.5 ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait of a British Officer
Located in Wiscasett, ME
A very fine portrait of a British military officer signed and dated Thomas Beach 1774 in the lower left. This oil on canvas is presented in a period gilt frame and is ready to hang. ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Head of Saint John the Baptist on a platter, Rubens, Flemish, Old Master
By Peter Paul Rubens
Located in Greven, DE
This painting, attributed to the circle of Peter Paul Rubens, presents a classic depiction of the Johannesschüssel—the severed head of John the Baptist on a platter. While Rubens him...
Category

Baroque 18th Century and Earlier Portrait Paintings

Materials

Oil, Panel

Portrait of a Lady with White Gloves - British 18thC art Old Master oil painting
Located in Hagley, England
This charming British 18th century Old Master portrait oil painting is attributed to noted portrait artist Thomas Hudson. Hudson was most prolific between 1740 and 1760 and, from 174...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Grey stallion held by groom in Duke of Grosvenor’s colours British 18C
Located in London, GB
Richard Roper (British, c. 1730-c. 1775) Grey stallion held by groom in the Duke of Grosvenor’s colours Oil on canvas Old chalk inscription '22 Mar 74' verso Property of a gentleman...
Category

English School 18th Century and Earlier Portrait Paintings

Materials

Oil

Fine 18th Century British Old Master Oil The Young Shepherdess with Lamb
Located in Cirencester, Gloucestershire
The Young Shepherd English School, 18th century circle of Sir Joshua Reynolds oil on canvas, unframed Canvas: 30 x 25 inches Provenance: Private collection Condition: very good condi...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Antique 18th C Oil on Canvas A Polish Russian Nobleman Portrait Rembrandt 1637
Located in Portland, OR
Antique oil on canvas of a Russian or Polish nobleman, painted by Rembrandt van Rijn in 1637. There is much controversy about this painting, currently housed in the National Gallery of Art in Washington D.C. and has previously been owned by such luminaries as Catherine the Great and Andrew Mellon. It has been referred to as both a Polish and Russian nobleman, the sitter wears a Russian sable hat...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

18th century antique portrait Edmund Hoyle Circle of James Latham, Edmund Hoyle
Located in York, GB
18th century Bust portrait of a gentleman in a blue coat with gold buttons (Said to be Edmund Hoyle, inventor of Whist) oil on canvas circle of James Latham. Housed in a gilt frame the size overall is 71 x 84 cm (28 x 33 inches approx) whilst the painting is 56 x 69 cm ( 22 x 27 inches approx) unsigned The overall condition is very good having had some restoration. The painting has been relined, cleaned and re varnished. There has been some strengthening/overpainting. There is a Rectangular patch repair along lower edge, centre, reverse approximately 5 x 7cm with associated retouching to front,all essentially done sympathetically. some fine stable craquelure throughout. Some minor self coloured losses to frame. None of the above detracting from a very attractive portrait. Edmond Hoyle Edmond Hoyle English card game authority, "the Father of whist" Born 1672 England Died 29 August 1769 (aged 96–97) London, England Edmond Hoyle (1672 – 29 August 1769)[1] was a writer best known for his works on the rules and play of card games. The phrase "according to Hoyle" came into the language as a reflection of his generally perceived authority on the subject James Latham James Latham was born in Thurles, County Tipperary, Ireland and possibly related to the family of Lathams of Meldrum and Ballysheehan. After some practice of his art, Latham studied for an academic year in Antwerp (1724–25) where he became a Master of the Guild of St Luke. He returned to Dublin by 1725, and may have visited England in the 1740s, as the influence of Joseph Highmore, as well as Charles Jervas and William Hogarth, is evident in his work of this period. Anthony Pasquin memorably dubbed Latham "Ireland's Van Dyck". Latham died in Dublin on 26 January 1747. Several of James Latham's portraits are in the National Gallery of Ireland collection in Dublin; one is of the famous MP Charles Tottenham (1694–1758) of New Ross, Co. Wexford, "Tottenham in his Boots" (Cat. No.411) and a second is a portrait of Bishop...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait Noblewoman Santi di Tito 16th Century Paint Oil on table Old master Art
Located in Riva del Garda, IT
Santi di Tito (Sansepolcro, 1536 - Florence, 1603) Portrait of a noblewoman, half-length, with a book in her hand 16th century Oil on panel 75 x 61 cm. - with frame 115 x 101...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Animated biblical scene
Located in Genève, GE
Work on canvas Work re-lined Plaster and gilded wood frame 86 x 105 x 7 cm
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait of two young girls with a whippet and a rabbit in a wooded landscape
Located in Bath, Somerset
Portrait of two young girls in a wooded landscape, standing full-length, one attaching a red collar on a seated white whippet and the other holding her pet black and white rabbit. Ci...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Fine 18th Century British Portrait of an Aristocratic Lady, Large oil painting
Located in Cirencester, Gloucestershire
Circle of Thomas Hudson (1701-1779) British. 18th Century Bust Portrait of a Lady, Oil on Canvas, Inscribed on a label verso, canvas: 30" x 25" (76.2 x 63.5cm). frame: 30 x 25 in...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait Woman Parodi 17/18th Century Oil on canvas Old master
By Domenico Parodi (Genoa, 1672 - 1742)
Located in Riva del Garda, IT
Domenico Parodi (Genoa, 1672 - 1742) Portrait of Anne Marie d'Orléans (Château de Saint-Cloud, 27 August 1669 - Turin, 26 August 1728), first queen consort of Sardinia and maternal g...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait of Putti Playing - French 17th century art Old Master oil painting
Located in Hagley, England
This stunning French 17th century Old Master oil painting is by Baroque artist Laurent de la Hyre. It was painted circa 1645 and has excellent prove...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Fine 18th Century Oil - Portrait of a Lady in Pearls
Located in Corsham, GB
A delightfully elegant 18th-century tondo depicting a lady in pearls. The subject is rendered in exquisite detail and is captured in fine attire, typical of the Georgian period. Beau...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil

Equestrian portrait of Louis XIV, workshop of René-Antoine Houasse, c. 1690
Located in PARIS, FR
Equestrian portrait of Louis XIV, Workshop of René-Antoine Houasse, (Paris, c. 1645 - Paris, 1710) Late 17th century French school, c. 1690 Oil on canvas, h. 100 cm, w. 80 cm Importa...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait Of Lady as a Shepherdess 18th Century CHARLES JERVAS
Located in Blackwater, GB
Portrait Of a Lady posing as a Shepherdess 18th Century circle of CHARLES JERVAS (1675-1739) Large 18th Century portrait of Lady oil on canvas, by Charles Jervas. Portrayed in the ...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait of a girl with a rose and a red coral necklace (c. 1631)
Located in Amsterdam, NL
David Finsonius (Veere 1597- Bergen op Zoom 1646/1648) Portrait of a girl with a rose and a red coral necklace With traces of the artist’s signature and annotated AETATIS S.V. 2 1⁄2 Ao 1631 Oil on panel, H. 104.5 x 79.5 cm Provenance: Purchased by Jonkheer Helenus Marius Speelman (1857-1909), Kasteel de Wittenburg; thence by descent The work shows a strong resemblance to a portrait by Finsonius in the North Brabant Museum. This signed and dated "Girl with Basket and Cherries" (Inv. 15529), was painted just a year later, in 1632. Not only are the paintings remarkably similar in overall size and format, in painting style, and in the positioning of the girls in full length in their white lace dresses. They are also connected by the iconographic scheme of the respective coral necklaces, each with a gold memorial medal hanging from it. Although they are of course individuals, the faces are very similar in their depictions of features such as eyes, nose, and lips. This points to the same technique applied by the same painter. Finally, the handwriting is almost the same on the works by Finsonius known so far. About the painter, David Finson named 'Finsonius' (related to the better-known Louis Finson...
Category

Dutch School 18th Century and Earlier Portrait Paintings

Materials

Oil, Wood Panel

Portrait 18e Siècle Pierre Mignard (1612/1695) Entourage.
Located in GOUVIEUX, FR
Huile sur toile dim avec cadre 44/52 cm Dim sans cadre 33.5/41 cm Ecole française Entourage Pierre Mignard Pierre Mignard  né le 17 novembre 1612 à Troyes et mort le 30 mai 1695 à Pa...
Category

French School 18th Century and Earlier Portrait Paintings

Materials

Canvas, Paint, Oil

Family Devotion with Cherubs 18th Century Old Master Oil Painting after Rubens
Located in Cirencester, Gloucestershire
Family Devotion with Cherubs French School, 18th century after the earlier work by Sir Peter Paul Rubens oil on canvas, unframed Canvas : 29 x 24 inches Provenance: private collectio...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Penitent Saint in Wilderness with Angels & Cherubs Italian Old Master on Copper
Located in Cirencester, Gloucestershire
The Penitent Saint Italian artist, 17th century oil on copper panel, framed framed: 10 x 8 inches copper panel : 7.5 x 5 inches provenance: private collection, France condition: very...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

A Portrait of a Bewigged Gentleman
Located in St. Albans, GB
Enoch Seeman Canvas Size: 30 x 25" (76 x 62cm) Outside Frame Size: 37 x 32" (92 x 80cm) 1694-1744 He was born in Danzig, now Gdansk, Poland, around 1694. His father, also Enoch...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

18th Century by Giuseppe Antonio Petrini, Portrait of Saint Peter, Oil on canvas
Located in Milano, Lombardia
Giuseppe Antonio Petrini, (Carona, Italy, 1677 – 1757 ca.) Title: Portrait of Saint Peter Medium: Oil on canvas Dimensions: without frame 75.5 x 63 cm - with frame 96 x 83 x 5 cm Not signed Expertise by Professor Giancarlo Sestieri Provenance: Luigi Koeliker - Koetser Collection. Collection number 858 on verso. The apostle in half-length portrait, looking upwards. His shoulders are bare from his blue shirt, a brown cloak is draped over his arm. In his hand he holds the ‘keys to paradise’, which make him attributively recognisable. The bearded face shows the pleading remorse for his defamation of Christ described in the biblical account. The painting style immediately reveals Petrini's brushwork. The painter, who was born in Ticino, is one of the northern Italian-Lombard artists of the late Baroque period, who was possibly associated with Bartolomeo Guidobono (1654-1709) in Turin after 1700 and is documented with works in his home city between 1711 and 1753. Works by his hand were mainly found in the Como, Bergamo and Lugano areas. Other depictions of St Peter can be found in the church of Dubino and in a private collection in Montagnola. In 1991, an exhibition of his works was organised at the Villa Malpensata in Lugano, Switzerland. The painter was the son of a sculptor and, according to the sources, a pupil of the Genoese painter Bartolomeo Guidobono (1654-1709). However, he was also inspired by the works of Andrea Pozzo (1642-1709). Works by his hand can be found in several churches in Piedmont, such as San Maurizio in Pinerolo. At the end of the 1730s, a strong development towards the Rococo style can be recognised, as demonstrated by his ‘Allegories of the Seasons’ (Lugano Art...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Pair of 17th Century Oil on Canvas Italian Antique Paintings Sibyls, 1670s
Located in Vicoforte, IT
Rare pair of Italian paintings from the second half of the 17th century. Oil on canvas artworks depicting two splendid female figures recognizable thanks to the inscriptions at the b...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait of a monk att. to Pieter Leermans - Oil on canvas 21x40 cm
Located in Geneva, CH
Oil work on canvas sold with frame. Total size with frame: 58x39x5 cm
Category

Baroque 18th Century and Earlier Portrait Paintings

Materials

Oil

English 18th century portrait of a water spaniel dog standing in a landscape
By George Stubbs
Located in Bath, Somerset
Circle of George Stubbs (1724-1806). English 18th century portrait of a water spaniel standing in a wooded landscape. This charming painting is a wonderful example of the style of English dog painting made popular by artists such as George Stubbs and other sporting artists working in England in the 18th century who painted the dogs and horses of the aristocracy and wealthier classes. It follows in the ancient tradition of celebrating and commemorating our faithful canine companions through portraiture. Oil on canvas in a giltwood frame Provenance: Private collection, Somerset George Stubbs (1724-1806) was classified in his lifetime as a sporting painter, and as such was excluded from full membership of the Royal Academy. He is best remembered for his paintings of horses and his conversation pieces. Having studied anatomy, Stubbs's pictures of horses are among the most accurate ever painted. Stubbs was born in Liverpool, the son of a leather worker...
Category

English School 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

The Tax Collectors Italian 1700's Oil Painting on Copper in Gilt Frame
Located in Cirencester, Gloucestershire
The Tax Collectors Italian School, early 18th century oil on copper panel, framed framed: 14 x 11.5 inches copper panel : 11.5 x 9 inches provenance: private collection, UK conditio...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait of a Gentleman, Doublet & White Ruff, Gloves Inscribed 1624, on panel
By Frans Pourbus the Younger
Located in London, GB
Titan Fine Art presents this exquisite oil on panel portrait depicting a handsome young gentleman in an exuberant black damask doublet. The pose, with one hand holding gloves and the other akimbo, was one that was well-established for gentleman of the upper echelons of society by the time this work was painted. The principle governing portraits at this time was the recording and defining in visual terms of the position of a sitter in society. In addition to brilliant and complex symbols of luxury, they often contained many symbolic elements too; the inclusion of gloves was often used in portraits that celebrated a betrothal as in ancient times gloves were used to seal a marriage contract. The extraordinary costume of a black shimmering doublet, the brilliant white reticella ruff, and the cuffs edged with lace were immensely costly… this attire proclaims to every onlooker that this is a superior being. The rendering of the reticella lace ruff is exquisite and the artist has recorded the design that runs through the black damask fabric with meticulous attention to detail. The preservation of this black pigment is remarkable considering the age of the work. Black pigments are especially vulnerable to fade and wear over time partly due to environmental condition but also from unprofessional cleaning. This work is an exquisite example from the period. According to the inscription in the upper right, the gentleman was in his 22nd year of age in 1624. The coat of arms, which is displayed without a crest, may be ‘blazoned’ in the language of heraldry, as: Sable on a Chevron between in chief two Roundels and in base a Billet [or possibly Square] Or three Martlets Sable. In plainer English this means a black (Sable) background, spanned by a gold (Or) chevron, above which are two golden solid circles (Roundels), and below which is a gold rectangle (Billet); on the chevron are three small black birds (Martlets). Martlets are a stylised form of heraldic bird, believed to be based on the swift, which are conventionally drawn with small tufts instead of feet. In Continental Europe it is also conventional for them to be drawn without beaks, as appears to be the case here. The birds in this instance also have a vaguely duck-like appearance. Five families have been identified with very close armorial bearings to the one in our portrait. They are the (van) Houthem’s (of Brabant), the Prévinaire’s (of Flanders and Holland), and the Proveneer’s (of Liège) and it must be noted that the locations of these families also fit with the painting’s Flemish origins. However the French Grenières’s (of Île-de-France) and the Jallot’s (of Normandy) are the next closest matches and plausible matches, as Frans Pourbus had settled in Paris just a few years before our portrait was painted. This painting has been assessed by a professional conservator prior to going on sale, and as thus, it can be hung and enjoyed immediately. Frans Pourbus the Younger...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Wood Panel

The Archangel Gabriel, 19th Century after Guido RENI (1575-1642)
By Guido Reni
Located in Blackwater, GB
The Archangel Gabriel, 19th Century after Guido RENI (1575-1642) Huge 19th century Italian Old Master depiction of the Archangel Gabriel, oil on canvas. Excellent quality and cond...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

17th Century Dutch Old Master Oil Painting Wood Panel Figures in Tavern Interior
Located in Cirencester, Gloucestershire
'Topers in a Tavern' Circle of Jacob Toorenvliet (Dutch 1635 - 1719) oil on panel, framed framed: 9 x 7 inches panel: 7.5 x 6 inches provenance: priv...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Queen Maria Theresa King Van Meytens 18th Century Paint Oil on canvas Old master
Located in Riva del Garda, IT
Martin van Meytens (Stockholm 1695 - Vienna 1770) Portrait of Empress Maria Theresa of Habsburg (Vienna 1717 - 1780) Portrait of Emperor Francis I of Lorraine (1708 - 1765) oil on ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

The Flagellation of Christ, Old Master, Flemish School, Oil on copper
Located in Knokke, BE
The Flagellation of Christ Old Master Flemish School 17th century Medium: Oil on copper Dimensions: Image size 22 x 17 cm, frame size 39 x 31 cm
Category

Baroque 18th Century and Earlier Portrait Paintings

Materials

Copper

The Penitent Magdalene - Italian Baroque Old Master art portrait oil painting
By Giovanni Francesco Barbieri (Il Guercino)
Located in Hagley, England
This stunning Italian Baroque Old Master portrait oil painting is attributed to the circle of Guercino, Giovanni Francesco Barbieri (1591 - 1666) and it is ascribed verso. The paint...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Italian Greyhound and Friends - Italian 17thC Old Master dog art oil painting
By Francesco Fieravino
Located in Hagley, England
This stunning Old Master 17th century oil portrait painting is attributed to Francesco Fieravino, an artist famous in his day for still lifes and carpets. This painting which dates t...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Circle of Jean Honore Fragonard (1732–1806) A Painting of Three Putti and Fire
Located in Queens, NY
Circle of Jean Honore Fragonard (French 1732–1806) An Exceptional Painting of Three Putti and Fire, circa 1795. Masterfully painted in the late ...
Category

Rococo 18th Century and Earlier Portrait Paintings

Materials

Cotton Canvas, Oil

Large 1700's Italian Oil Painting on Canvas Portrait of a Clerical Gentleman
Located in Cirencester, Gloucestershire
Portrait of a Clerical Gentleman Italian artist, mid 18th century Circle of Giovanni Battista Carboni (1725-1790) oil on canvas, unframed canvas: 26 x 22 inches provenance: private c...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil, Canvas

17th Century Onorio Marinari Italian Religious Painting
By Onorio Marinari
Located in Roma, IT
A very important painting by the great artist of the Florentine school, Onorio Marinari. Dr. Silvia Benassai has confirmed Marinari’s authorship of the Saint Margaret of Antioch; ava...
Category

Baroque 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait of a Gentleman with his Dog - Possibly Abraham Tucker. Oil on Canvas
Located in St. Albans, GB
Enoch Seeman - 1894 - 1744 An excellent example of Seeman's work. It is typically unsigned as was the case of many portraits of that time. A three quarter length portrait showing a r...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Old Master portrait of a lady musician by the master or portraiture
Located in Petworth, West Sussex
Attributed to Pierre Paul Prud’hon (French, 1758-1823) 'La belle musicienne' Oil on canvas, oval Signed ‘P. P. Prudon’ (lower left) 28.3/4 x 23.1/2 in. (73 x 59.5 cm.) Pierre Paul Prud'hon is considered a prime example of early French Romanticism. He was born as the seventh and last child of a master tailor. At the age of 16 he was a pupil of the painter and sculptor Francois Devosge. After finishing his studies he moved to Paris, where he first worked for an engraver and became friends with the Baron of Joursanvault, who became his patron. He also made a friendship with the "incorruptible", the politician and revolutionary Maximilien de Robespierre. Despite important friendships and the care of some cardinals, Prud'hon plunges into loneliness and melancholy. He has a good reputation and produces allegorical paintings, but his attachment to Robespierre forces him to leave the French capital. He now lives in the Free County of Burgundy, where he makes portraits and illustrations for Pierre Didot, the owner of the printing house. After a few years he moved back to Paris and his career received a new impetus. In the Louvre, Prud'hon is provided with a studio in which he paints "La sagesse et la vérité descendant sur la terre" (Wisdom and Truth descend to earth) for one year, as well as some ceilings of the Louvre. The government assigns him a studio in the Sorbonne, where his wife Jeanne, whom he married at the age of 19, comes looking for him. To escape her, he asks the museum director for protection. In 1808 he wrote "La justice et la vengeance divine poursuivant le crime" (Justice and divine revenge pursue the crime). In the same year he is also named Knight of the Legion of Honour and is able to break with his grumpy wife once and for all. He soon reconnects with his student and painter of neoclassicism Constance Mayer. Pierre is commissioned to paint a portrait of the Empress and wife of Napoleon, Joséphine de Beauharnais, which can still be seen today in the Louvre. He also paints the small "Roi de Rome" (King of Rome). In 1816 the Academy of Fine Arts elected him a member, where he took over the armchair in the painting section of François-André Vincent. A few years later his depressed wife commits suicide, and full of pain Prud'hon finishes her last work "Une famille malheureuse" (Engl. An Unhappy Family) and exhibits it. He himself dies soon afterwards and is buried in Paris. Many renowned artists admire Prud'hon for his "clair-obscur", the chiaroscuro painting...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Portrait of an Italian Noblewoman
Located in London, GB
15th century, Italian Circle of Antonio del Pollaiuolo (1429-1498) Portrait of an Italian Noblewoman Oil and tempura on poplar panel With partial inscription: ALZETAPIN Provenance:...
Category

Renaissance 18th Century and Earlier Portrait Paintings

Materials

Oil, Tempera, Wood Panel

Madonna Parrot Paint Oil on table Old master Flemish Follower Master of Parrot
Located in Riva del Garda, IT
'Master of the parrot' (a painter active in Antwerp in the early 16th century, whose name refers to the parrot who always occurs in his paintings) - follower of Madonna on the throne with child (With the coat of arms of the client family in the upper part of the composition) Oil on the table 101 x 62 cm. - In frame 114 x 76 cm. The beautiful proposed work explains the typical iconographic characters of the painter called 'Master of the parrot', a conventional name used by critics to define an anonymous Dutch author of the 16th century. More precisely, it is a painter of the southern Netherlands, active in Antwerp around 1530-50, so defined for the unmistakable parrot who often appears in his works of him. In religious iconography the parrot has often been used as a Marian symbol, as it was widespread that its most common verse was "Ave", that is, the greeting of the Archangel Gabriele to Mary at the time of the Annunciation. Today the idea according to which the name 'master of the parrot' has not referred to a single painter, but rather a group that, based on the stylistic characters, carried out their training at the workshop of Pieter Coecke Van Aelst (Aalst (Aalst is widespread. 1502 - Brussels 1550), creating devotion paintings intended for a bourgeois client and concentrating their activity on a specific topic particularly requested by the contemporary market. By way of example we can mention the Virgin with the San Diego Museum of Art child where the figures, like our own, are in line, With the mannerist taste for the elegant body proportions that exceed reality, with elements such as tapered finger, wide face and thin nose. These characters also betray the influence of active artists in the region such as Joos Van Cleve...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Portrait of Anne, Lady Russell, later Countess of Bedford
Located in London, GB
A three-quarter length portrait of Anne, Lady Russell, later Countess of Bedford (1615-1684), in a blue dress. Attributed to Sir Anthony Van Dyck.  Anne C...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil

The Bloody Shouldered Arabian Horse Oil on canvas 18th Century
By John Wootton
Located in London, GB
John Wootton (1686 - 1764) The Bloody-Shouldered Arabian Oil on canvas Inscribed below, 'Bred by Lord Oxford in 1755 & Sire of many famous Racers, including the Duke of Bolton's 'Swe...
Category

English School 18th Century and Earlier Portrait Paintings

Materials

Oil

Young Aristocrat with Pet Dog
Located in San Francisco, CA
18th century style, “Young aristocrat with pet dog”. The work is a modern copy of a portrait of Pierre Van Cortlandt, first lord of Van Cortlandt manor in NY. ...
Category

18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

A portrait of John Poyntz, after Hans Holbein, ca. 1644 - 1674
Located in New York, NY
A portrait of courtier and politician John Poyntz, after Hans Holbein, circa 1644 - 1674. This painting is based on a drawing by Hans Holbein, part of the drawings collection of the ...
Category

Renaissance 18th Century and Earlier Portrait Paintings

Materials

Oil, Wood Panel

Sir Anthony Van Dyck 17th Century Oil Painting Study of a Head of a Man
Located in London, GB
Sir Anthony Van Dyck (1599-1641, Flemish) Study of a Head of Man Circa 1627-32, Van Dyck’s second Antwerp period Oil on paper, laid down on canvas Dimensions 15 x 14 inches (38.1 x 3...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

The Death Of Patroclus, 18th Century School of Jacques-Louis David (1748-1825)
By Jacques-Louis David
Located in Blackwater, GB
The Death Of Patroclus, 18th Century School of Jacques-Louis David (1748-1825) 18th Century French Neo-Classical scene of the Death Of Patroclus, oil on panel. Excellent quality an...
Category

18th Century and Earlier Portrait Paintings

Materials

Oil, Wood Panel

A Rich Merchant - Painting by Unknown - 18th Century
Located in Roma, IT
A rich merchant is an original old master artwork realized in the 18th Century. Mixed colored oil painting on canvas depicting a merchant looking at a coin in his left hand. Provena...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

Joseph interpreting Dreams - Italian Old Master 17thC religious art oil painting
Located in Hagley, England
This lovely 17th century Old Master religious oil painting is from the Italian School. The subject is Joseph in prison interpreting the dreams of Pharoah's Baker and Butler. The bars...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

16th Century Italian Renaissance Old Master Portrait of a Procuratore
By Jacopo Bassano
Located in London, GB
Jacopo BASSANO (c. 1510-1592, Italian) Portrait of a Procuratore Oil on canvas 30 ¼ x 26 inches (including frame) Provenance: Lucien Bonaparte’s Collection (as Portrait of Doge Priuli, Tiziano); Rich-mond, Virginia Museum, Portrait of Doge Lorenzo Priuli. The painting is a portrait of a man half-length, on a black background. It is a three-quarter portrait, according to a custom very common in the genre of portraiture in sixteenth century. The man is wearing a decorated...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

17th Century Italian Old Master Oil Painting Moses Striking Water from the Rock
By Pier (Pietro) Dandini
Located in Cirencester, Gloucestershire
Moses Striking Water from the Rock; Circle of Pietro Dandini, Italian 1646-1712 Italian School, late 17th century oil on canvas, framed framed: 3...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

Holy Family Ramenghi Paint Oil on canvas Old master 17th Century Religious Art
Located in Riva del Garda, IT
Bolognese school of the seventeenth century Circle Giovanni Battista Ramenghi, known as Bagnacavallo (Bologna, 1521 - 1601) Oil painting on canvas (86 x 72 cm. - With antique frame ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Oil

French School of the 17th Century Female portrait with flowers Oil on canvas
Located in Milano, Lombardia
French School of the 17th Century – Circle of Pierre Mignard (1612-1695) Title: Female portrait with flowers Medium: Oil on canvas Dimensions: without frame 81 × 68 cm – with frame ...
Category

Old Masters 18th Century and Earlier Portrait Paintings

Materials

Canvas, Oil

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