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Period: 18th Century and Earlier
Portrait of a Gentleman with his Dog - Possibly Abraham Tucker. Oil on Canvas
By Enoch Seeman
Located in St. Albans, GB
Enoch Seeman - 1894 - 1744
An excellent example of Seeman's work. It is typically unsigned as was the case of many portraits of that time. A three quarter length portrait showing a r...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
English 18th century portrait of a water spaniel dog standing in a landscape
By George Stubbs
Located in Bath, Somerset
Circle of George Stubbs (1724-1806). English 18th century portrait of a water spaniel standing in a wooded landscape.
This charming painting is a wonderful example of the style of English dog painting made popular by artists such as George Stubbs and other sporting artists working in England in the 18th century who painted the dogs and horses of the aristocracy and wealthier classes. It follows in the ancient tradition of celebrating and commemorating our faithful canine companions through portraiture.
Oil on canvas in a giltwood frame
Provenance: Private collection, Somerset
George Stubbs (1724-1806) was classified in his lifetime as a sporting painter, and as such was excluded from full membership of the Royal Academy. He is best remembered for his paintings of horses and his conversation pieces. Having studied anatomy, Stubbs's pictures of horses are among the most accurate ever painted.
Stubbs was born in Liverpool, the son of a leather worker...
Category
English School 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
$15,886 Sale Price
20% Off
Antique French Miniature Portrait of Lady Biographical details with painting
Located in Cirencester, Gloucestershire
Miniature Portrait
French School, late 18th/ early 19th century
framed: 5.5 x 5.5 inches
board: 2 x 2 inches
provenance: private collection, France
condition: very good and sound c...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Watercolor
Portrait of a Young Man
Located in London, GB
Pupil of Rembrandt
Portrait of a Young Man
17th Century
Oil on oak panel
Image size: 4 1/4 x 5 inches (11 x 13 cm)
Dutch ebonised frame
This small portrait is of a young man, staring inquisitively out towards the viewer. The realism of his appearance is striking, with great care taken in the depiction of the man’s features - for example, his full lips and the slight bump in the bridge of his nose. The man wears a rich burgundy doublet and a black cap and is adorned with gold accessories, indicating a degree of wealth - it is likely that this is a miniature portrait for a wealthy patron. The warm flesh tones of this painting and the intricate rendering of the man’s curly brown hair demonstrate the artistry of the painter, who has successfully captured the image of youth within his brushstrokes.
Rembrandt’s Pupils
Upon completing his artistic education, Rembrandt opened a studio and began to take students - the first of which were Gerrit Dou and Isaac Jouderville. The studio functioned as an art school, in which materials and guidance were provided - contrary to the studios of his peers, Rembrandt did not offer lodging to his pupils. The families of prospective pupils had to pay Rembrandt 100 guilders (enough for a house at the time) for this artistic education, and the profits from any works produced by pupils under Rembrandt would be paid to the master rather than kept by the student-artist - this contributed substantially to the master’s income.When taking on pupils, Rembrandt looked for those who could already paint, and guided their styles to reflect his. By choosing pupils who were somewhat experienced artists, Rembrandt had an array of painters that could be involved at any stage of assisting with the creation of his works - in this way, Rembrandt’s pupils often functioned as studio assistants as well. In order to perfect Rembrandt’s style, pupils would paint copies of their teacher’s works, sometimes adding their own distinct variations. They would use the same subjects and models as Rembrandt himself, and would accompany him on outdoor trips to paint nature and landscapes. The extensive copying and utilisation of same source materials has rendered Rembrandt’s work and the work of his pupils difficult to differentiate, even in the modern era.At least 50 pupils were taught by Rembrandt, with many continuing on to become his studio assistants. A few graduated into successful artists in their own right - for example, Govaert Flinck...
Category
18th Century and Earlier Portrait Paintings
Materials
Oil, Oak, Panel
$15,260
Diogenes looking for a man, studio of Pieter Van Mol, Paris, 17th century, Paris
By Pieter Van Mol
Located in PARIS, FR
Diogenes with his lantern looking for an honest man
Studio of Pieter Van Mol (Antwerp 1599 – Paris 1650)
Paris, mid-17th century
Oil on canvas, h. 44.5 ...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Portrait of Barbara Palmer 1st Duchess of Cleveland
Located in Taunton, GB
Portrait of Barbara Palmer 1st Duchess of Cleveland 1640-1709, half-length wearing a red dress and portrayed within a cartouche.
Circa 1680
Oil On...
Category
18th Century and Earlier Portrait Paintings
Materials
Oil
Ecce Homo Coxie Paint 16/17th Century Paint Oil on table Old master Flemish Art
Located in Riva del Garda, IT
Circle of Michael Coxie (Malines, 1499 - Malines, 1592)
Ecce Homo with Pontius Pilate
Oil on panel
Flemish school 16th-17th century
112 x 81 cm - framed 121 x 90 cm.
The proposed p...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
$8,411 Sale Price
20% Off
Madonna Child Conca 17/18th Century Paint Oil on copper Old master Roman school
Located in Riva del Garda, IT
Sebastiano Conca (Gaeta 1680 – Naples 1764) circle
Madonna and Child
Oil on copper
26 x 20 cm In high-quality period frame 72 x 50 cm
The work depicts the Madonna lovingl...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
$5,937 Sale Price
20% Off
Portrait of the French Princess, late 17th c. French school
Located in PARIS, FR
Portrait of the Princess of Conti - Attributed to Louis Ferdinand Elle the Younger (1648-1717)
Late 17th century French school
Oil on canvas, h. 100 cm, l. 80 cm
Important Louis XIV ...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
English 18th century portrait of Henrietta Pelham-Holles, Duchess of Newcastle.
Located in Bath, Somerset
Portrait of Henrietta Pelham-Holles (née Godolphin) (1701-1776), Duchess of Newcastle, standing in a wooded landscape with a river beyond, three-quarter length wearing an ivory silk ...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
17th Century Italian Old Master Oil Painting Moses Striking Water from the Rock
By Pier (Pietro) Dandini
Located in Cirencester, Gloucestershire
Moses Striking Water from the Rock;
Circle of Pietro Dandini, Italian 1646-1712
Italian School, late 17th century
oil on canvas, framed
framed: 3...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Portrait of a Gentleman in Green Coat -British 18thC art Old Master oil painting
By Francis Cotes
Located in Hagley, England
This lovely 18th century Old Master portrait oil painting is by noted British artist Francis Cotes. It was painted circa 1760 when Cotes was preferring oil as a medium and comparison...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
Portrait of Lady Mansfield of Ringwood
Located in London, GB
Portrait of Lady Mansfield of Ringwood
Oil on Canvas, unsigned
Image size: 25 x 30 inches (63 x 76 cm)
Original carved & gilded frame
Provenance
Descended through the Family Estate
...
Category
English School 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Saint George 17/18th Century Paint Cima Da Conegliano Oli on canvas Old master
Located in Riva del Garda, IT
Saint George
A follower of Giovanni Battista Cima, known as Cima da CONEGLIANO (Conegliano c. 1449 - Conegliano c. 1517)
Oil on canvas
126 x 49 cm.
Framed 143 x 65 cm.
The painting...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
$10,514 Sale Price
20% Off
Early-18th Century French School, Ex-Voto Portrait With Emilian Jacobin
Located in Cheltenham, GB
This splendid early 18th-century French oil painting represents an ‘ex-voto’ with Emilian Jacobin and a depiction of the Virgin Mary with Christ and angels.
Ex votos are votive offe...
Category
French School 18th Century and Earlier Portrait Paintings
Materials
Oil, Canvas
Portrait of a lady in blue dress ”Countess of Peterborough”
Located in Stockholm, SE
This exquisite portrait, with its new attribution to Theodore Russel, is believed to depict Lady Penelope O'Brien, daughter of Barnabas O'Brien, the sixth Earl of Thomond, and wife of the Earl of Peterborough, whom she married in 1644. The painting thus belongs to a historically significant period, capturing the refined elegance of the time.
The portrait has a prestigious provenance from Elleholms Hofgård, a historic estate in Mörrums socken, Blekinge, Sweden. Elleholms Hofgård, whose two-story, timber-framed main building was constructed in 1730 and expanded in 1804, has changed ownership several times since the 17th century. The ancestors of the present owners acquired the estate in 1915, and from the 20th century until 2023, this painting was prominently displayed in the estate’s main building, making it an integral part of the estate’s history.
Theodore Russel, an English portrait artist born in 1614, studied under the renowned Sir Anthony van Dyck, whose influence can be seen in Russel’s meticulous style. Russel often painted on cabinet-sized panels, such as this one, which measures approximately 39 x 31 cm. This preference for panels is a notable characteristic that sets him apart from contemporary artists like Sir Peter Lely, who exclusively used canvas. The size of the panel is a key reason for the reattribution to Russel from Peter lely, as Lely never used panels for his works. This distinctive format, along with Russel’s characteristic style, strongly supports the new attribution.
Russel, the son of Nicasius Rousseel, a goldsmith and jeweler to James I and Charles I, refined his skills under the mentorship of his uncle, the famous portrait painter Cornelis Janssen. He also worked as an assistant and copyist for van Dyck, further honing his artistic style. This captivating portrait exemplifies Russel’s craftsmanship, reflecting the elegance of the period’s fashion and the artist's refined techniques.
oil on wood panel
with indistinct inscription Countess of Peter[...] upper left.
with inscription on the reverse: ”Countess of Peterborough. P. Lely 1670. S Beatty Picture Restorer [...] Warwick”.
unframed 39 x 31 cm = 15.35 x 12.2 inches
framed 52 x 41.5 cm = 20.47 x 16.34 inches
Condition:
The portrait has just been restored by a professional art conservator in Stockholm and is now in a very good condition. The colors are vivid, and the skin tones appear more natural than before. It is a very fine painting. The frame is newly made and included.
Provenance:
Elleholms Hofgård, Mörrums socken, Blekinge, Sweden **;
Stockholms Auktionsverk, Fine Art & Antiques Autumn...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil, Wood Panel
Portrait of a woman with a book
Located in BELEYMAS, FR
Italian school circa 1560, circle of Bernardino Campi
Portrait of a woman with a book
Oil on panel
H. 78 cm ; L. 57cm
Category
Italian School 18th Century and Earlier Portrait Paintings
Materials
Oil, Wood Panel
Portrait Of Richard Jones, 1st Earl Of Ranelagh, 17th Century SIR PETER LELY
Located in Blackwater, GB
Portrait Traditionally Identified as Richard Jones, 1st Earl Of Ranelagh, 17th Century
School Of Sir Peter Lely (1618-1680)
Large 17th Century Portrait believed to be Rochard Jones...
Category
18th Century and Earlier Portrait Paintings
Materials
Oil, Canvas
$9,860 Sale Price
20% Off
Portrait of a Levantine Merchant, 18th Century. Italian school.
Located in Firenze, IT
Portrait of a Levantine Merchant, 18th Century
Italian school.
Oil on canvas.
Circle of Giuseppe Nogari (1699-1763)
Dimensions with frame cm 71 x 5...
Category
Baroque 18th Century and Earlier Portrait Paintings
Materials
Oil, Canvas
$1,902 Sale Price
20% Off
Circle of Michael Dahl (1659-1743) - Early 18th Century Oil, Lady with Jasmine
By Michael Dahl
Located in Corsham, GB
This formal portrait depicts a woman in early 18th-century dress, wearing an elegant dark gown with white lace trim and a red drape or shawl. She holds jasmine flowers in her hand, s...
Category
18th Century and Earlier Portrait Paintings
Materials
Oil
French School, 17th Century, 'Portrait of the Marquise de Grugieres', oil canvas
Located in Petworth, West Sussex
French school, 17th Century
Portrait of the Marquise de Grugieres
Oil on canvas
26.1/4 x 21.5/8 in. (66.7 x 54.8 cm.)
In a gilded composite frame, later production (possible early 1...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
18th Century French Rococo Period Portrait of Women Oil Painting on Canvas
Located in Cirencester, Gloucestershire
Portrait of a Lady
French artist, Rococo period 18th century
oil on canvas, framed
framed: 15 x 12.5 inches
canvas: 10.5 x 8.5 inches
provenance: private collection, France
condition...
Category
Rococo 18th Century and Earlier Portrait Paintings
Materials
Oil
Fine 18th Century English Aristocratic Portrait of a Lady Oval Canvas Gilt Frame
Located in Cirencester, Gloucestershire
Artist/ School: English School, circa 1740's
Title: Portrait of a Lady, traditionally identified as 'Anne of Chesterfield'.
Medium: oil painting on canvas, framed
Size: painting: ...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
18th Century European Portrait of Saint John the Baptist as a Child.
Located in SANTA FE, NM
18th Century European Portrait of a Child Saint John the Baptist
Oil on Canvas
19 x 14 1/4 inches
This lovely and sensitively painting has been examined by a professional restorer w...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Equestrian portrait of Louis XIV, workshop of René-Antoine Houasse, c. 1690
Located in PARIS, FR
Equestrian portrait of Louis XIV,
Workshop of René-Antoine Houasse, (Paris, c. 1645 - Paris, 1710)
Late 17th century French school, c. 1690
Oil on canvas, h. 100 cm, w. 80 cm
Importa...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
The Card Players by a Flemish 1600s Artist
Located in Stockholm, SE
Flemish 1600s School
The Card Players
oil on oak panel
panel dimensions 22.5 x 20 cm
frame included
Provenance:
From a Swedish private collection.
Condition:
Flat and stabl...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oak, Oil, Panel
Young Aristocrat with Pet Dog
Located in San Francisco, CA
18th century style, “Young aristocrat with pet dog”. The work is a modern copy of a portrait of Pierre Van Cortlandt, first lord of Van Cortlandt manor in NY. ...
Category
18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Court Portrait Of Queen Elizabeth I, 16th Century English Elizabethan School
Located in Blackwater, GB
Court Portrait Of Queen Elizabeth I, 16th Century
English Elizabethan School - oil on oak panel
16th Century Court Portrait of Queen Elizabeth I Of England, oil on panel. Early dep...
Category
18th Century and Earlier Portrait Paintings
Materials
Oil, Wood Panel
Mid-18th-Century French School, Portrait Of A Lady With Sapphires
Located in Cheltenham, GB
This charming mid-18th-century half-length French portrait depicts a lady wearing an olive green gown, together with a red cloak, and exquisite sapphi...
Category
Rococo 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Fine 17th Century Italian Old Master Oval Portrait of Lady on Copper Wooden Frm
Located in Cirencester, Gloucestershire
Portrait of a Lady (female saint?)
Italian School, 17th century
oil on copper, framed
frame: 9 x 8 inches
board: 5 x 4 inches
provenance: private collection
condition: very good and ...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
English 17th century portrait of a lady
Located in Bath, Somerset
A 17th century English portrait of a lady by Sir Peter Lely (1618-1680), half-length in a painted feigned oval, wearing a green silk gown with chestnut coloured cloak over one shoulder, her fair hair curled in the fashionable ringlet style of the period. Oil on canvas in an English giltwood 'Lely' frame.
We are grateful to Diana Dethloff and Catharine MacLeod (who are currently working on a Lely catalogue raisonné) for their confirmation of Lely as the artist from photograph analysis of this previously unidentified early work.
Provenance:
Private collection Nottingham until 2021
Mellors and Kirk sale December 2000, lot 1173
The sitter is likely to have been from an upper class or aristocratic family in court circles, who were the main source of Lely`s patronage. The simple composition serves to highlight the beauty of the sitter through portraying her pale decolletage and complexion, set against the gentle gaze of her blue eyes, the soft blush of her cheeks and her full red lips.
Peter Lely (1618-1680) was originally of dutch origin and became Principle Painter to the King in 1661, following in the footsteps of Van Dyck who had died in 1641. He dominated the portrait painting scene in England for over 20 years, creating a distinctive 'court look' in his work which had a strong influence on many other artists. He had an extremely successful and popular portrait practice which meant that he soon had to develop production methods that could accommodate the high demand for portraits, and also for copies and versions of them which were given as gifts to family and courtiers. The use of studio assistants was a common practice for busy artists and as with Van Dyck, Lely is known to have used specialist assistants to execute particular parts of his paintings. Artists who worked in Lely`s studio included John Baptist Gaspars who specialised in drapery painting, William Wissing, John Greenhill...
Category
Baroque 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
$24,104 Sale Price
20% Off
Portrait of a Gentleman, Doublet & White Ruff, Gloves Inscribed 1624, on panel
By Frans Pourbus the Younger
Located in London, GB
Titan Fine Art presents this exquisite oil on panel portrait depicting a handsome young gentleman in an exuberant black damask doublet. The pose, with one hand holding gloves and the other akimbo, was one that was well-established for gentleman of the upper echelons of society by the time this work was painted. The principle governing portraits at this time was the recording and defining in visual terms of the position of a sitter in society. In addition to brilliant and complex symbols of luxury, they often contained many symbolic elements too; the inclusion of gloves was often used in portraits that celebrated a betrothal as in ancient times gloves were used to seal a marriage contract.
The extraordinary costume of a black shimmering doublet, the brilliant white reticella ruff, and the cuffs edged with lace were immensely costly… this attire proclaims to every onlooker that this is a superior being. The rendering of the reticella lace ruff is exquisite and the artist has recorded the design that runs through the black damask fabric with meticulous attention to detail. The preservation of this black pigment is remarkable considering the age of the work. Black pigments are especially vulnerable to fade and wear over time partly due to environmental condition but also from unprofessional cleaning. This work is an exquisite example from the period.
According to the inscription in the upper right, the gentleman was in his 22nd year of age in 1624. The coat of arms, which is displayed without a crest, may be ‘blazoned’ in the language of heraldry, as: Sable on a Chevron between in chief two Roundels and in base a Billet [or possibly Square] Or three Martlets Sable. In plainer English this means a black (Sable) background, spanned by a gold (Or) chevron, above which are two golden solid circles (Roundels), and below which is a gold rectangle (Billet); on the chevron are three small black birds (Martlets). Martlets are a stylised form of heraldic bird, believed to be based on the swift, which are conventionally drawn with small tufts instead of feet. In Continental Europe it is also conventional for them to be drawn without beaks, as appears to be the case here. The birds in this instance also have a vaguely duck-like appearance.
Five families have been identified with very close armorial bearings to the one in our portrait. They are the (van) Houthem’s (of Brabant), the Prévinaire’s (of Flanders and Holland), and the Proveneer’s (of Liège) and it must be noted that the locations of these families also fit with the painting’s Flemish origins. However the French Grenières’s (of Île-de-France) and the Jallot’s (of Normandy) are the next closest matches and plausible matches, as Frans Pourbus had settled in Paris just a few years before our portrait was painted.
This painting has been assessed by a professional conservator prior to going on sale, and as thus, it can be hung and enjoyed immediately.
Frans Pourbus the Younger...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil, Wood Panel
Oil Painting by George Romney "Portraits of a Lady and Gentleman"
Located in Mere, GB
Oil Painting Pair circle of by George Romney "Portraits of a Lady and Gentleman" 1734 - 1802 Romney was a leadway society portrait painter of the Georgian ear...
Category
18th Century and Earlier Portrait Paintings
Materials
Oil
$6,779 Sale Price
28% Off
Portrait of a French lady by Robert Le Vrac Tournieres, circa 1725
Located in PARIS, FR
Portrait of a young Lady
Robert Le Vrac Tournières (1667-1752)
18th century French school, circa 1725
Oil on canvas
Dimensions: h. 81 cm, w. 65 cm
Important 18th century Régence per...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Fine 18th Century English Georgian Portrait of a Lady Seated in Parkland Estate
Located in Cirencester, Gloucestershire
Portrait of Mrs Bonne Wilson (nee Boileau 1749 - 1818)
English School, late 18th century
oil on canvas, framed
framed: 22.5 x 18.5 inches
canvas : 18 x 14 inches
Provenance: private ...
Category
English School 18th Century and Earlier Portrait Paintings
Materials
Oil
18th century portrait of sisters Lady Catherine and lady Jane Brydges
By James Maubert
Located in Bath, Somerset
This large double portrait depicts the sisters Lady Catherine and Lady Jane Brydges, the daughters of John Brydges, the Marquess of Carnarvon (1703-1727). They are seated on a stone...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
The Penitent Mary Magdalene - Old Master religious art portrait oil painting
By Guido Reni
Located in Hagley, England
This is a superb Italian Old Master portrait oil painting attributed to circle of Guido Reni. It is a half length portrait of the penitent Mary Magdalene...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
$6,026 Sale Price
20% Off
Venus Bacchus Ceres Paggi 17th Century Paint Oil on canvas Old master Mythologic
Located in Riva del Garda, IT
Giovanni Battista Paggi (Genoa 1554 – Genoa 1627)
Venus, Bacchus and Ceres (Parallel title: ‘Sine Cerere et Baccho, friget Venus’)
Oil on canvas
103 x 78 cm. - Framed 125 x 100 cm.
...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
$11,750 Sale Price
20% Off
Portraits of John Wood of Hollin Hall, Yorkshire; and Francis Wood (pair)
Located in West Sussex, GB
A Superb pair of oval portraits with full provenance .Portrait of John Wood Esq of Hollin Hall, Yorkshire; Portrait of Francis Wood. Circa 1710.
Oils on canvas:29 x 24 in. Frame: 37...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
18th Century portrait oil painting of a lady in an ermine trimmed cloak
Located in Nr Broadway, Worcestershire
Circle of Sir Godfrey Kneller
Dutch, (1646-1723)
Portrait of a Lady in an Ermine Trimmed Cloak
Oil on canvas
Image size: 26.5 inches x 22.5 inches
Size including frame: 33.5 inches x 29.5 inches
A well-executed half-length portrait of a lady painted in a feigned oval, circle of Sir Godfrey Kneller. The use of a feigned oval was a device used in portraiture to give a sense of depth and add an intimacy to the painting, drawing your attention to the sitter.
The subject, posed without her wig in the undressed fashion of the day, wears a blue ermine trimmed blue cloak over a white silk robe...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Portrait of Anne, Lady Russell, later Countess of Bedford
Located in London, GB
A three-quarter length portrait of Anne, Lady Russell, later Countess of Bedford (1615-1684), in a blue dress. Attributed to Sir Anthony Van Dyck.
Anne C...
Category
18th Century and Earlier Portrait Paintings
Materials
Oil
$208,172 Sale Price
24% Off
Madonna and Child- Italian Old Master religious art portrait oil painting
Located in Hagley, England
This superb Italian Old Master religious portrait oil painting is attributed to circle of Bartolomeo Schedoni. Painted circa 1700 it is a half l...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
$6,354 Sale Price
20% Off
Portrait of a Lady with a Shepherd's Crook
By Joseph Wright of Derby
Located in London, GB
Joseph Wright of Derby
Portrait of a Lady with a Shepherd's Crook
1734-1797
Oil on canvas, unsigned
Image size: 30 x 25 inches (76 x 63.5 cm)
Original carved gilt frame
Provenance
T...
Category
18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Mater Dolorosa Madonna Maria Dolci 17/18th Century Paint Oil on table Old master
Located in Riva del Garda, IT
Carlo Dolci (Florence 1616 - 1686)
shop
Mater Dolorosa, known as Our Lady of the Finger
Oil on oval canvas,
29 x 23 cm.
In frame 48 x 43 cm.
The painting we present to you depicts ...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
$4,329 Sale Price
20% Off
Portrait of Charles II of Spain
Located in GB
Title: Portrait of Charles II of Spain
Artist: Unknown
Date: Late 17th century
Medium: Oil on copper
Framing: Set against red velvet in a deeply carved and distressed giltwood frame,...
Category
18th Century and Earlier Portrait Paintings
Materials
Copper
Portrait of two young girls with a whippet and a rabbit in a wooded landscape
Located in Bath, Somerset
Portrait of two young girls in a wooded landscape, standing full-length, one attaching a red collar on a seated white whippet and the other holding her pet black and white rabbit. Ci...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Portrait Mignard Paint Oil on canvsa Old master 17th Century French Lady Woman
Located in Riva del Garda, IT
Pierre Mignard, known as Le Romain (Troyes 1612 - Paris 1695), attributed
Portrait of 'Louise Renée de Penancoët de Keroualle, Duchess of Portsmouth and Aubigny (Brest 1649 - Paris 1734) as MADDALENA
Oil on canvas
97 x 88 cm
In an important gilded frame 132 x 122 cm.
Provenance: Private collection, Naples
The young and attractive noblewoman portrayed in this painting is Louis Renée de Penancoet de Keroualle, Duchess of Portsmouth and Aubigny (Brest 1649 - Paris 1734), known to have been King Charles II's favourite mistress for over fifteen years, from whose relationship Charles Lennox, 1st Duke of Richmond, was born, but above all to have gone down in history as one of Louis XIV's French informants at the English court.
The duchess was a very influential figure at court, promoting French interests and often acting as an intermediary between the king, his ministers and French ambassadors.
After the death of Charles II this influence quickly came to an end, forcing her to hastily leave London and renounce all her possessions to return to her homeland, between Aubigny-sur-Nère and Paris, where she died in 1734, always remaining in the sovereign's good graces.
The peculiarity of the portrait, probably executed after her return to her homeland, is that the noblewoman takes the form of a charming Mary Magdalene, depicted here following her renunciation of earthly possessions, her rich robes and jewellery, in order to aspire to heavenly riches; We see her immortalised with her long hair loose on one breast, her intriguing but serene gaze directed at the observer, as she rests her crossed hands, as if in prayer, on the ampulla of perfumed ointments and the open book, both iconographic symbols.
The custom of being portrayed in the guise of Magdalene was in vogue for powerful women of the great European courts as early as the 16th century, as it represented the most appropriate image to justify the union of female power and virtue. It must be said that court culture exalted only the positive characteristics of her personality, glossing over or downplaying all references to her sinful past and dissolute life.
The work, whose style fits perfectly into 17th century French portraiture, suggests the pertinent attribution to the Baroque painter Pierre Mignard (Troyes, 1612 - Paris, 1695), whose works were highly praised and earned him a great reputation as a portrait painter for the demanding Parisian aristocracy at the time of Louis XIV, and who portrayed the Duchess de Kérouaille on numerous occasions.
His first important artistic training took place in Simon Vouet's studio, and he then moved to Italy for over twenty years before returning to Paris, blending his own with the influence of Roman classicism.
The elegant looseness of touch and sensual refinement typical of Mignard, combined with a very accurate chiaroscuro rendering, inherited from his artistic training in Rome (which he looked up to the examples of Ferdinad Voet), and the exceptional sweetness of the drawing, the floridity of the complexion and the almost enamelled surfaces, and finally, the peculiar pose of the figure portrayed (the beauty of the two intertwined hands...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
$12,663 Sale Price
30% Off
Portrait of a Lady with a Blue Bow - British 18thC art Old Master oil painting
Located in Hagley, England
This superb British 18th century Old Master portrait oil painting is attributed to Matthew William Peters. Painted circa 1780 it is a fine half length portrait of a woman gazing to her left. She has a lovely blue bow and sash on her dress. The sympathetic detail in her face is sublime. A really wonderful 18th century Old Master portrait. Matthew William Peters was known for his late 18th century portraits which had both the influence of Sir Joshua Reynolds and Thomas Gainsborough.
Provenance. Lincolnshire estate.
Condition. Oil on canvas 30 inches by 25 inches unframed and in good condition. Has has restoration.
Frame. Housed in an ornate gilt carved swept period frame, 40 inches by 35 inches framed and in good condition.
Matthew William Peters (1742-1814) was an English portrait and genre painter who later became an Anglican clergyman and chaplain to George IV. He became known as "William" when he started signing his works as "W. Peters". Peters was born in Freshwater, Isle of Wight, the son of Matthew Peters (born at Belfast, 1711), a civil engineer and member of the Royal Dublin Society; by Elizabeth, the eldest daughter of George Younge of Dublin. The family moved from England to Dublin when Peters was young. Peters received his artistic training from Robert West in Dublin; in 1756 and 1758 he received prizes from the first School of Design in Dublin. In 1759, he was sent by the Dublin Society to London to become a student of Thomas Hudson and won a premium from the Society of Arts. The group also paid for him to travel to Italy to study art from 1761 to 1765. On 23 September 1762 he was elected to the Accademia del Disegno in Florence. Peters returned to England in 1765 and exhibited works at the Society of Artists from 1766 to 1769. Beginning in 1769, Peters exhibited works at the Royal Academy. In 1771 he was elected an associate and in 1777 an academician. He returned to Italy in 1771 and stayed until 1775. He also probably traveled to Paris in 1783–84, where he met Léopold Boilly, Antoine Vestier, and was influenced by the work of Jean-Baptiste Greuze. On 27 February 1769, Peters became a freemason, and he was made the grand portrait painter of the Freemasons and the first provincial grand master of Lincolnshire in 1792. In 1785, he exhibited portraits of the Duke of Manchester and Lord Petre as Grand Master at the Royal Academy exhibition. According to Robin Simon's article in the Oxford Dictionary of National Biography, no British contemporary had such an Italian manner of painting as Peters, reflecting the old masters he copied. Many of Peters' works were erotic and although these works did not damage his career, according to Simon, Peters later regretted these when he became an ordained clergyman in 1781. He served as the Royal Academy's chaplain from 1784 to 1788, at which time he resigned to become chaplain to the Prince of Wales. In 1784, Peters was awarded the living of Scalford, Leicestershire by Charles Manners, 4th Duke of Rutland. In 1788, the Dowager Duchess gave him the living at Knipton, at which time he also obtained that at Woolsthorpe. These livings were near to Belvoir Castle...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
$6,792 Sale Price
20% Off
Portrait Of Jeanne III d'Albret (1528-1572), 16th Century
Located in Blackwater, GB
Portrait Of Jeanne III d'Albret (1528-1572), 16th Century
French School Court Portrait - oil on panel
Fine 16th century French Old Master portrait of Jeanne III, Queen regent or Navarre, oil on panel. Rare and early depiction of the Queen regent in court attire by a French court painter circa 1550. Jeanne d"Albret married Antione De Bourbon to become the Duchess of Vendome. Her son Henri would be come Henri III...
Category
18th Century and Earlier Portrait Paintings
Materials
Oil, Panel
Fine 17th Century Dutch Old Master Oil Painting Two Topers in Deep Conversation
Located in Cirencester, Gloucestershire
Topers in Deep Conversation
Dutch School, mid 17th entury
circle of David Teniers (Dutch 1610-1690)
oil on canvas
canvas: 8 x 7 inches
provenance: private collection, France
conditio...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil, Canvas
Sir Anthony Van Dyck 17th Century Oil Painting Study of a Head of a Man
Located in London, GB
Sir Anthony Van Dyck (1599-1641, Flemish)
Study of a Head of Man
Circa 1627-32, Van Dyck’s second Antwerp period
Oil on paper, laid down on canvas
Dimensions 15 x 14 inches (38.1 x 3...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
Young girl in pink toilet
Located in Genève, GE
Work on canvas
Category
18th Century and Earlier Portrait Paintings
Materials
Oil
Christ Column Religious Paint 16th Century Oil on table Lombard School
Located in Riva del Garda, IT
Lombard School of the 1500s
Christ at the Column
Oil on panel 24 x 21 cm - Framed 42 x 39 cm
The painting, rich in pathos and strong spirituality, depicts a moment from the P...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
$3,463 Sale Price
20% Off
Hudibras Triomphante Hogarth Paint Oil on canvas 18th Century Paint Old master
Located in Riva del Garda, IT
18th century English painter
William Hogarth (London 1697 - 1764) School of
Hudibras Triomphante (from the poem by Samuel Butler)
Circa 1740, England
Oil on canvas (62 x 50 cm. - F...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
$6,061 Sale Price
20% Off
17th Century Dutch Old Master Oil Painting Wood Panel Figures in Tavern Interior
Located in Cirencester, Gloucestershire
'Topers in a Tavern'
Circle of Jacob Toorenvliet (Dutch 1635 - 1719)
oil on panel, framed
framed: 9 x 7 inches
panel: 7.5 x 6 inches
provenance: priv...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
English 17th century portrait of a lady in an ivory silk gown on a terrace
Located in Bath, Somerset
Portrait of a 17th century lady, three-quarter length, in an ivory silk gown standing on a garden terrace.
The lady, painted circa 1670, gestures with her hand towards the gardens and land beyond off her country estate, wearing a sumptuous ivory silk gown adorned with pearls and precious stones and pearl earrings and necklace, signaling her wealth and status. She wears a ring on her left hand, which combined with her pale gown possibly alludes to her recent marriage. There are traces of a signature in ligature 'JG' in a lower fold of the sitter's right hand sleeve.
John Greenhill...
Category
Baroque 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
$28,486 Sale Price
20% Off
An Apostle Painted in the Circle of Peter Paul Rubens, Oil on Canvas
Located in Stockholm, SE
Peter Paul Rubens (circle of)
An Apostle
circular 15.15 inches (38.5 cm)
oil on canvas
Provenance: Bukowskis Auctions, lot 725149, as "Peter Paul Rubens, circle of".
Category
18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
Antique Italian painter - 18th century figure painting
Located in Varmo, IT
Italian painter (18th century) - Chrono.
90.5 x 106 cm.
Antique oil painting on canvas, without frame (not signed).
Condition report: Lined canvas. Good state of conservation of t...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Canvas, Oil
$4,757 Sale Price
20% Off
16th Century Italian Renaissance Old Master Portrait of a Procuratore
By Jacopo Bassano
Located in London, GB
Jacopo BASSANO (c. 1510-1592, Italian)
Portrait of a Procuratore
Oil on canvas
30 ¼ x 26 inches (including frame)
Provenance: Lucien Bonaparte’s Collection (as Portrait of Doge Priuli, Tiziano); Rich-mond, Virginia Museum, Portrait of Doge Lorenzo Priuli.
The painting is a portrait of a man half-length, on a black background. It is a three-quarter portrait, according to a custom very common in the genre of portraiture in sixteenth century. The man is wearing a decorated...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
$241,431 Sale Price
20% Off
Antique 18th C Oil on Canvas A Polish Russian Nobleman Portrait Rembrandt 1637
Located in Portland, OR
Antique oil on canvas of a Russian or Polish nobleman, painted by Rembrandt van Rijn in 1637.
There is much controversy about this painting, currently housed in the National Gallery of Art in Washington D.C. and has previously been owned by such luminaries as Catherine the Great and Andrew Mellon. It has been referred to as both a Polish and Russian nobleman, the sitter wears a Russian sable hat...
Category
Old Masters 18th Century and Earlier Portrait Paintings
Materials
Oil
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