People Portrait Paintings

Erin Hammond is a contemporary abstract expressionist artist whose free-form paintings capture the essence of her inner, subjective realities. With a vibrant palette and dynamic mark...

Ca. 1820 Portrait of a Woman. Léon Cogniet (1794-1880, Paris), attributed. French school of 19th century. Tecnicque: oils on canvas. Dimensions: 70cm x 61cm 20th century wooden frame. Old attribution to Léon Cogniet (1794-1880, Paris) is inscribed on the wooden frame. Portrait of the restoration period, post Napoleonic wars. Stylistically the painting is found in the transition period from the late Empire period to the beginning of Romanticism. The new artistic trends can be seen in the increased naturalism, representation of the landscape/nature, in the contrasts, and in a greater emotionality of the person represented. Detailed but loose is the way to describe the winter dress...

This dog painting, a stunning black and white ink painting of a Jack Russell Terrier dog, is a contemporary minimal portrait in black ink on Fabriano 300gsm paper. Ian Mason's portra...

Oil on canvas realized by Marco Fariello in 2022. Certificate of authentivity by the Artist. Excellent condition. Do you know yourself? This painting takes place around this the...

'Dutch Masters, 2021' a highly collectable 40 x 60 inch oil on canvas painting featuring the Dutch Masters logo from the side of a metal walled panel truck by Internationally acclaimed American Realist James Torlakson...

This artwork drops you into a surreal moment: two figures black outfits stand in the middle of nowhere, under a blue sky sprinkled with just enough clouds to keep it interesting. One...

Title: Portrait of a Lady Artist: Rosendo González Carbonell Medium: Oil on canvas Dimensions: 24 x 20 inches (unframed) Condition: Good con...

This painting depicts a whimsical portrait of a young girl with brown hair against a light blue background. The bright colors used and quick brush strokes are what makes this paintin...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Lombard painter active in the 17th century Infant Jesus Oil painting on canvas 70 x 82 cm. - In antique frame 78 x 91 cm. This painting depicts an unusual and pleasant iconographic...

LEBAS Léonie (19th-20th) "Lady at the Flower Market in Paris" Oil on wood panel signed low right Old Frame regilded with gold leaves Dim panel : 16 X...

Shipping Procedure Ships in a well-protected crater from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist A...

Nicole Kidman (Moulin Rouge) by Liz London, British contemporary signed acrylic on canvas, framed framed: 46 x 36 inches canvas: 39 x 30 inches provenance: private collection, UK Pre...

An oil painting by Contemporary American painter, Kelly Carmody. A woman, seated in a yellow room, wears a patterned dress and holds a book, turned down, onto her lap. She rests her ...

Jan van Scorel (Schoorl, The Netherlands, 1495 – Utrecht, The Netherlands, 1562) Title: Portrait of a member of the brotherhood of Jerusalem Medium: Oil on panel Dimension: without ...

Oil on Canvas "The girl in the Red Dress" by W Frank Calderon, RA (no58) Exhibit 1911. Calderon was influenced by the "Art Nouveau"period, this painting shows his beautiful detailed...

Mid Century portrait of a grey haired woman wearing a sun hat by Jon Blanchette (American, 1908-1987). Rendered his signature style, this...

This painting, attributed to the circle of Peter Paul Rubens, presents a classic depiction of the Johannesschüssel—the severed head of John the Baptist on a platter. While Rubens him...

We are delighted to offer a unique and evocative piece by the Swedish artist Ingeborg Westfelt-Eggertz. This small oil sketch captures a moment in time, portraying a young man seated...

Son of a soil which also means a "peasant" is a personality that leaves by the soil, on the soil, and around the soil… Painting Ships in a well-protected tube from Nigeria This work...

Zoa Ace's (US based) "Pink Power" is an original, handmade mixed media collage that depicts a Barbie Doll in a white gown with a pink lipstick. The piece is a collage on wood and is ...

Provenance: Bradley Collection. Private Collection, Upperville, Virginia. Literature: Katlijne van der Stighelen and Hans Vlieghe, Rubens: Portraits of Unidentified and Newly Identified Sitters painted in Antwerp, Corpus Rubenianum Ludwig Burchard, vol. 19, pt. 3, London and Turnhout, 2021, under cat. no. 189, p. 161, and fig. 75. This painting had previously been considered to be by an anonymous Tuscan painter of the sixteenth century in the orbit of Agnolo Bronzino. While the painting does in fact demonstrate a striking formal and compositional similarity to Bronzino’s portraits—compare the nearly identical pose of Bronzino’s Portrait of a Young Man in the Metropolitan Museum of Art (Fig. 1)—its style is completely foreign to Italian works of the period. That it is painted on an oak panel is further indication of its non-Italian origin. This portrait can in fact be confidently attributed to the Antwerp artist Huybrecht Beuckelaer. Huybrecht, the brother of Joachim Beuckelaer, has only recently been identified as the author of a distinct body of work formerly grouped under the name of the “Monogrammist HB.” In recent studies by Kreidl, Wolters, and Bruyn his remarkable career has been delineated: from its beginnings with Joachim in the workshop of Pieter Aertsen; to his evident travels to Italy where, it has been suggested, he came into contact with Bronzino’s paintings; to his return to Antwerp, where he seems to have assisted Anthonis Mor in painting costume in portraits; to his independent work in Antwerp (where he entered the Guild of Saint Luke in 1579); and, later to his career in England where, known as “Master Hubberd,” he was patronized by the Earl of Leicester. Our painting was recently published by Dr. Katlijne van der Stighelen and Dr. Hans Vlieghe in a volume of the Corpus Rubenianum, in which they write that the painting “has a very Italian air about it and fits convincingly within [Beuckelaer’s] oeuvre.” Stighelen and Vlieghe compare the painting with Peter Paul Ruben’s early Portrait of a Man, Possibly an Architect or Geographer in the Metropolitan Museum of Art, in which the sitter holds a compass and wears a similarly styled doublet (Fig. 2). Huybrecht both outlived and travelled further afield than his brother Joachim, who made his career primarily in Antwerp. Whereas Joachim was the main artistic inheritor of their uncle and teacher, Pieter Aertson, working in similar style and format as a specialist in large-scale genre and still-life paintings, Huybrecht clearly specialized as a painter of portraits and was greatly influenced by the foreign artists and works he encountered on his travels. His peripatetic life and his distinctly individual hand undoubtedly contributed to the fact his career and artistic output have only recently been rediscovered and reconstructed. His periods abroad seem to have overlapped with the mature phase of his brother Joachim’s career, who enrolled in the Antwerp Guild of Saint Luke much earlier than his brother, establishing himself as an independent painter in 1560. Joachim’s activity was confined to the following decade and half, and his latest work dates from the last year of his life, 1574. Our portrait was likely produced in the late 1560s, a dating supported by the dendrochronological investigation performed by Dr. Peter Klein, which established that it is painted on an oak panel with an earliest felling date of 1558 and with a fabrication date of ca. 1566. This painting presents a portrait of an artist, almost certainly Huybrecht’s self-portrait. The young sitter is confidently posed in a striking patterned white doublet with a wide collar and an abundance of buttons. He stands with his right arm akimbo, his exaggerated hands both a trademark of Huybrecht and his brother Joachim’s art, as well as a possible reference to the “hand of the artist.” The figure peers out of the painting, interacting intimately and directly with the viewer, as we witness him posed in an interior, the tools and results of his craft visible nearby. He holds a square or ruler in his left hand, while a drawing compass...

The existence of sisters in their hood is a completion of creation. Apart from being a vibrant colour that saturates the whole universe, they also carry in their embodiment the power...

Cathleen S. Mann (American, 1896 - 1959) Signed: Cathleen Mann 1941 (Lower, Right) " Portrait of Maureen O'Sullivan ", 1941 Oil on Canvas 30" x 25" Housed in a 3 1/2" Period Fra...

Antique Flemish painting from the 18th century. Framework oil on canvas depicting religious subject Holy family of good pictorial quality. Nice sized and pleasantly decorated framewo...

Pieter de Witte, also known as Peter Candid (Bruges, 1548 - Munich, 1628) - Workshop/School The Annunciation oil on canvas (cm): 79 x 110 - framed 92 x 127 We are delighted to present a fascinating work, dating back to the beginning of the 17th century, inspired by the prototype of the Annunciation created around 1586-1595 by Pieter de Witte, also known as Peter Candid (Bruges, 1540/1548 - Munich, 1628), which has been lost but made famous thanks to an engraving made and published by Jan Sadeler I (1550-1600). A painter of Flemish origin with strong affinities to 16th century Italianising culture, De Witte tackles the theme of the Annunciation numerous times, revealing knowledge of both Roman and Florentine Mannerism, inherited from his Italian sojourn. Some of these works are now housed in various international museums, in addition to autograph or workshop works that can be found in numerous public or private collections; in this regard, we may mention the following: - National Museum in Prague [1] - Carrara Academy of Bergamo, Angelo Annunziante and Vergine Annunziata [2]. - Finnish National Museum, Helsinki  - Private property, religious institution Bergamo (Bergamo area) Observing the composition, we can admire the rather well-established iconographic scheme, with the two figures immersed in an almost dreamlike atmosphere: the Archangel Gabriel on the left, of an ethereal beauty, appears imperious as he delivers the supreme annunciation to the Virgin Mary, who greets him with lowered eyes, composed in her amazement; surprised in the act of reading a book, she receives the white lilies...

A finely detailed silhouette of a Victorian young man. Circle of Hinton Gibbs (1783-1839) Portrait of a young man, bust length, turned to the right, wearing coat and cravat watercol...

As an artist, I believe people go beyond just their physical selves. To create meaningful and selfless change, one must connect with their inner self, discovering hidden treasures wi...

Hendrick Bloemaert (Utrecht 1601/02 – Utrecht 1672) Venus and Cupid Oil on panel H. 75 cm; W. 61 cm Signed and dated 1636 Hendrick Bloemaert is a notable figure of the Golden Age of...

'Faith', created by artist Diana Tremaine, who paints people in a unique style that bridges abstraction with figuration. Water-blue with red and white paint lushly applied in this provocative work featuring a man in a pool with signature loose juicy brushwork for which the artist is best known. 'Faith', 60 x 40 inch painting...

A French art deco pastel portrait by Louis-Jean Beaupuy. The work is signed and dated bottom right. Presented in carved and gilded wood frame. Beaupuy has captured all the charm and...

The item is located in central London,UK WILL BE SHIPPED ROLLED. one-of-a-kind original oil paintings on canvas hand signed

Original painting by Daria Kusto. 2024y. Acryic ,markers on watercolor paper. THE MAGIC FLOW REALITY...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mes...

“Meet A man of unshakeable self-worth and conviction. He protects his essence and values, refusing to compromise his integrity while remaining true to himself. With quiet confidence ...

Portrait of a Seated Lady signed by Jacob Markiel (Polish 1911-2008) *See notes oil on canvas, unframed canvas: 32 x 24 inches provenance: the artists estate, south of France condit...

This intimate portrait depicts an elderly woman with graying hair wearing a dark grey dress with white lace collar detailing, painted against a soft, luminous background that suggest...

An expressive portrait of a farmer boy wearing a wide-brimmed hat and a loose-fitting coat by the Argentinian artist Francisco Ramoneda (1905-1977). The artist has used confident bru...

This expressive portrait depicts a woman in three-quarter profile, her weathered face illuminated against a muted brown background that emphasises her contemplative gaze. The artist ...

A delightful 19th-century portrait of a young lady with golden curls. The sitter sports a chiffon scarf, draped artfully around her neck, with a teal dress that pairs perfectly with ...

This traditional 19th-century portrait depicts a middle-aged woman in Victorian dress, featuring a white lace cap and dark clothing with white collar details against a warm brown bac...

A striking portrait by the French artist Jean-Pierre Monseret (1813-1888), depicting a graceful lady in profile. The artist has captured the subject in a soft romantic style, with de...

This portrait depicts a solemn figure in dark attire against a textured, earthy background, creating a sense of depth and character. The subject's profile view and stoic posture domi...

The patient waiting for Bresson's “decisive moment” characterizes the pictures of the young Polish painter Marzena Slusarczyk. The compositions of her works have the magic of a successful photography. Often with a powerful neckline, they use expressive foreshortened perspectives and unusual versions and they take us into an intimate dimension of the women portrayed. However, Slusarczyk's pictures are mainly emotions captured on canvas, and this is what makes her works so special. The women she paints perform normal, banal activities in everyday life. But they are the key to reading the feelings of the female figures lost in thought. The lack of clarity in the artist's pictures allows the viewer to make their own interpretations. As the painter herself emphasizes, the aim of playing with the audience is to awaken the viewer's imagination and imagination so that they notice the seemingly invisible. This mystery and the unspoken are reminiscent of the paintings by Michelangelo Caravaggio...

Portrait of a Woman in Pink by Robert SImon (French 1888-1961) stamped with the artists studio stamp verso inscribed label with the date 1929 oil on board, unframed Board : 16 x 13 i...

Ale Casanova's "Captured Moment 2" is an original, handmade oil painting that depicts a portrait of a model with their hand under their chin. Alejandro ...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 46x38 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Adebayo Taiwo, ...

Lady Dormer, Mary Browne c. 1592 oil on panel 35 x 29 inches, unframed; 41 x 34.75 inches, inc. frame Inscribed 'Lady Dormore' Mary married Henry Wriothesley, 2nd Earl of Southampton who gave birth to Henry Wriothesley, 3rd Earl of Southampton - one of the great figures in Shakespears"s circle and founder of the Virginia company, developers of Virginia USA. Henry Wriothesley, born 6 October 1573 at Cowdray House, Sussex, was the only son of Henry Wriothesley, 2nd Earl of Southampton, by Mary Browne, the only daughter of Anthony Browne, 1st Viscount Montague, and his first wife, Jane Radcliffe.[5] He had two sisters, Jane, who died before 1573, and Mary (c. 1567 – 1607), who in June 1585 married Thomas Arundell, 1st Baron Arundell of Wardour.[6] After his father's death, Southampton's mother married firstly, on 2 May 1595, as his second wife, Sir Thomas Heneage (d. 17 October 1595), Vice-Chamberlain of the Household, and secondly, between 5 November 1598 and 31 January 1599, Sir William Hervey. She died in November 1607.[7] Early life When his father died on 4 October 1581 Southampton inherited the earldom and landed income valued at £1097 6s per annum. His wardship and marriage were sold by the Queen to her kinsman, Charles, Lord Howard of Effingham, for £1000. According to Akrigg, Howard then "entered into some further agreement, of which no documentation can now be found, which transferred to Lord Burghley personally the custody and marriage of the young Earl, but left Howard holding his lands", and late in 1581 or early in 1582 Southampton, then eight years of age, came to live at Cecil House in the Strand.[8] In October 1585, at age twelve, Southampton entered St John's College, Cambridge,[9] graduating M.A. on 6 June 1589.[10] His name was entered at the Gray's Inn legal society before he left the university, and he was admitted on 29 February 1588.[11] On Southampton's 16th birthday, 6 October 1589, Lord Burghley noted Southampton's age in his diary, and by 1590 Burghley was negotiating with Southampton's grandfather, Anthony Browne, 1st Viscount Montague, and Southampton's mother, Mary, for a marriage between Southampton and Lord Burghley's eldest granddaughter, Elizabeth Vere, daughter of Burghley's daughter, Anne Cecil, and Edward de Vere...

A delightful mid-19th century portrait of a fashionable Victorian lady, dressed in a delicate lace bonnet and a fur stole. A ruby brooch fastens her collar, adding a subtle touch of ...

This formal portrait depicts an elderly woman dressed in traditional 19th-century attire, wearing a white lace bonnet and dark clothing against a somber black background. The composi...

Calvin Lai's (US based) "Deep Breath" is an original, handmade oil painting that depicts two acrobats, cast in red light, with the female figure balancing on the male figure. Artis...

Original painting by Daria Kusto. 2024y. Acryic ,markers on watercolor paper. THE MAGIC FLOW REALITY...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Elie HATUNGIMAN...

"Succulent" - Contemporary figurative oil painting of male figure by Chelsea Gibson Medium: Oil on paper Size 43 x 42 inches. Offered unframed. "Succulent" is part of Chelsea G...

The Man with the Moustache signed by Louise Alix (French, 1888-1980) *see notes below oil painting on canvas unframed measures: 18 inches high by 23.5 inches wide condition: overall ...

Original painting by Daria Kusto. 2024y. ink , markers on watercolor paper. THE MAGIC FLOW REALITY...

Henry William Pickersgill, attributed to (London 1782 – London 1875) Portrait of Captain Samuel Wright Oil on canvas H. 92 cm; L. 73 cm Circa 1810/1815 Provenance: – Brother of the ...

"First Fruit" is a poignant and intimate painting that captures the essence of motherhood and protection. The title "First Fruit" symbolizes the preciousness and value of the first ...