People Portrait Paintings

Portrait of Lady Anne Howard (nee Montagu) Countess Of Suffolk (1660-1720), 18th Century follower of Sir Peter LELY Large 18th Century English portrait of...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Louise Marie-Jeanne HERSENT, born MAUDUIT (Paris, 1784 – Paris, 1862) A young woman reading a letter. Study figure Oil on canvas Signed and dated in the middle on the right 100 x 8...

A pop piece depicting Marilyn Monroe juxtaposed with Andy Warhols iconic Campbells Soup. With impasto painting, and quick brushwork we are drawn to the movement, as the artist is abl...

Portrait Of A Girl, circa 1800 circle of THOMAS HICKEY (1741-1824) Large circa 1800 Irish School portrait of a young girl in a white dress, oil on canv...

Portrait of Nicolas Lanier after Sir Anthony Van Dyck. Lanier was Master of the King’s Music in Charles 1 court in 1628. Artist: Joan Breckwoldt. ...

I sought to juxtapose the stillness of introspection with the relentless flow of time. The central figure is set against a rustic backdrop. Her flowing garment, stark and almost othe...

Bride & Lily by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 21.5 x 18 inches condition: overall very good, minor surface scuffs ...

Artist Self-Portrait. Unsigned. (Provenance: Studio Sale, George Weissbort). On board.

Portrait of a Monkey with Wine Jug Zacharias Noterman (Belgium & France 1824-1890) Initialed "Z N" l.r. Oil on board 8 x 6 inches PROVENANCE: Galerie Tamenaga, Paris (label verso); Louvre des Antiquaires, Paris; Berman Swarttz, Los Angeles, California, Marcella Swarttz, Beverly Hills, California     8 x 6 inches Zacharias Notermann (1820 in Ghent – 1890 in Paris) was a Belgian painter and printmaker who specialized in scenes with monkeys engaging in human activities (the so-called singeries), as well as in paintings of dogs. He also produced images and scenes of traveling circuses. Zacharias Noterman was born in Ghent in the family as the son of an artist-decorator. He was originally trained by his older brother Emmanuel Noterman, genre and animal painter active in Antwerp. Noterman continued his art education at the Academy of fine arts Antwerp. Zacharie Noterman...

Enter Kwame's world. In this work, Kwame looks to the divine for the attachment to worldly things. Almighty God (Kwame Akoto) is a non-academic artist ...

KAMIL LISEK (born in 1980) Studied under the guidance of prof. Maciej Świeszewski at the faculty of painting at the Academy of Fine Arts in Gdansk. He graduated with distinction obta...

Artist/ School: French School, mid 20th century, indistinctly signed lower corner Title: Portrait of a Nude Lady Medium: signed oil painting on canvas, unframed canvas: 18 x 21.75...

Ghizlan El Glaoui Coronation Blue, 2022 Oil on canvas Signed by the artist, on verso 110 x 90cm Ghizlan El Glaoui is a Moroccan-born artist based in London, known for her richly hue...

Pegah Samaie's (CA based) "Fading" is an original, handmade oil painting that depicts a woman's face with her features partially obscured by a transparent veil with black fabric flow...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Art is a powerful medium for conveying emotions, and Olaosun Oluwapelumi...

This painting captures the reading nature of a young Nigerian girl in a private library. The aim of this is to encourage the younger generation not to give up on our reading culture which seems to be fading away gradually. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) Muideen Abdulkadir...

Trance, 2016

Blanche Paymal-Amouroux , born September 4, 1860in Paris where she died on February 14, 1944, is a French painter. Blanche Paymal-Amourou...

Oil Painting by Herbert Bland Sparks "Happy Families" 1813 - 1901 Son of London maritime Painter and engraver, he exhibited at the Royal Academy and in Liverpool Oil on canvas. Signe...

Evening Tea" is a painting permeated with soft light and the aroma of a summer garden. Lush flowers in a vase seem to whisper stories of quiet evenings, and a cup of tea standing ne...

Artist/ School: French School early 20th century, signed 'Guy Rose' to the lower left corner. Title: Couple in a rowing boat on a lake within a landscape; v...

Contemporary pop art inspired pixelated rendition of a detail from Leonardo da Vinci's renowned painting, the "Mona Lisa." Similar to pointillism, the individual hand-painted blocks...

This painting depicts a figure prostrate beneath the bright, fruit-laden branches of a lemon tree, symbolizing freshness and nature's abundance. The composition uses bold colors and ...

This lovely British ballet oil painting is by noted artist Elizabeth Bridge. Painted in 1951, the composition is a male and female ballet dancer on...

Striking French impressionist portrait of a young girl. Oil on board. Original carved frame. Circa 1950's. Signed illegibly lower right.

Signed oil on original canvas nude circa 1914 by French post impressionist painter Georges D'espagnat. The work depict a nude woman standing beside a wash basin in a boudoir. Signature: Signed lower right Dimensions: Framed: 45"x34" Unframed: 37"x26" Provenance: Private collection - Netherlands From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

Portrait Of 1st Baron Hawkstone, Sir Rowland Hill, Tory MP for Lichfield (1705-1783) by Charles JERVAS (1675-1739) Large 18th Century portrait of Baron Hawkstone, Sir Rowland Hill,...

Anne Siems has created this stunning watercolor on Strathmore Cold press paper. All archival materials. Paper size: 24x18 inches Suggested Frame size: 30x24x1.5 inch ANNE SIEMS (...

Provenance: Bradley Collection. Private Collection, Upperville, Virginia. Literature: Katlijne van der Stighelen and Hans Vlieghe, Rubens: Portraits of Unidentified and Newly Identified Sitters painted in Antwerp, Corpus Rubenianum Ludwig Burchard, vol. 19, pt. 3, London and Turnhout, 2021, under cat. no. 189, p. 161, and fig. 75. This painting had previously been considered to be by an anonymous Tuscan painter of the sixteenth century in the orbit of Agnolo Bronzino. While the painting does in fact demonstrate a striking formal and compositional similarity to Bronzino’s portraits—compare the nearly identical pose of Bronzino’s Portrait of a Young Man in the Metropolitan Museum of Art (Fig. 1)—its style is completely foreign to Italian works of the period. That it is painted on an oak panel is further indication of its non-Italian origin. This portrait can in fact be confidently attributed to the Antwerp artist Huybrecht Beuckelaer. Huybrecht, the brother of Joachim Beuckelaer, has only recently been identified as the author of a distinct body of work formerly grouped under the name of the “Monogrammist HB.” In recent studies by Kreidl, Wolters, and Bruyn his remarkable career has been delineated: from its beginnings with Joachim in the workshop of Pieter Aertsen; to his evident travels to Italy where, it has been suggested, he came into contact with Bronzino’s paintings; to his return to Antwerp, where he seems to have assisted Anthonis Mor in painting costume in portraits; to his independent work in Antwerp (where he entered the Guild of Saint Luke in 1579); and, later to his career in England where, known as “Master Hubberd,” he was patronized by the Earl of Leicester. Our painting was recently published by Dr. Katlijne van der Stighelen and Dr. Hans Vlieghe in a volume of the Corpus Rubenianum, in which they write that the painting “has a very Italian air about it and fits convincingly within [Beuckelaer’s] oeuvre.” Stighelen and Vlieghe compare the painting with Peter Paul Ruben’s early Portrait of a Man, Possibly an Architect or Geographer in the Metropolitan Museum of Art, in which the sitter holds a compass and wears a similarly styled doublet (Fig. 2). Huybrecht both outlived and travelled further afield than his brother Joachim, who made his career primarily in Antwerp. Whereas Joachim was the main artistic inheritor of their uncle and teacher, Pieter Aertson, working in similar style and format as a specialist in large-scale genre and still-life paintings, Huybrecht clearly specialized as a painter of portraits and was greatly influenced by the foreign artists and works he encountered on his travels. His peripatetic life and his distinctly individual hand undoubtedly contributed to the fact his career and artistic output have only recently been rediscovered and reconstructed. His periods abroad seem to have overlapped with the mature phase of his brother Joachim’s career, who enrolled in the Antwerp Guild of Saint Luke much earlier than his brother, establishing himself as an independent painter in 1560. Joachim’s activity was confined to the following decade and half, and his latest work dates from the last year of his life, 1574. Our portrait was likely produced in the late 1560s, a dating supported by the dendrochronological investigation performed by Dr. Peter Klein, which established that it is painted on an oak panel with an earliest felling date of 1558 and with a fabrication date of ca. 1566. This painting presents a portrait of an artist, almost certainly Huybrecht’s self-portrait. The young sitter is confidently posed in a striking patterned white doublet with a wide collar and an abundance of buttons. He stands with his right arm akimbo, his exaggerated hands both a trademark of Huybrecht and his brother Joachim’s art, as well as a possible reference to the “hand of the artist.” The figure peers out of the painting, interacting intimately and directly with the viewer, as we witness him posed in an interior, the tools and results of his craft visible nearby. He holds a square or ruler in his left hand, while a drawing compass...

Elena Burykina's "Transition #9" is an original, handmade oil painting that depicts a woman running her fingers through and gathering her dark hair to reveal her back as she is turne...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Portrait of a lady, half-length in a feigned oval wearing a ruby coloured silk gown holding entwined strings of pearls across her bodice. Signed 'PNason' and dated 1667 (lower right)...

"No Hay Nada Mas" is a 31in x 43in original oil painting by Katherine Fraser in a handmade wood frame. Artist Statement // Life often strikes me as a string of moments, like a serie...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Roland Strasser (1895-1974) "Japanese Geisha" Signed lower right Oil and gold leaf on canvas, measures: 76 x 46 cm In fine white-wash wood frame. ...

A striking portrait depicting a man in the driver's seat of a car. he clutches the steering wheel in one hand and looks towards the passenger side. Captured in vivid colours in an ex...

Esosa, which means "gift of God," is not only a name but a powerful reminder of the potential within every girl. As she lays down with a book she epitomizes the essence of her name - a vessel of knowledge, waiting to be filled with wisdom and understanding. This simple yet profound act symbolizes her commitment to continuous learning and her unwavering belief in the power of education. In many parts of the world, girls have historically been denied access to education, limiting their opportunities and potential. But Esosa's unwavering dedication is changing that narrative, one page at a time. She firmly believes that empowering girls through education not only benefits them but also enriches their families, communities, and societies at large. Esosa's journey towards championing girl child education began with her own experiences and challenges. Growing up in a society where traditional gender roles often hindered girls' access to education, she encountered numerous obstacles. However, with the support of her family, particularly her parents, who recognized the importance of education for all, Esosa pursued her dreams relentlessly. Through her educational journey, Esosa witnessed the transformative power of knowledge. Education broadened her perspective, nurtured critical thinking, and instilled in her a sense of purpose. She became acutely aware of the vast potential locked within every girl and the boundless possibilities that education can unlock. With an unyielding determination, Esosa embarked on a mission to inspire and empower girls around her. She started organizing educational workshops and mentorship programs, encouraging girls to pursue their dreams fearlessly. Through her efforts, she advocated for equal educational opportunities, fighting against the prevailing gender biases and societal norms. Esosa's impact extended beyond her immediate surroundings. She utilized technology and social media to reach out to a broader audience, spreading her message of girl child education far and wide. Her story, her beliefs, and her passion resonated with many, attracting like-minded individuals and organizations that joined hands to support her cause. As she continues to lay down with her book, Esosa sets an example for girls everywhere - an example of resilience, empowerment, and the courage to defy limitations. She emphasizes that knowledge is not a privilege but a right that should be accessible to all, irrespective of gender or social background. In her vision for a better world, every girl receives quality education, unlocking their potential to become change-makers, leaders, and contributors to society. Esosa envisions a world where girls are empowered to break barriers, shatter glass ceilings, and rewrite the narrative for future generations. To all those who come across her story, Esosa's message is clear: investing in girl child education is an investment in a brighter and more equitable future. It is a journey that transforms lives, breaks cycles of poverty, and builds thriving communities. So, let us all join hands with Esosa and countless other advocates for girl child education. Together, we can create a world where every girl receives the gift of education, embraces her potential, and fulfills her dreams. Let us believe wholeheartedly in the power of education and seek knowledge to shape a better tomorrow - a tomorrow where every girl is an Esosa, a true gift of God. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) Muideen Abdulkadir...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Portrait of a young girl in a lilac dress with a black bow. Circa 1860. Signature below right, partially visible. Size with frame 59cm x 49cm Size without frame 33cm x 24cm The portrait depicts a young girl with an elegant hairstyle, her hair carefully tied back. Dressed in the fashion of the 1860s, her light lilac dress reflects the synthetic aniline colors, a novelty in fashion at the time. A black bow at the neck and slightly black straps accentuate her attire. Represented at mid-length, with a mysterious and melancholic gaze, suggesting a mourning endured over a year ago. The portrait, executed in pastels, chalks, and charcoals on paper, highlights the mastery and speed of the artist's execution. Framed in a vintage oval frame...

Lisa Fricker's "Witness" is an original, handmade oil painting that depicts a portrait of a young woman. It measures 8 x 8 inches and is unframed but ready to hang.

This painting by artist Ray Simonini titled "Sue Ellen" is a 8x10 farm animal oil painting on canvas featuring a portrait of a dark brown cow ...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper signed lower corner and dated 1960 Image : 12 x 9.5 inches Superbly decorative 1960's Frenc...

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Auth...

Modern abstract figurative portrait painting by Houston, TX artist David Adickes. The work features two men figures side by side against a blue background....

Mitzy Renooy Beach Boys 65x 80 cm ( frame included in price and size) acrylic paint on 12 wooden panels all in one frame together. Mitzy Renooy, a former camera woman for national ...

"Room to Breathe" is an evocative oil on panel painting by the artist Matt Talbert, completed in the year 2023. The artwork measures 18 x 26 inches (45.72 x 66.04 cm), and the frame ...

Circle of Robert Byng British, (1666-1720) Portrait of a Boy Oil on canvas Image size: 28.5 inches x 23.5 inches Size including frame: 34.5 inches x 29.5 inches A fine half-length ...

Oil paint and pastel on canvas Signed and dated by the artist

"3/3" by Conrado López is a delicate yet expressive 2024 artwork, utilizing acrylic, gold leaf and oil on a canvas sized at 15.75 x 15.75 in (40 x 40cm). This piece is a prime exa...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

George Weissbort (1928-2013) - Mid 20th Century Oil, The Artist At Work

Stella Jae Stillness 2024 Oil on canvas Size: 23.62 x 31.49 inches (60 x 80 cm) Signed by hand COA provided Stella J Richey is an international visual artist and designer. Her wor...

Huguette Ginet-Lasnier (French 1927-2020) framed signed oil painting on textured board framed: 22 x 19 inches board: 18 x 15 inches. All the paintings we have for sale by this artis...

A pair of large Glasgow School oil on canvas portraits by Scottish artist Stuart Mackenzie. The works are presented in plain baton wood frames. Thoug...

IDF Tzahal Fighter Pilots Dimensions: framed 31 X 25.25 canvas 30 X 24 inches Moshe Katz ( Romanian, Israeli ) Moshe Katz was born March 2 1937 in Bucharest, Romania. With his pa...

A striking study of a woman a seated woman in a bold pose. Signed with a monogram to the lower right. On board.

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper Image : 25.5 x 19.5 inches (frame not included in purchase) Superbly decorative 1960's Fre...