Photorealist Still-life Paintings

A beautiful realist painting of a rose by American Artist, Lowell Nesbitt who was great inspired by Georgia O'Keeffe. Artist: Lowell Blair Nesbitt, Ameri...

This minimalist pop art oil painting captures a delicate white inflated condom reimagined as a luminous bubble, floating on a serene, pale background. Using refined oil techniques, t...

Mary Ellen Johnson is internationally recognized as one of the top Photo Realist painters working today whose extraordinary area of expertise is large-scale, unimaginably realistic, stunningly beautiful and delightful images of food. Currently available are this gorgeous strawberry parfait sundae, a mouth-watering slice of cherry pie with vanilla ice cream, a delicious slice of cherry cheesecake and bowl of berries with whipped cream: Mary Ellen Johnson "Strawberry Sundae" 2018 Oil on Wood Panel 39.75 x 34.25 Inches Note: This painting is framed in dark wood. The artist has also completed many commissioned food paintings including the Canadian Government's request for images of 5 of Canada's favorite foods which subsequently became stamp images - and The Cheesecake Factory's two commissions for their corporate headquarters and the owners' Malibu beach house. A quote from the artist: “I make the panels large to give a monumental feeling to the painting when viewed. These large images not only confront the viewer with their size but with their tremendous sense of extravagance. My work explores the deep connection that food has with humanity.” Mary Ellen Johnson Johnson further describes herself as a ‘Precision Realist’ whose primary subject is food. Sold works include paintings of PB & J sandwiches, pancakes with blueberries and syrup, banana splits, ice cream, hot dogs, cupcakes, waffles, muscles and sushi, among others. Unequaled for their brilliance and dramatic depictions of mundane subjects with their connotations of nostalgia, comfort and tradition, it is also her scale, cropping and over the top technical skill that renders these works so overwhelmingly appealing! MARY ELLEN JOHNSON Born: 1967, West Long Branch, NJ. Education: 1989, Ringling School of Art and Design, Sarasota ONE PERSON EXHIBITIONS: Beth Urdang...

Garden Study XII [2022] original Oil on Linen Board Image size: H:30 cm x W:24 cm Complete Size of Unframed Work: H:30 cm x W:24 cm x D:0.5cm Frame Size: H:35 cm x W:40.5 cm x D:3.5...

Oil paint on canvas Doug Newton’s hyper-real paintings observe reality, explore translucency, reflections and luminosity, and dazzle the viewer with all the ways light can transform our perceptions. His subject matter concentrates on still lives of food, toys, candy and household objects. In addition to many group shows across the country, Mr. Newton’s show, “HARD CANDY and other confections” represents his fifth solo exhibition. His paintings have been collected in numerous private collections. Mr. Newton resides in Fort Greene, Brooklyn, NY. Dr. Sonia Coman writes in her essay, Doug Newton’s hard candy: the confection of painting Doug Newton’s paintings are about… painting. The hyperrealist technique of trompe l’oeil or “trick the eye” is knowingly playful. It simultaneously calls attention to the illusion of a different material—for example, translucent candy wrappers—and the reality of the layers of paint, masterfully applied to the canvas. In that, Newton’s paintings pay homage to an esteemed series of trompe l’oeil masters, from Inquisition-era Spanish painter Francisco de Zurbarán to Gilded-Age American painter William Michael Harnett...

Photo-realist still life painting of a green lotus leaf with brown decays edges against a soft grey background "Lotus Number Thirty", painted by Frank DePietro...

"Primaries" is an exquisitely detailed contemporary still life by Karina Rodríguez, rendered in oil on panel in 2019 and depicts three glass jars with yellow, blue and red liquid. Th...

Artist: Ian Hornak (1944-2002) Title: Still Life with Lobster, Helicona, and Silver Pitcher Year: 1998 Medium: Oil on Panel, with Artist Paint...

Charles Wildbank (American, b. 1948) Photorealist Still Life Painting "Candy Sticks", Acrylic on canvas Signed in bottom right corner recto Charles Bourke Wildbank, native New Yor...

Frank Califano His Master's Aim, circa 1922 Signed lower right Oil on canvas 36 x 22 1/4 inches Provenance Zaplin-Lampert Gallery, Santa Fe, New Mexico Private Collection (acquired ...

Stunning in its simplicity and vibrancy, 'YES' is a contemporary still life oil painting by Elizabeth Barlow, who meticulously creates oil portraits and still life compositions that feature objects, rather than a face, to represent the essence of her subject. Barlow's humor, joy, and ability to see far beyond the surface, comes into play in her work. She skews traditional portraiture to capture individuals and ideas, with her unique, contemporary Pop Realism style. The painting from Barlow's children...

'Xtraordinary' - depicts a San Francisco building with warm sunlight casting shadows that cascade across the facade of the green building with red inset window and trim. The piece i...

Kathleen Keifer is a California-based internationally collected artist. She is a leading force of the New California Realism. Kathleen brings a fresh, clean perspective to her colorf...

Exceptional pair of paintings by Manon Cleary (1942-1911). Paintings are oil on canvas. Dated 1980 and signed in the front lower right corner and on reverse. Manon Cleary's work is ...

Jonquil Williamson Plums with Pittisporum Original Painting Oil on Canvas Image Size: 25 cm x 25 cm x 1.5 cm Framed Size: 39 cm x 39 cm x 4 cm Sold Framed (double style tray frame, wood, painted white) Please note that in situ images are purely an indication of how a piece may look. Plums with Pittisporum is an original oil painting by Jonquil Williamson. I enjoy taking everyday objects from my house and combining them with fruit and sprigs of foliage from my garden as the seasons change. I like combining the vibrancy of the fruit with muted surroundings and colourful foliage. Jonquil paints with oils. Colour is the dominant driver in all her works, creating vibrant still life and rich tonal landscapes. Following a Diploma in Art and Design in 2013, she joined the vibrant artists’ community, Wimbledon Art...

Garden Study XII [2022] original Oil on Linen Board Image size: H:30 cm x W:24 cm Complete Size of Unframed Work: H:30 cm x W:24 cm x D:0.5cm Frame Size: H:35 cm x W:40.5 cm x D:3.5...

Artist: Gustavo Schmidt Title: Tres Bolsas de Papel en Diagonal Year: 2014 Medium: Oil on Canvas with Varnish, signed l.r. Size: 36 x 48 inches

Artist: Jeanette Pasin Sloan Title: Still Life No. 7 Year: 1979 Medium: Oil on Canvas, signed and dated verso Size: 46 in. x 62 in. (116.84 cm...

Artist: Ian Hornak (1944-2002) Title: Still Life with Baroque Cauliflower, Artichokes and Radishes Year: 2002 Medium: Oil on Panel with artist painted frame Size: 42 x 31.5 inches Co...

'Deco Delight' depicts a San Francisco building facade with cool shadows cascading across an art deco building and golden light reflected in the window panes. The subtle and brillian...

Rachel Linnemeier's "Purrfect Pet" is an original, handmade oil painting that depicts a yellow Tamagotchi toy on a pink background. About the Artist: Born in 1989 in rural Indiana, Rachel Linnemeier creates her figurative paintings in the medium of oil paint. In 2013 she completed her undergraduate BFA with an emphasis in Painting and a minor in Art History from Herron School of Art & Design in Indianapolis. She has studied in workshops with painters Alyssa Monks...

Artist: Ian Hornak (1944-2002) Title: Lilies & Mushrooms with my Parrot Kouka Year: 1985 Medium: Acrylic on Panel, with Artist Painted Frame Size: 65.50 x 52.50 inches Condition: Exc...

Giclee on canvas. Hand signed lower right by Doug Bloodworth. Hand numbered 3/150 lower right. Canvas size 38 x 48 inches. Canvas is not stretched. Artwork is in excellent con...

'Sunset' by artist Mimi Jensen, who uses bold colors to depict theatrically lit objects. The painting measures 30 x 40 inches and is professionally framed in a contemporary ebonized ...

Kathleen Keifer is a California-based internationally collected artist. She is a leading force of the New California Realism. With a high level of technical virtuosity Keifer creates...

Louis Russomanno (b.1948). Still Life, ca. 1975. Oil on canvas, 16 x 24 inches; 20 x 28 inches framed. Signed upper right. Excellent condition. Detail is simply amazing in this photorealistic original painting. Gallery label affixed on verso. Contact number with no area code suggests a mid-1970's range in which to date the piece. A native of New York, Russomanno has exhibited widely and with success and is the recipient of numerous prizes and juried awards including from the Phillips Mill...

'Shadowdance' depicts an historic San Francisco home with warm sunlight and shadows cascading across the facade. The subtle and brilliant work of art is meticulously hand painted by ...

A beautiful trompe l'oeil painting.

Mimi Jensen uses bold colors to depict theatrically lit objects. Her paintings invite speculation into possible metaphors – California Home+Design magazine Ms. Jensen is a Still Li...

XI Crocus Hyridus Hort Lowell Blair Nesbitt, American (1933–1993) Date: 1976 Oil on Canvas, signed, titled, and dated verso Size: 50 x 36 in. (127 x 91.44 cm)

Marc Dennis is an American artist known for his hyper-realistic paintings that celebrate the subversive potential of art history, beauty and humor. In his "Desserts with Hair" seri...

Marc Dennis is an American artist known for his hyper-realistic paintings that celebrate the subversive potential of art history, beauty and humor. In his "Desserts with Hair" seri...

XI Crocus Hyridus Hort Lowell Blair Nesbitt, American (1933–1993) Date: 1976 Oil on Canvas, signed, titled, and dated verso Size: 50 x 36 in. (127 x 91.44 cm)

Large, photo-realist painting on canvas featuring a crimson red and yellow industrial boatyard lift against a bright sky blue background 47 x 31 x 2 inches oil on canvas, thin wood stripping signed verso, "Joseph E. Richards" Hangs with wire installed on the back This precisely detailed photo-realist painting was made by Joseph E. Richards in 2001. The artist painted this piece when he was 71 years old during a long career of painting trains, cargo ships, and industrial machinery. Richards served in the US Navy during WWII and went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia before showing with Ivan Karp of O.K. Harris Gallery in NYC. The artist moved upstate to Hillsdale, NY for the later years of his life. This painting captures one of Richards' most beloved subjects, industrial cranes. With a photo-realist approach to the subject, Richards was able to capture detailed changes in light and shadow, shape and form. The red and yellow crane, painted with extreme detail and focus, vividly contrasts against a bright blue sky. Areas of brown rust, attesting to the machine's power and longevity, are captured with immaculate precision. Since the painting has a very smooth surface, one could easily mistake this painting with a photograph. It is not until you examine the painting up close, do you realize the artist's calculated brushwork. The painting is framed with natural wood stripping. The work is lightweight and easy to hang with pre-installed wire. The artist's signature is located on the back of the canvas. About the artist: Joseph Richards’ precisely painted canvases of giant cranes, cargo booms, propellers and train engines are fueled with a fascination like that of a six-year old boy. Working directly from photographs, Richards unites light and color together as one element, evident in the reflective surfaces of steel. The otherwise mundane signs of corrosive wear are magnified; rust stains glow on the canvas and yellow painted pulleys radiate like beacons against a bright, blue sky. Richards finds beauty in their dramatic color, resilient texture, definitive form and functionality. Richards paints sections of these objects in grand scale, with canvases up to 6 feet long and eye-popping color, calling attention to their massive proportions and exceptional strength. Richards had solo exhibits in New York City, Scottsdale AZ, and Washington DC, and his work is found in private and corporate collections here and abroad, e.g., the Tucson Museum of Fine Arts, Mobil Oil, Lankenau Hospital in Philadelphia, and E. Jean Belloni in Geneva, Switzerland. Resume: Born in 1921 in Des Moines, Iowa, Joseph Richards left for Chicago after high school to pursue a career in art. After serving in the U.S. Navy from 1942 – 1945, he went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia. He eventually settled with his wife, Betty, in New York City. In 1969, longtime dealer Ivan Karp opened The OK Harris Gallery on West Broadway in Manhattan’s SoHo. Karp was at the forefront of the Photorealism movement, showing artists such as Duane Hanson and Manny Farber...

Large, photo-realist painting on canvas featuring a fire engine red and white industrial crane against a bright sky blue background 69 x 48 x 2 inches oil on canvas, thin wood stripping signed verso, "Joseph E. Richards" Hangs with wire installed on the back Excellent condition, ready to hang as is This precisely detailed photo-realist painting was made by Joseph E. Richards in 1992. The artist painted this piece when he was 71 years old during a long career of painting trains, cargo ships, and industrial machinery. Richards served in the US Navy during WWII and went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia before showing with Ivan Karp of O.K. Harris Gallery in NYC. The artist moved upstate to Hillsdale, NY for the later years of his life. This painting captures one of Richards' most beloved subjects, industrial cranes. With a photo-realist approach to the subject, Richards was able to capture detailed changes in light and shadow, shape and form. The red and white crane, painted with extreme detail and focus, vividly contrasts against a bright blue sky. Areas of brown rust, attesting to the machine's power and longevity, are captured with immaculate precision. Since the painting has a very smooth surface, one could easily confuse this painting with a photograph. It is not until you examine the painting up close, do you realize the artist's calculated brushwork. The painting is framed with natural wood stripping. The work is lightweight and easy to hang with pre-installed wire. The artist's signature is located on the back of the canvas. About the artist: Joseph Richards...

Anthony Waichulis' "Acidulcis" is an original, handmade oil still-life painting that depicts a bowl of lemons on a wooden table, with bright sunlight shining in through the partially...

A striking work, presented in a superior quality 22K gold gilt frame.

Charles Ford's work is in the permanent collection of the Museum of the City of New York. Another wonderful painting by Charles Ford that captures the great lighting and shadows of ...

"Boston Cream Donuts Still Life" is an original oil painting measuring 16"x20" on 1.5" deep cradled hardwood panel. The piece has clean wooden edges ...

Francisco Collado's "Life is Not a Game" is an original, handmade hyper realistic oil painting that depicts a still life of a skull with a magnifying glass and a small ball with push...

Artist: Ian Hornak (1944-2002) Title: Flower Piece with Storm Year: 1986 Medium: Acrylic on Panel, with Artist Painted Frame Size: 58.5 x 46.5 inches Condition: Excellent Inscription...

Adrienne Stein's (US based) "August Pond" is an original, handmade oil painting that depicts a pond with colorful blooms in tranquil waters. About the artist: Adrienne Stein (b. 1...

"Tea and Cookies" by Sarah van der Helm is an original oil painting depicting tea kettle, three fortune cookies, and a traditional Japanese motif in the b...

'Window To My Soul' - depicts a San Francisco building with warm sunlight and shadows cascading across the facade of the white building with blue inset window and trim. A tree and bi...

A Photorealist Still Life painting of five glass vases on a table by Chilean-born artist Gustavo Schmidt. Five Vases Gustavo Schmidt, Chilean/American (1963-) Date: 2012 Oil on Canv...

Original acrylic photorealist architectural painting in full and dazzling color, where a "SOLD" sign hangs on a San Francisco Chinatown building for sale. The complex scene features light and shadow falling across tiered metal balconies...

Dianne L. Massey Dunbar's (US based) "Baker's Dozen" is an original, handmade oil painting that depicts twelve glazed donuts in a white pastry box. About the artist: When Dianne Massey...

Rich, lush super-realist still life of a pair of pears. Imported from a super-talented Russian painter I have gotten things from before. Sensational realism, down to the little flaw...

A bright, photorealistic still-life painting of a silver bowl full of cherries, perched atop a white marble surface. The artist has taken immaculate care to preserve the shiny aspect...

'Lady of the Manor' - depicts a historic San Francisco apartment building with warm sunlight and shadows cascading across the facade of the white building with...

'Lemons on a Yellow Plate' is a fabulous example of Lijftogt's work. Such amazing eye for detail is what makes this piece such a knockout piece. A beautiful colour palette has been u...

Hampshire Garden I by Dylan Lloyd [2021] original Oil paint on board Image size: H:30 cm x W:24 cm Complete Size of Unframed Work: H:30 cm x W:24 cm x D:2.5cm Framed Size: H:40.5 cm...

A superb super-realist depiction of a sliver pitcher and a glass in a silver sleeve, by one of the best, Brandon Drake. Super-realists often like to tak...

Contemporary Still Life Painting 'Loquats & Chinese Bowl' by Barbara Vanhove. Inspired by the Dutch Masters. Barbara was born in Watermael-Boisfort in Belgium in 1974. She showed an...

This painting was created by American artist Lowell Blair Nesbitt. His most well known series, and perhaps his most beautiful and poetic, are the more than four hundred works he crea...

"White Lilies" by Oleg Turchin is a 30x24 inch oil painting on canvas. Turchin brings these flowers to life with each stroke of his brush. The technique w...

Antique American modernist signed still life oil painting. Oil on board. Signed. Framed.

Artist: Ian Hornak (1944-2002) Title: Song of Zephyrus, Variation II Year: 1979 Medium: Acrylic on Canvas Size: 71 x 45 inches Inscription: Signed, dated, and titled by the artist. P...

Dianne L. Massey Dunbar's (US based) "Baker's Dozen" is an original, handmade oil painting that depicts twelve glazed donuts in a white pastry box. About the artist: When Dianne Massey...

'Wild Child' depicts a San Francisco home, painted brightly to reflect the free spirited city that is bathed in warm west coast sunlight with shadows cascad...

Shan Fannin's (US based) "1959 Red BMW Isetta 300" is an acrylic painting that depicts a red 1959 Red BMW Isetta 300. Born 1969 in California, artist Shannon “Shan” Fannin brings v...

Marc Dennis is an American artist known for his hyper-realistic paintings that celebrate the subversive potential of art history, beauty and humor. In his "Desserts with Hair" seri...

A Photorealist Still Life painting of five glass vases on a table by Chilean-born artist Gustavo Schmidt. Five Vases Gustavo Schmidt, Chilean/American (1963-) Date: 2012 Oil on Canv...

This contemporary pop oil painting reimagines an inflated condom as a luminous black bubble, suspended against a dark, minimalistic background. Through refined oil techniques, the ar...

Artist: Gustavo Schmidt Title: Tres Bolsas de Papel en Diagonal Year: 2014 Medium: Oil on Canvas with Varnish, signed l.r. Size: 36 x 48 inches

Giclee on canvas. Hand signed lower right by Doug Bloodworth. Hand numbered 17/150 lower right. Canvas size 44 x 55 inches. Canvas is not stretched. Artwork is in excellent co...

'Orange Pumpkin' Still Life painting with pumpkins on a blue and teal table cloth. Amazing in any interior setting. Lijftogt was born in Amsterdam and at the age of 19 decided to p...

Painted directly from live observation, Doug Newton’s hyper-real paintings explore translucency, reflections and luminosity, and dazzle the viewer with ...

Daniel Maffia, French (1937 - ) - Magenta Iris, Year: 1985, Medium: Oil on Canvas, Size: 30.25 x 24 in. (76.84 x 60.96 cm)

Antique American realist still life of corn and a bottle of corn whiskey. Oil on board. Signed. Framed. Image size, 5L x 7H.

Artist: Ian Hornak (1944-2002) Title: Martin Heade’s Window Year: 1980 Medium: Acrylic on Canvas Size: 48 x 36 inches Condition: Excellent Inscription: Signed recto; signed, dated, and titled by the artist, verso. Provenance: Fischbach Gallery, New York, NY; Private Collection, MI Notes: A seminal example of Hornak’s Photorealist multiple exposure landscape...

Vintage American modernist still life oil painting. Oil on canvas. Signed verso.

James Tormey (American, 1938-2017) "Candyland (Mixed Bowl)" on table with white tablecloth cover. Oil Painting on Canvas. Hand signed lower right. Measures approx. - 32" high x 37" wide, total with frame - 37 1/2" high x 42 1/2" wide. James J Tormey, NYC artist, He was born in Brooklyn in 1938. As a young man he moved to Manhattan where he lived and worked for more than 60 years. James Tormey studied at the Pratt Institute, in Brooklyn, and at Columbia University and worked in advertising for several years while he painted part time. In the 1960s he supported himself as a photographer, covering openings and events for the Museum of Modern Art, in New York City. For many years he was represented by the Madison Avenue Gallery, in New York City, where he had numerous one-man shows. He has also exhibited in Japan and Germany. The artist makes his home in Manhattan and is represented by the Uptown Gallery, also in New York City. James Tormey paints still lifes of traditional subject matter: fruit, vegetables, or eggs appear in bowls or on surfaces illuminated by powerful directional light. Tormey builds stronger and more precise meaning into his work by exploring how the backgrounds and settings for his still lifes can convey particular ideas. In his recent work, for instance, he painted a series of images in which fruit—a traditional still-life subject—is placed in architectural settings or frames that we usually associate with religious imagery. In Icon, for instance, the artist painted a red cabbage and placed it inside a Renaissance-style frame that he built and decorated himself. Instead of being presented with a saint or a Madonna within such a context, we are given a fully realized, but quite ordinary, vegetable. Tormey’s painting technique involves great care from the beginning. He works in his apartment in Manhattan’s Upper West Side in a meticulously clean space equipped with a very solid easel and a large glass palette on a painting table. For reference he uses photographs he has taken of still-life setups in conjunction with pictures of architectural or other settings he has collected over the years. “I start with a careful graphite drawing right on the canvas,” he explains. These days he uses lightweight cotton duck, although much of his earlier work was done on smoother surfaces. Once the graphite line is established, the artist makes a thin monochrome version of the image with a dull green. “I don’t add anything to the paint other than turpentine,” he explains. “I don’t use oil or glazing mediums because I don’t like shine. The turpentine dulls the paint, which suits what I’m doing.” Once the green layer has dried, the artist applies a second thin layer in a warm brown using burnt sienna or burnt umber. “In all these stages I’m working from dark to light,” he says, “so that I’m always getting a rendered, three-dimensional image.” Tormey works on two or three paintings at a time to allow for sufficient drying time between layers. “I also like the way one painting seems to talk to another,” he says. “It makes for a richer process.” Once he starts working in full color on the image, he continues slowly, applying many thin layers and gradually achieving subtle tonal and color shifts until his forms burst with three-dimensional life. “I work with a very dry brush,” explains the artist. Many of Tormey’s paintings contain dark backgrounds, some of which are pure black—something that can present its own technical problems. “I don’t want those backgrounds to feel present,” he says. “I want them to simply drop out.” Because he doesn’t want any shine on his work he doesn’t use varnish. It’s not surprising that Tormey’s work, with its heavy contrasts and smooth tonal transitions, is strongly influenced by photography. Tormey worked as a photographer for some years, and when he began doing still lifes he often photographed them against black backgrounds. His work was also published as fine art cards, posters, and fine art Giclee prints. He pioneered the "larger-than-life" still-life with his work combining traditional subject matter with a contemporary interpretation that produces startling images of heroic proportions. Light reflected and transmitted lends the natural objects, which are the subjects, a quality which may evoke in the viewer clarity of vision and a delight in the forms of the natural world around them. His work conveys a powerful positive philosophy and he once said "I believe the only way we can come to terms with the world is if we look at it as it really is." He believed that artists should take responsibility for the meaning their works carry and stated that "there are definite ideas behind my paintings". He studied at Pratt Institute and Columbia University and worked in advertising and as a photographer before turning to full-time painting. His paintings were exhibited in dozens of galleries around the country, in Germany and Japan and are now seen in numerous public and private collections. While he was not officially part of the Photorealism art...