Pop Art Paintings

Orit Fuchs lives and works in Tel Aviv‭, ‬a storyteller with a deep‭, ‬pure, and unquenchable appetite for artistic self-expression‭. ‬Her medium spans the gamut‭ - ‬sculptures‭, ‬pa...

Orit Fuchs lives and works in Tel Aviv‭, ‬a storyteller with a deep‭, ‬pure, and unquenchable appetite for artistic self-expression‭. ‬Her medium spans the gamut‭ - ‬sculptures‭, ‬pa...

Orit Fuchs lives and works in Tel Aviv‭, ‬a storyteller with a deep‭, ‬pure, and unquenchable appetite for artistic self-expression‭. ‬Her medium spans the gamut‭ - ‬sculptures‭, ‬pa...

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconsciou...

This piece depicts famous English actress Jacqueline Bisset. Done with beautiful expressive colors and a distinctive street art design, this piece pops with energy and romantic beaut...

We are please to announce that we are now representing the Pop Art cowboy and cowgirl paintings of artist Matt Straub. We at the gallery have been fo...

This painting is in excellent condition and has only been shown in a gallery setting. From the artist: "This work depicts a Presidential talent show, with Bill Clinton receiving his scores for his saxophone judges, while Hillary (as a nutcracker) stands looking like a judge as well. The painting is really about two things. First, how we turn politics and campaigns into talent show contests, with the media/television personalities standing in as judges before we even get to the actual election. Secondly, it's called "America had Talent" because we always think past presidents were better than current ones. The Greek vase in the center is a reminder that none of this is new, this type of treatment of leaders and elections has been going on for millennia- (Judgement of Paris). And the hydrangeas, as with all of the hydrangeas in my work, represent the transience of the situation depicted when placed in relevance to overall time. " Pat Hobaugh...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

"New York artist Robert Reitzfeld has a devoted cult following, but his paintings are not nearly as well known as they ought to be....The paintings show a witty merger of Pop art idioms and post-painterly abstraction, like a mutant blend of John Wesley, Michael Bevilacqua and Gerhard Richter. In each of the exuberant compositions, Reitzfeld offers a unique balance of formalist elements and absurdist drama." from David Ebony's Top Ten @ Artnet At first, Robert Reitzfeld's distinctive melange of Ab Ex. Pop, Op and other postwar painting styles appears to be a send-up of the source material. Among the 25 recent paintings and works on paper in this show, a number of pieces, including Minnie Mouse, Olive. Che. Marilyn and others, feature cartoons and familiar Pop-art iconography, Reitzfeld's versions often appropriating passages from Warhol and Lichtenstein. But Reitzfeld's images are very often fragmented, with roughly torn edges in the paper pieces and colorful abstract passages of paint in the canvases obscuring and sometimes rearly obliterating the subjects. Rather than a nihilistic gesture, however, his distortions may be viewed as a kind of archeology of recent art. They also reveal a rather personal relationship with specific works that have inspired the veteran New York artist over the years. 1961, I Was There (2007), for instance, Is a painting featuring Donald Duck in his blue-and-white sailor suit—a fragment of Lichtenstein's 1961 painting Look, Mickey!, partly painted over with layered patches of red and pink acrylic as well as a sprinkling of glitter. The title of Reitzfeld's piece alludes to his attendance at a 1961 opening at New York's Sidney Janis Gallery, where Lichtenstein showed this seminal Pop work. Reitzfeld is at his best here in several relatively large (about 36 inches square) intricate hard-edge compositions, such as TBT 56 (Marriage), 2006, and T8T 63 (2007). The latter contains another Lichtenstein reference: a detail of the Whitney Museum's 1973 Still Life with Crystal Bowl set...

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photogra...

Rare one of a kind Pop Art portrait painting of 80s and 90s pop icon Fabio done in silkscreen enamel oil on canvas. this is not numbered and is believed to be unique. Steven Alan Kaufman Or Steve Kaufman, 1960–2010 American pop artist, filmmaker, photographer and humanitarian.In 1975, Kaufman participated in a group graffiti Street Art show at the prestigious Whitney Museum of American Art.Kaufman participated with nine other New York City students in a cultural art exchange with students in Japan, resulting in his attaining a scholarship to the Parsons School of Design. As a teenager Kaufman was going to Studio 54 and associating with people from the 1970s New York City art community. Kaufman attended Manhattan's School of Visual Arts (SVA), where he met contemporary artists such as Jean-Michel Basquiat. In 1981 Kaufman met Andy Warhol, who became a significant influence on the 19-year-old Kaufman, who worked as Warhohl's assistant at his studio, The Factory, producing original paintings and silkscreens. Kaufman designed theme parties for various nightclubs, sold his paintings to Calvin Klein and Steve Rubell, and participated in a group art show with pop artist Keith Haring, whom he had met at the SVA. Kaufman created the graphics for NBC's Saturday Night Live. Kaufman graduated from SVA with a Bachelor of Fine Arts degree and held art shows in London. Leaving Warhol's Factory, Kaufman established his own SAK Studio, hiring homeless New Yorkers to assist him. He painted portraits of three homeless persons for Transportation Display, Inc. that where later shown in 46 cities on bus billboards, helping to raise $4.72 million to benefit the homeless. Kaufman crated the first “Racial Harmony” mural in Harlem to raise attention of inner-city problems. He showed at the White Gallery as a tribute to those who died from AIDS. The “Say Without Art” tribute was based on this show. Kaufman also exhibited his works at the Loft Gallery in Tokyo, Japan.In 1993, Kaufman moved his studio to Los Angeles and began painting in a new style he called 'comic book pop art'. He used images of Superman, Batman, Spider-Man and others from both DC comics and Marvel comics. To assist him in his studio, Kaufman hired more than 100 ex-gang members released from prison.In 1995 Kaufman published works for Martin Lawrence Limited Editions, hand-embellishing works including limited editions of Beethoven and Marilyn Monroe. He painted portraits of Muhammad Aliand John Travolta, "who autographed their editions." Becoming the first artist create a bridge between Marvel Comics (Spiderman) and DC Comics (Superman), Kaufman worked with comic book artist and creator Stan Lee. Kaufman."As Warhol's assistant, I learned to silkscreen with oils that will last forever. Since his death, Steve Kaufman’s artwork has appeared in several television programs, art hotels...

One-of-a-kind Pop Art Original Painting on Canvas by Gardani, hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with a unique dollar b...

Her paintings combine figuration and abstraction, with a series of colors and abstract forms combining to produce an image of people in groups. Czekus’ work examines the everyday exp...

One-of-a-kind Pop Art Original Painting on canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvases are the foundations of a new visual dialogue. Fisch paints with a jazz-like spontaneity, expressing personal emotions, commenting on contemporary society, and exploring old mythologies. Formulating a galaxy of the unknown, Fisch’s textural paintings flood the mind with possibility. His process is instinctive and organic, the paintings energetic and vibrant, emerging from his subconscious without judgment. They are constructed by feelings trying to find harmony. Endless figures, messages, layers, and symbols move in and out of focus as the eye explores his puzzle pieces with varied solutions. Jonas Fisch created this large colorful 93-inch tall by 67-inch wide painting with mixed media. acrylic, and oil stick on canvas. This artwork is stretched and is ready to hang. It is signed by the artist on the back of the painting. This artwork does not require framing. Free delivery is available for those in the local Los Angeles area, and affordable worldwide shipping is available for US and international art collectors. A certificate of authenticity issued by the art gallery is included with the artwork, ensuring that the piece is an authentic work of art from Jonas Fisch. Born in a small fisherman's village in southern Sweden, contemporary artist Jonas Fisch discovered his love for drawing and painting at a young age and was inspired to pursue his passion by renowned artist and grandmother Ann-Marie Sjögren. Fisch reflects, “As a fundamentally introspective person, I have an explosive need to express and communicate my innermost rays, reflections, and shadows. The canvas, the brush, and the paint allow me to act out, throw up, confront, and examine those innermost feelings. Painting becomes my outlet. At a certain moment, each shape, stroke, and color suddenly takes over and the painting reveals itself. It becomes an expressive personal collaboration of art." Fisch's artworks have been exhibited across the United States, Switzerland, and Hong Kong. His paintings can be found in private collections worldwide. REPRESENTATION: Artspace Warehouse, Los Angeles Exhibitions 2018 Artspace Warehouse Los Angeles, CA 2018 New York Affordable Art...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

Sherry Czekus (pronounced sack-us) paints insightful color-blocked images of pedestrians in fleeting, momentary groupings. Her figures are always faceles...

Pop Art. Americana + Female Celebration. Ephemera, Oil, Acrylic, Resin on Panel. About the Artist: John Joseph Hanright is a contemporary painter and assemblage artist who bring...

Pop Art. Americana + LOVE. Ephemera, Oil, Acrylic, Resin on Panel. About the Artist: John Joseph Hanright is a contemporary painter and assemblage artist who brings together a c...

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photogra...

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photogra...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

ANJA VAN HERLE "Blinking Butterfly" Acrylic & Swarovski Crystal on Panel 12 x 12 inches. Born in Belgium in 1969, Anja Van Herle combines a European sense of high fashion in her art...

Brett Hammond’s spray-painted canvas panels pay homage to pop art traditions as he explores his own interests in satire, drama, and romantic tension. Above all, his work is smart, fun, and vibrant. Covered in paint and fueled by caffeine-laced neurosis, Hammond regularly works on several panels at once, producing distinctive, quick messaging that can brighten any room. He finds the process transformative as he moves from a state of deadline panic into more sublime realms of creativity. Self-taught from an early age, Hammond emulated Mad Magazine comic art...

ANJA VAN HERLE "Plucky Duck" Acrylic on Panel 12 x 12 inches. Born in Belgium in 1969, Anja Van Herle combines a European sense of high fashion in her artwork with an American sense...

ANJA VAN HERLE 3 Piece Grouping (Triptych) Total Triptych Size 12 x 36 inches "Blinking Butterfly" Acrylic & Swarovski on Panel 12 x 12 inches. "C...

Lori Larusso explores humans' paradoxical relationships with the animals that exist closest to us. From pets to synanthropes (non-domesticated animals tha...

ANJA VAN HERLE "Butterfly Bling" Acrylic & Swarovski Crystal on Panel 36 x 36 inches Born in Belgium in 1969, Anja Van Herle combines a European sense of high fashion in her artwork...

Orit Fuchs lives and works in Tel Aviv‭, ‬a storyteller with a deep‭, ‬pure, and unquenchable appetite for artistic self-expression‭. ‬Her medium spans the gamut‭ - ‬sculptures‭, ‬pa...

ANJA VAN HERLE "Fly High Butterfly" Acrylic & Swarovski Crystal on Panel 36 x 36 inches Born in Belgium in 1969, Anja Van Herle combines a European sense of high fashion in her artw...

This piece depicts a famous French actress and model Sophia Loren in Towel and diamond earrings. Done with beautiful expressive colors and a distinctive street art design, this piece...

Artist/ School: French School, signed and titled to label verso. Title: Model with Dogs in Interior scene Medium: oil painting on canvas, framed Size: framed: 38.75 x 32.5 inch...

We are please to announce that we are now representing the Pop Art paintings of the artist Matt Straub. We at the gallery have been following his career an...

Leo and Leonline by Lucie Sheridan [2021] original Acrylic on Canvas Image size: H:50.8 cm x W:40.8 cm Complete Size of Unframed Work: H:50.8 cm x W:40.8 cm x D:1.8cm Sold Unfram...

In this original acrylic paint on paper Jose Palacios depicts "Macrogarden 08", in a pop art style. He uses vibrant blues, purple, pink, red and fluorescent yellow shapes to create his composition. Palacios' work is characterized by it's geometry, precision of his figures and the use of a refreshing and bold palette. Jose Palacios was born in Spain in 1970. A self taught artist, he began his career in the world of comic books and illustration publications. He later transitioned to graphic design and street art. Jose was greatly influenced by the "Movida Madrileña" an explosive cultural period in the 1980's during Spain's transition from dictatorship to democracy which produced arist's such as Ceesepe, Fernando Vicente, Ana Juan, Ouka Leele and Javier de Juan.

Original painting on canvas. Hand signed on front by Peter Max with studio stamp, date and catalog number on verso. Canvas size 30 x 40 inches. Frame size approx 36 x 46 inches. ...

Girl in Red Dress by Sherry Wolf Date: 2014 Acrylic on Canvas, signed and dated lower right Size: 60 x 48 in. (152.4 x 121.92 cm)

Daffy Duck and Looney inspired, great colors, acrylic and spray on canvas, great art work, exhibitions in the best Art Galleries in France, USA and Mexico. :: Painting :: Pop-Art :: ...

Playing with the interaction between positive and negative space, strong colors on neutral backgrounds, Canadian artist Virginie Schroeder creates pop art portraits and iconic pop cu...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

Orit Fuchs lives and works in Tel Aviv‭, ‬a storyteller with a deep‭, ‬pure, and unquenchable appetite for artistic self-expression‭. ‬Her medium spans the gamut‭ - ‬sculptures‭, ‬pa...

This Blue Dog work consists of a head shot of the dog with a red outline around the dog and a bold yellow background. The dog has soulful yellow eyes. The frame is the original Rodrigue Gallery gold frame. This pop art animal original Oil and Acrylic on Linen painting is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Original – Give Me a Big Mac...

This piece depicts a famous French actress and model Brigitte Bardot. Done with beautiful expressive colors and a distinctive street art design, this piece pops with energy and roman...

Orit Fuchs lives and works in Tel Aviv‭, ‬a storyteller with a deep‭, ‬pure, and unquenchable appetite for artistic self-expression‭. ‬Her medium spans the gamut‭ - ‬sculptures‭, ‬pa...

This piece is part of an exciting new collection depicting iconic "Coco Chanel" with the artists "Dripping Dots" style. Focused on a pointillistic technique, the paint is able to cap...

Ludvic (Egyptian/Canadian, b. 1944) Portrait of Marilyn Monroe Oil on paper 30 x 35 inches Signed lower right Having been featured in a multitude of museum and gallery exhibitions n...

This is a one of a kind original acrylic allegorical painting depicting Greek monster Medusa's head by Southern California artist, Gina Palmerin. Its dim...

Sid Maurer (American 1926) is an American artist best known for his commercial success painting celebrity portraits. This is an original oil and media on ca...

This painting is in excellent condition and has only been shown in a gallery setting. The painting does not include a frame, but is painted on the edges and is gallery wrapped. "The most important thing is to try and inspire people so that they can be great in whatever they want to do." - Kobe Bryant...

Coyote and Looney Tunes inspired, great colors, acrylic and spray on canvas, great art work, exhibitions in the best Art Galleries in France, USA and Mexico. :: Painting :: Pop-Art :...

Goofy and Disney inspired, great colors, acrylic and spray on canvas, great art work, exhibitions in the best Art Galleries in France, USA and Mexico. :: Painting :: Pop-Art :: This ...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

This is a one of a kind original oil and acrylic mythological painting depicting Greek monster Medusa by Southern California artist, Gina Palmerin. Its dimensions are 30x30. It is unframed. A certificate of authenticity will follow its delivery. The collection of paintings in Palmerin’s “Legends” is inspired by classical art paintings...

Red Grooms (American, b. 1937) Jackson Pollock, 1986 Pastel on paperboard 9 1/4 x 9 1/4 inches Signed and dated lower right Provenance: Hirschl & Adler Modern, New York Charles Rog...

This is a one of a kind original acrylic allegorical painting depicting Greek monster Medusa's head by Southern California artist, Gina Palmerin. Its dim...