Animal Paintings

Original acrylic paint on canvas of a large bird at rest by the Russian/American artist, Nahum Tschacbasov. Signed lower right and dated 1980. Artist inventory label upper right on ...

Lindsey Kustusch’s (US based) "Féith" is an original, handmade oil painting that depicts a Great blue Heron bird perched on a fountains with red floral designs in the background. A...

Portrait Of A Brown & White Setter, 18th Century attributed to Sawrey GILPIN (1733-1807) Large 18th Century portrait of a Brown & White Setter in a landscape, oil on canvas. Excel...

A black and white spaniel standing on a yellow silk damask covered day-bed in a sumptuous interior. Provenance: With Arthur Ackermann & Son Ltd., London. Anonymous sale; Christie's, South Kensington, 15 May 2007, lot 284 Private collection, London Samuel John Carter...

A charming naive study of a cob with white socks and a stripe in a grassy landscape. Unsigned. presented in a wooden frame. On board.

George William Horlor British, (1820-1899) The Day’s Bag Oil on canvas, signed & dated 1895 Image size: 17.5 inches x 23.5 inches Size including frame: 28 inches x 34 inches A won...

"Sparkling Violetear" is a stunning painting depicting a vibrant kaleidoscope color bird perched on a tree branch. Half the canvas is gold and the other white, a beautiful & contempo...

In Japan, they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. W...

Patrick Maxcy's "Seeker" is an original, handmade acrylic painting that depicts a Banded Butterflyfish that has been harpooned by an arrow and orange ban...

Artist: Thomas Sidney Cooper (English, 1803-1902) Title: "Cow and Chickens in Stable" *Signed and dated by Cooper lower left Year: 1871 Medium: Original Oil Painting on Wood Panel Fr...

"Noah's Ark", Monkeys in Trees w. Crocodiles, Richard DeTreville 1924 San Mateo A lively, large-scale vertical painting of Macaques monkeys in the trees abo...

“I am inspired by the simple everyday interaction of the animals in their environment: the way the light dances across the form, the harmony of color relationships and the shapes of ...

""Cattle Watering" by Maurice Mazeilie (French) oil painting on canvas, unframed, signed painting: 9.5 x 13.75 inches A delightful original oil painting by the 20th century French ...

MONTBARD (Active XIX-XXth c.) "The Lion" Oil on canvas Painting: 78 x 62 cm Framed: 93 x 78 cm

Superb signed English oil painting on canvas, depicting these two characterful Yorkshire Terrier dogs in a woodland landscape. The painting is by the...

Poultry scene in oil. Well presented in a gilt-effect frame with swept rails and elaborate floral and acanthus moldings. Signed in the lower right. On panel.

And the race is on! The mudders are running full throttle through the mud drenched race track in hopes of achieving glory! The jockeys are mounted--perched-- with heels down, lifted off of the horses backs and they seek to gain advantage. This contemporary equestrian landscape is packed with excitement and elegance, painted by professional portrait artist Joseph Sundwall of New York. Sundwall grew up in Chicago where his artistic talents were recognized early on. He studied his trade at the Kansas City Art Institute, the famed Art Students League and National Academy of Design in NYC followed by added training in London at the St. Oswald Studios. He developed an exceptional ability to create figurative compositions as well as portraiture to significant acclaim having refined his techniques with famed portrait artist Everett Raymond Kinstler...

Titled "Each Has Its Destiny," this charming symbolist oil painting on canvas by Andrée Bars offers a serene and contemplative view of nature's delicate balance. The composition features three snails navigating their way across a barbed wire fence, set against a backdrop of a lush meadow under a clear blue sky. The snails, each with distinctively colored shells – one brown, one dark, and one golden – symbolize individuality and the unique paths each creature takes in life. The barbed wire, often associated with barriers and challenges, contrasts with the gentle and slow movement of the snails, suggesting a journey filled with obstacles yet approached with patience and determination. The bamboo stalks and various wildflowers in the background add a touch of whimsy and natural beauty, emphasizing the coexistence of fragility and resilience in the natural world. The delicate rendering of the leaves and flowers, along with the meticulous depiction of the snails, showcases the artist's attention to detail and mastery of texture. The painting's soft lighting and subtle color palette evoke a sense of calm and introspection, inviting the viewer to reflect on the theme of destiny and the slow but steady progress each individual makes despite life's challenges. "Each Has Its Destiny" is a poignant reminder of perseverance and the unique journey every being undertakes, rendered with elegance and sensitivity. Andrée Bars is a French painter. Having been strictly trained for 4 years by the American hyper-realist painter Mr. Ted Seth Jacobs, who himself inherited 19th century masters’ skills from his own professor, Andrée Bars learned the profession of painting in its purest tradition. She still applies these ancient masters...

The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold...

A beautiful late 19th century English oil on canvas portrait of a black and white terrier wearing a leather collar. Excellent quality and finely detailed head study of the well groo...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Title: Let Me Enjoy It 2 Medium: Oil on canvas Size: 21 x 13 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2015 Artist: Yijian Wang...

Wonderful 18th century English gouache on paper of a 18th century English scene of a man on his horse with his dog in a landscape One of a set of five all framed in Hogarth frames. ...

Patrick Maxcy's "The Trove" is an original, handmade acrylic painting that depicts a tropical bird perched on a pile of buoys and miscellaneous seafaring...

A charming oil painting, depicting a herd of wild horses running near two men on horses. Monogrammed to the lower right-hand corner. Well-presented in a distressed gilt effect frame,...

"9 Koi 23" is a complex work of koi fish swimming underwater filled with light and brilliant color painted in a lush and fluid style bordering on abstraction. Fish are in shades o...

Daphne Sweet, artist working and living in Missoula, Mt. Using acrylic, oil, clay, and fabric. Bouncing between classical references and personal allegory, the paintings and found ...

Rhonda Libbey's "Goldfinch" is an original, handmade gouache painting that depicts yellow and blue mandala patterns swirling behind a Gold finch and its ...

Portrait of two tigers

Hummingbird IX 40x26 unframed Ink, Watercolor, Paper Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor & ink. He has honed his skills, clarified his vision, experimented, explored and expanded his expression steadily over the years, the results of which thus far culminate here. Clearly, Keith’s extensive travels have roots in the luminous quality of his work, eminently holding the utmost possibilities of beauty and significance. Keith’s most recent paintings explore a spiritual path, he integrates them with transformative healing energies and infuses his enthusiasm into these dynamic pieces that you see here today. GROUP EXHIBITIONS 2015 Renata Fine Arts, Hudson, New York 2013 @60″ New York, NY 2012 @60″ New York, NY curated sale with Harry Heisman 2011 KL/Karen Lynne Gallery, Boca Raton, Florida & Beverly Hills, California 2003 Dupont Gallery, Milwaukee Wisconsin 1994 Jack Shainman Gallery, New York, NY 1994 The Roger Smith Gallery, New York, NY 1993 Ambassador Galleries, New York, NY 1992 Elaine Benson Gallery, Bridgehampton, New York 1983 Manor House Gallery, Rhinebeck, New York SOLO EXHIBITIONS 2014 & 2015, 2010: C. Bell, Palm Beach, Florida 1995: Luxe Energy Aesthetics, West Palm Beach, Florida 1991: Time Warner Publishing, New York, NY 1990: Imperial Hotel Gallery, Chestertown, Maryland 1988 & 1987: National Symphony Show House, Washington, DC 1986: International Jumping Derby, Jockey Club, Newport, Rhode Island Elijah Locke House, Rye Beach, New Hampshire 1984: Washington Design Center, Washington, D.C. SELECTED CORPORATE COLLECTIONS Bovis Inc., New York, NY The Kiplinger Collection, Washington, D.C. The International Monetary Fund, Washington, D.C. Hopkins & Sutter, Washington, D.C. McKenna, Conner, & Cuneo, Washington, D.C. Oliver T. Carr Company, Alexandria, Virginia SELECTED PRIVATE COLLECTIONS RuPaul, Beverly Hills, California Kelly Klein, New York, NY Governor & Mrs. Bruce Sundlun, Providence, Rhode Island Mr. & Mrs. William Aylward...

Kaitlin Ziesmer's (US based) "Ziggy" is an original, handmade AcrylaGouache painting that depicts a portrait of a black bird wearing a red frilly colla...

Portrait of a King Charles Spaniel, 18th Century CIRLCE OF George STUBBS (1724-1806) Large 18th Century English School portrait of a King Charles Spaniel, oil on canvas. Excellent ...

Contemporary figurative realistic acrylic on raw canvas painting by Polish artist Magdalena Nalecz. Painting depicts a blue bird trying to get berries. There are accents of gold in b...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

Whimsical vintage oil painting on board of a pelican executed in a unique naive style with flowers and plants. Signed Massie in the lower right dated 1958 on the back and presented i...

Cows & Bull In Landscape Dutch School, 19th century oil on canvas, framed framed: 13 x 11 inches painting: 10 x 8 inches provenance: private UK collection. The painting is in good a...

Still Life with Fishes is an original oil painting on wood panel realized around 1935 by an anonymous artist of the Italian school of the XIX century. A wonderful still life with a ...

Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memo...

Carl Linstrum's "Other Side," "Fade," and "Emerge" series of paintings speak to disappearing ecosystems in a time of increasing climate crises, while celebrating the sheer beauty of ...

"Freckles", is a 24x36 oil painting on board by artist Leslie Peck featuring a majestic white holstein cow with black spots, standing and mooing in the pasture. Fresh green grass sca...

Signed to the lower right. Presented in a gilt frame. On paper.

A farm stands before you on the horizon. A windmill majestically slices the blue sky. A bird, painted in taut brushstrokes, struts on a branch. These are tranquil images; horizon far...

My paintings are glimpses into my perception of life along the coast of Maine and the high desert of Taos, N.M. Using rich color and employing the dramatic light of the coast and...

Adriana van Zoest Neighbourhoodcat II 13 x 20 cm Framed in a black wooden frame: 22 x 30 cm Oil paint on wood panel Dutch artist, painter, Adriana van Zoest, lives and works in Warm...

Watercolour on paper Paper size: 4 x 5 inches Framed size: 19 x 19.75 inches PROVENANCE A gift from Joseph Mallord William Turner to Miss Amelia Hawksworth (later Mrs Hotham), niece of Walter Fawkes. The watercolour descended through the ownership of Amelia Hawksworth, daughter of Francis Fawkes ( Walter Fawkes's brother) who was the main compiler of the Ornithological Collection (Miss Hawksworth owned five other bird studies by Turner). Private collection, London LITERATURE: For similar works by J M W Turner see Anne Lyles, The Tate catalogue for the exhibition 'Turner and Natural History, The Farnley Project', 1988. The present watercolour was drawn circa 1815-1820 for Walter Fawkes of Farnley Hall, for his Ornithological Collection Volume IV. Between 1808 and 1824, Turner visited Farnley Hall in Yorkshire to stay with the Fawkes family. Turner felt at home at Farnley - the Fawkes daughters reminded him of his own. He helped illustrate a five volume ornithological scrap book for the Fawkes children, making watercolour studies of the birds for the children to stick in opposite the pages on which feathers from similar birds were attached. His bird portraits were most effective, most "life-like", when in fact the bird was dead ! His watercolours of a live robin and goldfinch have a more hesitant touch. At this time Turner enjoyed the patronage first of Edward Lascelles, the heir to Harewood, and after 1808, of the radical landlord Walter Fawkes of Farnley Hall, near Otley. He became a close friend of the Fawkes family with whom he stayed for most summers until 1824. The last owner of Old Farnley Hall was Francis Fawkes, a rich widower with no direct heirs. When Francis Fawkes died in 1786 he left the house to Walter Beaumont Hawksworth of Hawksworth Hall, on condition that Hawksworth adopt the Fawkes name by Royal Licence. Walter Fawkes brought in architect John Carr of York to make extensions to the house, but he died before the work was completed, and Farnley Hall was passed on to his son, also called Walter who also took the Fawkes name and was known as Walter Ramsden Fawkes. It was this Walter who was a great friend of J M W Turner. Anne Lyles has confirmed the attribution and writes: "Everything fits in relation to the style of the watercolour and most especially the provenance - in the Turner and Natural History exhibition catalogue of 1988 we know that Amelia Hawksworth (Mrs Hotham) owned three studies of birds' heads by J M W Turner (previously with the Maas Gallery, and numbers 36, 37 and 61 in that catalogue) as well as two studies of dead game by the artist (catalogue numbers 59 and 63, the latter untraced in 1988). Interestingly, catalogue numbers 36 and 37 (the Merganser and the Smew) seem also originally to have been intended for Volume IV of the Ornithological Collection - it is likely that the "Study of the Head of a Moorhen...

"The Eternal Question" is a surrealist artwork created on cardboard using oil as the medium. It measures 92x61 cm, providing a substantial size to convey the artist's vision and intr...

William Sidney Cooper British, (1854-1927) Near Herne Bay, Kent Oil on canvas, signed & dated 1923, inscribed in pencil on stretcher Image size: 19.5 inches x 29.5 inches Size inclu...

"Nearly Camouflaged Cow II" is a framed acrylic painting on canvas by Joshua Brown, depicting an abstracted cow with a realistic, detailed nose. This playful work features careful br...

Watering from the Loch's Waters Scottish School, late 19th/ early 20th century signed, "Jamieson Lainge" oil painting on canvas painting: 20 x 24 inches provenance: private collecti...

Oil on panel

Patrick Maxcy's "Borrowed Time" is an original, handmade acrylic painting that depicts an antelope with blue ribbons and butterflies swirling around its ...

LOOK FOR FREE SHIPPING AT CHECKOUT. IF NOT AVAILABLE GALLERY OFFERS FREE SHIPPING. Mustang Horses is a 16 x 20 oil painting by artist Joan Breckwoldt....

A painting of Lord Methuen’s Spaniels Gipsy and Fairy, by William Barraud, standing beside a classical urn in a landscape by a lake, probably in the grounds of Corsham Court in Wiltshire, the Methuen family country seat. Signed and dated 'W Barraud...

Norma Haviland (1925-2022) "Spooky" Black cat illustration painting by one of the many talented artist who worked at Walt Disney studios in the 194...

Otis Dozier (1904 - 1987) Dallas Artist Image Size: 30 x 40 Frame Size: 32 x 42 Medium: Oil Dated 1980 "In Flight" Biography Otis Dozier (1904 - 1987) Otis Marion Dozier is noted as a member of a group of Texas regionalist artists known as the "Dallas Nine". His style was characterized by brilliant colors and strong forms, often focusing on the plight of farmers affected by the Great Depression. Dozier was born in Forney, Texas in 1904. Raised on a farm in Mesquite, Texas with three siblings, his surroundings provided the materials that allowed him to cultivate a love for nature and wildlife. He once said, "youve got to start from where you are and hope to get to the universal." His surroundings became a primary focus for subject matter in his art. Other areas providing inspiration for his works would include the Big Bend and Gulf Coast areas of Texas, the Four Corners area of New Mexico, Arizona, and Utah, and the bayous and swamps of Louisiana. His earliest art training was in Dallas from Vivian Aunspaugh, Cora Edge, and Frank Reaugh when his family moved there in the early 1920s. Dozier became a member of the Dallas Artists League in the 1930s after becoming involved with a group of regionalist artists. He taught at the Dallas School of Creative Arts from 1936 to 1938, while at the same time studying the various works of European artists such as Picasso, Leger, and Matisse. His initial style included bright colors and dominant forms but later moved to the earthy tones of beige, green, brown, and gray. In 1940, Dozier married and together he and his wife contributed much to the Dallas cultural scene. Dozier attended the Colorado Springs Fine Arts Center in 1938 on a scholarship, studying with Boardman Robinson. For the next seven years he served as Boardmans assistant. While in Colorado, the Rocky Mountains became a favorite painting ground where he completed more than 3000 sketches of ghost towns and mountains. Influenced by Robinson, he developed a more fluid style and became an expert in the lithographic medium. Upon returning to Dallas, Dozier taught life drawing at Southern Methodist University from 1945 to 1948. From 1948 until 1970 he taught drawing and painting at the Dallas Museum of Fine Arts. He participated in sole exhibitions in the early to mid 1940s, as well as other major exhibitions at the Whitney Museum of American Art and the Metropolitan Museum of Art in New York City. Dozier completed murals at the Agricultural and Mechanical College of Texas (Texas A&M University) and at various post offices in Texas. He won many awards at various exhibitions, including the International Watercolor Exhibition in San Francisco in 1932; the Museum of Modern Art in New York in 1933; the First National Exhibition in New York in 1936; Allied Arts exhibitions in 1932, 1935, and 1947; and two Texas General exhibitions in 1946 and 1947. His works may be found in the permanent collections of the Museum of Fine Arts in Houston; the Archer M. Huntington Art Gallery at the University of Texas at Austin; the Modern Art Museum of Fort Worth; the Marion Koogler McNay Art Museum in San Antonio; the Dallas Museum of Art; and the Panhandle-Plains Museum in Canyon, among others. Dozier died of heart failure in 1987. Additional exhibition venues: Otis Dozier: A Centennial Celebration 1904-1987 The McKinney Avenue Contemporary, November 6 - December 10, 2004 OTIS DOZIER (1904-1987) Otis Dozier was born in Forney, Texas in 1904 and was raised on a farm in nearby Mesquite. Dozier enjoyed drawing and painting from an early age, and a visit to the Texas State Fair convinced him to pursue art as a vocation. Dozier recalled visiting the Fair’s rotunda and, there, seeing an early work by Mexican muralist Diego Rivera. Dozier did not understand the image but was fascinated by it, later recalling that looked like blood and buttermilk to him; he just looked and looked; the newspaper said it was so great and he was willing to learn but couldn’t understand why it was so great. Dozier’s family moved to Dallas at the beginning of the 1920s, and it was there that he would receive artistic training under Vivian Aunspaugh, Cora Edge, and Frank Reaugh. Dozier would study with Aunspaugh for two years. She introduced Dozier to art history and spoke highly of the Impressionists, although she was cooler towards the Cubists and Fauvists who represented France’s new vogue. Dozier became a member of the Dallas Artists League in the 1930s. He taught at the Dallas School of Creative Arts from 1936 to 1938 and was a significant member of the burgeoning Dallas art scene. Otis Dozier was a member of the cadre of Dallas artists known as the “Dallas Nine.” Though the disparate group of painters, printmakers and sculptors who composed the Nine could be broadly categorized as regionalists, they often displayed a decided fascination with the European avant-garde. This is especially true of Otis Dozier’s works, in which regionalist subject matter was often mingled with Surrealist and Cubist techniques. Starting in 1936, Dozier—as well as the other members of the Dallas Nine—began exhibiting their work at local, regional and national exhibitions. In 1936, Dozier, along with 713 artists from 47 states, attended the First National Exhibition of American Art at Rockefeller Center in New York. Dozier himself participated in numerous solo exhibitions during the mid-1940s and contributed to exhibitions in New York’s Whitney Museum of American Art and Metropolitan Museum of Art. In 1945, Dozier returned to Dallas. He had been invited by fellow artist Jerry Bywaters...

Robin Hextrum's (US based) "Leaping Horse on Purple Background" is an original, handmade oil painting that depicts a brown horse rearing with a purple and yellow pattern in the backg...