Wood Paintings

Still-life in Studio 85 x 100 cm (framed in a black wooden frame 95 x 110 cm) Oil on canvas Ksenya Istomina graduated in 2018 at the 'Imperial Academy of Arts in St Petersburg'. S...

Antique American modernist view of Venice by Enid Smiley. Oil on canvas. Framed. Signed.

Morning Pasture I, Cows is an oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases a beautiful summer view of a meadow with a group of cows...

Materials: Canvas on chipboard, polymer clay, oil Mayan-style image of the Tree of Life

A painting of nature. Painting with spring landscape. A painting for the living room, dining room, study, painted in watercolor based on memories of a walk along the Tarusa River. Th...

Tess Michalik Manet's Nosegay, 2024 oil on panel 24 x 18 in. (mic023)

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "Edward Redfield: Just Values and Fine Seeing" by Constance Kimmerle and the Pennsylvania Academy of the Fine Arts's Exhibition of Paintings by Edward Redfield (April 17 to May 16, 1909) brochure Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

Very nicely painted American school Trompe L'oeil still life painting. Finely executed with great detail. Signed. Framed. Ready to hang!

This is a lovely oil on board landscape by noted Midland, Texas artist Alpha Johnson Lanham. It is a view of old stone steps within a landscape. The painting is an essay in paint a...

A large (48 x 48 inch) painting of a scene in the art studio by American artist John Winslow (1938 - ).

Clearing Skys 30.0 x 30.0 x 2.0, 6.0 lbs Watercolor on wood Hand signed by the artist Artist's Commentary: "The painting is a large, diptych watercolor painting on two-panel board...

Patrick Nevin's (US based) "Quoting Sagan" is an oil painting that depicts a human skull situated with books and letter blocks, and other various object...

David Pryor Adickes born January 1927, Huntsville, Texas) is a modernist sculptor and painter. His most famous work is the 67-foot tall A Tribute ...

"Anticipation" is a realist oil on linen painting. It depicts three men sitting on a dock, the still water and two boats behind them. A large white net is shared between the three of them, resting on their laps as they prepare the net to fish. The center figure, donned in a yellow raincoat...

"Rebirth" is a masterful collaboration between the artistic duo, Oda and Kit King, who together form a harmonious creative partnership both in life and on can...

This is my best work that I have done in 30 years of my work. I am a dreamer, a futurologist. This work tells us what awaits us in the future. How the human body mutates and will ada...

Acquired by the gallery directly from the artist UNFRAMED: 8" x 8" FRAMED: 13.875" x 1313.875" x 1.125"

A beautiful oil painting on linen by master artist Donald Jurney. Depicting a country pub, atmosphere abounds in this wonderful piece. It is framed in a handmade, 16K gold frame, mak...

French water painter Work on paper Gilded wooden frame 42,5 x 34 x 1,5 cm

Artist: Slonem, Hunt Title: Single Series: Bunnies Date: 2024 Medium: Oil on wood Unframed Dimensions: 9.5" x 8" Framed Dimensions: 13" x 11" Signature: Signed by Artist on V...

Les Dormeuses (The Sleepers) Acrylic on Canvas 46 x 61 cm Les Dormeuses by Grégoire Mathias captures the serene stillness of rest through the fragmented yet harmonious lens of Diach...

Antique American modernist street scene painting. OIl on board. Framed. Signed "Van Zandt 50". Really finely painted and an interesting subject as well!

Sunday, 2010 acrylic on canvas 27 9/16 H x 23 5/8 W in. 70 H x 60 W cm The artwork was exhibited in the solo show "Christ" from 2011.

Bartosz Kolata was born in Torun, Poland in 1979. In 2006 he graduated in Art Conservation and Restoration from Nicolas Copernicus University UMK, securing a Master of Art degree. He...

Title: Station Medium: Oil on canvas Size: 23 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is...

This gouache painting by Ulf Linde, a multifaceted Swedish figure, presents a unique portrayal of a woman seen from behind, set against a blue and white...

Giuseppe Nuvolone (Milan, 1619 – 1703) Title: Adoration of the Magi Medium: Oil on paper applied to canvas Dimensions: without frame 16.5 x 24 cm – with frame 22 x 29 cm Antique sha...

Pocket Polzeath Beach at Sunset, Landscape Collection is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil painti...

Exceptional Impressionist landscape of a road leading past a tree and pond up to a farmhouse, by Joseph Yeager (American, 20th Century). Signed by the artist in the lower right corne...

Brilliant landscape of a glowing pond at sunset, California's golden hour, by Max Flandorfer (American, b. 1962), 2018. Signed by the artist in the lower left corner. Signed and dated in pencil by the artist on verso. Titled by the artist in pen on verso. Presented in a complimentary gold colored frame. Image, 10.38"H x 13.5"W. Canvas size, 12"H x 16"W. Primarily a plein air painter, Max is an avid outdoorsman and is always seeking to capture the spiritual and humble quality of nature. His work evokes a restful, contemplative stillness that he seeks, both in life and his art. Growing up in Miami, he spent most weekends and summers outdoors in the Everglades, or on the water soaking up the rich color, and beauty of the tropical landscape. Flandorfer lived in California for over 20 years, and currently resides in Ocean Springs, Mississippi. Mostly self-taught, Max was forever drawing and sketching as a kid, but the beautiful landscape, and rich artistic heritage of the Monterey peninsula's artist colony was the deciding influence on his later works. An illustration instructor, Jane Miller of Monterey Peninsula College encouraged him to study early California greats such as Granville Redmond...

When we think of a tree we usually envision an image of a perfectly pruned tree, balanced and symmetrical. In nature those rarely exist. Trees are individuals. Trees grow to survive,...

Artist: Roger Koenig b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. Koenig combines modern painting with acrylic with old...

In this dramatic acrylic on wood painting by California artist, Sarah Folkman, a diving nude female is interwoven with a swan which envelopes ...

George Nemethy finds his inspiration in moments of quiet and solitude. Where he finds himself one with the sea and the sky and the tranquil world which he freely escapes to. Trained from an early age by his father Albert Nemethy, a world-renowned painter known best for his large scale steamer boats, George found...

A beautiful late 19th century English oil on canvas portrait of a black and white terrier wearing a leather collar. Excellent quality and finely detailed head study of the well groo...

Study Of A Cat, 19th century attributed to Théophile Alexandre STEINLEN (1859-1923) Large 19th century French study of a cat, oil on board attributed to Theophile Steinlen. Excelle...

Pocket Polzeath Beach at Sunset, Landscape Collection is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil painti...

Oil on canvas painting of a naked woman coming down the stairs, called 'Dream'. By Belgian artist Bertrand Neuman.

Unknown Artist Untitled (Geometric Abstraction, Cityscape, Feyninger) Medium: Oil on Canvas Year: Circa 1970s Size: 39 x 48 inches Framed Size: 39.75 x 48.5 x 1 inches Unsigned Frame...

Pocket Conker [2023] is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale oil realistic oil paintings with a nod to baroque sti...

Figurative acrylic on paper painting by young professional European artist Waleria Matelska. Artwork is minimalist and composed with synthetized shapes. Painting is vibrant- there ar...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

Antique French Impressionist oil painting on panel by Paul Louis Poseler (XIX-XX), circa 1900. The painting depicts a scene o...

Frank Vincent DuMond The Train Trestle Signed lower left Oil on canvas 24 x 30 inches rank Vincent DuMond was one of the most influential teacher-painters in 20th-century America. He was an illustrator and American Impressionist painter of portraits and landscapes, and a prominent teacher who instructed thousands of art students throughout a career spanning over fifty years. Frank Vincent DuMond was born on August 20, 1865 in Rochester, New York, to Elisabeth and Alonzo DuMond, partner/owner of an ornamental iron works manufacturer. They also had a younger son, Frederick Melville DuMond (1867 - 1927). Frank DuMond was interested in drawing from a young age, and was involved in the local art scene in the early 1880s. He got a job creating illustrations for a sign painting business. After graduating from a Rochester public school, DuMond moved to New York City in 1884. From 1884 to 1888, he attended the Art Students League of New York, studying under Carroll Beckwith and William Sartain. DuMond financed his art education by taking a job creating illustrations for New York's Daily Graphic newspaper. As a result of his fine work there, he was offered a job at Harper's Weekly. He also later did work for such magazines as Century, McClure's, and Scribner's. He moved to Paris to continue his studies, as did his brother Frederick. From 1888 or 1889 to 1891, Frank DuMond attended the Académie Julian, where his instructors included Benjamin Constant, Jules Joseph Lefebvre, and Gustav Boulanger. He attained recognition in 1890 when a painting of his, Holy Family, exhibited at the Salon, was awarded a prestigious medal. His early work was in the Art Nouveau style, then in Paris he was influenced by the Barbizon school, later becoming an Impressionist. In 1895 he married Helen Savier of Portland, Oregon, another artist. They spent five years painting in France, where he also held summer classes for the Art Students League, painting landscapes outdoors from dawn until sunset. In 1900 he was elected into the National Academy of Design, and became a full Academician in 1906. DuMond exhibited at the Cotton States Exposition in Atlanta, the World's Columbian Exposition in Chicago, the Pan-American Exposition in Buffalo, and the Saint Louis Exposition. He served as director of fine arts at the Lewis and Clark Centennial Exposition in Portland in 1905, and he helped organize the first exhibition at the Portland Art Museum that year. For the 1915 Panama-Pacific Exposition, he prepared two huge murals, 12 feet high by 47 feet long, which now hang in the San Francisco Public Library. The editor of Harper's, who was also president of the Art Students League, convinced him to take a job teaching at the League. He still performed illustration work for a while in addition to teaching, including the artwork for Mark Twain's Personal Recollections of Joan of Arc. In a teaching career spanning more than fifty years, DuMond taught thousands of artists at the Art Students League. His students included Norman Rockwell, Georgia O'Keeffe, John Marin, Frank J. Reilly, Charles Webster Hawthorne, Frank Herbert Mason, Ogden Pleissner, Kenneth Hayes Miller, Louis Bouché, Eugene Speicher, Helen Winslow...

Pair of Berlin & Vienna Landmarks Oil Paintings, 1988 Painted one year before the end of the Berlin Wall. Oil on canvas Signed, "Greenberg" Unframed: 24" W x 54" H, framed: 26" W ...

Title: Pine Tree Medium: Oil on canvas Size: 27.5 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is...

An oil painting of a a hallway interior. "Hallway in Green" presents to us a sunlit interior from one large window on the left. Forms McGuire incorporates creates playful geometric c...

Original oil painting on board by artist Chula Beauregard. Framed.

"Artemisia don't leave" me is an original painting realized by Ukrainian artist Okno in 2023. Oil, sanguine and acrylic on canvas personally constructed by the artist. Hand signed....

Saturday Evening Post, September 24, 1960, cover illustration. The present work was published as the cover illustration of the September 24, 1960 issue of The Saturday Evening Post....

White Cherry blossoms , Flowers,Russian Impressionism MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya kopitzeva’s works have been acquir...

Calvin Liang's (US based) "Waterfall in Glacier" is an oil painting that depicts a waterfall flowing between boulders and gathering in small pools before crashing over the tumultuous...

A gorgeous American Impressionist watercolor painting of a serene lagoon in a brown/orange monochrome palette by Ritchie Allen Benson (American, 1914-1991). Titled "Misty Lagoon." Presented in a wood frame. Signed "R. A. Benson" lower left. Framed size: 25"H x 31"W. Image: 23.5"W x 17.5"H. Ritchie A. Benson grew up in the Los Angeles area during the World War 11 era. By the late 1950s, he was studying watercolor painting and by the 1960s was exhibiting on a national level. He spent a great deal of time painting along the California coast and was most interested in producing works which pictured boats and harbor scenes. His watercolors were sold through the Challis Gallery in Laguna Beach and through art association exhibition sales. Although he continued to paint occasionally in Southern California, most of Bensen's later works were done in Mendocino, California, or farther north in Washington state where he spent a lot of time painting on the beaches...

Rudi Reichardt (German/Canadian Born, 1929) Signed: R. Reichardt (Lower, Left) " Trees with a Woodpile ", 1967 Oil on Board 8 7/8" x 11 7/8" Housed in a 2...

Gary Faigin says of Kurt Solmssen’s work, “Though a realist, Kurt Solmssen does not so much record what he sees, as use his surroundings as a point of departure for poetic homages to...

Conradijn Cunaeus ( Dendermonde 1828-1895 Nieuwer-Amstel ), Two friends. Oil on canvas cm 100 x 118 signed lower right.

A unique painting and woodburning by self-taught American artist Paula Towne (1948-2019). Towne embraced the beauty of Northern New York where she lived an...

Joseph Stella (1877 - 1946) Tree, Trunk, and Roots, Bronx, New York, circa 1924 Oil on canvas 12 x 16 inches inscribed in another hand Joseph Stella/Estate and bears Joseph Stella Estate stamp (on the reverse) Provenance: The Estate of the Artist Rabin & Kreuger, New Jersey Parke Bernet Galleries, New York, March 14, 1968, Lot 147 ACA Galleries, New York Thence by descent Stella was born June 13, 1877 at Muro Lucano, Italy, a mountain village not far from Naples. He became painter laureate of Muro Lucano when he was in his teens with a representation of the local saint in the village church. Stella immigrated to America in 1896 and studied medicine and pharmacology, but upon the advice of artist friend Carlo de Fornaro, who recognized his undeveloped talent, he enrolled at the Art Students League in 1897. Stella objected to the rule forbidding the painting of flowers, an indication of his lifelong devotion to flower painting. He also studied under William Merritt Chase in the New York School of Art and at Shinnecock Hills, Long Island in 1901-1902, displaying the bravura brushwork and dark Impressionist influence of Chase. Stella liked to paint the raw street life of immigrant society, rendering this element more emotionally than the city realists, the Aschcan School headed by Robert Henri. Stella went through a progression of styles--from realism to abstraction--mixing media and painting simultaneously in different manners, reviving styles and subjects years later. The "Survey" sent Stella to illustrate the mining disaster of 1907 in Monongah, West Virginia, and in 1908 commissioned him to execute drawings of the Pittsburgh industrial scene. Steel and electricity became a major experience in shaping his responses to the modern world, and Stella succeeded in portraying the pathos of the steelworkers and the Pittsburgh landscape. Stella went abroad in 1909 at the age of thirty-two, lonely for his native land. He returned to Italy, traveling to Venice, Florence and Rome. He took up the glazing technique of the old Venetian masters to get warmth, transparency, and depth of color. One of Stella's paintings was shown in the International Exhibition in Rome in 1910 and was acquired by the city of Rome. The influence of the French Modernists awakened his dormant individuality. His friendship with Antonio Mancini, a Futurist, also played a role in his new style. At the urging of Walter Pach...