1820s Art

A beautiful early 19th century British oil on panel depicting a moonlit river landscape with a water mill and figures. Excellent quality and highly detailed landscape which is very s...

Abraham Cooper 1787 – 1868 Monogrammed and dated 1824 Portrait of the Racehorse 'Don John' Provenance: Label on the reverse Galerie Art and Antiques Dr Christa Cackett Switzerland ...

This early 19th century etching entitled "Veduta dello scavo del Foro Trajano" was created by Luigi Rossini and included in his publication "Le Antichita Romane" (The Rome of Antiquity), published in Rome in 1823. It depicts the historical victory column of Trajan standing amidst the rubble of broken columns that remain around it. The etching is presented in a black wood frame with a light brown outer mat and a dark brown inner mat. There are several frame abrasions. The print and mats are in very good condition. The frame measures 27" high, 29.07" wide and 0.5" deep. The print is framed and matted in the identical style as the another etching of an ancient Roman landmark, the Piazza Navona, which is also listed on 1stdibs, see item # LU117326144172. The pair would make an attractive display grouping of Roman architecture. A discount is available for purchase of the pair of prints. Luigi Rossini (1790-1857) like his predecessors, Giovanni Piranesi (1720–1778) and Giuseppi Vasi (1710-1782), was an architect and artist. Like Piranesi and Vasi, he wanted to glorify the architecture of ancient Rome, which he felt was deteriorating and needed to be documented. Several of the ruins he illustrated have, in fact, since disappeared leaving only his images as a record of their appearance. His images of the grand edifices of the city dramatically depict the power and glory...

This lovely British Old Master portrait oil painting is attributed to circle of Sir Thomas Lawrence. Painted circa 1820 it is a seated half length portrait of a beautiful lady in a b...

Artist: Jacob George Strutt (English, 1784-1867) Title: "Near Stoneleigh, Warwickshire" Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland *Monogram signed by Strutt in the plate (printed signature) lower right Year: 1828 Medium: Original Etching on chine appliqué on heavy wove paper Limited edition: Unknown Printer: Unknown Publisher: Jacob George Strutt, London, UK Sheet size: 14.25" x 21.13" Image size: 10.38" x 13.94" Condition: Minor soiling and discoloration in margins. A few light areas of waterstaining at right and bottom edges in margins. It is otherwise a strong impression in very good condition Very rare Notes: There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland. Biography: Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...

Abraham COOPER Canvas Size: 28 x 36" (70 x 90cm) Outside Frame Size: 38 x 46" (95 x 115cm) A fantastic example of Cooper's work. A piece on a grand s...

A sweet and intimate family scene by the rarest of artists: French early 19th Century child prodigy Henri-Louis-Hippolyte Poterlet (1804-1835). Poterlet was a close friend and confi...

John Nost Sartorius (British, 1759–1828) Men Out Bird Shooting in a Woodland Landscape, circa 1820 Oil on wooden panel, in a fine antique gilt frame Unsigned A finely observed early 19th-century sporting picture by John Nost Sartorius, one of the most respected figures in the English tradition of animal and sporting painting. The composition depicts a quiet moment in the field: a sportsman advancing through woodland with his gun, accompanied by attentive pointers, their forms crisply picked out against the darker recesses of the forest. Sartorius was celebrated for his ability to combine accurate animal portraiture with atmospheric landscape settings, and this work is characteristic of his mature period. The dogs are rendered with anatomical confidence and individual character, while the surrounding woodland is handled with a restrained, naturalistic palette that lends depth and calm to the scene. The narrative is understated and refined, intended as much for contemplation as for sporting reference. Painted on a wooden panel, as was common for Sartorius’s smaller and more intimate works, the picture retains a pleasing surface quality and detail. It is housed in an antique gilt frame of appropriate date, enhancing its presence and lending a strong period feel. Works by Sartorius were highly sought after by country house patrons in the early 19th century and were often commissioned to record favourite dogs or shooting grounds. Today, paintings of this type remain especially appealing to collectors of British sporting art and sit equally well in traditional country house interiors or more formal libraries and studies. A confident and decorative example of English sporting painting...

Wonderfully painted early 19th-century English rural landscape with cattle in a cowshed. Very similar to the work of Edward Williams who was a very well-known English landscape pai...

English 19th century portrait of a White / Grey hunter in a stable. Charles Towne was born in Wigan in 1763. He was trained as a coach painter, and by ...

The Courtesan Kashiwagi and the Kamuro Wakano - Japanese Woodblock Print Original Toyokuni III/Kunisada (Japanese, 1786 - 1864) Japanese Woodblock Print "The Courtesan Kashiwagi and...

(after) JOSEPH MALLORD WILLIAM TURNER (1775 - 1851) THE DELUGE, 1828. Mezzotint, Engraved by I. P. Quilly after a painting by J. M.W. Turner R.A.. Image ...

Théodore Géricault 'Cheval de Mecklembourg' (Mecklembourg Horse), lithograph, 1822, 2nd state of 4, Delteil 47. Signed in the matrix 'Gericault', lower left. Published by Godefroy En...

Rapidly executed with the tip of a brush, this wash bordering on abstraction seduced us with its great spontaneity. This (unsigned) study is a first thought for a small licentious ca...

Jean-Victor, known as Victor ADAM Paris, 1801 – Viroflay, 1866 A Soldiers' Halt by the Sea, or The Courtier Soldier Oil on canvas 33 x 24.5 cm (42 x 34 cm with frame) Signed and date...

Artist: Catherine Board (English, Active Early 19th Century) Title: "Swans" *Signed by Board lower right. It is also signed and dated by Board at lower right on verso Circa: 1820 Med...

This simply superb British 19th century portrait oil painting is attributed to circle of John Constable. Painted circa 1820 it is a sumptuous half length portrait of a lady in a shor...

This superb British Old Master portrait oil painting is attributed to circle of Thomas Lawrence and is surely by a very experienced hand. Painted circa 1820 the composition is a half...

Théodore Géricault, 'Garçon donnant l'avoine à un cheval dételé' (Boy Giving Oats to a Hitched Horse), lithograph, 1822, 2nd state of 2, Delteil 89...

Armenian Bishop is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on the right mar...

This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...

Théodore Géricault (after), 'Tigre dévorant un cheval' (Tiger Devouring a Horse), lithograph, 3rd state of 3, Clement 97, c. 1820. Lettered 'Volmar ...

"Rovina della gran Basilica di S. Paolo fueri le mura accaduta" (View of the Ruins of the Great Triumphal Arch of S. Paolo Fuori le Mura) from "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the destruction of the Basilica of St. Paul after the fire of 1823. People stand in the road and on the right observing the damage amid debris, which includes many fragments of columns. The etching is presented in a silver-color wood frame with an off-white double mat with a black inner mat. There are a few small spots, but it is otherwise in very good condition. See item # LU117324669722 for another Rossini etching...

Théodore Géricault and Eugène Lami, 'Mazeppa' from the series 'Oeuvres de Lord Byron', lithograph, 1823, 2nd state of 3, Delteil 94. Rendered by Thé...

Gilded bronze centerpiece Paris, ca. 1820–1830, identical counterpart in Donald Trump's Oval Office Significant gilded bronze centerpiece or “Centre De Surtout De Table" based on a design by Gustav Friedrich...

This lovely British Old Master portrait oil painting is attributed to circle of Sir Thomas Lawrence. Painted circa 1820 it is a seated portrait of a young girl in a white dress with ...

Théodore Géricault 'Le maréchal flamand' (The Flemish Blacksmith) from the series ‘Etudes, de chevaux lithographiés,’ lithograph, 1822, 2nd state ...

Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H. Every for the "Beauties of Claude Lorraine" portfolio. The ...

George Dinsdale (British, fl. 1809-1829) View of Bramham Park from the east, c. 1829 Oil on canvas 48.4 x 67.1 cm.; (within frame) 62.6 x 81 cm. (Unsigned) Provenance: Private coll...

Veduta di Tivoli mista d'Antico, e moderno (...) From the collection: “Le antichità de' contorni di Roma ossia le più famose città del Lazio. Tivoli, Albano...

Artist: Jacob George Strutt (English, 1784-1867) Title: "Cottage in the Forest of Arden" Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland Year: 1829 Medium: Original Etching on chine appliqué on heavy wove paper Limited edition: Unknown Printer: Unknown Publisher: Jacob George Strutt, London, UK Sheet size: 14.07" x 21.13" Image size: 9.63" x 13.82" Condition: Minor soiling and discoloration in margins. Light areas of waterstaining about sheet mainly in margins. It is otherwise a strong impression in very good condition Very rare Notes: There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland. Biography: Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...

Watercolour on ivory colored paper, early XIX century. Hand-titled and signature in black ink (both not readable)on lower margin. Representing a woman in traditional Calabrese costum...

Pendola da soprammobile di stile imperiale in bronzo dorato a mercurio ancora funzionante. Fu realizzata per conto di “Renard suc(cursale) de Frissard, à Rouen” da Honore Pons a Pari...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

This American portrait descended through same family from 1830s until July 2012, when I acquired it from executor in Oregon. Early family had lived in New England. It is unusual to h...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

"The World" Published by Cummings & Hilliard, No. 1, Cornhill, Boston Early 19th century engraved double hemisphere Atlas Map, titled "The World." Hand colored original outlines. Pu...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Guillaume le Conquérant rapporté après sa mort à l'église de Boscherville (William the Conqueror brought back after his death to the church at Boscherville) Lithograph, 1823 As publi...

Early 19th Century, Portrait of a young man wearing glasses, gouache on paper 13 x 10.5 cm oval view In a vintage frame : 41.5 x 39 cm, accidents and lacks in the gilding but but...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

This lovely British Old Master landscape oil painting with excellent provenance is attributed to being by George Vincent, after John Crome. Painted circa 1820 the setting is a woodl...

Wonderful watercolor on ivory-colored paper called Costume di Zaccanopoli made by Michela De Vito in 1820 ca. Hand-titled Costume di Zaccanopoli with autograph notes in black ink "P...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Interno della Basilica della Fortuna Prenestina Image dimensions: 40x53 cm. From the collection “Le antichità de’ contorni di Roma (...)”, published in Rome, 1826 an artist's proof w...

Robert Frain active 1829-1877, was a Scottish painter. There is very little biographical information regarding Frain, however he was active in the first quarter to the third quarter ...

Amazing watercolor on paper of the Costume di Carafagreci realized by the artist Michela De Vito in 1820 ca. Hand-titled "Costume di Carafagreci", with autograph notes in black ink ...

I Moccoletti is a pleasant etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The work is unsigned, but it is part of the 20 plates engraved in 18...

Il Festino is a beautiful etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The work, which presents a remarkable quality of strokes and brillian...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Antique hand colored engraving of grass or Panicum Sanguinale by W.Curtis, circa 1820. Artwork was intended to be actual size of specimen. Original artwork on paper displayed on a w...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Unsigned but attributed to acknowledged master Francois-Xavier Fabre (François-Xavier Fabre, 1766 – 1837), French painter of historical subjects. Stylish and perfect portrait of beau...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

One of several spectacular groupings of engravings fresh from a Bronxville Mansion. Ten Copperplate engravings by Benjamin Maund (British) in the finest gilt frames wonderfully matte...

Lithograph on paper. Not signed. Matted: cm. 48x32. Rare variant of a famous print by Charlet.

The painting features a 3/4 bust portrait of a refined lady from the Verplanck family of Orange County, New York. The painting shows a young woman seated for her portrait in a fine b...

Title: Sho'onko Ryoho 小溫侯呂方 (Lu Fang) form Series: Tsuzoku Suikoden goketsu hyakuhachinin no hitori 通俗水滸傳濠傑百八人一個 (One of the 108 Heroes of the Popular Water Margin) Utagawa...