Photography

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Pacific Sea Nettle, 2014. Edition of 25. Cosmo Condina’s photographs are wonderfully simple, graphic, elegant images.

Heather’s Dream (The Girl behind the White Picket Fence) - 2013 50x60, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the Polaroid. Artist...

Portrait of a seated couple by Imogen Cunningham (American, 1883). Signed and dated "Imogen Cunnungham 1957" in the lower right corner below the photo. Information about subjects wr...

In orbit above the Pacific Ocean in June 1965, NASA Gemini 4 Astronaut Ed White is the first to spacewalk (tethered by a 25 foot cord) outside the craft. This is an 8" x 10" vintage...

Bus Depot (The Girl behind the White Picket Fence) - 2013 20x24cm, Edition of 10, digital C-Print, based on an expired Polaroid. Certificate and Signature label. Artist Inventory...

Heather (The Girl Behind the White Picket Fence) - 2013 80x78cm, Edition of 5, plus 2 Artist Proofs. analog C-Print, hand-printed...

This print features the playful relationship between natural forms and botanicals. In this image Erin uses the natural composition of the pink flowers, and her own collage work, to c...

Everts Township Homestead, Summer, 1993 Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Format Chromogenic print on Ko...

Byzantine Tower is a vintage black and white photograph realized by Osvaldo Bohm in the early 20th Century. Good Conditions. The artwork represents the monument in a well-balanced ...

Pino Zac - Vintage Photograph is an original black and white photograph realized by an anonymous artist in the 1970s. Good conditions.

The Girl III (The Girl behind the White Picket Fence) - 2013, 128x126cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Archive Crystal Paper, matte surface, bas...

Heather’s Dream (The Girl behind the White Picket Fence) - 2013 65x80, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Artist inventory 15442. Signatur...

Rear Window - 2022 Edition of 10 - 20 x 20 cm Archival C-Print based on a Polaroid, not mounted. Signed on back and certificate. Clare Marie Bailey Works and Lives: UK Clare Mar...

Stefanie on bed looking quite dead (29 Palms, CA) - 1998 130x130cm, Edition 1/5, analog C-Print, hand-printed by the Artist, based on a Polaroid. Signed on back with Certificate, ...

The Girl III (The Girl behind the White Picket Fence) - 2013 38x36cm, Edition 1/10. Analog C-Print, hand-printed by the artist on Fuji Archive Crystal Paper, matte surface, based...

'The Girl I' (The Girl behind the White Picket Fence), 38x37cm, 2011, Edition 2/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, mounted on Aluminum with matte UV-Protection, signed on verso, artist Inventory No. 15703.02 A piece from Stefanie Schneider's film 'The Girl Behind The White Picket Fence'. A tale told with blemished and expired Polaroid film about the hopes and dreams of an newly orphaned girl after loosing her parents who lived in Californian desert in an vintage Spartan travel-trailer . -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice over monoloque - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girls journal (Palms Springs life magazine / Carolyn Ryder) Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with the chemical mutations of expired polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen. “It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”) Exhibitions Selected (selected) 2017 Rosegallery, Bergamot Station, Santa Monica (G) (6/17 - 8/19/2017) BLICKFELD Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog), (upcoming)
 Kunstverein Bad Homburg Artlantis, Bad Homburg (G)

 2016 
Instantdreams, Instantdreams Gallery, Berlin 

(S) 2015
 Desert Voices, De Re Gallery, Los Angeles (G) with Pamela Littky 
Blue Nudes, De Re Gallery, Los Angeles (G) 

 2014

 Summer Show, Galerie Catherine et André Hug, Paris, France (G) 6 Finalists, Saatchi Gallery London (G) 
Instantdreams, De Re Gallery, Los Angeles (S)
Grand Opening, De Re Gallery, Los Angeles (G) with Banksy, Andy Warhol, Alison Bignon, Sophie Dickens, Victor Gingembre and others
 2013 
Heather's Dream, Short, nominated for the German Short Film Award 2013 (Deutscher Kurzfilmpreis)
Images For Images (Artists fir Tichy), GASK - Gallery of the Central Bohemian Region,  Kutná Hora, Czech Republic, (G) with Richard Prince, Nan Golding...

The Girl V (The Girl behind the White Picket Fence) 2013, 125x125cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Archive Crystal Paper, matte surface, based o...

Landscape in Northern Africa is a series of 8 original Vintage b/w Photographs realized by an anonymous artist in the Early 20th Century. Goos conditions except for being aged. The...

A love song (The Girl behind the White Picket Fence) (The Girl behind the White Picket Fence) - 2013 20x20cm, (ask about a larger sized edition) Edition of 10, Archival C-Print, ba...

Okurimono Pigment Print About the work : Shibari I is a work by contemporary photographer Christian Houge, from the Okurimono series. In this series, Houge has, through five trips...

Mussolini's Speech is an original photograph realized in 1934 and printed by Agence Trampus. The original title, the description, the date and the original hallmark on the back is pr...

The end of the maneuvers of Bolzano is an original black and white photo realized in September 1935 by Agence Trampus (Paris). The original hallmark of the agency (Photoreportage Tra...

Views of Egypt is a series of 8 original Vintage b/w Photographs realized by an anonymous artist in the Early 20th Century. Goos conditions except for being aged. The artworks repr...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...

Views of Venice and Veneto is a series of original Vintage b/w Photographs realized by an anonymous artist in the Early 20th Century. Goos conditions except for being aged. The art...

Landscape in Northern Africa is a series of 8 original Vintage b/w Photographs realized by an anonymous artist in the Early 20th Century. Goos conditions except for being aged. The...

Landscape in Northern Africa is a series of 8 original Vintage b/w Photographs realized by an anonymous artist in the Early 20th Century. Goos conditi...

Marilyn in the Slanted Scarf Bern Stern print on photo paper inkjet technique paper dimension: 48 X 33 cms photo dimension: 25.4 X 25.4 cms 50 copies phot...

The Girl III (The Girl behind the White Picket Fence) - 2013 38x36cm, Edition of 10. Analog C-Print, hand-printed by the artist on Fuji Archive Crystal Paper, matte surface, base...

Boccia VI (Beachshoot) - 2005 38x36cm, Edition of 10. Digital C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory # 1467. Not mounted. featuring Camill...

Views of Egypt is a series of 8 original Vintage b/w Photographs realized by an anonymous artist in the Early 20th Century. Goos conditions except for bei...

Views of Venice and Veneto is a series of 8 original Vintage b/w Photographs realized by an anonymous artist in the Early 20th Century. Goos conditions except for being aged. The a...

Wand • 1985 • Edition of 18 prints in 3 different sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available, the series is ...

Landscape in Northern Africa is a series of 8 original Vintage b/w Photographs realized by an anonymous artist in the Early 20th Century. Good conditions except for being aged. The...

This black and white photograph of birds in flight against the sky is part of artist Ron Tarver's long-term, ongoing project, " Land, Sea, Air," that explores the wide-ranging syste...

Morning Glory (The Girl behind the White Picket Fence) 2013, 80x80cm, Edition 1/5. Analog C-Print, hand-printed by the artist. Certificate and Signature label. Artist Inventory # 164...

Edition of 8

"Jump Zen", photography by Antoine Gaussin. Antoine Gaussin is a French photographer who studied journalism and photography. As a journalist, he trave...

Basquiat, Keith Haring, Rammellzee & Lady Pink, ART/New York 1984: Rare historic announcement form for “Graffiti/Post-Graffiti,” a historic 30 minute videotape featuring interviews with Jean-Michel Basquiat, Fred Brathwaite (fab Five Freddy), Futura 2000, Crash, Lady Pink, Rammellzee, Charlie Ahearn, Patti Astor, Tony Shafrazi and Keith Haring. Offset printed folded announcement. Approximately 7 x 11 inches. Fold-line in center as originally issued; otherwise very good condition. Featured as part of the catalog for: Writing the Future, Basquiat and the Hip-Hop Generation (MFA Boston). "Graffiti/Post Graffiti" 1984: Published on the occasion of a 30 minute program about graffiti tracing its evolution from street art to the New York gallery world. "Graffiti/Post Graffiti" was also born out of 'Post Graffiti," a seminal early graffiti exhibition at Sidney Janis Gallery. Footage included Fashion Moda in the South Bronx with a mural by Lady Pink; several outdoor murals by New York graffiti legends Crash and Daze; and interviews at the Fun Gallery with Charlie Ahearn (creator of Wildstyle), and Patti Astor (co-founder of the Fun Gallery) & "Fab 5...

White House on Wheel is a vintage black and white photograph realized in the U.S in the mid-20th Century in a series on American life in the 20th Century. With the typed note of the...

Elsa Martinelli is a vintage black and white photograph realized in 1970s. Good conditions.

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Arts...

X: Pleasant Dementia (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human Bra...

Edition of 8

Maurizio Nichetti - Vintage Photograph is an original black and white photograph realized by an anonymous artist in the1980s Good conditions. Maurizio Nichetti is a well-known Ital...

White Trash Beautiful I (29 Palms, CA) - 1999 78x76cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Invento...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...

'White Handbag (detail)' by Richard Heeps, taken at the glamorous retro event Goodwood Revival, perfectly captures the fine details in vintage fashion, a...

Maplewood Township Homestead, Winter, 1993 Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Format Chromogenic print on Kodak Professional Paper The sheets are approximately 30 X 56 inches the images are around 16 X 48.25 inches Some of them are cut a bit irregularly, they should all mat out fine for framing. These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin. The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barns and abandoned houses, set into richly colored landscapes. Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales. Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft. MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow. His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery, in Big Sky, MT; Anne Reed Gallery in Sun Valley, ID; The International Photography Hall of Fame, in Oklahoma, City; the Bivins Gallery at Duke University, NC; the University of Minnesota – Morris; the New York Mills Regional Cultural Center, MN; The Virginia Foundation for Architecture, Richmond, and the Addison-Ripley Gallery in DC. Mr. MacKenzie attended the University of Pennsylvania, and received a Bachelor of Arts degree, with a dual major in Architecture and Photography from Bennington College, Vermont, with advanced study in photography at the Corcoran College of Art + Design as well as the Maine and Santa Fe Photo Workshops. MacKenzie received a $ 10,000 Grant from the Graham Foundation for Advanced Studies in the Fine Arts in support of his “TOBACCO” Project, which was exhibited at the National Headquarters of the American Institute of Architects in 2003. He has also been awarded Artist Fellowship Grants from the DC Commission on the Arts, the National Endowment for the Arts, and, in 1995, MacKenzie was named the Candace DeVries Olesen Alumni Fellow at Bennington, and delivered an illustrated all-college lecture entitled: "Art and Commerce: Balancing Two Worlds.” In 2010, he was awarded a one-month artist residency at the Vermont Studio Center. Mr MacKenzie has taught one-week workshops and assorted master classes at The International Center of Photography in New York, The Palm Beach Photo...

For life 28.1" X 40" Ed. of 10, Unframed We can frame it in a white wood shadow box. The frame price is 400$ as white lacquered Shadow box with UV Acrylic. A resolutely minimalist a...

Subligraphy (CHROMALUX) on aluminium 65 x 63 cm - 25,5 x 24,8 in = $1,600 Ed.1/15 Possibility of frame with additional costs

Edition of 8

Edition of 2 The stunning fine art portraits by fine art photographer Laurentina Miksys have been described as opulent, timeless, and emotionally expressive. When they have a soul,...

Roli, 2001 from Buscando Mama series by Celso José Castro Daza One of a kind photo collage Sheet Size: 39.4 in. H x 27.2 in. W 2001 Unframed The root of these unique photographic wor...

Abstracted limited edition photograph of zebras with vivid colors by Ken Dorr (American, 20th Century), c. 2000. #10/250. Signed and numbered lower edge of mat. Presented in black me...

Abstract still life photograph of yellow Acacia flowers and green leaves against a white sky background Photograph printed on Japanese Kozo paper infused with encaustic on four panel...

Untitled (The Standard, Miami no. 12), photograph Signed, numbered, and dated (archival label, verso) Digital Pigment Print 30 x 30 in, edition of 4 20 x 20 in, edition of 9 15 x 1...