Photography

Today, Good is Bad (The Girl behind the White Picket Fence) - 2013 20x24cm, Edition 10/10. Archival C-Print, based on an expired Polaroid. Signature label and certificate. Artist...

You an Orchestra You a Bomb explores the photographer’s relationship with life itself. It is a series about paying attention to and appreciating the fragile present. You an Orchestra...

ABOUT THIS PIECE: Freeforms : Exploring form and color combinations in a series of freestanding paper foil sculptures. Using natural light I arranged foiled shapes in different posit...

ABOUT THIS PIECE: Freeforms : Exploring form and color combinations in a series of freestanding paper foil sculptures. Using natural light I arranged foiled shapes in different posit...

ABOUT THIS PIECE: Freeforms : Exploring form and color combinations in a series of freestanding paper foil sculptures. Using natural light I arranged foiled shapes in different posit...

ABOUT THIS PIECE: Freeforms : Exploring form and color combinations in a series of freestanding paper foil sculptures. Using natural light I arranged foiled shapes in different posit...

Geoff Reinhard is a photographer and producer based in New York City. This is from Reinhard's "Surf Africa" series. Originally from Chicago, Geoff has a degree in architecture from...

ABOUT THIS PIECE: "My photographs are a personal collection of moments that reveal my most genuine and beautiful depictions in the world around us. Preserving precious moments in ti...

RED! #7 by David Jay Image size: 60 in. H x 40 in. W Archival Pigment Print Edition of 5 + 2AP 2016 Although a great deal of David jay body of work focuses on often hidden aspects ...

'Early One Morning' by Stuart Möller A misty New England summer morning in Marion, Massachusetts USA. 2013. A beautiful image of the mist rolling in from the sea across the shorel...

From Nine Francois' "Animalia" series, Zebra 1 is one of 48 available animal images. Nine produces close-up photographs of animals which are presented against a stark white backgroun...

oil, wax and photography on panel.

Signed and dated on lower right, numbered on verso, unframed. Other sizes available,, other sizes available

ABOUT THIS PIECE: Amanda Pratt is known and admired for the energetic, inspiring brand of whimsy she brings to photography. Countless clients have benefitted from her technical preci...

Edition of 15 Signed, titled, and dated. Bill Kennedy is an American photographer and printmaker. His photographs are glimpses of a traditional American landscape. The most well kn...

Edition of 1 Signed, titled, and dated. A digital photograph is made up of pixels, tiny blocks of color. Within one image, millions of different colored pixels give shape to the ...

Series: ARKTOS prints Additional Sizes (All Edition of 4): 8.85" x 17.7" 14.8" x 28.5" 17.7" x 35.4" 23.6" x 47.3" This photograph will be printed once payment has been received and...

"Markus Klinko is an award-winning, international fashion/celebrity photographer and director, who has worked with many of today's most iconic stars of film, music, and fashion. Kli...

By hanging out of a helicopter hovering 300 feet in the air, Antoine Rose uniquely captures the Hamptons from a sharp 90 degree angle. This piece is a snapshot of shared beach activi...

As one of the iconic images from The Last Sitting, commissioned by Vogue Magazine, Marilyn with Chenille Scarf was created in 2013 from the negative Bert Stern shot in 1962.  It is a...

In this hyper-detailed archival pigment print on watercolor paper, a white and ivory moth with brown and black markings on its wings is dramatic against a solid white background. P...

Edition of 10 + 3 Artist's Proofs

Ocean Dance Galapagos Islands, 2019 Available sizes: 20 x 30 in / Edition of 6 32 x 48 in / Edition of 6 Archival Pigment Print printed on Hahnemühle Photo Rag Paper Diving in a...

Liz Nielsen Centerstage Stone Stack, 2019 Analog Chromogenic Photogram, on Fujiflex 30 x 22 inches 76.2 x 55.9 cm Unique -- Liz Nielsen is known for her ...

Digital mosaic. Limited and signed edition, number 3 of 8. Edition original 8 ex + 3 EA. Joël Moens is a serial creator. Over the course of his lifetime, he has spawned over fifteen different businesses. Nowadays, and almost schizophrenically, he switches between his businessman’s hat and his artist’s hat at the mere click of a mouse, given that this disciple of the philosophy of action devotes his time to digital art. His artistic 'love at first sight' moment was his discovery of and introduction to photo mosaics. This is a process which renews the ancient technique of mosaic and is testament to the change in status of the image that resulted from the technological revolutions of the end of the twentieth century. The particular works of Joël Moens are made up of scores of feminine curves, that when assembled form a unified whole. The tiny photographic images lend a real sense of depth to the artist’s work, an idea of infinity. They can be read in two ways, depending on whether the viewer is looking at the content or the form. This reflects the ambivalence of his existence where he alternates between his activities as a businessman and his work as an artist. The photo mosaics of Joël Moens de Hase first began to emerge in 2011. They rapidly caught the interest of a national and international viewership, and both were highly receptive. This digital art form, a contemporary alternative of pixel art...

20" x 16" on a 24" x 20" paper Edition of 30 40" x 32" on a 48" x 40" paper Edition of 5 Signed and editioned in pencil on recto. Titled and dated in pencil on verso Mounted and F...

Sangria - two models taking a bath with strawberries. A fantastic artwork by Ellen von Unwerth available in a limited edition of 15 made and signed by Ellen von Unwerth. Other size...

NICK KNIGHT (*1958, Great Britain) Black Rose, 1993 Hand-coated pigment print Sheet 203.2 x 162.6 cm (80 x 64 in.) Edition of 5, plus 2 AP; Ed. no. 1/5 Print only Nick Knight is among the world’s most influential and visionary photographers. He has worked on a range of often controversial issues during his career – from racism, disability, ageism, and more recently fat-ism. He continually challenges conventional ideals of beauty. Knight made fashion history in November 1993 by adapting ring-flash photography to capture Linda Evangelista for a landmark, post-grunge cover of British Vogue. Since then, his work has graced no fewer than 36 covers. He has shot advertising campaigns for Jil Sander, Louis Vuitton, Calvin Klein, Yves Saint Laurent, Vivienne Westwood, Alexander McQueen and Christian Dior to name a few. He has also shot record covers for David Bowie, Paul Weller, George Michael and Massive Attack. Knight’s work has been exhibited at institutions such as the Victoria & Albert Museum, Saatchi Gallery, The Photographers’ Gallery, the Hayward Gallery and recently the Tate Modern. Knight has also turned his hand to directing music videos - Pagean Poetry by Björk in 2001 being his first and, most recently, Kanye West’s Bound 2. He directed the video for Lady Gaga’s hit single Born This Way in 2011. Both the song and the video aimed to empower and show solidarity within minority groups, a common theme in Knight’s work. The work is one of a recently published series of prints that took 10 years to produce due to the long development process they triggered. Inspired by 16th century still lifes...

'Lo faro il litterato tutta la vita' Photo Lithography on rag paper hand signed lower right in pencil: Kounellis numbered 37/90. Provenance: The Collection of Ileana Sonnabend (Mrs Leo Castelli) & the Estate of Nina Castelli Sundell I have seen this piece identified as being 1969 and I have seen it as 1972. Jannis Kounellis (Greek: Γιάννης Κουνέλλης; 23 March 1936 – 16 February 2017) was a Greek Italian contemporary artist based in Rome. A key figure associated with Arte Povera, he studied at the Accademia di Belle Arti in Rome. Kounellis was born in Piraeus, Greece in 1936. He lived in Greece during the Second World War and Greek Civil War before he moved to Rome in 1956. From 1960 to 1966, Kounellis went through a period of only exhibiting paintings. In some of his first exhibitions, Kounellis began stenciling numbers, letters, and words onto his canvases, often reflecting advertisements and signs seen on the street. In 1960 he began to introduce found sculptural objects such as actual street signs into his work, exhibiting at Galleria La Tartaruga. This same year he donned one of his stencil paintings as a garment and created a performance in his studio to demonstrate himself literally becoming one with his painting. This newfound convergence of painting, sculpture, and performance was Kounellis' way out of traditional art. By 1961 he began to paint on newspaper to reflect his feelings towards modern society and politics. From 1963, Kounellis introduced found objects in his artworks, among them live animals but also fire, earth, burlap sacks, and gold. He replaced the canvas with bed frames, doorways, windows or simply the gallery itself. Kounellis' work from the 1980s, which also consisted of sculptures and performances using unusual materials, traveled all over Europe. In 1974, he performed with Edward Kienholz, Wolf Vostell and other artists in Berlin at the ADA – Aktionen der Avantgarde. His work has become integral to numerous renowned, international museums' collections. In 1967, Kounellis became associated with Arte Povera, a movement theorized by curator Germano Celant as a major shift from work on flat surfaces to installations. Kounellis participated in the exhibition 'Arte Povera – e IM Spazio' at the La Bertesca Gallery in Genoa curated by Celant, Arte povera means literally ‘poor art’ but the word poor here refers to the movement’s signature exploration of a wide range of materials beyond the traditional ones of oil paint on canvas, bronze, or carved marble. Materials used by the artists included soil, rags and twigs. Leading artists were Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Luciano Fabro, Piero Gilardi, Jannis Kounellis, Mario Merz, Marisa Merz, Giulio Paolini, Pino Pascali, Giuseppe Penone, Michelangelo Pistoletto, Emilio Prini and Gilberto Zorio. They worked in many different ways. They worked in painting, sculpture and photography and made performances and installations, creating works of large physical presence as well as small-scale gestures. To solidify the movement, Celant curated yet another group show, 'Arte Povera', which was exhibited at the De' Foscherari gallery in Bologna in 1968 with similar artists. In the same year Kounellis exhibited 'Senza titolo (Untitled)', which consisted of raw wool, rope and a wooden structure all leaning against a wall. Finally, Kounellis was also included in 'RA3 Arte Povera + Azioni povere' which was organized by Marcello Rumma and curated by Celant. In 1967, Kounellis installed "live birds in cages along with rose-shaped, cloth cut-outs pinned to canvas" alongside his painting. Through this shift in his work, "Kounellis was more interested in anarchical freedom from linguistic norms and conventional materials. The space of the gallery and the exhibition site in general were transformed into a stage where real life and fiction could join in a suspension of disbelief." The viewers became part of the scene of these living natural sources of energy within the gallery space. He continued his involvement with live animals later in 1969, when he exhibited twelve living horses, as if they were cars, in the Galleria l'Attico's new location in an old garage in Via Beccaria. Gradually, Kounellis introduced new materials, such as propane torches, smoke, coal, meat, ground coffee, lead, and found wooden objects into his installations. He also looked beyond the gallery environment to historical (mostly industrial) sites. In 1997, Kounellis installed thirteen wardrobes and two doors that were sealed in lead along a scaffolding ledge that blocked the entry to a central hall. In 1968, in an interview by Marisa Volpi, Kounellis stated that incidental adjustments are certain as aspects that can indicate the human liberty of life. Selected Solo Exhibitions 1960: La Tartaruga gallery, Rome 1969: Attico Gallery, Rome 1981: Van Abbemuseum, Eindhoven 1982: Whitechapel Art Gallery, London 1988: Castle of Rivoli, Turin 1996: Museo Nacional Centro de Arte Reina Sofía, Madrid 2005: Albertina, Vienna 2007: Neue Nationalgalerie, Berlin 2007: Kounellis - Jaffa Port...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of the English musician....

Combined Edition 10 Portrait of the Jamaican model, singer, songwriter, record producer and actress. From personality portraits and advertising campaigns to magazine layouts and fine art work, Greg Gorman has developed a unique style in his profession. His distinctive use of light in his black and white portraits is one of the identifying aspects of a Gorman photograph. Gorman’s strength has been photographing motion picture and music personalities. His work has been used in film advertising and publicity campaigns as well as album and CD covers. Some of the motion picture celebrities that he has photographed include Ben Affleck, Lauren Bacall, Alec Baldwin, Antonio Banderas, Kim Basinger, Marlon Brando, Pierce Brosnan, Kevin Costner, Bette Davis, Robert De Niro, Brad Pitt, Andy Garcia, Sir Anthony Hopkins, Dustin Hoffman, Sophia Loren, Al Pacino, Barbra Streisand, Kiera Knightley, Clive Owen, Jennifer Lopez and John Travolta. In the music field, Mr. Gorman has worked with Elton John, Michael Jackson, David Bowie, Morrissey, John Mayer, Bette Midler, Grace Jones and Frank Zappa to name a few. A partial list of the films that he has generated graphics and publicity for include “The Hurt Locker”, “Pirates of the Caribbean”, “King Arthur”, “Tootsie”, “The Big Chill”, “Bull Durham...

"Ocean Dance" Galápagos Islands, 2019 Available sizes: 20 x 30 in / Edition of 6 32 x 48 in / Edition of 6 Archival Pigment Print printed on Hahnemühle Photo Rag Paper with deck...

In "WEST The American Cowboy", Anouk revisits this enduring iconic symbol of America's pioneering spirit. The new series inspire with a fresh and contemporary perspective of the Amer...

Edition 25 Also available in 101 x 127 cm / 40 x 50 inch, Edition 10 Color portrait of famous singer and songwriter Elton John sitting on a chair. From personality portraits and a...

Lawrence Schiller describes this photo of Barbra from 1968 as “The Nefertiti-like profile taken in London. There she exudes a regality that true divas portray. Her neck is long, her ...

Portrait of supermodel Kate with pink, yellow and green graffiti on her top and body. Rankin unites spontaneity and perfection in a unique and exciting concept. He likes things to b...

Other sizes and high-end framing on request. Ellen von Unwerth is one of the world's most famous and influential photographers. Her artistic achievements have been honored with trul...

Signed by the artist. This piece is available at least four different sizes so contact us as availability is subject to change. ARTIST'S STATEMENT: I use photography to express selec...

Signed by the artist. This piece is available at least four different sizes so contact us as availability is subject to change. ARTIST'S STATEMENT: I use photography to express selec...

Study for an Advertising Photograph, New York, 1948

Artist: Hallencreutz, Clara Title: Taste Candy Crush Date: 2015 Medium: C-print face mounted to archival acrylic, backed with aluminum Unframed Dimensions: 27.5" x 39" Sig...

Availability is subject to change without notice.

Signed by the artist. This piece is available in five different sizes so contact us as availability is subject to change. ARTIST'S STATEMENT: I use photography to express selective t...

Signed, dated and editioned. Signed, titled, editioned and dated on back of mount on artist copyright stamp. Available in 20 x 24, 26 x 32 and 44 1/2 x 56 inches (largest size includ...

Signed, dated and editioned. Signed, titled, editioned and dated on back of mount on artist copyright stamp. Available in 20 x 24, 26 x 32 and 44 1/2 x 56 inches (largest size includ...

This photograph is an edition of 50. See below for other editions available. All editions are signed by the photographer. Larger sizes may be available upon request.

“With her cool gelato colors and sunlight reflected off the sand and celadon waves, she evokes fond memories of summer days. Because of the lack of sharp detail, it becomes impossible to explore the images for their specificity, and instead they open up and play to any seaside memory the viewer cares to pour into them. In “Camera Lucida...

“With her cool gelato colors and sunlight reflected off the sand and celadon waves, she evokes fond memories of summer days. Because of the lack of sharp detail, it becomes impossible to explore the images for their specificity, and instead they open up and play to any seaside memory the viewer cares to pour into them. In “Camera Lucida...

“With her cool gelato colors and sunlight reflected off the sand and celadon waves, she evokes fond memories of summer days. Because of the lack of sharp detail, it becomes impossible to explore the images for their specificity, and instead they open up and play to any seaside memory the viewer cares to pour into them. In “Camera Lucida...

“With her cool gelato colors and sunlight reflected off the sand and celadon waves, she evokes fond memories of summer days. Because of the lack of sharp detail, it becomes impossibl...

“With her cool gelato colors and sunlight reflected off the sand and celadon waves, she evokes fond memories of summer days. Because of the lack of sharp detail, it becomes impossibl...

“With her cool gelato colors and sunlight reflected off the sand and celadon waves, she evokes fond memories of summer days. Because of the lack of sharp detail, it becomes impossible to explore the images for their specificity, and instead they open up and play to any seaside memory the viewer cares to pour into them. In “Camera Lucida...

“With her cool gelato colors and sunlight reflected off the sand and celadon waves, she evokes fond memories of summer days. Because of the lack of sharp detail, it becomes impossible to explore the images for their specificity, and instead they open up and play to any seaside memory the viewer cares to pour into them. In “Camera Lucida...

“With her cool gelato colors and sunlight reflected off the sand and celadon waves, she evokes fond memories of summer days. Because of the lack of sharp detail, it becomes impossible to explore the images for their specificity, and instead they open up and play to any seaside memory the viewer cares to pour into them. In “Camera Lucida...

“With her cool gelato colors and sunlight reflected off the sand and celadon waves, she evokes fond memories of summer days. Because of the lack of sharp detail, it becomes impossible to explore the images for their specificity, and instead they open up and play to any seaside memory the viewer cares to pour into them. In “Camera Lucida...

That was the River, This is the Sea Portfolio Introduction: The past several years of my life have been colored by change, both positive and adverse: a new partner; a new child...

Artist: Hallencreutz, Clara Title: A Brushstroke of White Date: 2014 Medium: C-print face mounted to archival acrylic, backed with aluminum Unframed Dimensions: 39" x 56" S...

Photo on crystal archive paper. Limited edition of 6 ex. Free shipment worldwide.' Signed by the artist and accompanied with a numbered certificate of authenticity. Acquired directl...