Rag Paper Black and White Photography

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

Vicki McKenna’s “Lamb’s Ears/Comfort” is a 8 x 10 inch (image size), 14 x 16 inch (matted), handcrafted, platinum/palladium photographic print. The contemporary black and white botan...

Vicki McKenna’s “Balloon Milkweed/Memories” is a 8 x 10 inch (image size), 14 x 16 inches (matted), handcrafted, platinum/palladium, photographic print. The contemporary black and wh...

House On The Marsh by James Sparshatt pictures a lonely cabin seen through late summer grasses on a marshland. The black-and-white photograph captures a tranquil rural scene, where...

Texas Longhorn Wall Art ABOUT THIS PIECE: This series was captured on a local Texas ranch, where the land stretches wide and the longhorns stand as living symbols of endurance, her...

Wild Texas Longhorns Colored Photography Longhorn Fine Art Prints ABOUT THIS PIECE: This series was captured on a local Texas ranch, where the land stretches wide and the longhorns...

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

'Bloom Cluster' London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and bac...

The Atlantic Ocean stretching out from Dingle. In Irish folklore Brasil was believed to be a phantom island lost in mists that appeared once every seven years but could never be reac...

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

The photograph "Ginzan Spa, Yamagata, August 1976 from Fushikaden," is by Japanese photographer Issei Suda. The print is hand-signed by the photographer on ...

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the raw power and beauty of the ocean and other bodies of water. The images showcase a range of seascapes, from calm and serene to tumultuous and chaotic. Waves are a prominent feature in many of the photographs, with their sharp edges and frothy white caps creating a sense of energy and movement. Other photographs in the series explore the more subtle aspects of the sea, such as the gentle ripples that form on the surface of the water, or the abstract reflections of sunlight and moonlight over the moving surface of the sea. The print measures 24 x 36 inches total, with an image size of 20 x 32 in. and a 2 inch surrounding white border. Details: + Title: Misty Sailboat...

This is an exclusive limited edition black and white Giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This beautiful black and white high contrast photograph is titled " Zen Forest Waterfall" and displays a stimulating waterfall in a beautiful japanese forest...

This work features a photographic portrait of Helen Frankenthaler, taken by renowned musician and photographer Jim Arkatov, founder of the Los Angeles Chamber Orchester, and author of the 1998 book "The Creative Personality". The photograph is hand signed and dated '92 by Jim Arkatov. Framed alongside the photograph is a typed letter, hand signed in marker with a personal annotation ("Thanks again!!") by Helen Frankenthaler, thanking Mr. Arkatov for sending her glossy prints of his photograph and stating that she looks forward to seeing his book. Arkatov's original signed portrait, along with Frankenthaler's original signed letter, are elegantly framed in a museum quality wood frame under UV plexiglass. There is also a die-cut window in the back of the frame to reveal Arkatov's signature on the back of his photograph. Measurements: Framed 14.25 inches (vertical) by 19.75 inches (horizontal) by 1.75 inches (depth) Photographic portrait of Helen Frankenthaler: 9.25 inches (vertical) by 7.25 inches (horizontal) Letter from Frankenthaler to Arkatov: 7 inches (vertical) by 6.25 inches (horizontal) This collection was acquired from the Estate of Jim Arkatov. Below is an excerpt from his 2019 obituary in the Los Angeles Times: "...His was an immigrant’s story, a child from Russia who landed in San Francisco, befriended violinist Isaac Stern — whose fame was still to come — took up the cello and decided to pour his life into making music. James Arkatov found work with the Pittsburgh Symphony Orchestra and then with the philharmonic in San Francisco before coming to L.A. as a Hollywood studio musician who worked on movie soundtracks and backed up Ella Fitzgerald on some of her more memorable recordings, such as “Ella Fitzgerald Sings the George and Ira Gershwin Song Books.” Amazed at the dazzling talent around him in Hollywood, he came up with a simple but lasting idea — form their own orchestra. The Los Angeles Chamber Orchestra made its debut on an April evening in 1968, as hundreds squeezed into the newly built Mark Taper Forum. Arkatov played cello as usual as the ensemble drifted through the works of Mozart, Vivaldi, Haydn and other legends of the classics who’d written music specially for smaller orchestras. Arkatov, who lived long enough to see the orchestra celebrate its 50th anniversary, died Saturday at his home in Los Angeles. He was 98. “The orchestra represented a contextualized part of L.A. that had simply never been captured,” said his son, Alan Arkatov, the chair of the education and technology program at USC’s Rossier School of Education. “L.A. simply didn’t have this type of ensemble.” Arkatov was born in Odessa, Russia, on July 17, 1920, and moved around Europe before sailing with his family to San Francisco, where his father opened a photo studio. One of his early childhood friends was Stern, who would become an international star who performed on the world’s biggest stages. Arkatov, who began playing the cello when he was 9, formed a string quartet with Stern when they were teens. After stints as a cellist in San Francisco, Pittsburgh and Indianapolis, Arkatov became a member of the NBC Orchestra, the studio musicians who supplied the soundtracks for the movies that kept Hollywood humming. Pulling from the talent of Hollywood like an NFL team on draft day, he cobbled together a roster capable of handling the delicate and nuanced music written for chamber orchestras. In contrast to the L.A. Phil, which filled the stage with 100 or so musicians, the chamber orchestra was but half that size. The idea was to create a group that would play works written expressly for such an orchestra, many of them from the Baroque era. “The ensemble was never meant to compete with the Philharmonic,” Arkatov’s son said...." Helen Frankenthaler Biography: Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Heading Home – Frank Sinatra circa 1953 getting into his Cadillac. Hollywood, CA. Giclee 300gsm smooth archival rag paper and archival ink Each fine print is numbered and embossed ...

Frank and Dean recording. October, 1958. Sleep Warm album recorded by Dean Martin for Capitol Records in three sessions between October 13-15, 1958 with arrangements by Pete King and...

Driving Home – Frank Sinatra circa 1950 driving his Cadillac. Hollywood, CA. From Sinatra Family Archive Giclee 300gsm smooth archival rag paper and archival ink Each fine print i...

Frank Sinatra recording at Capitol Records. Sinatra was recording his classic album "Songs for Swingin' Lovers!" at KHJ Studios in Hollywood, CA. "Songs for Swingin' Lovers!" was Sin...

Sitting at Desk – circa 1945. Frank Sinatra at home in Toluca Lake. Note the portrait of FDR on the wall. Sinatra said after meeting him “He’s the greatest man alive today and here’s...

Karla HIRALDO VOLEAU (*1992, French-Dominican) Santorini, 2019 Inkjet on Hahnemuhle Photo Rag Baryta 315 gr. Frame: custom made aluminium profile. Mounted on aluminium. No glass. 44 ...

Vicki McKenna’s “Hydrangea/Remembrance” is a 8 x 10 inches (image size), 14 x 16 inches (matted size), handcrafted, platinum/palladium, photographic print. The contemporary black an...

Just after dawn on the Henderson swamp in Louisiana, with only alligators and storks for company, the hanging moss and primeval cypress trees in calm magnificence. James Sparshatt’s...

French Poet, visual artist, and female figure of street art, graffiti artist Miss Tic (1956 - 2022), a contemporary French woman artist who printed her 'pocho...

Wild Texas Longhorns Colored Photography Longhorn Fine Art Prints ABOUT THIS PIECE: This series was captured on a local Texas ranch, where the land stretches wide and the longhorns...

A frozen morning on the Bure River – a glass-like reflection of the over-arching trees James Sparshatt’s black and white landscapes from his Norfolk home emphasize the beauty of the big skies...

Roberta Fineberg’s Black and White Canals, Amsterdam, 2024 renders the Dutch urban landscape with the crispness of an etching. In the artist's Cities series the photograph is 20" x 1...

The baby in the image is one of Japanese artist Yoshihiko Ueda's children and reveals the photographer's eye for artful composition. The photograph "Hands and Feet" by Ueda is an arc...

Fragments II, Rome, Italy 2019 by Roberta Fineberg was shot at Ostia Antica, the Old Port of Rome and present-day archeological site in Italy. The image captures a symmetrical albeit...

The Nubra Valley is part of the Tibetan plateau. It is an arid landscape surrounded by awesome peaks, a high altitude desert inhabited by a few small Ladakhi communities and their ...

A photographer obsessed with the passing of time and family ties, Roberta Fineberg captures the intimate space of a grandmother and her grandson sharing lunch in a local brasserie in...

The forest awakens in spring. New leaves uncurl as morning light brings forth new growth. James Sparshatt’s black and white landscapes have an ethereal beauty. They are moments wh...

Hoar frost envelops the reeds of Hickling Broad at dawn. James Sparshatt’s black and white landscapes have an ethereal beauty. They are moments when the natural form of topography ...

'Bloom Cluster' London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and bac...

The photograph Toshio Shibata, #189 Yunoyani Village, Nigata Prefecture, 1989 by Japanese photographer Toshio Shibata is hand-signed (on recto) by the photographer. The 13" x 19" pri...

The Nubra Valley is part of the Tibetan plateau. It is an arid landscape surrounded by awesome peaks, a high altitude desert inhabited by a few small Ladakhi communities and their ...

Sumo, Tokyo, 2009 by Jean-Michel (JM) Voge is a contemporary color photograph 23.5" x 16.5" printed on handmade Awagami Japanese paper by the artist. The archival pigment print is: E...

The Nubra Valley is part of the Tibetan plateau. It is an arid landscape surrounded by awesome peaks, a high altitude desert inhabited by a few small Ladakhi communities and their ...

This is an exclusive limited edition black and white Giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This beautiful black and white high contrast photograph...

For the love of vinyl – circa 1945. Frank Sinatra relaxing at home in Toluca Lake, CA preparing to listen to some music. Note daughter Nancy in the edge of the right frame. From Sin...

Commonly referred to as the Snow Moon because of snowfall typical in February, the bright orb illuminated the night sky in New York City. The Snow Moon was the second full moon of 20...

Photo-respiration Yura #340, 1998 by Japanese artist Tokihiro Sato is a contemporary abstract photograph signed by the artist. Sato used a large-format camera for a long exposure ima...

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

Lord Fauntleroy Interior Still 22-528 2022 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 18 x 10 inches (45.72 x 25.4cm) Edition: 17 Si...

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

June Lake on the Eastern Escarpment of the Californian Sierra Maestre range. Hours before sunrise the frozen lake was buffeted by winds. The ice cracked and ...

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

The Skellig Islands are off the coast of Kerry in Ireland. Once the home of reclusive monks they have gained notoriety recently as a retreat for Luke Skywalker… Lit by moon light reflected off the Atlantic Ocean swell they portray a calm at odds with the often stormy seas that batter them.. James Sparshatt’s black and white landscapes have an ethereal beauty. They are moments when the natural form of topography is given magic by the transient touch of the elements. The work is also available as a smaller archival giclee print and as a collectors edition Palladium Platinum print. Archival print on 300gsm Hahnemuhle rag Edition of 15 Dark wood frame with UV clarity glass Framed size 96cm x 72cm (38″ x 28.5″) Signed by the artist Certificate of Authenticity from the gallery Country: County Kerry...

Rolling waves crashing against the breakwater in St Monan’s calmed by a long exposure after dark. James Sparshatt’s black and white landscapes have an ethereal beauty. They are mom...

Just after dawn on the Henderson swamp in Louisiana, with only alligators and storks for company, the hanging moss and primeval cypress trees in calm magnificence. James Sparshatt’s...

A fisherman late one balmy afternoon at Gore Point. The sun was setting, a gentle breeze lifting the sand and a flock of sea birds swooped and dived in the sky above… James Sparshatt’s black and white landscapes from his Norfolk home emphasize the beauty of the big skies...

Aodh is a god of the underworld and prince of the Daoine Sidhe in Irish mythology. The crashing waves in this cave made its legend as a gateway to the realm of the Gods entirely u...

A frozen morning in the highlands of Scotland and the sun battles to emerge from the mists. James Sparshatt’s black and white landscapes have an ethereal beauty. They are moments w...

Relaxing on Tour – Frank Sinatra circa April 1962 at a stop on his 30 stop World Tour for Children. They stopped in Honolulu, HI on the way to the first concerts in Japan. This was f...

Black and white photograph done as a fine art digital limited edition print or "giclee" (Nash Editions) by singer, songwriter, musician, artist, activist, pioneer of digital imaging ...

March 14, 1947. Frank co-starred with Kathryn Grayson, Jimmy Durante and Peter Lawford in MGM's "It Happened in Brooklyn", which began filming in Los Angeles. He won critical praise ...

1955 Capitol. Released in April 1955. "In the Wee Small Hours" is the 9th studio album by Frank Sinatra. "In the Wee Small Hours" has been called one of the first concept albums. The...

Wonderfully evocative archival digital photograph, limited edition giclee by Graham Nash (American, b. 1942) of his then pregnant wife Susan titled "Susan Waiting '78". #4/25. Titled, signed and dated '89. Stamp and signed on verso. Condition: Excellent; some bleed through of stamp ink below left bottom margin from stamp on verso. Unframed. Image size: 15.50"H x 22.50"W. Size including border: 22.25"H x 24.50"W. While best known as a founding member of the rock band Crosby, Stills, Nash, and (sometimes) Young, Nash also developed a parallel career as a photographer, collector, and pioneer of digital imaging. Nash's photographs include revealing portraits of family and friends, images of life on the road, still lifes and landscapes, street photographs, bad credit people, and a unique series of self-portraits which often shows him reflected in windows and mirrors. His photography establishes Nash as a masterful visual artist with a keen eye for moments and scenes not immediately available to the common eye. In 2006, fifty years of Graham Nash's photographic images were shown in his first solo museum exhibition, Eye to Eye: Photographs by Graham Nash, at San Diego's Museum of Photographic Arts. MoPA Director Arthur Ollman...