Hut Black and White Photography

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certific...

Available in the following sizes: 52 x 63 inches, Edition of 12 71 x 87 inches, Edition of 12 “My plan was to build a set around an old Wild West railway line and go back 100 years. Perhaps we could then celebrate life on the final frontier with a photograph that could be printed large and benefit from the extraordinary resolution of modern-day cameras. I wanted a vignette with picturesque sentimentality. The community of Durango, Colorado was so supportive of the plan that 80 extras were sourced with no difficulty and there was warm approval to build the set near the main ski area...

"Nantucket's Last Supper" Nantucket, USA 2022 71 x 71 inches (Framed) Smaller Size Available - 52 X 52 inches framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper This work was sourced directly from the artist. I struggle to think of an island in the world where one colour enjoys such a monopoly of the building exteriors as grey does in Nantucket. White enjoys a healthy control of the facades of Greek islands such as Mykonos and Santorini, but there is no such thing as a Greek White in decorators’ colour palettes, whereas there is most certainly a Nantucket Grey described as “a stylish gray-green reminiscent of fog settling over grassy fields.” During our time on Nantucket, I scouted for a building that could proudly showcase not just this colour, but also Nantucket’s distinct architectural design. Happily, this was not a challenging quest as the oldest building on the island - The Old House - built in 1680, ticks both boxes. The island’s English population at the time totalled just several hundred, and the native Wampanoag outnumbered them by at least three to one. In 2022 this historic building had clear potential as a contextual backdrop; I just needed a foreground narrative. We have shot “Last Supper” stories in Montana and Texas and this seemed as good an opportunity as any to continue this series, albeit on this occasion, I felt obliged to introduce a maritime vibe. To me Nantucket is about the storied past not the present and the island has no shortage of Salty Dog characters to pick up on the streets and dress accordingly. The central figure in the piece - a female mastiff called Cash - was more than willing to take a pipe in her mouth, so long as there was a bit of bread on the end of it. It was not an easy ask for her handler but all we needed was one second and then to hope that the human talent was all on point and remembering their pose from Available Sizes (Framed Size) Large: 71" x 71" Standard: 52" x 52" Available Editions Large: Edition of 12 Standard: Edition of 12 About David Yarrow David Yarrow was born in Glasgow, Scotland in 1966. He took up photography at an early age and as a 20-year-old found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, David took the famous picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other sporting events. Many years later David established himself as a fine art photographer by documenting the natural world from new perspectives and the last nine years have been career-defining. David’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following amongst art collectors. His large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. He is now recognised as one of the best-selling fine art...

David Yarrow The Last Supper Signed and numbered by artist Archival Pigment Print 52 x 90 inches, Edition of 12 Sold Out 65 x 116 inches, Edition of 12 This piece is currently on di...

Black and White Photography, Barn Print, Black & White Print-Unrefined Harmony ABOUT THIS PIECE: This is a hand-signed piece with a certificate of authent...

Signed in pencil on recto Platinum Print on Japanese Rice Paper Image Size: 7 1/2 x 9 1/2 inches; Paper Size: 8 7/8 x 11 3/4 inches

1895 Paradise Valley, Montana - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available...

1895 Paradise Valley, Montana - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available...

Deadwood Paradise Valley, Montana - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 52 x 94 inches 63 x 117 inches "This was always a risky idea, largely because film days with 250 extras must be planned long before the weather forecast...

Deadwood Paradise Valley, Montana - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 52 x 94 inches 63 x 117 inches "This was always a risky idea, largely because film days with 250 extras must be planned long before the weather forecast...

This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed by artist with Certificate of Authenticity I have never used this old brewery building before in my storytelling because I worried that the facade was too high to fit in an image if there was also to be a cast immediately in front of it. There were two possible solutions - to move the story further away from the building, which would risk disassociation, or to get close to the building with a wide-angle lens, not easy at all and could risk ending with a lousy series of far lit loose shots. The whole building would be in for sure, but to work with a 28mm lens and a wolf is not to play the percentages. We had no real choice but to go for the second option and roll the dice. We got lucky, but as someone once said “Luck is the residue of design”. A sharp shot on a 28 mm lens is pin pin sharp. Available Sizes (Framed Size) Large: 71" x 86" (180 cm x 219 cm) Standard: 52" x 62" (132 cm x 158 cm) Available Editions Large: Edition of 12 Standard: Edition of 12 David Yarrow was born in Glasgow, Scotland in 1966. He took up photography at an early age and as a 20-year-old found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, David took the famous picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other sporting events. Many years later David established himself as a fine art photographer by documenting the natural world from new perspectives and the last nine years have been career-defining. David’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following amongst art collectors. His large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. He is now recognised as one of the best-selling fine art...

Enough is Enough Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper This work was sourced directly from the artist. This photograph was a spontaneous behind ...

Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper ENOUGH IS ENOUGH Montana, USA - 2020 This Work was sourced directly from the artist. This photograph was ...

Black and white fine art landscape photography print. Wine press house in wheat field, nice clouds, storm, Austria. Archival pigment ink print, edition of 5. Signed, titled, dated an...

Christy Turlington, New Orleans, LA, British Vogue, 1990 PREISS FINE ARTS is one of the world’s leading galleries for fine art photography representing the most famous contemporary artists. Star photographer Arthur Elgort...

Black and white fine art landscape photography. Wine press house in wheat field, heavy clouds, storm, Austria. Archival pigment ink print, edition of 8. Signed, titled, dated and num...

Enough is Enough Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 48 x 66 inch...

Texas, USA 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 65 inche...

Amboseli, Kenya 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: Standard...

Texas, USA 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: Standard: 48...

Montana, USA 2015 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 68 i...

Virginia City Montana, 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: ...

Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990s. She earned her bachelor's degree and worked at Cartier’s New York corporate office. Anou...

THE EVOLUTION OF IVANPAH SOLAR The focus of my work over the past three years has been on the development of large-scale renewable energy in the American West. I began this work i...

Last Light There is solace in the night. I find it comforting when the sun finally slips away, taking with it the expectations and disappointments of the day. Darkness shrouds th...

Last Light There is solace in the night. I find it comforting when the sun finally slips away, taking with it the expectations and disappointments of the day. Darkness shrouds th...

Last Light There is solace in the night. I find it comforting when the sun finally slips away, taking with it the expectations and disappointments of the day. Darkness shrouds th...

Last Light There is solace in the night. I find it comforting when the sun finally slips away, taking with it the expectations and disappointments of the day. Darkness shrouds th...

Last Light There is solace in the night. I find it comforting when the sun finally slips away, taking with it the expectations and disappointments of the day. Darkness shrouds th...

This photograph is an Edition of 30. Please see additional editions listed below. All editions are signed by the photographer. Larger sizes may be available upon request.

Signed on the front. Contact gallery for prices and available sizes.

Signed, numbered and dated on front of the mount. Signed, dated, numbered and titled with artist's copyright stamp on back of the mount. Image size: 8 x 8 inches approximately. Over...

Titled and inscribed in printed ink,'Photographed by R. Fenton, Manchester, Published by T. Agnew & Sons, Feb. 29, 1856. London D & P Colnaghi & Co., Paris, Moulin, 23 Rue Richer. Ne...