Early 2000s Color Photography
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15
10
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Period: Early 2000s
Collage (Chicks and Chicks and Sometimes Cocks)
Located in Morongo Valley, CA
Collage (Chicks and Chicks and Sometimes Cocks) - 2019
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and signature label.
Art...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Twirling (Haley and the Birds)
Located in Morongo Valley, CA
Twirling (Haley and the Birds) - 2013
50x49cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory # ...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Deliverance (Haley and the Birds)
Located in Morongo Valley, CA
Deliverance (Haley and the Birds) - 2013
50x49cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Farmer (American Depression)
Located in Morongo Valley, CA
The Farmer (American Depression) - 2004
20 x 20 cm,
Edition of 10 plus 2 artist Proofs.
Archival C-Print based on the original Polaroid.
Signature labe...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Foggy Slave Cliff, Faroe Islands, black and white photograph, landscape, limited
Located in Vienna, Vienna
Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...
Category
Contemporary Early 2000s Color Photography
Materials
Digital Pigment, Archival Ink, Archival Paper
Subliminal (Haley and the Birds)
Located in Morongo Valley, CA
Subliminal (Haley and the Birds) - 2013
50x49cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory ...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled (Fairytales) - analog
Located in Morongo Valley, CA
Untitled (Fairytales) - 2006
49x48cm,
Edition 2/10.
Archival C-Print, based on the original Polaroid.
Certificate and signature label.
Artist Inventory # 20422.02.
Not mounted....
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Shed - Railroad Depot, Nevada, 2003 - After the Gold Rush - Architecture Photo
Located in Cambridge, GB
This series takes its title from Neil Young's song 'After the Gold Rush'. It captures former American Mining Towns he visited on his journey from Las Vegas to Bonneville. Stopping in...
Category
Contemporary Early 2000s Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Père Lachaise (Paris) - analog, Contemporary, Women, Portrait
Located in Morongo Valley, CA
Père Lachaise - 1995
Edition of 5, plus 2 Artist Proofs.
60x50cm including white borders.
Analog C-Print, hand-printed by the artist and based on the original Polaroid,
Signatu...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Opening Night (Oxana's 30th Birthday) - Polaroid
Located in Morongo Valley, CA
Opening Night (Oxana's 30th Birthday) - 2007,
from the 29 Palms, CA project -
20x24cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Sig...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
North Shore Motel Office I, Salton Sea California - Color Photography
Located in Cambridge, GB
North Shore Motel, photography by Richard Heeps captured in the Salton Sea, California. A classic American faded roadside Motel, the mid-century architecture stands against with blue...
Category
Contemporary Early 2000s Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Stefanie Schneider Polaroid sized Minis - 'Renée's Dream XV' - signed, loose
Located in Morongo Valley, CA
Stefanie Schneider's Mini
Renée's Dream XV (Days of Heaven) - 2006
signed in front, not mounted.
Digital Color Photographs based on a Polaroid.
Polaroid sized open Editions 1999-20...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, C Print, Color, Lambda, Polaroid
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled (Fairytales) - analog
Located in Morongo Valley, CA
Untitled (Fairytales) - 2006,
49x48cm,
Edition 2/5.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the original Polaroid.
Certi...
Category
Contemporary Early 2000s Color Photography
Materials
Photographic Paper, C Print, Color, Polaroid
Sunset (Sidewinder) - Original Polaroid Unique Piece
Located in Morongo Valley, CA
Sunset (Sidewinder) - 2006
Polaroid - Unique Piece 1/1,
8.8 x 7.5 cm (image area)
10.6 x 8.6 cm ( including white Polaroid frame)
Artist Inv. #23636.
Signed on verso.
Not mounted...
Category
Contemporary Early 2000s Color Photography
Materials
Polaroid
Stefanie Schneider Polaroid sized unlimited Mini 'Oasis' (Sidewinder) - signed
Located in Morongo Valley, CA
Stefanie Schneider Polaroid-sized unlimited Mini 'Oasis' (Sidewinder) - 2005 -
signed in front, not mounted.
1 Archival Color Photograph based on the Polaroid.
Polaroid sized op...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, C Print, Color, Lambda, Polaroid
The Fog (Stranger than Paradise) - Contemporary, Polaroid, Analog
Located in Morongo Valley, CA
The Fog (Stranger than Paradise) - 2003
57x56cm,
Edition 4/5.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid.
Artist inventory Nu...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Snow Silence (Stranger than Paradise) - Contemporary, Polaroid, Analog
Located in Morongo Valley, CA
Snow Silence (Stranger than Paradise) - 2003
57x56cm,
Edition 4/5.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid.
Artist invento...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Flight of Stairs II - featuring Naomi Watts - Polaroid, 21st Century
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...
Category
Contemporary Early 2000s Color Photography
Materials
Photographic Paper, C Print, Color, Polaroid
A Million Dead End Streets (Stage of Consciousness) - featuring Radha Mitchell
Located in Morongo Valley, CA
A Million Dead End Streets (Stage of Consciousness) - 2007
40x40cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and signature label. ...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Ch-ch-ch-ch-changes (Stage of Consciousness) - featuring Radha Mitchell
Located in Morongo Valley, CA
Ch-ch-ch-ch-changes (Stage of Consciousness) - 2007
40x48cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and signature label.
Artist...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
4 Corners I (Last Picture Show) Stefanie Schneider
Located in Morongo Valley, CA
"4 Corners I" (Last Picture Show) - 2005
58x57cm,
Edition of 5.
Analog C-Print, hand-printed and enlarged by the artist on Archive Fuji Chrystal Paper,
based on a Polaroid,
Not m...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Tussock II, Wicken Fen, Cambridgeshire - landscape nature photograph
Located in Cambridge, GB
Tussock II, nature photograph by Richard Heeps taken when documenting Wicken Fen.
Richard has a love for the unique Fenland landscape around his Cambridgeshire home capturing it both...
Category
Contemporary Early 2000s Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Leaving, Las Vegas, American Color Pop Art Photograph
Located in Cambridge, GB
Taken upon leaving Las Vegas, photograph from Richard Heeps' 'Dream in Colour' series, this artwork captures a classic American neon Googie sign, wit...
Category
Contemporary Early 2000s Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Backcasting (Stage of Consciousness) - featuring Udo Kier
Located in Morongo Valley, CA
Backcasting (Stage of Consciousness) - 2007
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and signature label.
Artist Invento...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Living by Voices we shall never hear (Chicks and Chicks and Sometimes Cocks)
Located in Morongo Valley, CA
Living by Voices we shall never hear (Chicks and Chicks and Sometimes Cocks) - 2019
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certific...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Wicker Swing
Located in Sante Fe, NM
Domestic Vacations: The Dutch proverb "a Jan Steen household" originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous f...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Pigment
Hell's Gate, Death Valley, California - American Landscape Color Photography
Located in Cambridge, GB
'Hell's Gate', part of Richard Heeps 'Dream in Colour' Series, this beautiful bright capture of the desert flower was taken at the gateway to Death Valley shortly after rainfall.
Th...
Category
Contemporary Early 2000s Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Every single Incident weighs Tons (The Girl behind the White Picket Fence)
Located in Morongo Valley, CA
Every Single Incident Weighs Tons (The Girl Behind the White Picket Fence) - 2013
90x89cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificat...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Last Stop Bombay Beach (California Badlands)
Located in Morongo Valley, CA
Last Stop Bombay Beach (California Badlands) - 2019
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist In...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Headless (Stay) featuring Ewan McGregor
Located in Morongo Valley, CA
Headless (Stay) - 2006
featuring Ewan McGregor
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
Artist Inventory #5084.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Contemporary Early 2000s Color Photography
Materials
C Print, Color, Polaroid, Archival Paper, Photographic Paper
Love Scene against the Wall from Sidewinder, part 3 - Polaroid, Contemporary
Located in Morongo Valley, CA
Love Scene against the Wall - part 3 (Sidewinder) - 2007,
40x39cm,
Edition 3/10.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
Artist Inven...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Impact (Wastelands) - 100x100cm, Polaroid, Contemporary, Abstract, Mounted
Located in Morongo Valley, CA
Impact - it all began quite simply I was very happy (Wastelands) - 2003
Edition of 5,
100x100cm.
Archival C-Print, based on the Polaroid.
Artist inventory Number 1189.08.
Mounted...
Category
Contemporary Early 2000s Color Photography
Materials
Metal
Water Tower (The Last Picture Show) - 21st Century, Polaroid, Color
Located in Morongo Valley, CA
Water Tower (The Last Picture Show) - 2005
Edition 2/5,
58x57cm.
Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the original Polaroid.
Artist...
Category
Contemporary Early 2000s Color Photography
Materials
Metal
Motel Desert Shores, Salton Sea, California - American Color Photography
Located in Cambridge, GB
Part of Richard Heeps 'Dream in Colour' Series, this picture has the a vibe of a Southern California American road trip, the colours are so seductive, the palm trees create a desert ...
Category
Contemporary Early 2000s Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Kelly II (Beachshoot) - Contemporary, 21st century, Polaroid, Portrait
Located in Morongo Valley, CA
Kelly II (Beachshoot) - 2005
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory # 1450.
Not...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Rapscallion (Stage of Consciousness) - featuring Udo Kier
Located in Morongo Valley, CA
Rapscallion (Stage of Consciousness) - 2007
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and signature label.
Artist Invento...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Suspicion (Stage of Consciousness) - featuring Udo Kier
Located in Morongo Valley, CA
Suspicion (Stage of Consciousness) - 2007
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and signature label.
Artist Inventory...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Lone Pine Dreaming (The Last Picture Show) - diptych, analog, mounted, Polaroid
Located in Morongo Valley, CA
Lone Pine Dreaming (The Last Picture Show) - diptych - 2005
Edition 1/5,
58x57cm each, 58x119 installed.
2 Analog C-Prints, hand-printed by the artist on Archive Fuji Chrystal Pap...
Category
Contemporary Early 2000s Color Photography
Materials
Metal
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
East River View (Stay) - Polaroid, 21st Century
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Schneider's art was the art both characters created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as paintings hanging in several scenes within the movie.
East River View (Stay) - 2006
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Certificate and Signature label, artist Inventory No. 2598.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Field in Rain, Whitman County
Located in New York, NY
C-print
Signed, titled, dated, and numbered, verso
(Edition of 10)
This photograph is offered by ClampArt, located in New York City.
About the artist:
Christopher Harris’s devastati...
Category
Contemporary Early 2000s Color Photography
Materials
C Print
Wheel Chair Corridor (Burned) - Polaroid, Contemporary, 21st Century, Portrait
Located in Morongo Valley, CA
Wheel Chair Corridor (Burned) - 1999
Edition of 10,
40x40cm
Analog hand print, on Velvet Watercolor, 310gsm, No OBAs, Bright White, Acid Free
based on the Polaroid.
Signature labe...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Ink, Archival Paper, Color, Archival Pigment, Polaroid
Transformation (Stage of Consciousness) - featuring Udo Kier
Located in Morongo Valley, CA
Transformation (Stage of Consciousness) - 2007
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and signature label.
Artist Inve...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Joy (Stage of Consciousness) - Radha Mitchell
Located in Morongo Valley, CA
Joy (Stage of Consciousness) - 2007
part of the 29 Palms, CA project -
featuring Radha Mitchell
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polar...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Capitol Theatre Lobby (Contemporary Photograph of an Abandoned Interior)
Located in Hudson, NY
Contemporary color photograph of the interior of an abandoned theater
35 x 25 inches unframed
41.5 x 31.5 inches in white wood frame with AR non-glare glass
This contemporary photograph of an abandoned theater interior was captured by New York based photographer, Elliott Kaufman, in 2005. Here the artist highlights the beautiful fading facade of the once renowned Capitol Theater in New London, CT. The photograph is complimented with a custom white wood frame measuring 41.5 x 31.5 inches. There is wiring on the back for installation.
About the series:
Elliott Kaufman conveys the haunting magnificence of forgotten buildings in the Abandoned series. Architectural marvels once home to heartbreaking operas, spectacular gatherings, or a loving family now sit vacant and linger in fading memories of the past with each new crack of paint, crumbling brick, or falling beam. Through his lens, Kaufman captures the remnants of these majestic structures, romanticizing what once was for viewers in the present day. This series won 2nd place in the ASMP National Competition.
Exhibitions:
2014 Carrie Haddad Gallery: Water Pictures : December 18th thru January 2015.
2014 International Center of Photography, Juried Group Faculty Show: Photographs in the Social Landscape
2013 Carrie Haddad Gallery, Hudson, NY. Group Show: Street Dance Series
2012 Carrie Haddad Gallery, Hudson, NY. Group Show : Time Transformations
2012 The Hudson Studio, Hudson, NY.: Solo Show : Abandoned Architecture.
2011 Garrison Art Gallery, Juried Group Show
2010 Alan Klotz Gallery, Group Show on the 400th Anniversary of the Hudson River.
2009 Through the Eyes of Others Photographs of India...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Ink, Archival Paper, Digital
Above the Clouds (29 Palms, CA)
Located in Morongo Valley, CA
Above the Clouds (29 Palms, CA) - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory #...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Feathers (Stage of Consciousness) - Radha Mitchell
Located in Morongo Valley, CA
Feathers (Stage of Consciousness) - 2007
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and signature label.
Artist Inventory ...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Devotion (Stage of Consciousness) - starring Radha Mitchell and Udo Kier
Located in Morongo Valley, CA
Devotion (Stage of Consciousness) - 2007
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and signature label.
Artist Inventory # 7947.
Not mounted.
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Ecstasy (Stage of Consciousness) - Radha Mitchell
Located in Morongo Valley, CA
Ecstasy (Stage of Consciousness) - 2007
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and signature label.
Artist Inventory #...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Setting the Stage (Stage of Consciousness) - Udo Kier
Located in Morongo Valley, CA
Setting the Stage (Stage of Consciousness) - 2007
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and signature label.
Artist I...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Don't give up on us, Baby (Till Death Do Us Part) - Contemporary, Polaroid
Located in Morongo Valley, CA
Don't give up on us, Baby (Till Death Do Us Part) - 2005
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Coney Island (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Coney Island (Stay) - 2006
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory # 2196.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Stefanie Schneider Polaroid sized Minis - 'Renée's Dream XI' - signed, loose
Located in Morongo Valley, CA
Stefanie Schneider's Mini
Renée's Dream XI (Days of Heaven) - 2006
signed in front, not mounted.
Digital Color Photographs based on a Polaroid.
Polaroid sized open Editions 1999-20...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, C Print, Color, Lambda, Polaroid
Palm Springs Poolside I, California - American Architecture Color Photography
Located in Cambridge, GB
Palm Springs Pool Side, photograph by Richard Heeps taken at Ballantines Movie Colony. This artwork captures the classic mid-century Palm Springs architecture set against saturated b...
Category
Contemporary Early 2000s Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Ancient Bridge Views III (Stay)
Located in Morongo Valley, CA
Ancient Bridge Views III (Stay) - 2006
20x20cm,
Edition of 5 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 2490.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Plane Mirage (Stranger than Paradise)
Located in Morongo Valley, CA
Plane Mirage - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory #4645.
Not mounted...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Sedge Fen, Wicken Fen, Cambridgeshire - landscape nature photograph
Located in Cambridge, GB
Sedge Fen, nature photograph by Richard Heeps taken when documenting Wicken Fen.
Richard has a love for the unique Fenland landscape around his Cambr...
Category
Contemporary Early 2000s Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Operating Limitations (Stranger than Paradise)
Located in Morongo Valley, CA
Operating Limitations (Stranger than Paradise) - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Art...
Category
Contemporary Early 2000s Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
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