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Early 2000s Color Photography

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Period: Early 2000s
Childhood Memories (Stay) - Polaroid
Located in Morongo Valley, CA
Childhood Memories (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 2261 Not mounted. Stefan...
Category

Contemporary Early 2000s Color Photography

Materials

Photographic Film, Archival Paper, C Print, Color, Polaroid

Big Boy (Stay) - Polaroid
Located in Morongo Valley, CA
Big Boy (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 2266 Not mounted. Stefanie Schneide...
Category

Contemporary Early 2000s Color Photography

Materials

Photographic Film, Archival Paper, C Print, Color, Polaroid

Citylights Paris, Photography, Limited Edition, Cityscape, Street
Located in München, BY
Citylights Paris Edition of 25 signed and numbered by the artist The view from the Montparnasse Tower to the Eiffel Tower in Paris at sunset. JJK is ...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Pigment

Louvre moments, Photography, Limited Edition, Street, Paris
Located in München, BY
Louvre moments Edition of 25 signed and numbered by the artist A tour group during a visit to the Louvre Museum. The guide is explaining a large mural and the people look exhausted....
Category

Contemporary Early 2000s Color Photography

Materials

Archival Pigment

Louvre moments, Photography, Limited Edition, Street, Paris
Located in München, BY
Louvre moments Edition of 25 signed and numbered by the artist A tour group during a visit to the Louvre Museum. The guide is explaining a large mural and the people look exhausted....
Category

Contemporary Early 2000s Color Photography

Materials

Archival Pigment

Indian Summer V (The Last Picture Show)
Located in Morongo Valley, CA
Indian Summer V (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Artist...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Light me up, Photography, Limited Edition, Berlin, Portrait
Located in München, BY
Light me up Edition of 25 signed and numbered by the artist The statue looks like it holds the lamp in the hand. This photo was made in the Pergamon museum in Berlin. JJK is a pseu...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Pigment

Light me up, Photography, Limited Edition, Berlin, Portrait
Located in München, BY
Light me up Edition of 25 signed and numbered by the artist The statue looks like it holds the lamp in the hand. This photo was made in the Pergamon museum in Berlin. JJK is a pseu...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Pigment

Memory Sequence (Stay) - Polaroid
Located in Morongo Valley, CA
Memory Sequence (Stay) - 2006 with Ryan Gosling 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 2058. N...
Category

Contemporary Early 2000s Color Photography

Materials

Photographic Film, Archival Paper, C Print, Color, Polaroid

Best Friend (Stay) - Polaroid
Located in Morongo Valley, CA
Best Friend (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 2030. Not mounted. Stefanie ...
Category

Contemporary Early 2000s Color Photography

Materials

Photographic Film, Archival Paper, C Print, Color, Polaroid

Memory Sequence Disco (Stay) - Polaroid
Located in Morongo Valley, CA
Memory Sequence Disco (Stay) - 2006 with Ryan Gosling 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 2006...
Category

Contemporary Early 2000s Color Photography

Materials

Photographic Film, Archival Paper, C Print, Color, Polaroid

Memory Sequence (Stay) - Polaroid
Located in Morongo Valley, CA
Memory Sequence (Stay) - 2006 with Ryan Gosling 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 2003. No...
Category

Contemporary Early 2000s Color Photography

Materials

Photographic Film, Archival Paper, C Print, Color, Polaroid

Sunny Boy (Stay) - Polaroid
Located in Morongo Valley, CA
Sunny Boy (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 2000. Not mounted. Stefanie Sc...
Category

Contemporary Early 2000s Color Photography

Materials

Photographic Film, Archival Paper, C Print, Color, Polaroid

Indian Summer IV (The Last Picture Show)
Located in Morongo Valley, CA
Indian Summer III (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Artist Inventory No 18549. Not mounted. Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018 / 2019. “It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”) What makes Stefanie Schneider’s work so unique is that it’s immediately recognizable. Perfect ‘wabi-sabi’ in appearance and content. Dream like, colorful with depth and vision. From start to finish, a truly self made artist with a distinctively female perspective. Exhibitions Selected (selected) 2018 Participation Bombay Beach Biennale, Bombay Beach, USA (G) March Available to All, Rough Play Projects - Site Specific, Joshou Tree, USA (G) curated by Deborah Martin with Adam Berg, Doron Gazit, Kellan Barnebey, Chris Sanchez, Aili Schmelzt 2017 BLICKFELD Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog), (upcoming)
 Rosegallery, Bergamot Station, Santa Monica (G) Magie des Moments, Kunstverein Bad Homburg Artlantis, Bad Homburg (G) 2016 
Instantdreams, Instantdreams Gallery, Berlin 

(S) 2015
 Desert Voices, De Re Gallery, Los Angeles (G) with Pamela Littky The Ballery in Heat, The Ballery, Berlin (G) 
Blue Nudes, De Re Gallery, Los Angeles (G) 

 2014

 Summer Show, Galerie Catherine et André Hug, Paris, France (G) 6 Finalists, Saatchi Gallery London (G) 
Instantdreams, De Re Gallery, Los Angeles (S)
Grand Opening, De Re Gallery, Los Angeles (G) with Banksy, Andy Warhol, Alison Bignon, Sophie Dickens, Victor Gingembre and others
 2013 
Heather's Dream, Short, nominated for the German Short Film Award 2013 (Deutscher Kurzfilmpreis)
Images For Images (Artists fir Tichy), GASK - Gallery of the Central Bohemian Region,  Kutná Hora, Czech Republic, (G) with Richard Prince, Nan Golding, Shirana Shahbazi, Sophie Calle, Martin Kippenberger, Arnulf Rainer, Thomas Ruff, Katharina Grosse, Jonathan Meese & others (catalog) 
The Girl behind the White Picket Fence, Galerie Catherine et André Hug, Paris, France (S)
 Heather's Dream, Short, German Competition Short Film Festival Oberhausen 
Multimedia Presentation with Artist Stefanie Schneider, Palms Springs Art Museum, Annenberg Theater
 The Polaroid Years: Instant Photography and Experimentation, The Frances Lehman Loeb Art Center, Poughkeepsie, NY, (G) with Ansel Adams, Bruce Charlesworth...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Pile Up (Stay) - Polaroid
Located in Morongo Valley, CA
Pile Up (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1955. Not mounted. Stefanie Schn...
Category

Contemporary Early 2000s Color Photography

Materials

Photographic Film, Archival Paper, C Print, Color, Polaroid

Coffee Break (Stay) - Polaroid
Located in Morongo Valley, CA
Coffee Break (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1576. Not mounted. Stefanie...
Category

Contemporary Early 2000s Color Photography

Materials

Photographic Film, Archival Paper, C Print, Color, Polaroid

Hudson (Stay) - Polaroid
Located in Morongo Valley, CA
Hudson (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1575. Not mounted. Stefanie Schne...
Category

Contemporary Early 2000s Color Photography

Materials

Photographic Film, Archival Paper, C Print, Color, Polaroid

Blue Sky Palm Trees (Sidewinder) - including the book 'A Half Forgotten Dream'
Located in Morongo Valley, CA
Blue Sky Palm Trees (Sidewinder) - 2005 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by snap Collective, 2024. 20x...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Second Thoughts (Till Death do us Part) - Contemporary, Polaroid
Located in Morongo Valley, CA
Second Thoughts (Till Death do us Part) - 2005 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. A...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Brooklyn Bridge 09 (Stay) - Polaroid
Located in Morongo Valley, CA
Brooklyn Bridge 09 (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1571. Not mounted. St...
Category

Contemporary Early 2000s Color Photography

Materials

Photographic Film, Archival Paper, C Print, Color, Polaroid

Radiohead by Kevin Westenberg Signed Limited Edition
Located in London, GB
Radiohead Radiohead, Oxford, 2001 by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists and movie stars for over 25 years. His technique of lighting, colour and composition has helped to produce his own unique visual style. All prints are signed and numbered by the artist. Paper size 16x20 inches Edition size varies according to print size. Other sizes available (in inches): Luxe 16x20 (Edition of 25) Large 20x24 (Edition of 25) Longe 24x30 (Edition of 25) Grande XL 30x40 (Edition of 10 (+2 a/p)) Giant 40x60 (Edition of 3 (+1 a/p)) FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. Thom Yorke, Jonny Greenwood, Colin Greenwood, Ed O'Brien, Philip Selway, Nigel Godrich, Stanley Donwood...
Category

Modern Early 2000s Color Photography

Materials

Color, Archival Pigment

Christmas - Color Photograph by Plinio Martelli - 2009
Located in Roma, IT
Christmas is a colored photographic print realized by Plinio Martelli in the 2009. Very good conditions. Hand signed and dated by the artist on the lower margin of the photograph. Original title: Pittrice Plinio Martelli (1945-2016) After scientific studies he graduated from the Albertina Academy of Fine Arts in Turin with masters such as Enrico Paolucci and Mario Calandri...
Category

Modern Early 2000s Color Photography

Materials

Photographic Paper

Brooklyn Bridge 06 (Stay) - Polaroid
Located in Morongo Valley, CA
Brooklyn Bridge 06 (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1568. Not mounted. St...
Category

Contemporary Early 2000s Color Photography

Materials

Photographic Film, Archival Paper, C Print, Color, Polaroid

Brooklyn Bridge 05 (Stay) - Polaroid
Located in Morongo Valley, CA
Brooklyn Bridge 05 (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1567. Not mounted. St...
Category

Contemporary Early 2000s Color Photography

Materials

Photographic Film, Archival Paper, C Print, Color, Polaroid

Brooklyn Bridge 04 (Stay) - Polaroid
Located in Morongo Valley, CA
Brooklyn Bridge 04 (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1566. Not mounted. St...
Category

Contemporary Early 2000s Color Photography

Materials

Photographic Film, Archival Paper, C Print, Color, Polaroid

Untitled (Flag Girl)
Located in New York, NY
Digital C-print Signed and numbered, verso 20 x 20 inches (Edition of 10) 30 x 30 inches (Edition of 5) This photograph is offered by ClampArt, located in New York City. Please no...
Category

Contemporary Early 2000s Color Photography

Materials

C Print

Beauty in Nature - Nature limited edition Square art print, Floral Contemporary
Located in Sant Cugat del Vallès, Barcelona
Beauty in Nature - Limited edition pigment print - Limited Editions of 15 Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes (...
Category

Contemporary Early 2000s Color Photography

Materials

Photographic Film, Archival Paper, Photographic Paper, Color, Pigment, A...

In Hiding (29 Palms, CA) Contemporary, Woman, Polaroid
Located in Morongo Valley, CA
In Hiding (29 Palms, CA) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #5723. Not...
Category

Contemporary Early 2000s Color Photography

Materials

Photographic Paper, C Print, Color, Polaroid, Archival Paper

Windmills of your Mind (29 Palms, CA) - Polaroid
Located in Morongo Valley, CA
Windmills of your Mind (29 Palms, CA) - 2013 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist Inventory No. 16640. Not mounted. In Stefanie Schneider's evocative piece "Her Last Call," she presents a poignant scene featuring the talented actor Heather Megan Christie. The composition centers around a captivating image of Christie holding a red rotary phone...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

False Pretenses (29 Palms, CA) Contemporary, Woman, Polaroid
Located in Morongo Valley, CA
False Pretenses (29 Palms, CA) - 2008 20x24cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #573...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Cinderella (29 Palms, CA) Contemporary, Woman, Polaroid
Located in Morongo Valley, CA
Cinderella (29 Palms, CA) - 2008 20x20cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #5721. No...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Xtreme (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Xtreme (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid photograph. Artist inventory Number 909. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Time Traveller (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Time Traveller (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory N...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Without You (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Without You (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 934. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

A sunny Morning - The Girl behind the White Picket Fence
Located in Morongo Valley, CA
A Sunny Morning (The Girl behind the White Picket Fence) - 2013 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature la...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

I don't like it (Till Death do us Part) - Polaroid, Figurative
Located in Morongo Valley, CA
I don't like it (Till Death do us Part) - 2008 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. A...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Deserted (Stage of Consciousness) - featuring Radha Mitchell
Located in Morongo Valley, CA
Deserted (Stage of Consciousness) - 2007 40x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Inventory ...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Sun 45, Bisbee, Arizona - American Vintage Interior Color Photograph
Located in Cambridge, GB
Sun 45, photograph from Richard Heeps' 'Dream in Colour' series. This stylish interior artwork is made up of deep and dark tones, with a flash of bright yellow. It was captured in a ...
Category

Contemporary Early 2000s Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

You don't love me! (Till Death do us Part) - Contemporary, Polaroid
Located in Morongo Valley, CA
You don't love me! (Till Death do us Part) - 2008 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

You're not taking care of me! (Till Death do us Part) - Polaroid, Figurative
Located in Morongo Valley, CA
You're not taking care of me! (Till Death do us Part) - 2008 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signa...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, C Print, Color, Polaroid

How can you say that (Till Death do us Part) - Polaroid, Figurative
Located in Morongo Valley, CA
How can you say that (Till Death do us Part) - 2008 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature labe...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

There is no Solution (Till Death do Us part) - Polaroid, Figurative
Located in Morongo Valley, CA
There is no Solution (Till Death do us Part) - 2008 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature labe...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Wonder Valley (29 Palms, CA) - Polaroid, 21st Century, expired, Contemporary
Located in Morongo Valley, CA
Wonder Valley (29 Palms, CA) - 2009 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature Label. Artist inventor...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Prayer 2001, Los Angeles
Located in Hudson, NY
This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category

Contemporary Early 2000s Color Photography

Materials

Digital Pigment

But I Love You (Till Death do us Part) - Polaroid, Figurative
Located in Morongo Valley, CA
But I Love You! (Till Death do us Part) - 2008 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. A...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Love you Actor Girl (Stage of Consciousness) - featuring Radha Mitchell
Located in Morongo Valley, CA
Love you Actor Girl (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

The existence is disintegrating into the heat of the dessert sirocco - Polaroid
Located in Morongo Valley, CA
The Existence is disintegrating into the Heat of the Desert Sirocco (The Girl behind the White Picket Fence) - 2015 40x48cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Game Lover - Photo by Matteo Basilé - 2008
Located in Roma, IT
Game Lover is an original Photogravure realized by Matteo Basilé. This artwork is from the portfolio The Unique Collection for the Olympic Fine Arts 200...
Category

Contemporary Early 2000s Color Photography

Materials

Photographic Paper

Farewell (Haley and the Birds)
Located in Morongo Valley, CA
Farewell (Haley and the Birds) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # ...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Renée's Dream - Jules and Jim X - 29 Palms, CA
Located in Morongo Valley, CA
'Jules and Jim X' (Renée's Dream) from the 29 Palms, CA series - 2007 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and signat...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Brilliant Shadow (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Brilliant Shadow (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 22720. Signature labe...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Silver Bullet (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Silver Bullet (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 23475. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

It's Going to Be OK (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
It's Going to Be OK (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 23890. Signature l...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

After (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
After (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 18799. Signature label and Certi...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Stefanie Schneider Minis - Airstream (29 Palms, CA) - signed on back, mounted
Located in Morongo Valley, CA
Stefanie Schneider's Minis 'Airstream' (29 Palms, CA) - 1999 signed and signature brand on verso Lambda digital Color Photographs based on a Polaroid Polaroid sized open Editions 1...
Category

Contemporary Early 2000s Color Photography

Materials

Plexiglass, Archival Paper, Color, Lambda, Polaroid

Stefanie Schneider Polaroid sized Minis - Airstream (29 Palms) - signed, loose
Located in Morongo Valley, CA
Stefanie Schneider's Mini Airstream (29 Palms, CA) - 1999 signed in front, not mounted. Digital Color Photographs based on the Polaroids. Polaroid sized open Editions 1999-2023 10....
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, C Print, Color, Lambda, Polaroid

Blooded (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Blooded (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 22991. Signature label and Cer...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

On The Run (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
On The Run (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 23024. Signature label and ...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Last Chance (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Last Chance (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 24104. Signature label and...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Star Link (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Star Link (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1194. Signature label and Ce...
Category

Contemporary Early 2000s Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

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