Men Color Photography

Actor George Hamilton and model Alana Collins in the fashion parade on Capri during a fashion festival at the Grand Hotel Quisisana in 1968 Slim Aarons Estate Edition, Certificate o...

Into the Light (Stage of Consciousness) - 2016 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inv...

Designer/Artist & Manufacturer: Hernan Bas (n. 1978) Markings: no marking(s) apparent Country of Origin & Materials: American; ink on incised silver gelatin print Dimensions(H,W,D): ...

'Polo Party' Paul Butler, patriarch of one of America’s foremost polo families, with his son, daughter, grandchildren and son-in-law, Palm Beach, April 1981. Left to right: Adam Bu...

Because I Am (29 Palms, CA) - 2008 20x24cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #6795 Not mounted. Stefa...

X-Rayed (Back in the 80's) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #354 Not mounted. Stefani...

Harbour Island in the Bahamas, 1970 Gorgeous print measuring 20 x 24" inches / ca 50.8 x 60.9 cm’s paper size. Estate Stamped Collection Edition to 150 Photo by Slim Aarons Pr...

'New England Skiing' Two women recline on improvised sunbeds in Cranmore Mountain, New Hampshire, circa 1955 Paper size 20 x 20 inches / 51 x 51 cm Estate Stamped Collection Ed...

Digital C-print (Edition of 11) Signed, dated, and numbered, verso This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sel...

Mindscreen 1 - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #240 Not mounted. Stefanie Schneider's ...

Composing non-living objects is completely different- especially when it comes to birds. I know it can maybe seem macabre at first, but I love photographing both living and non-livin...

Fly me to the Moon (The Girl behind the White Picket Fence) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inve...

Gasoline IIb (Stranger than Paradise) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #270b Not mounte...

'Princess Lucy Ruspoli' 1984 Slim Aarons Limited Estate Edition Print Princess Lucy Ruspoli at Rougemont, near Gstaad, Switzerland, February 1984. Pro...

Lila and Sam (Stay) with Ewan McGregor and Naomi Watts - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

U2 On Tour By Martyn Goddard Signed Limited Edition U2 in their tour van at Leeds University 1980 All prints are signed and numbered by the artist. Paper size 16x20 inches printed 2022 Edition size varies with paper size: 11×14 edition of 50 20×16 edition of 40 20×24 edition of 25 40×30 edition of 23 FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. bono adam clayton...

This late 1980s portrait photograph, captured by society photographer Slim Aarons, Principe Dom Pedro De Orleans E Braganca, grandson of Brazilian emperor Pedro II. He is pictured at...

'Harbour Island' in the Bahamas, 1970 Paper size 30 x 20 inches / 76 x 51 cm Estate Stamped Collection Edition to 150 Photo by Slim Aarons Printed in 2025 Limited to 150 pri...

Carol Beckwith, (American, b. 1945), Maasai Portrait Chromogenic print on paper, from Beckwith's book "Maasai" (1980), Hand signed in pencil, dated and titled with name of sitter in margins, 19" x 16" Sheet. Carol Beckwith (1945-) is an American photographer, author, and artist known for her photojournalism documenting the indigenous tribal cultures of Africa, most notably in partnership with the Australian photographer Angela Fisher. Between them, Beckwith and Fisher have published 14 books, and have had their photos appear in National Geographic, Natural History, African Arts, The Observer Magazine, Time, Life, Vogue, Marie Claire and Elle. They continue to exhibit and lecture at galleries and museums worldwide, including The American Museum of Natural History and The Explorers Club in New York City, The Smithsonian Institution in Washington, DC, and the Royal Geographical Society in London. They have also collaborated on four films about African traditions. Together they have received numerous accolades, including the United Nations Award for Excellence, the Royal Geographical Society's Cherry Kearton Medal, two Anisfield-Wolf Book Awards, The Explorers Club Lowell Thomas Award, and the WINGS WorldQuest Lifetime Achievement Award. Carol Beckwith was born in Boston, Massachusetts, where she went on to attend both the School of the Museum of Fine Arts, Boston and Goucher College in Maryland. After obtaining her degree in Painting and Photography she won a traveling fellowship from the Boston Museum, which let her travel to other countries for the first time. She spent seven months in Japan, living in a Zen temple and studying calligraphy painting. She continued to travel through Southeast Asia and New Guinea, where she witnessed a "sing-sing", a gathering of 90,000 Highland warriors, in Mount Hagen, and paddled up Chambri Lakes in a canoe, an experience she called "one of the most wonderful, and in a way formative, experiences in my life." Her first trip to Africa was in 1973, when she was invited to spend Christmas with a friend in Kenya. Beckwith bought a 45-day roundtrip ticket and ended up staying eight months. There she encountered the Maasai people who invited her to witness a female circumcision ceremony. Astonished by the ritual, she then determined to spend more time with the Maasai. Beckwith studied photography in college but had initially intended to become a painter. It was during her travels through New Guinea that she realized the advantages of photography, saying that "there was such a vast amount of exciting material that I began to photograph instead, approaching photography with the eye of a painter in terms of light, color, composition. I wanted the images to be multi layered experiences in a way that a painting is. . . [Photography] seemed to be a more suitable medium for the pace of travel." Beckwith's first major collaboration was with Tepilit Ole Saitoti, an anthropologist and former Maasai warrior...

Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. “The Black Eye” continues Michal Chelbin’s exploration of the world of athletes and perfor...

Because I Am (Stage of Consciousness) - 2008 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by Snap Collective, 2024. ...

Fountain Head (Stay) - 2006 featuring Ryan Gosling 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 5252 Not...

Fountain Head (Stay) - 2006 featuring Ryan Gosling 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 5248 Not...

Fountain Head (Stay) - 2006 featuring Ryan Gosling 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 5247 Not...

'La Canzone Del Mare' 1958 Slim Aarons Limited Estate Edition Print La Canzone del Mare in Capri, Italy, July 1958. (Photo by Slim Aarons/Getty Images) C Print Produced from the...

Sam, Interior Hospital (Stay) featuring Ewan McGregor - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory ...

Childhood Memories (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 2295 Not mounted. Stefan...

Memory Sequence (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 2273 Not mounted. Stefanie ...

Childhood Memories (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 2261 Not mounted. Stefan...

Savannah Strike by Alain Le Garsmeur Group of men having fun playing baseball in the street in downtown Savannah, Georgia, USA, 1983. Paper size 16 x 20 inches / 40 x 50 cm Printed...

Street Cafés In Capri 1959 Street Cafés in Capri, Italy, 1959. by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archival pigment print unframed (framing available see...

circa 1964: New York DJ Slim Hyatt at work in Shepheard's night club whose decor recreates a famous Cairo bar. Two gold and turquoise sphinxes flank the DJ, who is posed behind two record players and before a glittering sculpture. Hyatt is often credited as the first disco DJ in the US. Initially hired by Oliver Coquelin upon the opening of Le Club, Hyatt quickly became one of the most revered figures in the emerging disco scene. He also DJed at Doubles from 1984 to 1995, and has been called by the painter and bandleader Peter Duchin “the first discotheque artist in New York." Slim and Sphinx, 1964 Slim Aarons Estate Edition Photograph Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. Chromogenic Lambda C-type print on Fuji Crystal Archive Paper Crisp detail, continuous tone and brilliant color Paper weight 210gms Matte Satin Surface Printed Later Collector will get the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Complimentary dealer shipping to your framer. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Internal: Vintage New York, Vintage glamour, 60's glamour, Vintage DJ...

Digital C-print Signed and numbered, verso 11 x 14 inches, sheet (Edition of 20) 16 x 20 inches, sheet (Edition of 10) This photograph is offered by ClampArt, located in New York ...

A skier sets off on the easy loop at Cannon Mountain, New Hampshire, 1955. Gorgeous print measuring a huge Oversize 60 x 40" inches / ca 152 x 101 cm’s paper size. Estate Stamp...

The photograph measures 40 x 40 cm. It is printed on matte Hahnehmühle paper. The dimension of time for María Moldes (Pontevedra, 1974) is used as a weapon of resistance against wha...

A Beachside Meal In Capri 1959 Holidaymakers enjoy a meal at a beachside restaurant in Capri, Italy, 1959. by Toni Frissell 40x30 inches / 101 x 76 cm paper size Archival pigmen...

Apres Ski A party of skiers adjourn for drinks at Squaw Valley, California, 1961. Second from right is American lawyer and businessman Alexander Cochrane Cushing (1913 – 2006), who ...

'Playboy Party' Guests of American publisher Hugh Hefner, December 1961. Paper Size 24x20 inches / 60 x 50 cm Estate Stamped Collection Edition to 150 Photo by Slim Aarons ...

Toned Photographic Print Comes unframed Male nude . About the Artist: Short Biography in a Nutshell: A fun journey My first foray into the art world was receiving a summer schola...

Colourful Crew A group of colourfully dressed holidaymakers on a yacht, Bermuda, June 1970. 40x30” / 76x101 cm - paper size Estate Stamped Collection Edition to 150 Photo by S...

Archival pigment print 20 x 16 inches (Edition of 8) 29 x 24 inches (Edition of 8) This photograph is offered by ClampArt, located in New York City. During the 2012 football seas...

'On The Slopes Of Sugarbush' 1960 Slim Aarons Limited Estate Edition Print A group of people relaxing at the chalet of stockbroker A Albert Sack Jr, at the Sugarbush Mountain ski r...

Easy Rider Bike Scene by Globe Photos Archive Easy Rider 1969 film classical portrait riding on a motorcycle with a helmet. Easy Rider is a 1969 American independent road drama fil...

Manny Edition of 25 signed and numbered by the artist A butcher at the meat market in Stone Town on Zanzibar. The newsprint is there to wrap the meat for the customers. JJK is a ...

Carmen Alvarez enjoying a game of backgammon with Frank 'Brandy' Brandstetter in a swimming pool at Acapulco. Keep Your Cool 1978 C print Estate stamped and hand numbered edition of...

Time Traveller (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory N...

Keep Your Cool, 1978 Carmen Alvarez enjoying a game of backgammon with Frank ‘Brandy’ Brandstetter in a swimming pool at Acapulco. 60x40” / 101x152 cm - paper size Estate Stampe...

New York Picnic A chauffeur unpacks a picnic hamper from a Rolls Royce, against the New York skyline, 1952. Gorgeous print measuring a large 30 x 30" inches / ca 76 x 76 cm's. E...

Scuba diving in the Bahamas, 1959. Gorgeous print measuring 24 x 20" inches / ca 60.9 x 50.8 cm’s paper size. Estate Stamped Collection Edition to 150 Photo by Slim Aarons Pri...

Monte Carlo 1975 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Friends board a riva boat in Monte Carlo, Monaco, 1975...

'Downtown Las Vegas' 1979 by Alain Le Garsmeur Limited Edition Archival Pigment Print A group of friends drive through the streets of downtown Las Vegas, New Mexico, USA, 1979. Paper size : 40x30 inches / 101 x 76 cm Limited edition Edition Size 5 only this paper size Printed 2021 certificate of authenticity provided All prints are on archival photographic papers and limited edition per paper size offered. Total editions per image 100 only. 10x12 inches edition size 25 12x16 inches edition size 20 20x16 inches edition size 20 20x24 inches edition size 15 30x20 inches edition size 8 40x30 inches edition size 5 60x40 inches edition size 5 72x48 inches edition size 2 Alain Le Garsmeur was born in France in 1943 and after assisting the likes of Helmut Newton, Guy Bourdin and Donald Silverstein became a prolific editorial documentary photographer for publications which included Fiagaro Magazine, The Independent, Newsweek and the The Observer as well as The Sunday Times. See photo Bio for more details. 1970s 1970 70s USA Retro Vintage Car Friends Youth Blue Wheels Record shop Vegas Quirky Fashion...

Lonely Hearts (The Girl behind the White Picket Fence) - 2013 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist Inventory No. 16346. Not mounted. In Stefanie Schneider's evocative piece "Her Last Call," she presents a poignant scene featuring the talented actor Heather Megan Christie. The composition centers around a captivating image of Christie holding a red rotary phone...

Holidaymakers by the sea at Porto Ercole, Tuscany, September 1966. Gorgeous print measuring 30 x 40" inches / ca 76.2 x 101.6 cm’s paper size. Estate Stamped Collection Edition ...

Sudden Urge (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 809. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Farewell (Haley and the Birds) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # ...

'Jules and Jim X' (Renée's Dream) from the 29 Palms, CA series - 2007 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and signat...

Hawaiian Scenes 1957 A diver prepares in the surf, Hawaii, 1957. by Toni Frissell 16 x 20" inches / 41 x 51 cm paper size Archival pigment print unframed (framing available se...

Brilliant Shadow (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 22720. Signature labe...