Plant Color Photography

Patty Carroll has been known for her use of highly intense, saturated color photographs since the 1970’s. Her most recent project, “Anonymous Women,” consists of a 3-part series of s...

Titled the 'Sundance Series', these artworks are a development of traditional landscape photographs and they have created a unique perspective as if captured through a telescope or a...

Slim Aarons Estate Limited Edition C print HUGE 72 x 48" inches / 183 x 122 cm unframed. ' Poolside Party ' A poolside party at a desert house, designed by Richard Neutra for Edga...

Unknown Artist Untitled Color Photograph on Kodak Paper Year: Unknown 11.81 x 7.82 inches (30 x 20 cm) Edition: 800 Signed by hand, verso Tags: #ColorPhotograph #KodakPaper #ArtPhot...

Lantern in the forest. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to the e...

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

The colours of Autumn resplendent in the shedding leaves of a woodland tree. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the vi...

Half Light 8 is a stunning Digital C-Type on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been...

This is a chromogenic print by Ralph Gibson. This work is offered by CLAMP in New York City. Red Poppy Field, Bourgogne 1992 Signed, l.r.; Also datel, l.l. Chromogenic print (Edi...

The implied act of opening the boxes, releases the energy of the occupants, allowing them to take flight. The people and objects confined within, through the simple act of unfolding,...

Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Artwork sold in perfect condition from a limited edition of 12 ex- Composition from an assembly of 8 ...

Fine art landscape color photography. Archival pigment ink print as part of a limited edition of 8. All Gerald Berghammer prints are made to order in limited editions on Hahnemuehle ...

Golf At The Mill Reef Club 1959 Golfers at the Mill Reef Club in Antigua, by Toni Frissell 40 x 30" inches / 101 x 76" cm paper size Archival pigme...

Tropicarios Installation from the series Tropicarios by Paloma Castello Digital photography print on chroma luxe. 7" x 5" each Edition : 10/10 + 1AP This work is sold UNFRAMED Each ...

Tropicarios #8 from Tropicarios series by Paloma Castello From the Tropicarios series Digital photography print on chroma luxe. 33" x 21,6" Edition : 2/5 + 1AP Unframed Similar t...

Yoshinori MIZUTANI (*1987, Japan) Moonlight 01, 2014 Archival pigment print on Hahnemuhle Fine Art Baryta paper 84 x 63 cm (33 1/8 x 24 3/4 in.) Edition of 4, plus 2 AP print only Yoshinori Mizutani's (*1987, Japan) works suggest new expressive possibilities that mix the domestic traditions of personal and street photography with those of foreign conceptual photography. Mizutani graduated from the Tokyo College of Photography in 2012. He has won a number of prestigious awards including Japan Photo Award in 2013 as well as Foam Talent Call and Lens Culture Emerging Talents Top 50 in 2014. His series Tokyo Parrots was on view at this years Bienne Festival of Photography in Bienne/Switzerland. His foray into photography is fairly recent, he started 5 years ago. Nonetheless, his photographs do demonstrate an innate understanding of how forms, colours, textures and depth translate to the pictoral plane. He is working with a visual vocabulary that has been well established by the work of many photographers active today. Mizutani’s work serves as a good gauge of the visual tropes and photographic styles that are prevalent among young photographers in Tokyo. „The themes of my work are the everyday and the familiar. What is familiar to me, however, could be new to the viewer. It could also be revelatory or something previously overlooked. It is the viewers’ varied responses to and interpretations of images, which makes photography interesting." – Yoshinori Mizutani About Moonlight: Using strobe light...

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

Ferry passenger taking the air in his thermal underwear on the deck of a ferry heading up the Yangste River – Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding ...

Carla van de Puttelaar's photographs allow the eye to touch skin on many levels. Although her primary subject is often the female body, in recent years she has also begun to examine...

Half Light 12 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in the fore...

'Sunbathing In Barbados' The former Pauline Haywood sunbathing on a lilo in a swimming pool designed by English artist Oliver Messel, Barbados,...

Half Light 5 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in the fore...

Campbell Falls Picnic (1959) Limited Estate Stamped - Grande XL (Photo By Slim Aarons) A family enjoy a picnic on the bank of the Whiting River near Campbell Falls, Massachusetts...

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound exploration of dreams and fa...

Leonard Dalsemer 1974 Slim Aarons Limited Edition Estate Print Leonard Dalsemer and his family at their villa in Lyford Cay, New Providence Island, April 1974. (Photo by Slim Aarons...

Aditya Dicky Singh, Untitled, Infrared photograph on fine-art Hahnemuhle archival paper, 36" x 36", 2022 *please note this artwork can be printed at any size so long as the rati...

Between the Trees 14 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. This is Artist Proof 2 of 2...

Dasha & Mari - Tennis - limited edition 30x30" inches oversize C print - numbered and stamped limited to 10 only this size. edition no 3/50 Sumptuous, sensual with erotic undertones, this is a beautiful fine art image from the twin artists duo from Kiev. Steeped in fashion iconography and with more than a dash of Helmut Newton - these works are fast becoming collectable. About the artists : DASHA & MARI are award-winning photographers, twin sisters from Kiev, Ukraine. Specialise in Fashion, Art Nude and Psychological Portrait. They have an extensive experience in fashion industry in London, Paris, Milan and Berlin. Art photography they create has a cinematic feel, it is original and storytelling. HEARST Magazines UK have selected them for the Master's Photography program in Cambridge, UK. Artists have received a Masters Degree from Kingston University, London, UK in 2018. HONORS & AWARDS PARIS PHOTO 2018, Fashion Nude Expo. Collective exhibition. Paris, France MA Art + Design Exhibition The Brick Lane Gallery, London UK 2018 13th Annual Black & White Spider Awards 2018 - Nominee in Fine Art The Game 12th Annual Black & White Spider Awards 2017, Beverly Hills, CA - Winner in Fashion category 11th Annual International Color Awards , Beverly Hills, CA 2017 - Nominee in Fashion category HOME GALLERY, Personal Photography Exhibition 'FUTURO EROICO'. Salerno, Italy 2017 10th Annual INTERNATIONAL COLOR AWARDS 2017, Beverly Hills, CA - Winner, Honorable Mention in Fashion category FASHION 2ND PLACE WINNER (PROFESSIONAL), FAPA 2016 FINE ART PHOTOGRAPHY AWARDS PHIFEST Exhibition of Photography, Milan, Italy 2016 Photography Exhibition at SALONE DEL MOBILE 2016 - Milan, Italy Photography Exhibition at 55th annual week of Design in Milan in co-operation with SM Samuele Mazza Outdoor Collection and Ipe Cavalli. Exhibition at The ART BOWL GALLERY, Amsterdam 2016 10th Annual Black & White Spider Awards 2015, Beverly Hills, CA - Nominee in Fashion MONOCHROME AWARDS 2015 - Honorable Mention (Professional) in Fashion / Beauty Finalists of the HASSELBLAD MASTERS AWARDS 2014 8th Annual INTERNATIONAL COLOR AWARDS, Beverly Hills, CA - Nominee in Fashion category International Color Awards 2014 Sony World Photography Awards - Shortlisted in the Fashion category 2012, London, United Kingdom. Solo Exhibition in Russia 2011 Art Nude Photography Exhibition 'SECRET GARDEN', Ryazan city, Russia. PUBLICATIONS & PROJECTS NORMAL magazine (France), OPENEYE magazine (France), ELLE Magazine UK, THE COMMISSION LONDON (UK), THE HUFFINGTON POST (US), PH Magazine (Canada), INSIDE BRACKETS (Paris), IDOLL Magazine (USA), Professional Photographer (UK), CHIC LIFESTYLE Magazine (Mexico), BOREALIS (Canada), PORTFOLIOS Magazine (Spain), The View Magazine (Netherlands), ZEPHYR Magazine (US), NOCTIS Magazine (UK), VOGUE ITALIA (Italy), HOLISTIC FASHIONISTA (LA, US), TARTARUS Magazine (US), IT-MAGAZINE (Switzerland), AFTER NYNE Magazine (UK), ARCHIDESART Magazine (UK), NIF Magazine, WHY NOT Magazine, POLISART Magazine (Portugal), PLAYBOY Photo Awards (Ukraine), BIZZARE Magazine (UK), Sensual Photography...

Royal Albert Gratitude with Cherry, limited edition photograph, signed Eating is a physical need, but meals are a social ritual. Utilizing the passed-down heirlooms of friends and ...

Aditya Dicky Singh, Untitled, Infrared photograph on fine-art Hahnemuhle archival paper, 36" x 36" *please note this artwork can be printed at any size so long as the ratio remai...

Circular color photograph of figures in a white landscape with red and white tulips Archival pigment print, ed. of 5 10 inch diameter image on 22 x 17 inch archival paper Made to order, unframed This circular photograph...

The photography of Carla van de Puttelaar allows the eye to touch the skin on many different levels. Through her lens, she makes the viewer aware of the sensitivity and the sensualit...

The Twinhouses of The Great Northeast neighborhood of Philadelphia reflect how people share a common border. Common upkeep, such as mowing the lawn, ends at an approximation of the p...

The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, scho...

J. Gordon Douglas (1970) Limited Estate Stamped - Giant (Photo by Slim Aarons) Mr. and Mrs. J Gordon Douglas in the formal gardens of their residence, Santa Barbara, California,...

This is an original gouache painting layered on an original inkjet print using alternative process photography. Image measures 8" x 8" on 11" x 8.5" paper. Ava Blitz...

'Marbella House Party' 1980 Italy by Slim Aarons Guests at a party at the home of Sebastiano Bergese in Marbella, Spain, August 1967. (Photo by ...

Brunch At Brennans Sunday brunch at Brennan’s restaurant, New Orleans. 30x30" inches / 76 x 76 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons P...

Angie Jennings Bri, Postal Carrier Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a...

This is an archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnemuhle P...

' Pink ' Signed Limited Edition Oversize print by Stuart Möller limited edition to 10 only this size - signed Gorgeous C print measuring a large 30 x 20" inches / ca 76 x 51 cm's paper size Produced by the artist. We ship regularly using Fedex Express and other international services. Stuart Möller, German, was born in Kabul Afghanistan and lives and works in London England. With his background in fine art, his works are observations often characterized by a contemplative, meditative quality. keywords : delicate delicateness fragile fragility feminine femininity flower abstract fine art photography plant organic light...

This is an archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnemuhle P...

Eleuthera Pool Party (1970) Limited Estate Stamped - Grande XL (Photo By Slim Aarons) Circa 1970, Eleuthera Pool Party, Bahamas. Additional Information: Unframed Paper Size: 30x...

'Chateau Saint-Martin' 1986 Slim Aarons Limited Estate Edition Print The Chateau Saint-Martin, a luxury hotel in Vence on the Cote d'Azur, France, 1986. The building was once a Com...

Slim Aarons Estate Limited Edition C print HUGE 60 x 40" inches unframed. ' Poolside Party ' A poolside party at a desert house, designed by Richard Neutra for Edgar J. Kaufmann, i...

Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognit...

The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...

Santa Fe based photographer James W. Pitts' primary focus for over 20 years has been on hand coating platinum prints from large format negatives. He explores the still life genera ...

Dolores Del Rio (1952) - Limited Estate Stamped (Photo By Slim Aarons) Mexican film star Dolores Del Rio (1905 – 1983) swimming in Acapulco, Mexi...

In “American Motel Signs” Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the...

Photography has been my medium for the past twenty years. However, early in my career, I studied painting and worked as a scenic artist for the theater. The skills and sensibilities ...

Photography has been my medium for the past twenty years. However, early in my career, I studied painting and worked as a scenic artist for the theater. The skills and sensibilities ...

Carla van de Puttelaar's photographs allow the eye to touch skin on many levels. Although her primary subject is often the female body, in recent years she has also begun to examine...

photo-eye Gallery is very excited to share twelve new works from represented artist Maggie Taylor. After completing her prodigious series of illustrations for Lewis Carroll's Through...

Water Skiing In Acapulco 1956 by Toni Frissell 48 x 72 “ / 121 x 182 cm - paper size Archival pigment print unframed (framing available see examples - please enquire) Limited ...

Betty Hahn Title: Belladonna Date: 1980 Original Polaroid Large Format Print (Photo-Internal dye diffusion transfer) Location: Cambridge Massachusetts United States Dimensions: Image: 27 1/2 x 20 1/2 in. (69.9 x 52.1 cm), Paper: 29 1/4 x 21 1/2 in. (74.3 x 54.6 cm) This depicts a still life of a flower with an old botanical drawing print plate. From "Five Still Lifes" New York: Paradox Editions, Ltd., 1980. 5 original Polaroid color prints. Each hand signed, titled, dated and numbered 37/40 in ink in the margin. Each approximately 24 x 20in (image size). Each is on original as there are no negatives in this process. The photographers included: Robert Cumming, Robert Fichter, Betty Hahn, Victor Schrager and William Wegman. The photos were produced in the Polaroid Corporation’s 20×24 studio in Cambridge, Massachusetts. This is an internal Dye Diffusion print (large format) Polaroid print. These are exceedingly rare now. This format was used by many of the leading photographers of the second half of the 20th century, among them Peter Beard, Chuck Close, David Levinthal, Robert Frank, David Hockney, Lucas Samaras, Andy Warhol, Robert Mapplethorpe and, perhaps most significantly, Ansel Adams More recently Ellen Carey has created large abstract masterpieces using this format. Betty Hahn (born 1940) is an American photographer known for working in alternative and early photographic processes. She completed both her BFA (1963) and MFA (1966) at Indiana University. Initially, Hahn worked in other two-dimensional art mediums before focusing on photography in graduate school. She is well-recognized due to her experimentation with experimental photographic methods which incorporate different forms of media. By transcending traditional concepts of photography, Hahn challenges the viewer not only to assess the content of the image, but also to contemplate the photographic object itself. Betty Hahn was born on October 11, 1940 in Chicago, Illinois where she also grew up. At the age of ten, Hahn was given her first camera by an aunt. Hahn later on went to graduate from Scecina Memorial Catholic High School. Soon after, she enrolled at Indiana University with a full scholarship where she furthered her studies in Fine Arts, receiving both her BFA (1963) and her MFA (1966). Throughout her undergraduate years, she concentrated in drawing and painting; however, as she entered graduate study, she worked in photography. During this important developmental period, Hahn studied under one of the most well-known photography teachers of the time, Henry Holmes Smith, who encouraged Hahn's work in alternative processes. Once she graduated, Hahn moved to Rochester where she taught at the Rochester Institute of Technology until 1975. Hahn then relocated to Albuquerque where she was professor at University of New Mexico until her retirement in 1997. Hahn is best known for her explorations of alternative processes in photography, using both older methods of darkroom developing such as gum-bichromate and cyanotypes, with other art mediums, including hand-painting and even embroidery. She is noted as one of the first photographers to successfully integrate such a variety of art mediums. Hahn encourages the viewer to think more deeply through not only the use of different physical processes in her artwork, but also through the multiplicity of meanings in her photographs. In most of her work, Hahn integrates humor and irony as she explores the meanings generated by formal combinations. Some of her prints include the sprocket holes of the 35mm negative, which allude to its 35mm film origins: but by hand coloring with bright paints, she draws attention to the mixture of craft with industrial mediums. Once she started experimenting with the gum-bichromate process, Hahn started stitching into her photographs. Printing onto canvas and other fabrics allowed her to use thread to highlight certain aspects of the photograph. In combining her photographs with conventional practices, Hahn successfully intertwines formal and conceptual aspects. Not only does she speak to the mundane tasks of everyday life, but also about routine and normativity. In highlighting the ordinary in her work, Hahn elevates and revives that which has been lost in the practice of daily life. Embroidery references femininity, as Hahn underlines the feminist issue of the anonymity of women's handicraft. Her embroidery often emphasized flowers with its three-dimensionality, furthering the idea of femininity; she later on pursued this as a symbol and incorporated it in several of her other series. In her work, Hahn delivers a powerful feminist message in regards to women and embroidery. It is quite evident through time that women's labor is needlework, and that their labor is frequently undervalued as craft both when dissimilar and alike to men's work. In a time period where men overshadowed women in the traditional art, such as painting and sculpture, women oftentimes reverted to other mediums like textiles. It has been suggested that women's work, especially in embroidery, is of little value in the art field since it is considered a craft. Since "arts and crafts" are more often than not paired together, it is obvious they are in the same category; however, there is a clear distinction. For 300 years, women have been taught needlework through practice and tradition, and in inadvertently, promoted obedience and household effeminate behavior. As a result, instead of regarding stitching as an art, many viewed it as a thoughtless skill, lacking originality. On the contrary, however, it is far more than evident that the hand of woman is more than a mindless and conforming thing, it is one of sensitivity, thought, patience, perseverance, and strength. By incorporating embroidery and stitching, Betty Hahn pushes the audience to acknowledge the work of women not as craft or tradition, but as meticulous, creative and unique. Exhibitions The Division of Photographic History at the Smithsonian Institution exhibited Hahn's work in a group exhibit in the 1960s as a part of a developing series of displaying the works of women photographers. Afterwards her work was featured in multiple thematic exhibitions at the Smithsonian. Hahn's first solo show exhibiting her work was in 1973 at the Witkin Gallery in New York City. Thereafter, she received several grants from the National Endowment for the Arts in 1974, 1978, and 1983 to continue her work in explorative photography. Hahn's art has been exhibited throughout the country and worldwide featured in museums highlighting historical processes in Baltimore, Maryland (1972) and nature photography exhibitions in Osaka, Japan (1990). Her work has been displayed at the Albuquerque Museum of Art and Art History (2017), Phoenix Art Museum (2015), and the George Eastman House (2012, 2016). Hahn's work is held in private collectors, galleries, and in permanent museum collections, including the San Francisco Museum of Modern Art, Center for Creative Photography and the Museum of Modern Art. Exhibitions 1996 – George Eastman House International Museum of Photography and film, Rochester, New York 1997 – A History of Women Photographers, Akron Art Museum 1997 – Eye of the Beholder, Photographs of the Avon Collection, International Center of Photography, Midtown, New York City 1998 – Passing Shots: A Travel Series, University of New Mexico Art Museum, Albuquerque, New Mexico 1998 – The City Series, Taos, Albuquerque, Santa Fe, Cedar Rapids Museum of Art, Cedar Rapids, IA 1999 – Photography Or Maybe Not, a Betty Hahn traveling retrospective, Mikhailovsky Palace, St. Petersburg, Russia 2000 – 20/20 Twentieth Century Photographic Acquisitions by 20 leading patrons, Museum of New Mexico, Museum of Fine Arts 2000 – Photography Or Maybe Not, a Betty Hahn traveling retrospective, Santa Fe de Granada, Spain 2001 – In the Eyes of the Beholder: Ten Photographers View Albuquerque, The University of New Mexico Hospital, Albuquerque, NM 2002 – Sun Works Contemporary Alternative Photography, The Art Institute of Boston 2002 – Flowers from the Permanent Collection, The Albuquerque Museum, Albuquerque, New Mexico 2004 – 30th Anniversary Permanent Collection Exhibition, New Mexico State, University Art Gallery, Las Cruces, New Mexico 2005 – New Mexico State University Art Gallery, Las Cruces, New Mexico 2005 – Ace in the Hole, the legacy of Peter Walch, University Art Museum, University of New Mexico, Albuquerque, NM 2006 – The collectible moment, Norton Simon museum, Pasadena, California 2006 – The Social Lens, University of Virginia Art Museum, Charlottesville, Virginia 2007 – Seeing Ourselves: Masterpieces of American Photography, A Traveling 2007 – Exhibition, George Eastman House, Rochester, New York 2008 – Flower Power: a Subversive Botanical, New Mexico Museum of Art, Santa Fe, NM 2008 – Bernalillo County Arts Board Gallery, One Civic Plaza NW, Albuquerque, NM 2008 – Giving Shelter 516 Arts Albuquerque, NM (A Sister Exhibition to the Cradle Project) 2008 – Betty Hahn, Joyce Neimanas, and Judith Golden, Harwood Art Center Albuquerque, NM 2009 – Through the Lens: Creating Santa Fe, Palace of the Governors, The New Mexico History Museum, Santa Fe, 2009 – Altered Land: Photography in the 1970s, Sheldon Museum of Art, University of Nebraska, Lincoln, Nebraska 2010 – Sole Mates Cowboy Boots & Art, New Mexico Museum of Art 2010 – Rock Scissors Paper, Anderson Contemporary Arts, Albuquerque, NM 2010 – Recollection 2010, Works from the Colorado Photographic Arts Center, The Central Library, Vida Ellison Gallery, 2012 – 60 From the 60's (an exhibit of influential photos from the 1960s) George Eastman House, Rochester, New York 2012 – Albuquerque Now-Fall and Albuquerque Now-Winter, The Albuquerque Museum of Art and History, 2013 – It's About Time: 14,000 Years of Art in New Mexico, The New Mexico Museum of Art, Albuquerque, NM 2014 – Alternative Lineage – Honoring Betty Hahn; 5 Decades of Mentoring 2014 – Alternative Photographic Processes, Center for Photographic Art Carmel, California 2014 – Alternative Lineage, Northlight Gallery, Arizona State University, Tempe, Arizona 2014 – Transformational Imagemaking, Handmade Photography Since 1960 2014 – An Exhibition Curated by Robert Hirsch, CEPA Gallery, Buffalo, NY 2014 – Museum Project, dnj Gallery, Santa Monica, California 2014 – American Heritage Center and Art Museum, University of Wyoming, Laramie, Wyoming 2014 – Hubbard Museum of the American West, Ruidoso, New Mexico 2015 - One-Of-A-Kind, unique photographic objects from the Center of Creative Photography, University of Arizona, 2015 – Unconfined – Empowering Women Through Art, African American Performing Arts Center, New Mexico Expo, 2015 – Visualizing Albuquerque: Art of Central New Mexico, Albuquerque Museum, Albuquerque, NM 2015 – Healing ... For the Time Being, A mixed media exhibition in conjunction with On the Map: Albuquerque Art and Design, Jonathan Abrams MD 2015 – The AIPAD Photography Show, Represented by Joseph Bellows Gallery, New York, New York 2016 – Transformational Imagemaking, traveling exhibition March-16- April 16; Muhlenberg College, Allentown, Pa. 2016 – Fall-Rochester Institute of Technology, Bevier Gallery, Rochester, NY 2016 – 60 from the 60's: Selections from the George Eastman Museum, At the Hyde Collection, Glens Falls, New York (The featured artists included were Harry Callahan, Benedict J. Fernandez, Hollis Frampton...

Lantern in the forest. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to the e...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...