Woodland Color Photography

RISAKU SUZUKI (*1963, Japan) Water Mirror 15, WM-272, 270 (Diptych), 2015 Chromogenic print (2x) Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5 (#3/5) Print only A Label signed b...

"White Oak #1, Lithonia, GA" is a nocturne photograph of an urban tree featuring hues of blue, green, yellow and black. This listing is for a framed print. Additional unframed sizes ...

RISAKU SUZUKI (*1963, Japan) Water Mirror 16, WM-653 2016 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 2/5 Framed ‘Water Mir...

Daniel Mansur Vert #4, 2018 60 x 40 inches 100 x 150cm 71 x 47 inches 180 x 120cm 88.5 x 60 inches 225 x 150 cm Edition of 6 copies overall Archival Pigment Print Signature L...

"Drift 05" Landscape Photography 30" x 20" Edition of 10 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Unframed - ships rolled in a tube DRIFT Behind the scenes of...

Archival Pigment Print - UNFRAMED 21 x 26 inches - edition of 7 32 x 40 inches - edition of 7 44 x 55 inches - edition of 10 59 x 79.5 inches – edition of 5 Ask us for custom fra...

Daniel Mansur WALD 1, 2019 60 x 88.5 inches 150 x 225 cm Also available in: 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies overall Archival Pigm...

The photographer woke up early to catch the morning light and chanced upon this lady carrying her wares to the local market in a typical day in the province. The morning light is nat...

Daniel Mansur Brumadinho Tree, 2015 40 x 60 inches 100 x 150cm Also available in: 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies overall Archiva...

Brazilian Rainforest 40 x 60 inches - Edition of 10 Archival Pigment Print Unframed ABOUT THE ARTIST: Born in São Paulo, Sérgio Ranalli manages to combine journalistic objectivity ...

Edition of 3 Signature Label on verso, framed.

Print detail: Painting like photographic print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) Shipping: The print on glass would be packed and into wooden crate for artwork protection and shipped with professional art shippers. About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

Throughout her career, Geesaman photographed public parks and formal gardens in the United States and Europe, focusing on the intersection of nature and artifice in the cultivated la...

Edition of 10 C-Print 17.875 x 17.875 Framed in natural wood Michelle Buhler has a BFA from the University of Utah. She has studied photography at the International Center of Photography and cinematography at New York University. She currently lives in Idaho. Education: New York University, Cinematography, New York, New York, 2011 International Center of Photography, Advanced Color Photorgraphy with Liz Deschenes, New York City, 2007 University of Utah, BFA Photography, Salt Lake City, Utah, 2003 Articles and Awards 2012 Honorable Mention in the 2012 First Edition of Hey Hot Shot, Jen Bekman Gallery, NYC 2012 The Stone Mind, Open House: Art on Iowa by Justin Roth 2003 Red Magazine...

Jung LEE (*1972, South Korea) You, You, You......, 2010 C-Type Print, Diasec Sheet 125 x 100 cm (49 1/4 x 39 3/8 in.) Frame 127,3 x 102,4 x 3,2 cm (50 1/8 x 40 3/8 x 1 1/4 in.) Editi...

Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...

Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...

Edition of 15 Archival pigment print Paper size: 30 x 41 in., Image: 25 x 36 in. Signed, titled, dated, and numbered by Jeanine Michna-Bales Series: The Four Moments of the Sun: Hidd...

Traditional C-Print, edition 1/10

Tracitional C-Print, edition 1/10

Traditional C-Print, edition 1/10

Traditional C-Print, edition 1/10

Traditional C-Print, edition 1/10

photograph

51 x 63 inch type-c print, framed to 52 x 66 inches. Edition 7. Signed, titled, dated and editioned on label verso. Other sizes available - please inquire. In a persistent search fo...

UNTITLED #4, 2021 Archival Pigment Print, Framed (Unframed option is also available - please enquire for an offer) 30 x 46 cm / 12 x 18 inches approx. plus frame Edition of 10 + 2 AP Other dimensions are also available Series: Tree Huggers from the Future Signed on verso "On a recent walk in my favourite area of woodland I came across a group of time travelling eco tourists, appearing one by one from a brilliantly bright space suspended over a small pond. They had come back to our time to study trees and invited me to document their research. Apparently they knew I would say yes. Twice now our trips have coincided, almost as if they knew where and when I would be going on holiday, and I must admit, I hope our paths cross again, as I find them strangely photogenic." - George McLeod...

UNTITLED #2, 2021 Archival Pigment Print, Framed; white frame with antireflective art glass 30 x 46 cm Edition of 10 + 2 AP Other dimensions from a smaller editions also available Series: Tree Huggers from the Future Signed on verso About: "On a recent walk in my favourite area of woodland I came across a group of time travelling eco tourists, appearing one by one from a brilliantly bright space suspended over a small pond. They had come back to our time to study trees and invited me to document their research. Apparently they knew I would say yes. Twice now our trips have coincided, almost as if they knew where and when I would be going on holiday, and I must admit, I hope our paths cross again, as I find them strangely photogenic." - George McLeod...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'The river embraced me', 2016 C–type print 56 x 56 cm (22 x 22 in.) Edition of 3; Ed. no. 1/3 Print only Signed by the artist ...

Throughout her career, Geesaman photographed public parks and formal gardens in the United States and Europe, focusing on the intersection of nature and artifice in the cultivated la...

Edition of 7, plus AP Mounting and framing not included in price.

The result of twelve trips over three years, Moore’s work in the American South uses historic homes, both grand and modest, the preserved backroom of a Jewish social club, the curta...

40 x 50 type-c print, edition 10 Signed, titled, dated and editioned on frame label. Mounting and framing options available at additional cost. Toshio Shibata is one of Japan's lead...

Throughout her career, Geesaman photographed public parks and formal gardens in the United States and Europe, focusing on the intersection of nature and artifice in the cultivated la...

Fine art photography combining a photograph and painting textures. The artwork/photo is sold unframed (only the art print) and will be sent in a hard tube by UPS. The photo is ...

RISAKU SUZUKI (*1963, Japan) WHITE 11, H-434, 2011 Chromogenic print Sheet 95,2 x 119 cm (37 1/2 x 46 7/8 in.) Edition of 5 (#2/5) ‘Snowflakes are letters sent from heaven.’ – Ukich...

The reflection of a live oak tree in the blue waters of Radium Springs, near Albany, GA makes for an interesting abstract. Notice the small bream swimming through the shot. :: Photo...

37 x 45.75 inch type-c print Edition 5. Signed on verso. Framing available at an additional cost. Throughout her career, photographer Yoko Ikeda has been finding poetry in the prosaic, and mystery in the mundane. Her photographs serve to form an imaginary world, loosely based on commonplace subjects. Working mostly in Japan, but also in Belgium, the Netherlands, the United States and elsewhere, she has created images both ominous and inviting, uncanny in their ability to coax the unexpected from the known. Ikeda was born in Kanazawa City, and now lives and works in Tokyo. Her work has been exhibited in many one-person and group shows throughout Japan, as well as in Belgium and various venues in the United States. In 2013, she was the recipient of the prestigious Philadelphia Museum of Art Purchase Award, and her work is included in their collection. In 2016, Nazraeli pressed published her first monograph, entitled Monkey Puzzle...

RISAKU SUZUKI (*1963, Japan) SAKURA 21, 4-570 2021 Chromogenic print Sheet 120 x 150 cm (47 1/4 x 59 1/8 in.) Edition of 5; Ed. no. 4/5 Framed A Label signed by the artist is provid...

40"x50" limited edition of 5 signed by the artists on reverse (available unframed - please inquire about framing options). This photograph is taken with a large format camera, capturing immense detail in the verdant green landscape and what remains of The Maharishi Mahesh Yogi Ashram's stone huts which have been overtaken by the jungle. These meditation huts are located north of the Indian city of Rishikesh- this is the site of the Beatles Ashram, also known as Chaurasi Kutia. The collaborative artist team of Sasha Bezzubov and Jessica Sucher worked on this project, "The Searchers" and captured this stunning photograph prior to the location being reopened to the public. The Searchers is a series of large-scale photographs examining Western spiritual tourism in India. Bezzubov and Sucher investigate the magnetic pull of India’s rich religious history and the utopian communities that cater to Western seekers. While exploring yoga centers, meditation retreats and ashrams, the artists straddle the line between observers and participants. The project results in distinct groupings: spatially astounding interiors, bizarre landscapes, and portraits of those who simultaneously appear both lost and found. The connecting thread is the visual strangeness and cultural collisions inherent in this phenomenon. This series includes photographs taken at the Osho Meditation Resort in Pune and the Sivananda Yoga Vedanta Dhanwantari Ashram in Nayyar Dam, Kerala. With The Searchers, the artists build on themes explored in their previous bodies of work, specifically Expats and Natives (Bezzubov and Sucher) and The Gringo Project (Bezzubov). These previous projects center around young Western travelers...

4 x 5 inch contact print (image size), on 8 x 10 inch sheet, edition 10, signed on verso Larger sizes available - please inquire. Toshio Shibata is one of Japan's leading landscape ...

RISAKU SUZUKI (*1963, Japan) Water Mirror 18, WM-836, 2018 Chromogenic print Sheet 120 x 150 cm (47 1/4 x 59 1/8 in.) Frame 123.8 x 153.8 x 5.7 cm (48 3/4 x ...

CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017. Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience. Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly 
is the originator of art that is tactile, archival and organic. In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny subjects painted against a vast landscape offer a point of reference for our own trifling experiences and memories. Kelly's fascination with photography began at an early age. Born in England in 1966, grew up in West Germany. After leaving school he enrolled in a photography course with the Royal Air Force Photographic Unit, based in Wildenrath, Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveler, Kelly initially decided to return to the UK, to study Graphic Design and Advertising at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in the United States, worked as a Photographers Assistant; working closely with a range of photographers allowed him to intrinsically develop his own refined sense of aesthetic as well as develop and master photographic theory and technique. Pete has taught Photo Encaustic...

From a series of images inspired by the Joyce Kilmer poem. I think that I shall never see A poem lovely as a tree. A tree whose hungry mouth is prest Against the sweet earth'...

ALBERT WATSON (*1942, Scotland) Double Exposure through Windshield 2013 C-print Sheet 243 x 183 cm (95 5/8 x 72 in.) Edition of 3, plus 1 AP; Ed. no. 1/3 Framed A student of the fam...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Pelican Finn...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

RISAKU SUZUKI (*1963, Japan) SAKURA 16, 4-75, 2016 Chromogenic print Sheet 81.3 x 101.6 cm (32 x 40 in.) Edition of 7 (#1/7) Print only The Sakura (Japanese term for ‘cherry blossoms’) Celebration commences in early spring and has inspired artists since the reign of the Emperor Saga in 8th century Japan. The impressive blooming of the trees after winter symbolizes hope and strength, but as the petals fall, one is reminded of the fragility of beauty and life itself. Risaku Suzuki’s painterly photographs...

RISAKU SUZUKI (*1963, Japan) Water Mirror 21, WM-68, 2021 Chromogenic print Sheet 120 x 150 cm (47 1/4 x 59 1/8 in.) Edition of 5 (#1/5) Framed A Label signed by the artist is provi...

'5.4.15_3:50:51' 2017 by New York, contemporary camera artist Susan Wides. Dye sublimation aluminum, Ed. of 5 60 x 40 in. / Frame: 60.75 x 41...

Romantic flowers of spring, yellow is the color of positivity. Printed on fine art paper Hahnemuhle fine art 310 gsm. It will be sent rolled in a tube. The photograph is availabl...

This beautiful color photography was taken in Londonl. It was not filtered, manipulated or color corrected, but a straight shot. It comes print only, but can also come framed or plex...

Spanish countryside. The photograph is sold unframed, only the art print. The print is a Giclée on Canson Etching Rag 310gsm paper, a museum quality fine art paper which deliver...

Yoshinori MIZUTANI (*1987, Japan) Yusurika 012, 2015 Archival pigment print on Hahnemuhle Fine Art Baryta paper Sheet 145.6 x 97 cm (57 3/8 x 38 1/4 in.) Edition of 3 plus 2 artist's...

32x32in ed.7 Unframed Leslie Spak was born in Lima, Peru in 1976. Her visual repertoire is characterized by the construction of images through research, selection and repetition of ...

Lambda art print on acrylglass. Ready to Hang. Highest standard. Artwork comes with an international certificate of authenticity, signed by the artist. Almost all my works are ...

30"x24" unframed; ed 1/15 signed by the artist, Please inquire about framing options. In Ashok Sinha’s series “New York to Los Angeles,” Sinha captures the beauty and abstractions of the landscape below that often go unnoticed by millions of travelers every day. In this ongoing series, shot during commercial flights Sinha continues to take on cross continental trips between the two cities he does not use any special photographic equipment in making these images, except using a specific technique to shoot through airplane windows...

Yoshinori MIZUTANI (*1987, Japan) Yusurika 005, 2015 Archival pigment print on Hahnemuhle Fine Art Baryta paper Sheet 145.6 x 97 cm (57 3/8 x 38 1/4 in.) Edition of 3 plus 2 artist's...

30"x40" limited edition of 5 signed by the artists on reverse (available unframed - please inquire about framing options). This photograph is taken with a large format camera, capturing immense detail in the verdant green landscape and what remains of The Maharishi Mahesh Yogi Ashram's stone huts which have been overtaken by the jungle. These meditation huts are located north of the Indian city of Rishikesh- this is the site of the Beatles Ashram, also known as Chaurasi Kutia. The collaborative artist team of Sasha Bezzubov and Jessica Sucher worked on this project, "The Searchers" and captured this stunning photograph prior to the location being reopened to the public. The Searchers is a series of large-scale photographs examining Western spiritual tourism in India. Bezzubov and Sucher investigate the magnetic pull of India’s rich religious history and the utopian communities that cater to Western seekers. While exploring yoga centers, meditation retreats and ashrams, the artists straddle the line between observers and participants. The project results in distinct groupings: spatially astounding interiors, bizarre landscapes, and portraits of those who simultaneously appear both lost and found. The connecting thread is the visual strangeness and cultural collisions inherent in this phenomenon. This series includes photographs taken at the Osho Meditation Resort in Pune and the Sivananda Yoga Vedanta Dhanwantari Ashram in Nayyar Dam, Kerala. With The Searchers, the artists build on themes explored in their previous bodies of work, specifically Expats and Natives (Bezzubov and Sucher) and The Gringo Project (Bezzubov). These previous projects center around young Western travelers...