Urban Landscape Photography

Hotel Excelsior The beach front of the luxurious Excelsior Hotel on the Venice Lido, 1957. Paper size 30 x 30" inches / 76 x 76cm Estate Stamped Colle...

Carlton Hotel The entrance to the Carlton Hotel, Cannes, France, 1958. Paper size 20 x 30" inches / 51 x 76 cm Estate Stamped Collection Edition to 150 Photo by Slim Aarons P...

Magnolia Tree Gates Avenue, Bushwick, Brooklyn, NY May 1983 Signed, titled, dated, and numbered, verso Archival pigment print (Edition of 10 + 2 APs) ...

Siena Rain - Oversize archival pigment print - Limited Edition 1/50 by Bernhard Wübbel Beautiful archival pigment print limited to 50 only - numbered and...

32x32in ed.7 Unframed Photograph Leslie Spak was born in Lima, Peru in 1976. Her visual repertoire is characterized by the construction of images ...

Hand printed silver gelatin photograph. Funny quirky taken downtown New York.

A young boy foregrounds the shimmering reflection of new high-rise apartment blocks towering over a slum being torn down in the southern Chinese metropolis of Guangzhou. TITLE: Guan...

'Manhattan Island' by Stuart Möller Portrait photograph of the island of Manhattan and the New York Skyline. New York City, New York, 2014. A bea...

Monte Carlo Beach Club, 1975 C print 30 x 40 inches Estate stamped and hand numbered edition of 150 Guests around the pool at the Monte Carlo Beach C...

New York Lights 1953 Slim Aarons Estate Stamped Edition A set of traffic lights on Park Avenue in New York City. Produced from the original transparency Certificate of authenticit...

'Cannes Watersports' 1958 Slim Aarons Limited Estate Edition Holidaymakers waterskiing in front of the Carlton Hotel, Cannes, 1958. Produced from the original transparency Certifi...

'Carlton Hotel' The entrance to the Carlton Hotel, Cannes, France, 1958. 30x30 inches / 76 x 76 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons ...

Cannes Watersports Holidaymakers waterskiing in front of the Carlton Hotel, Cannes, 1958. Paper size 30 x 40" inches / 76 x 101 cm Estate Stamped Collection Edition to 150 Pho...

Siena Rain - Oversize c type - Limited Edition 1/50 by Bernhard Wübbel Beautiful archival pigment print limited to 50 only - numbered and stamped by...

Siena Rain - Oversize c type - Limited Edition 1/50 by Bernhard Wübbel Beautiful archival pigment print limited to 50 only - numbered and stamped by...

Siena Rain - Oversize c type - Limited Edition 1/50 by Bernhard Wübbel Beautiful archival pigment print limited to 50 only - numbered and stamped by...

A simple yet complex structure always characterizes Mitchell Funk's work. In present work, the first concept is that old New York City icons emerge above new construction. The secon...

Archival pigment print Signed and numbered, verso 17 x 11 inches, sheet (Edition of 15) 22 x 17 inches, sheet (Edition of 15) From the series, "The Secret Lives of Buildings" This...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 22 inches, sheet (Edition of 15) $1400.00 27 x 38 inches, sheet (Edition of 9) $2800.00 38 x 54.5 inches, sh...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 11 inches, sheet (Edition of 15) 22 x 17 inches, sheet (Edition of 15) This photograph is offered by ClampAr...

Digital Photograph,l ed. 3 of 9 HP Premium Satin Photo Paper with archival inks Born in Japan in 1940 and educated at The Art Center College of Design in California, Michael K. Yama...

Cityscape New York, New York. Award winning series - Prix de la Photographie, Paris (PX3), 2009, Honorable Mention - Photojournalism - Travel / Tourism Total editions: 30 x 20" (...

Portofino Harbour, 1977 Chromogenic Lambda Print Estate edition of 150 The harbour in the Ligurian town of Portofino, August 1977. Estate stamped and hand numbered edition of 150 w...

Digital Photograph,ed. 2 of 9 HP Premium Satin Photo Paper with archival inks Born in Japan in 1940 and educated at The Art Center College of Design in California, Michael K. Yamaok...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...

Brooklyn Heights View, Original Cityscape Photography, 2017 9" x 19" (HxW) Photographic Print A clear blue sky is the perfect backdrop for the skyscr...

An unobstructed view of lower Manhattan from the observation deck of 30 Rock is obstructed by a figure in a solid red hooded jacket. The figure becomes a dominant abstract shape in ...

Shipping should be around $100. New York Skyline in Blue Signed and dated on lower right, numbered LR Recto, Edition 3 of 15, Printed later. Unframed, other sizes available. Mitchel...

Series: Diamond Dust All available sizes & editions for each size of this photograph: 39" X 30"- Edition of 10 37.5" X 49"- Edition of 7 Diamond Dust Collection Diamond Dust is ...

Digital Photograph from Film Original ed. 2 of 9 HP Premium Satin Photo Paper with archival inks Born in Japan in 1940 and educated at The Art Center College of Design in California...

Spire, Notre Dame, Paris, France by Michael Kenna is a limited edition black and white photograph of the spire of the Notre Dame cathedral from an aerial view. The city of Paris and ...

4 photographs from up and coming Michigan based photographer, Joseph Glaub. Depicting the Beaver Island Ferry, the commercial buildings of Birmingham an...

Part of his "History Images" series, this framed print by photographer Sze Tsung Leong records a construction site in Beijing, one of many Chinese citites undergoing rapid change. En...

Our gallery has the most extensive art photography of New York City, due to our abiding love for the city. We present the work of different photographers, some of whom are emerging talents who have had their work published in noted magazines in Europe or the USA, others, who are recognized for their work in international photography competitions. This series is EXCLUSIVE to gallery. Can be paired or placed in a series of New York art photography in the series. Inquire for complimentary consulting and digital rendering. ABOUT THIS PIECE: This is drawn from archive of an award winning photographer. Photo is taken using tungsten color set up. taken over a quiet weekend early dawn, exuding a rare relative calm of the city. The work is a C print -sold print...

Signed and titled in black ink on print verso. Patty Carroll is an American photographer who has taught and practiced photography since the 1970’s. Her photography is characterized ...

Peter Bialobrzeski continues his long on-going series entitled "City Diaries," this time focusing on Istanbul, Turkey. In this work, the artist seeks to reveal the unique identity of...

Award winning photographer Alejandro Cerutti presents cityscape, art photography of New York City. Recognized in the international photog...

Downtown, Original Cityscape Photography 8" x 18" (HxW) Photographic Print A sleek and modern photograph capturing the iconic cityscape of downtown New York City at dusk. This urban setting is easily recognized with tall skyscrapers jutting out between an open sky and open water, the view of the Manhattan peninsula never seems to get old. Images with frames are examples only; this work comes unframed. Artist Commentary: Long Exposure photograph of Downtown Manhattan taken from Hoboken, New Jersey Artist Biography: William brings many years of creative experience to the table. He possesses an MFA in Cinematography from the Academy of Art University in San Francisco. His studies have taken him around the world. In the summer of 2008 he studied at the prestigious Film and Television School of the Academy of Performing Arts in Prague, the fifth oldest film school in the world. In 2011, while completing his masters, Will traveled to Dublin, to work on the Academy Award nominated film Albert Nobbs starring Glenn Close...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...

Archival photo print under acrylic glass. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his ...

John Conn, Cuba 159, limited edition Color Photograph taken in Cuba in 2016. It is a photograph, printed on 13x19 archival paper. Signed and Numbered. This is currently unframed. Edition of 15. This gold toned photograph is filled with a vintage car, people and the Cuban cityscape and buildings. John Conn got his start as a Marine Combat photographer, and later earned his BFA at the School of Visual Arts in New York. As a freelance photographer and writer, he has captured a range of subjects photojournalism delving into political and social issues, nature and landscapes, architecture, and underwater images. His work has appeared in: New York Times Sunday Magazine; Time/Life Books; IMAX Films; Village Voice; Human Rights Magazine; Shutterbug Magazine; Hasseleblad Magazine; American Photographer; RangeFinder Magazine; LensWork Magazine; Ocean Realm; Dive Travel Magazine; Picture Magazine; Discover Diving Magazine; Picture Magazine; Popular Photography; Nikon World; Black & White Photography; B&W Magazine; Studio Photography, to name a few. Starting in 1970, John travelled to South Africa capturing images of the people and social divide of Aparteid. His iconic Subway series shot between 1970 and 1982 in New York City is part of the permanent collection of the Museum of the City of New York, The New York Historical Society and Hoboken Historical Museum. In 2010, John Conn spent 45 days in Antarctica and Patagonia, traveling and hiking to capture the land and seascapes. He spent over 20 days journeying over 3,200 nautical miles in Antarctica before heading to Patagonia for the second part of his expedition. In 2014 John began a series of treks across the US photographing Americans, similar to what Robert Frank did in the late 1950’s. In 2015/16, he spent a month in Cuba photographing...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...

"Nuts4Nuts" is a colorful abstract photograph using analogue photography by Greek-American artist & photographer MK Semos. It is sized 24x30 inches / 61x76 cm, and has a French cleat...

A native Tennessean, Bill was born and raised in Memphis. A forty one year career in the Telecommunications field ended in Nashville with his retirement in 2007. With time on his han...

A native Tennessean, Bill was born and raised in Memphis. A forty one year career in the Telecommunications field ended in Nashville with his retirement in 2007. With time on his hands after completing many renovations to his home, he purchased a camera in 2014 and began a self taught journey that would evolve into a thoroughly enjoyable hobby. Landscape was always his favorite genre but recently Scott began creating his own photo art images. Old and unusual architecture/buildings are the main theme of these creations. Using photo...

This matte silver gelatin print bears the "Estate of William E. Dassonville" stamp on the back of the sheet. Printed on Dassonville's proprietary "Charcoal Black" paper.

"Southern Red Oak #1, Atlanta, GA" is a nocturne photograph of an urban tree featuring hues of blue, green, orange and yellow. This listing is for a framed print. Additional unframed...

Burritos, Tahoka, Texas by Peter Brown depicts a red brick building on a street corner, with "BURRITOS" painted in white above the white door. Edition of 25 Signed and numbered in black ink on print margin. Paper size: 20 x 24 in., Image size: 16 x 20 in. Series: Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

David Burdeny Fes el Bali, Fez, Morocco, 2022 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

The Chrysler Building has new neighbors, and together, they form the "New New York Skyline". Captured from a downtown location, Photographer Mitchell Funk's style of hyper-lighting w...

David Burdeny Spanish Steps, Rome, Italy, 2017 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

“7th Avenue” by Tom Leighton is an exploration of environments both natural and constructed. Traveling between ancient cities and futuristic developments, ...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

We present a new series of art photography featuring another city and its architectural beauty. We work with photographers internationally to curate city landscapes that tells a stor...

'Clam Bar with Umbrellas' by DJ Leon depicts a vacation scene in yellow, blue, red, green, white and black. DJ LEON was not formally trained. A longtime, avid pho...

Our gallery has the most extensive art photography of New York City, due to our abiding love for the city. We present the work of different photographers, some of whom are emerging t...

Roman Loranc hand printed photograph. Retired Negative and artist is no longer printing. Limited Edition Dry Mounted to board. Some minor damage to lower right hand side (see pics) -...

Barron Theater, Pratt, KS by Peter Brown is a color archival pigment print depicting the front of the Barron theater along a street. The movie theater's sign promotes a bargain show and the premiere of Ghostbusters 2. The theater sits in between two stores, the Ladies' Nook to its left, and the Total Image Salon to it's right. The stores appear closed, with covered windows and empty parking spaces out in front. Edition of 25 Signed and dated by Peter Brown 16 x 20 in. *Images and video show print in size 16 x 20 in. Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...