Prints and Multiples

Manessier, Alfred. FLAMME VIVE. Lithograph in colors, 1959. Artist's Proof in addition to the edition of 175. Inscribed "Epreuve d'Artiste" and signed in pencil. 20 x 13 1/2 inches, ...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Genesis III Year: 1969 Medium: Silkscreen, Signed and numbered in pencil Edition: AP Image Size: 17 x 17 inches Size: 20 x 20 in. (...

Bold reds, oranges, and sparkling gold accents play across this beautiful abstract original work "Life Cycles II A" by master print maker Linda Whittemore. This mixed media viscosity...

ABOUT THIS PIECE: A study of gesture in a digital context. Nicole Yates is inspired by the landscape and architecture in her everyday life. She deducts, simplifies, and abstracts the...

ABOUT THIS PIECE: A study of gesture in a digital context. Nicole Yates is inspired by the landscape and architecture in her everyday life. She deducts, simplifies, and abstracts the...

ABOUT THIS PIECE: A study of gesture in a digital context. Nicole Yates is inspired by the landscape and architecture in her everyday life. She deducts, simplifies, and abstracts the...

Isca Greenfield-Sanders Wading II (Pink) Direct to plate photogravure and aquatint. Edition 40

Artist: Mel Ramos (American, b. 1935) Title: Tootsie Roll Year: 2007 Medium: Lithograph, signed and numbered in pencil Edition: 199 Size: 30 in. x 45...

Suite of 4 prints. Each hand signed, dated, and numbered by the artist. Each print measures 33.5 x 24 inches. Hand numbered TP 3/5 (there was a manin edition of 30 plus 10 artist'...

André Lanskoy (1902-1976) Framed Original Lithograph Abstract Composition Dimensions: 94 x 64 cm André Lanskoy was one of the great paint...

An original silkscreen on canvas by Russell Young, created in 2011. Russell Young is a British Pop artist known for his large-scale silkscreen paintings of cultural icons. He is heav...

ABOUT THIS ARTIST: Maria Piessis is a multimedia artist based in NYC and Paris. She is always playing somewhere in the endless universe where photography, art and design meet. She ha...

Acrylic paint on masonite.

ABOUT THIS PIECE: Chocolate for the Win! is from Kimberly's "personal moments of happiness" series. LA based photographer Kimberly Genevieve is known for her use of color and interes...

Unknown/ Unidentified Artist, "Untitled" Edition 181/200, Abstract Serigraph Screen Print, 24 x 18, Late 20th Century Colors: Black, White, Red *Unidentified artist signature on bo...

Beautiful offset lithography by Jacques Monory. Numbered and signed by the artist in pencil. Issue 31/79 Size of the work 52 x 80 cm Size with white margin: 73 x 100 cm Perfect cond...

Otono Floral, 1995 Hand-painted, 15-color screenprint with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 signed in pencil and stamped on verso "Sexual Spring-like Win...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

ABOUT THIS PIECE: "My photographs are a personal collection of moments that reveal my most genuine and beautiful depictions in the world around us. Preserving precious moments in ti...

TECHNICAL INFORMATION: Victor Vasarely Radau Silkscreen on white wove paper 22 x 17 1/4 in. E.A./B.A.T. from an edition of 300 Pencil signed and numbered Accompanied with COA by Gr...

We are please to present Ceravolo's one of a kind "Alphabet Monroe Lavender/Pink". Ceravolo has been a master of creating intriguing portraits of iconic personalities for more then 4 decades, and rose to fame when he was commissioned to create 5 large-scale portraits for the lobby of the Palladium Theatre in New York City of Linda Ronstadt, Jackson Browne, Neil Young, Frank Zappa and Hall and Oates, In addition to those portraits, his paintings are in the private collections of Sir Elton John, Rod Stewart, Hugh M. Hefner, and Prince Jefri of Brunei to name only a few. With his new Alphabet series, Ceravolo combines an image of his stylized black and white portrait painting, with letters of the alphabet and adds color to the negative space formed by the letters. As a final touch, he places color in the letters that make up the iconic subjects first or last name. This creates a contemporary, yet classic look to this unique creation. This work is titled, "Alphabet Marilyn lavender/Pink" and is printed on Rag paper size is 36x30" framed size measures 42x36". It is a one of a kind work and is signed by Ceravolo. I have included an image of Ceravolo with some of his Celebrity collectors as well as a vintage...

This vintage color lithograph on paper is after a watercolor by Marc Chagall titled Femme au bouquet de fleurs (Lady with Flower Bouquet). Signed on ...

(after) Marc Chagall Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimensions:...

The images were proofed and the edition of 40 was printed with archival pigment inks on Crane, Museo Max 365 gsm fine art paper at Lococo Fine Art Publisher. The suite of 3 measures ...

Artist: Barry Nelson, British/American (1937 - ) Title: Rosier Unchartered Year: 1979 Medium: Etching with Aquatint, Signed and numbered in pencil Edition: 50 Size: 29 in. x 29.5 in....

Artist: Charles Christopher Hill, American (1948 - ) Title: Socony Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 15/19 Size: 30.5 x 23 inches Frame Size...

Original vintage advertising poster for the Leonardo Da Vinci Quincentenary Exhibition 1452-1952 at the Royal Academy Diploma Gallery. Great design by Theodore Ramos (b 1928) featuri...

2010, etching with aquatint, 22 x 22 1/4 inches, edition of 40

Monoprint with water based ink and graphite

From the second Pop Shop suite of four prints created by Keith Haring in 1988, Pop Shop II (Plate D) is a fun and highly collectible color screenprint measuring 12 x 15 in. (30.5 x 3...

Created in 1974, this lithograph and screenprint on Arches paper is hand signed and dated by Frank Stella (Massachusetts, 1936 - ) in pencil in the lower right margin and is numbered...

Offset lithograph of the design for the "And then all that divided them merged” banner that was used to promote Judy Chicago's iconic work "The Dinner Party" which featured 39 intric...

Fusing European Expressionism with American pop culture, while taking in wide-ranging influences from the likes of Friedrich Hölderlin, Walt Disney, and Henry Ford, André Butzer...

Fusing European Expressionism with American pop culture, while taking in wide-ranging influences from the likes of Friedrich Hölderlin, Walt Disney, and Henry Ford, André Butzer has ...

Lithograph, 1966 Handsigned by the artist in pencil and annotated EA Artist proof Edition : 75 Publisher : Galerie im Erker (St. Gallen) Printer : Erker-Presse (St. Gallen) Catalog :...

Edition of 100. *This print is supplied within a clamshell box, with book of the same name, as issued.

Valerio ADAMI Runner Lithograph Printed signature in the plate On edition paper 101 x 64 cm (c. 40 x 26 inch) Made for the Olympic Games in Munich, 1972 Excellent condition

Work on paper, oil and collage. Unique, 1 of 1 piece. Cerj Lalonde moves smoothly from the canvas to the camera, from computers to installations, producing and showcasing an extraordinarily rich and complex body of work created during the last 30 years. His purpose is to pursue a direct, and, in each case, a different communication with the spectator. It can be said that Lalonde works as a team with himself, not only to develop his artwork, but also to sharpen his personal ideas about contemporary culture, trends... Lalonde is putting a lot of time, energy and thought into his new media and technology productive structure, where he can directly address his issues... His paintings, installations, photographs and web pages, are intended to function each in its own way, as an overt revision and critique of the contemporary art system, as they establish parallel dialogues between the artist, the public, and the curatorial values. "Lalonde, the painter" Cerj Lalonde works his painting with a conceptual approach, as an attempt to restate the validity of painting as a practice per-se. His abstract language ranges from lyric abstractionist pieces to many personal interpretations on art history masterpieces, as specific reflections upon geometric abstract paintings like Malevich´s black square series, or Albers study of color, among others. Lalonde holds many layers as an artist. His years of experience as a painter and thirst for art history and critique have helped him develop into a consciously literate artist. Formally, his domain of techniques ranges from drawing, printing, and primarily acrylic painting by means of a wild contrasting palette. But more than any type of formalism, Lalonde´s work is a strong statement about painting itself and how he approaches abstraction from a conceptual viewpoint. His paintings celebrate the power and meaning of color and texture, the imperative voice of contrast and stridence, and the million of possible solutions for a white canvas. I also see in his artwork a psychoanalytical interpretation of art, and a curiously unintentional approach to oriental philosophy appears throughout his multi sized body of work. In many of his canvas, the presence of the square has been integrated as an element of equilibrium and unity to the soul of the artwork itself. Lalonde is specifically interested in the qualities of painting as a media: “What Painting and only Painting can do”. Of all arts, painting is perhaps the most intimate and personal of art languages. It reaches the viewer at a last phase, in the gallery, or museum, or exhibition space. In the meanwhile, there is a time frame between the moment when the artist finishes his work and it gets shown. This space of time is silence. It can be said that the gap between the act of painting and its way out of the studio has had Lalonde wondering about other strategies of approaching the viewer, the critic, and to challenge the art world as a system. New media's and technology In his body of work related to the Internet, the use of language can be established as the first notable addition where the silent scream that comes from his paintings invades the screen and transforms it into words. We can feel the imperative urge to communicate. Lalonde addresses everyone and no one, and a certain/uncertain dialogue is established between him and the anonymous viewer/Web surfer/browser who reads it. Lalonde has produced multiple web sites. With this media, he has taken over a physical/nonphysical space to express his ideas about the act of seeing, of looking, and getting intoxicated by the gaze, by the sight, by the cognitive look, and the subjective one. Another interesting aspect is the inclusion of his images as an artist in several ways. For example, in SELF PORTRAIT AS A FAMOUS ARTIST he presents himself in all the archetypical attire of the romanticized representation of the artist. Lalonde has reverted all his irony and sarcasm as images that appear as brushstrokes on his Web sites. Another image that frequently appears is the sweet face of a very young woman, who looks at the browser with sweetness and nostalgia. As websites are build through layers, Lalonde has as well, constructed layers of impact, thought, and reflection, by means of the multiplicity of images that appear, ranging from his own paintings, installations, portraits, and text. He is interested in what defines art, who validates artwork, how artist’s success has a strong pull to media and critic dependency. Lalonde points out these issues as loud as a silent scream. Phrases such as the Dominance of Curatorial Ideology, Global Mono Cultural Art Discourse or Hegemony of the Global Curatorial Class are samples of titles that frame parts of his Web visual discourses. In his installations and performances such as THE NO SHOW, and WORKING TO BECOME RICH AND FAMOUS SO YOU CAN LOVE ME FOREVER, Lalonde discusses the notion of the self and identity, the artist as a social figure, and the severe critique of the contemporary art system, and society at large. He questions the validity and the ideology of the curatorial establishment, the marketing methods, and the issues of the self - as he queries the conventional paradigm of the artist. On his Web pages, Lalonde metamorphoses from an anonymous painter in his studio to a more public personae. His gaze looks at the viewer, his open mouth screams and questions the browser constantly, sometimes as an outsider and sometimes from the hypothetical voice of the viewer’s conscience. In SEEING, a photographic installation that can be considered as a milestone in his work, he presents a dark room that has many different sized eyes that are looking at the viewer. An interesting aspect of Lalonde’s digital work is the presence of a perpetual reflection that not only shows the act of seeing itself, but in a more profound way it presents the subconscious mind of the viewer. He inverts his role of an artist and establishes a dialogue with the unconscious of the spectator, both through his installations and digital art work...

The print is Diasec® framed. This mean the print is mounted between acrylic glass (UV-resistant) and a dibond (aluminum) backside, with an attached frame for easy hanging. Depth of t...

Medium: Silkscreen on canvas covered with with diamond dust Edition 8 of 10. White frame Carole A. Feuerman (born 1945) is an American sculptor and author working in Hyperrealism. She is one of the three major artists credited with starting the movement in the late 1970s. She is the only woman to sculpt in this style. Her career is highlighted by iconic figurative works of swimmers and dancers. She has been included in exhibitions at the Smithsonian Institution’s National Portrait Gallery; the State Hermitage Museum in St. Petersburg, Russia; the Venice Biennale; and Palazzo Strozzi Palace in Florence, Italy, among others. Growing up in New York, Feuerman was deterred from being an artist. She attended Hofstra University, Temple University, and graduated from the school of Visual Arts in New York City to begin her career as an illustrator. During the early 1970s she went by the artist’s name Carole Jean, illustrating for The New York Times and creating album covers for Alice Cooper and the Rolling Stones. In 1981, Feuerman was chosen by a jury at the Heckscher Museum in Long Island where she exhibited. After this she was invited to participate in the ‘Learning through the Arts Program’ at the Guggenheim Museum. Feuerman received the Charles D. Murphy Sculpture Award in 1981. In 1982 she received the Amelia Peabody Award for sculpture. In 2016, she received Best in Show Award for her sculpture ‘Mona Lisa’ by the Huan Tai Museum. The sculpture was acquired for their permanent collection. Feuerman has also been awarded the Medici Prize by the City of Florence, First Prize at the Beijing Biennale, and the Austrian Biennale, and in 2008 she received First Prize in the Olympic Fine Art exhibition in Beijing. The piece was acquired by the Olympic Museum. She has taught, lectured, and given workshops at the Metropolitan Museum of Art and the Solomon Guggenheim Museum. In 2011, she founded the Carole A. Feuerman Sculpture Foundation. Her artworks are owned by eighteen museums, as well as in the collections of the City of Peekskill, New York, the City of Sunnyvale California, President and Senator Hillary Rodham Clinton, the Frederick R. Weisman Art Foundation, Dr. Henry Kissinger, the Mikhail Gorbachev Art Foundation, Mr. Steven A. Cohen, Alexandre Grendene Bartelle, and the Malcolm Forbes Magazine Collection...

Signed Lower Right Numbered 61/200 Sight Size: 27.5 x 21.5 Framed Size: 31.5 x 24.5 Andre Masson was born in Balagne, France on January 4,1896. He was an engraver, sculptor, stage d...

2014 Screenprint in colors, on wove paper Sheet: 32 x 32 in. Edition of 250 Signed and numbered in pencil, lower margin Framed, excellent condition

Nick Veasey Pink Camo Land Rover Surfer Signed and numbered by artist Digital C Print, Diasec Framed 47 x 24 inches, Edition of 25 Currently on display at ...

"The Look" is a mixed media edition piece by Israeli artist Dganit Blechner. She expresses a unique perspective on urban life and pop culture through her vi...

"Forever Young" is a mixed media edition piece by Israeli artist Dganit Blechner. She expresses a unique perspective on urban life and pop culture thro...

Edition of 250 Signed in pencil and numbered with a rubber stamp on verso Authenticated by Warhol Foundation with stamp and number verso

James ROSENQUIST Spinning Faces in Space, c. 1972 Original screen print Handsigned in pencil by the artist Numbered /93 copies On vellum 83.5 x 59.2 cm (c. 32.6 x 23.2 inch) Very ...

TECHNICAL INFORMATION Alex Katz Yellow Flags 3 2020 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 33 x 22 in. Edition of 15...

Edition of 190 From "Ads" series Signed and numbered in pencil

Screenprint in colors, on Rives BFK paper Sheet: 31 x 31 in. (78.7 x 78.7 cm) Edition of 55 + 15AP Signed and numbered in pencil on the lower margin Published by Upsilon Gallery, New...

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Artist: Dali, Salvador Title: Dressed in the Nude in the Surrealist Fashion Series: Memories of Surrealism Date: 1971 Medium: Lithograph with etching...