Prints and Multiples

A challenging piece by American Pop artist Larry Rivers. This collage-style print centers on the duality of colorism, particularly in the US. White people are encouraged to use produ...

Archival pigment print on Innova Etching Cotton Rag 315 gsm

Larry Rivers What Did I Do? The Unauthorized Biography, 1992 Lithograph on wove paper Hand signed, numbered 3/325 and dated on lower right front Frame In...

Alex Katz Kyme, 1993 woodcut printed in pink, edition of 30 24 x 19 in. / 61 x 48.3 cm

Artist: Alex Katz, American (1927 - ) Title: Night: William Dunas Dance 1 (Pamela) Year: 1983 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 100, 42 AP Size: 25...

ALEX KATZ (1927-Present) This Alex Katz 1976 screenprint 'Susan' is printed in colors, signed in pencil and numbered XIII/L from the deluxe edition, apart from the Arabic numeral ed...

Larry Rivers "The Music Festival of the Hamptons / July 18-27 1997" poster, Not hand signed. [Dimensions: 24" H x 18" W] Larry Rivers (born Yitzroch Loiza Grossberg) (1923 – 2002) was an American artist, musician, filmmaker, and occasional actor. Considered by many scholars to be the "Godfather" and "Grandfather" of Pop art, he was one of the first artists to merge non-objective, non-narrative art with narrative and objective abstraction. Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947–48. He earned a BA in art education from New York University in 1951. His work was quickly acquired by the Museum of Modern Art. A 1953 painting Washington Crossing the Delaware was damaged in fire at the museum five years later. He was a pop artist of the New York School, reproducing everyday objects of American popular culture as art. He was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery in 1955 along with Paul Mommer, Leonard Baskin, Peter Grippe During the early 1960s Rivers lived in the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol Factory and where he brought several of his French nouveau réalistes friends like Yves Klein who wrote there in April 1961 his Manifeste de l'hôtel Chelsea, Arman, Martial Raysse, Jean Tinguely, Niki de Saint-Phalle, Christo & Jean Claude, Daniel Spoerri or Alain Jacquet, several of whom, like Rivers, left some pieces of art in the lobby of the hotel for payment of their rooms. In 1965, Rivers had his first comprehensive retrospective in five important American museums. His final work for the exhibition was The History of the Russian Revolution, which was later on extended permanent display at the Hirshhorn Museum and Sculpture Garden in Washington, DC. He spent 1967 in London collaborating with the American painter Howard Kanovitz. In 1968, Rivers traveled to Africa for a second time with Pierre Dominique Gaisseau to finish their documentary Africa and I, which was a part of the groundbreaking NBC series Experiments in Television. During this trip they narrowly escaped execution as suspected mercenaries. During the 1970s, Rivers worked closely with Diana Molinari and Michel Auder on many video tape projects, including the infamous Tits, and also worked in neon. Rivers's legs appeared in John Lennon and Yoko Ono's 1971 film Up Your Legs Forever. From 1940–1945 he worked as a jazz saxophonist in New York City, changing his name to Larry Rivers in 1940 after being introduced as "Larry Rivers and the Mudcats" at a local pub. He studied at the Juilliard School of Music in 1945–46, along with Miles Davis, with whom he remained friends until Davis's death in 1991. Larry Rivers was born in the Bronx to Samuel and Sonya Grossberg, Jewish immigrants from Ukraine. In 1945, he married Augusta Berger, and they had one son, Steven. Rivers also adopted Berger's son from a previous relationship, Joseph, and reared both children after the couple divorced. In 1949 he had his first one-man exhibition at the Jane Street Gallery in New York. This same year, he met and became friends with John Ashbery, and Kenneth Koch. In 1950 he met Frank O’Hara. This same year he took his first trip to Europe spending eight months in Paris, France, reading and writing poetry. Beginning in 1950 and continuing until Frank’s death in July of 1966, Larry Rivers and Frank O’Hara cultivated a uniquely creative friendship that produced numerous collaborations, as well as inspired paintings and poems. In 1951 Rivers’ works were shown at the Tibor de Nagy Gallery where he continued to show annually (except 1955) for about 10 years. In 1954 he had his first exhibition of sculptures at the Stable Gallery, New York. In 1955 The Museum of Modern Art acquired Washington Crossing the Delaware. This same year he won 3rd prize in the Corcoran Gallery national painting competition for “Self-Figure.” Rivers’ also painted “Double Portrait of Berdie” in 1955, which was soon purchased by the Whitney Museum. In 1957 he and Frank O’Hara began work on “Stones,” a collaborative mix of images and poetry in a series of lithograph for Tatyana Grosman company ULAE. During this time he also appeared on the television game show “The $64,000.00 Question” where along with another contestant, they both won, each receiving $32,000.00. In 1958 he again spent time in Paris and played in various jazz bands. In 1959 he painted Cedar Bar Menu...

ALEX KATZ (1927-Present) This sunning Alex Katz screen print is titled 'Samantha' from the year 1987. On the left hand side it is signed in pe...

ALEX KATZ (1927-Present) Alex Katz 'Ada Four Times 3' is a screenprint and lithograph printed in colors on Arches wove paper, printed by Styria Studi...

The work of controversial post-Abstract Expressionist artist Larry Rivers is in the collection most Major Museums. In 2021 a work of his sold at Sotheby's for over 2 Million Dollars. "Red Coats" 1970 is a signed and numbered Silkscreen print with hand Collage. The red coats are a red velvet like material that is glued to and collaged onto the silkscreened image. The silver boots are also collaged onto the silkscreened image. This work is one of the larger works Larry Rivers created in 1970 for a series of silkscreens based on his Boston Massacre...

Artist: Larry Rivers, American (1923 - 2002) Title: Queen of Clubs Year: 1979 Medium: Lithograph and Silkscreen, signed and numbered in pencil Edition: ...

ALEX KATZ (1927-Present) This Alex Katz 1976 Screenprint 'Olympic Swimmer' is a screenprint in five colors on white Vélin d'Arches paper. It is signed in pencil and numbered 158/200...

ALEX KATZ (1927-Present) This Alex Katz untitled work from the 'A Tremor in the Morning' is a woodcut relief print in color on wove paper. This print is edition 32/45 and signed in ...

Artist: Alex Katz Title: Vincent Medium: Lithograph on Paper Size: 15 × 21 in 38.1 × 53.3 cm Edition: 47/120 Year: 1972 Notes: Hand Signed and Numbered in Pencil by the Artist. Cust...

Larry Rivers The Last Civil War Veteran, 1970 Silkscreen and mixed media collage on paper 29 × 19 3/4 inches Frame included Edition of 100 Hand signed and numbered 55/100 in graphite lower front 1970 Mixed media collage multiple based upon famous Larry Rivers 1961 painting "The Last Civil War Veteran'. (In 1979-80, Rivers reprised this theme with another edition of 125, but this is the original 1970 print from the limited edition of only 100) In 1962, the Museum of Modern Art acquired The Last Civil War Veteran and by early 1963 put it on view. 1963 marked the hundred-year anniversary of the Emancipation Proclamation...

Artist: Larry Rivers (1923-2002) Title: Camel Year: 1980 Medium: Color lithograph on wove paper Edition: 75, plus proofs Size: 11.13 x 8.64 inches Condition: Excellent Inscription: Signed & inscribed A.P. in pencil, lower margin Notes: Larry Rivers is considered by many to be the father of the Pop Art movement. In Rivers's 1980 work "Camel," we see a slightly out of focus Camel Cigarette pack, an item from consumer culture Rivers has appropriated to create a critique of commoditization and consumer culture. Rivers would have certainly been aware of the work of Stuart Davis and his 1921 painting...

ALEX KATZ (1927-Present) This rare Alex Katz 'Face of the Poet' album is the complete set of fourteen aquatints in colors, on J. Green Hotpress paper. Conceived in 1978, each print ...

A very good impression of this color lithograph on Rives BFK. Signed, dated and numbered 64/175 in pencil by Rivers. Published by Marlborough Graphics, Inc., New York.

Artist: Alex Katz, American (1927 - ) Title: Night: William Dunas Dance 1 (Pamela) Year: 1983 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 100, 42 AP Size: 25...

Alex Katz was drawn to the Mourlot Studios for their exactitude and their tireless efforts in collaborations with artists to produce the best representations of the artist's vision. ...

woman in straw hat with eyes closed

ALEX KATZ (1927-Present) This beautiful Alex Katz 'Small Cuts House and Barn' is a 2008 aquatint in color from a small edition size of 60. This piece is numbered 46/60 and hand sign...

Edition of 75 1 Color Woodcut on Somerset Satin White, 300 gsm

Edition of 150 1 Color Woodcut on Somerset Satin White, 300 gsm

Porcelain enamel mounted on aluminum Edition of 25 Does not need to be framed

"Large Head of Vincent" by Alex Katz - sugarlift aquatint on Arches Cover paper. Offered in simple white wooden frame. Print size: 61 x 35.5 inches Frame s...

With a lifetime of work that is adored by collectors and art lovers around the globe, Alex Katz is a favorite successor of the New York-based artists that responded to Pop Art. Born in 1927, Katz has been dedicated to art-making since the 1950s - however, it wasn't until the following decade that he established his signature 'flat' figurative style, which continues to influence contemporary painters. Today, we can see this impact on a host of artists including Eric Fischl, David Salle, Julian Opie, and Elizabeth Peyton amongst others. One could argue that Katz kept the tradition of figurative painting alive when it had gone terribly out of style. An active and devoted printmaker, Katz typically creates portraits and landscapes: subjects that he is personally connected to such as Soho cityscapes, the flora of rural Maine, and the people in his life. In 1957, Katz would meet his future wife "Ada" - over the course of the last fifty years, he has depicted her over 200 times. She is the most iconic subject in his oeuvre and is depicted with affection, sincerity, and devotion. Utilizing 5 colors, this dynamic print depicts Ada coming up for air as she swims through a body of water. Recalling Katz's 1973 painting "Swimmer #3", this work is a fine example of the artist's pared-down aesthetic, depicting Ada with few details and a striking use of negative space. In 1976, this iconic image was extended to the United States Olympic Committee and reproduced as a poster for the Olympics in Montreal at the time. In 2022, Katz was the subject of a major retrospective at The Guggenheim (New York) which exhibited work spanning 8 decades of the artist's career. "Olympic Swimmer...

Edition of 25 Porcelain enamel mounted on aluminum Does not need to be framed

Edition of 25 Porcelain enamel mounted on aluminum Does not need to be framed

With flat planes of rich, lovely color, Alex Katz’s landscapes and portraits evoke the smooth aesthetics of advertising billboards and film. The prolific, renowned international arti...

Larry Rivers Modernist mixed media "Brandeis Show Collage" work on cut paper. (this appears to be a vintage lithograph. It has a label that describes it as watercolor and charcoal on back. It is definitley hand cut.) Signed in several areas and stencilled across center. Work measures approx. 34 3/4" height x 20 3/4" width. Frame measures approx. 38 3/8" height x 26 1/4" width overall including frame. Silver paint loss on frame. Larry Rivers (born Yitzroch Loiza Grossberg) (1923 – 2002) was an American artist, musician, filmmaker, and occasional actor. Considered by many scholars to be the "Godfather" and "Grandfather" of Pop art, he was one of the first artists to merge non-objective, non-narrative art with narrative and objective abstraction. Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947–48. He earned a BA in art education from New York University in 1951. His work was quickly acquired by the Museum of Modern Art. A 1953 painting Washington Crossing the Delaware was damaged in fire at the museum five years later. He was a pop artist of the New York School, reproducing everyday objects of American popular culture as art. He was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery in 1955 along with Paul Mommer, Leonard Baskin, Peter Grippe During the early 1960s Rivers lived in the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol Factory and where he brought several of his French nouveau réalistes friends like Yves Klein who wrote there in April 1961 his Manifeste de l'hôtel Chelsea, Arman, Martial Raysse, Jean Tinguely, Niki de Saint-Phalle, Christo & Jean Claude, Daniel Spoerri or Alain Jacquet, several of whom, like Rivers, left some pieces of art in the lobby of the hotel for payment of their rooms. In 1965, Rivers had his first comprehensive retrospective in five important American museums. His final work for the exhibition was The History of the Russian Revolution, which was later on extended permanent display at the Hirshhorn Museum and Sculpture Garden in Washington, DC. He spent 1967 in London collaborating with the American painter Howard Kanovitz. In 1968, Rivers traveled to Africa for a second time with Pierre Dominique Gaisseau to finish their documentary Africa and I, which was a part of the groundbreaking NBC series Experiments in Television. During this trip they narrowly escaped execution as suspected mercenaries. During the 1970s, Rivers worked closely with Diana Molinari and Michel Auder on many video tape projects, including the infamous Tits, and also worked in neon. Rivers's legs appeared in John Lennon and Yoko Ono's 1971 film Up Your Legs Forever. From 1940–1945 he worked as a jazz saxophonist in New York City, changing his name to Larry Rivers in 1940 after being introduced as "Larry Rivers and the Mudcats" at a local pub. He studied at the Juilliard School of Music in 1945–46, along with Miles Davis, with whom he remained friends until Davis's death in 1991. Larry Rivers was born in the Bronx to Samuel and Sonya Grossberg, Jewish immigrants from Ukraine. In 1945, he married Augusta Berger, and they had one son, Steven. Rivers also adopted Berger's son from a previous relationship, Joseph, and reared both children after the couple divorced. In 1949 he had his first one-man exhibition at the Jane Street Gallery in New York. This same year, he met and became friends with John Ashbery, and Kenneth Koch. In 1950 he met Frank O’Hara. This same year he took his first trip to Europe spending eight months in Paris, France, reading and writing poetry. Beginning in 1950 and continuing until Frank’s death in July of 1966, Larry Rivers and Frank O’Hara cultivated a uniquely creative friendship that produced numerous collaborations, as well as inspired paintings and poems. In 1951 Rivers’ works were shown at the Tibor de Nagy Gallery where he continued to show annually (except 1955) for about 10 years. In 1954 he had his first exhibition of sculptures at the Stable Gallery, New York. In 1955 The Museum of Modern Art acquired Washington Crossing the Delaware. This same year he won 3rd prize in the Corcoran Gallery national painting competition for “Self-Figure.” Rivers’ also painted “Double Portrait of Berdie” in 1955, which was soon purchased by the Whitney Museum. In 1957 he and Frank O’Hara began work on “Stones,” a collaborative mix of images and poetry in a series of lithograph for Tatyana Grosman’s company ULAE. During this time he also appeared on the television game show “The $64,000.00 Question” where along with another contestant, they both won, each receiving $32,000.00. In 1958 he again spent time in Paris and played in various jazz bands. In 1959 he painted Cedar Bar Menu...

A very good impression of this scarce, early color lithograph with additions in pencil and crayon on Auvergne à la main (Richard de bas) ivory laid paper. Signed, dated and numbered 15/45 in pencil, lower margin. Printed by Robert Blackburn...

ALEX KATZ (1927-Present) This Alex Katz print 'Christy' was published in 2010 published by the Museum Kurhaus Kleve and printed by Christopher T. Cre...

Alex Katz (b. 1927) Untitled, from the portfolio 'A Tremor in the Morning', 1986 Woodcut on wove paper Edition 32/45 Signed and numbered in pencil lower left Sheet: 20 x 19.75 inches...

A very good impression of this color lithograph on Arches. Signed, dated and numbered 49/90 in pencil by Rivers. Printed by Styria Studio, Inc., New York, with the blind stamp lower left. Based on Rembrandt van Rijn's oil on canvas, "The Polish Rider," 1655, currently in the Frick Collection...

ALEX KATZ (1927-Present) Alex Katz's 'Big Smile (Vivien)' is a 2021 color archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper. This pri...

Alex Katz Olympic Swimmer, 1976 silkscreen in five colors on White Belin d'Arches paper, edition of 200 39 7/8 x 25 in. (101.3 x 63.5 cm)

ALEX KATZ (1927-Present) This Alex Katz work 'Yvonne' is a 2018 cutout in powder-coated aluminum, UV archival inks, stainless steel. The signature impressed to the base ‘Alex Katz’....

Alex Katz Vivien in White Coat, 2021 is a work of subtle admiration that the artist holds for her daughter-in-law, Vivien Bittencourt. The gentle hues...

Artist: Alex Katz Title: White Shirt Portfolio Year: 2021 Medium: Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper Sheets: 26 × 15 in (66× 38.1 cm) Edition: ...

TECHNICAL INFORMATION: Larry Rivers Stencil Camel 1978 Color stencil and pochoir printed on acetate and color lithograph on two sheets 25 x 21 1/2 in. Artist's Proof (A.P.) of 25 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art. Condition: This work is in excellent condition. Frame: This work is framed in a wood frame. ABOUT THIS WORK: The logo of Camel cigarettes...

Paper Size: 31.75 x 53 inches ( 80.645 x 134.62 cm ) Image Size: 28 x 53 inches ( 71.12 x 134.62 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addition...

ALEX KATZ (1927-Present) Katz's 1972 'Vincent' is a drypoint on German etching paper. Signed and numbered to lower left ‘AP 5/10 Alex Katz’. This work is artist's proof 5 of 10 apar...

ALEX KATZ (1927-Present) This Alex Katz 'Large Black Hat Ada 2' is a 2013 screenprint on brown Kraft pape. It is a Printer's Proof 1/2 aside from edition of 10 published by Lococo F...

ALEX KATZ (1927-Present) Alex Katz's 'Reflection 2' is a 2021 color archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper. This piece is signed on the lower left ...

"Bronx Zoo" lithograph and silk screen by Larry Rivers from "New York, New York" portfolio published by New York Graphic Society. Numbered 5/250, signed Larry Rivers and dated '83 lo...

Artist: Alex Katz, American (1927 - ) Title: Night: William Dunas Dance II Year: 1983 Medium: Lithograph, signed and numbered in pencil Edition: 106/125 and there were also 17 artist...

TECHNICAL INFORMATION Green Jacket, 1990 Screenprint in thirty-eight colors 35 7/8 x 24 inches Edition: 150 Artist Proofs: 30 Arches Roll Stock 100 % Ra...

Archival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 119 x 86 cm. (46¾ x 33¾ in.)

Alex Katz (born 1927) Reflection 2 2021 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 47 x 39.5 inches (119 x 100.3 cm) Edition of 81/100 With flat plane...

ALEX KATZ (1927-Present) Katz' 2020 'Dancer 2' is a cutout with UV-cured archival inks on shaped powder-coated aluminum, mounted to aluminum base. Incised 'Alex Katz', dated and num...

Artist: Larry Rivers Title: Carnegie Hall Year: 1990 Medium: Lithograph, signed and numbered in pencil Edition: 4/60 Paper Size: 57 x 40 inches

Larry Rivers 1970s Exhibition Poster Published by: Robert Miller Gallery New York in 1977 Medium: Offset lithograph Dimensions: 32 × 30 inches Very good condition About Larry River...

Archival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 80 x 119 cm. (31½ x 46¾ in.)

Artist: Alex Katz, American (1927 - ) Title: Night: William Dunas Dance 3 (Pamela) Year: 1983 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 100, 42 AP Size: 25...

Archival pigment print on Innova Etching Cotton Rag 315 gsm

Spoleto Festival is an original lithograph on cardboard, realized by Larry Rivers in 1988. Signed on plate. Good conditions. Larry Rivers (1923 – 2...

Archival pigment print on Innova Etching Cotton Rag 315 gsm