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Prints and Multiples For Sale
Artist: Alexander Calder
Artist: Henri Matisse
Figure assise sur fond de carreaux fleuris
Located in New York, NY
Henri Matisse Figure assise sur fond de carreaux fleuris, 1929 etching, on chine appliqué Signed in pencil and numbered 12 from the edition of 25 Plate: 4 3/8 x 5 7/8 inches (11.1 x ...
Category

1920s Modern Prints and Multiples

Materials

Drypoint

Nu assis, bras croisés sur la poitrine
Located in New York, NY
Henri Matisse Nu assis, bras croisés sur la poitrine, 1929 drypoint, on chine appliqué, signed in pencil and numbered 22 from the edition of 25 Plate: 5 9/16 x 3 15/16 inches (14.1 x...
Category

1920s Modern Prints and Multiples

Materials

Drypoint

Nu couché sur le côté, les jambes repliées
Located in New York, NY
Henri Matisse Nu couché sur le côté, les jambes repliées, 1929 etching, on chine appliqué Signed in pencil and inscribed Bon à tirer, the final proof appro...
Category

1920s Modern Prints and Multiples

Materials

Etching

Visage de profil reposant sur un bras, paravent Louis XIV
Located in New York, NY
Henri Matisse Visage de profil reposant sur un bras, paravent Louis XIV, 1924 lithograph on China paper, edition 7 of 50, + 10 AP 26 x 20 1/16 in. (66 x 51 cm) Ref: Duthuit 447; Cat....
Category

1920s Modern Prints and Multiples

Materials

Lithograph

Torse de face
Located in New York, NY
Henri Matisse Torse de face, 1913 lithograph on Japanese vellum, edition 31 of 50 19 11/16 x 13 in. (50 x 33 cm) Ref: Duthuit 407; Cat. 31 signed in ink and numbered 31/50
Category

1910s Modern Prints and Multiples

Materials

Lithograph

Petite Liseuse
Located in New York, NY
Henri Matisse Petite Liseuse, 1923 lithograph on Japanese vellum, edition 3 of 12 AP, apart from the edition of 50 17 3/16 x 11 in. (43.7 x 27.9 cm) Ref: Duthuit 431; Cat. 40 signed...
Category

1920s Modern Prints and Multiples

Materials

Lithograph

Nu couché, jambe repliée - Étude de jambes
Located in New York, NY
Henri Matisse Nu couché, jambe repliée - Étude de jambes, 1925 lithograph on Japanese vellum, edition of 50 18 x 22 1/16 in. (45.7 x 56 cm)
Category

1920s Modern Prints and Multiples

Materials

Lithograph

Nu accroupi, profil à la chevelure noire
Located in New York, NY
Henri Matisse Nu accroupi, profil à la chevelure noire, 1906 lithograph on Japanese vellum, edition of 25 17 11/16 x 11 in. (44.9 x 27.9 cm)
Category

Early 1900s Modern Prints and Multiples

Materials

Lithograph

La capeline de paille d'Italie
Located in New York, NY
Henri Matisse La capeline de paille d'Italie, 1923 lithograph on China paper, AP 22 7/16 x 18 1/16 in. (57 x 45.9 cm)
Category

1920s Modern Prints and Multiples

Materials

Lithograph

Jeune fille en robe fleurie au col d'organdi
Located in New York, NY
Henri Matisse Jeune fille en robe fleurie au col d'organdi, 1923 lithograph on China paper, edition of 50 14 15/16 x 11 1/4 in. (37.9 x 28.6 cm)
Category

1920s Modern Prints and Multiples

Materials

Lithograph

Jeune fille au col d'organdi
Located in New York, NY
Henri Matisse Jeune fille au col d'organdi, 1923 lithograph on China paper, edition of 50 14 15/16 x 11 3/8 in. (37.9 x 28.9 cm)
Category

1920s Modern Prints and Multiples

Materials

Lithograph

Figure devant tapa africain
Located in New York, NY
Henri Matisse Figure devant tapa africain, 1929 lithograph on Japanese vellum, edition of 50 25 3/8 x 19 11/16 in. (64.5 x 50 cm)
Category

1920s Modern Prints and Multiples

Materials

Lithograph

Danseuse endormie
Located in New York, NY
Henri Matisse Danseuse endormie, 1926-27 lithograph on Japanese vellum, AP 17 5/16 x 22 in. (44 x 55.9 cm)
Category

1920s Modern Prints and Multiples

Materials

Lithograph

Danseuse à mi-jambes, Main au Menton (Pl. de l'album Dix danseuses)
Located in New York, NY
Henri Matisse Danseuse à mi-jambes, Main au Menton (Pl. de l'album Dix danseuses), 1927 lithograph on wove paper 19 3/4 x 13 in. (50.2 x 33 cm)
Category

1920s Modern Prints and Multiples

Materials

Lithograph

Alexander Calder Derrière le Miroir lithograph (1960s Calder prints)
Located in NEW YORK, NY
Vintage original 1960s Alexander Calder lithograph from Derriere le Miroir: Dimensions: 11 x 15 inches. Minor signs of handling; good overall vintage condition with well preserved colors. Unsigned from an edition of unknown. Sold unframed. Derrière le miroir: In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time. The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies. Alexander Calder was an American artist best known for his invention of the kinetic sculptures known as mobiles. Calder also produced a variety of two-dimensional artworks including lithographs, paintings, and tapestries as seen in his Butterfly (1970). “My whole theory about art is the disparity that exists between form, masses, and movement,” the artist once said. Born on August 22, 1898 in Lawnton, PA, Calder turned to art in the 1920s, studying drawing and painting under George Luks and Boardman Robinson at the Art Students League in New York. Calder moved to Paris to continue his studies in 1926, where he was introduced to the European avant-garde through performances of his Cirque Calder (1926–1931). “I was very fond of the spatial relations,” he said of his interest in the circus. “The whole thing of the—the vast space—I’ve always loved it.” With these performances, along with his wire sculptures, Calder attracted the attention of such notable figures as Marcel Duchamp, Jean Arp, and Fernand Léger. Notably, it was his friend Duchamp that coined the term mobile—a pun in French meaning both “motion” and “motive”—during a visit to Calder’s Paris studio in 1931. His earliest mobiles moved by motors, but Calder soon abandoned these mechanics and designed pieces that moved by air currents or human interaction. Over the course of seven decades, along with his mobiles, he also produced paintings, monumental outdoor sculptures, works on paper, domestic objects, and jewelry. The artist lived in both Roxbury, CT, and Saché, France, before his death on November 11, 1976 in New York, NY. Today, his works are held in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London. Related Categories: Alexander Calder prints. Mid Century Modern Calder prints. 1970s. Calder spiral. Calder mobile. Vintage Alexander Calder. Miro. Calder spirals. Calder flowers.
Category

1960s Contemporary Prints and Multiples

Materials

Lithograph

Le Grand Nu
Located in New York, NY
Henri Matisse Le Grand Nu, 1906 Lithograph, on China paper, edition of 50 Image: 11 1/4 x 10 inches (28.6 x 25.4 cm) Sheet: 17 3/4 x 13 7/8 inches (45.1 x 35.2 cm)
Category

Early 1900s Fauvist Prints and Multiples

Materials

Lithograph

Jeune Hindoue
Located in New York, NY
Lithograph on Wove Paper AP
Category

1920s Prints and Multiples

Materials

Lithograph

Nu assis dans un Fauteuil au Décor fleuri
Located in New York, NY
A superb, evenly-printed impression of this lithograph with bold contrasts on thin laid paper. Signed and numbered 105/250 in pencil by Matisse. Catalogue reference: Duthuit 445.
Category

1920s Fauvist Prints and Multiples

Materials

Lithograph

. . . Dors, dormeuse aux longs cils . . ."
Located in San Francisco, CA
Original linocut printed in black ink on Rives wove paper. Bearing the artist's estate monogram blindstamp in the paper lower right. A superb impression of the definitive state fro...
Category

1940s Modern Prints and Multiples

Materials

Linocut

". . . Dors, dormeuse aux longs cils . . . "
Located in San Francisco, CA
Original linocut printed in black ink on Rives wove paper. Bearing the artist's estate monogram blindstamp in the paper lower right. A superb impression of the definitive state fro...
Category

1940s Modern Prints and Multiples

Materials

Linocut

". . . Dors, dormeuse aux longs cils . . . "
Located in San Francisco, CA
Original linocut printed in black ink on Rives wove paper. Bearing the artist's estate monogram blindstamp in the paper lower right. A superb impression of the definitive state fro...
Category

1940s Modern Prints and Multiples

Materials

Linocut

". . . Mais soudain le soleil, secouant sa crinière . . ."
Located in San Francisco, CA
Original linocut printed in black ink on Rives wove paper. Bearing the artist's estate monogram blindstamp in the paper lower right. A superb impression of the definitive state fro...
Category

1940s Modern Prints and Multiples

Materials

Linocut

". . . Et je me reposerai enfin dans le rien que je convoite . . . "
Located in San Francisco, CA
Original linocut printed in black ink on Rives wove paper. Bearing the artist's estate monogram blindstamp in the paper lower right. A superb impression of the definitive state fro...
Category

1940s Modern Prints and Multiples

Materials

Linocut

Le Loup - Henri Matisse, Jazz, Pochoir prints, Fauvism, Artist's books
Located in London, GB
Pochoir printed in colours, 1947. From: Jazz, Plate VI. From the book edition of 270. Printed on Arches paper by Edmond Vairel, Paris. Published by Teriade, Paris. (Duthuit Livre...
Category

1940s Fauvist Prints and Multiples

Materials

Stencil

Acier du Constructeur
Located in Miami, FL
TECHNICAL INFORMATION Alexander Calder Acier du Constructeur, 1965 Lithograph 21 7/16 × 29 3/8 in 54.5 × 74.6 cm Edition of 75 Condition: This work is in excellent condition
Category

1960s Abstract Prints and Multiples

Materials

Lithograph

The Swimmer in the Aquarium
Located in San Francisco, CA
Pochoir in colors on wove paper bearing the “ARCHES” block letter watermark, after Matisse's cut paper collage maquette. A superb example of the definitive state, from the folio edi...
Category

1940s Modern Prints and Multiples

Materials

Stencil

Alexander Calder - Composition - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Alexander Calder - Original Lithograph - Composition 1972 From the art review XXe Siecle Dimensions: 32 x 24 Edition: G. di San Lazzaro. Unsigned and unnumbered as issued
Category

1960s Modern Prints and Multiples

Materials

Lithograph

The Birth of the Unexpected
Located in San Francisco, CA
Original lithograph printed in five colors (black, blue, red, yellow, grey) on Arches wove paper Hand-signed in pencil lower right Calder. A superb impression of the definitive st...
Category

1970s Pop Art Prints and Multiples

Materials

Lithograph

Nu pour Cleveland
Located in New York, NY
Created in 1932 as an etching with Chine-collé on cream wove paper, Nu pour Cleveland is hand-signed and numbered by the artist in pencil. The artwork measures 20 x 15 7/8 in. (50.8 ...
Category

20th Century Contemporary Prints and Multiples

Materials

Etching

Sky Swirl
Located in San Francisco, CA
Signed with the artist’s monogram and dated on the stone lower right CA 74. A superb impression of the definitive state, from the edition commissioned by Braniff International Air...
Category

20th Century Abstract Geometric Prints and Multiples

Materials

Lithograph

Fine Art Prints for Sale — Animal Prints, Abstract Prints, Nude Prints and Other Prints

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.

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