Prints and Multiples

Damien Hirst (British, born 1965) The Currency Unique Print (H11), 2022 Medium: Archival giclée print on paper Dimensions: 100 × 150 cm (39 2/5 ×...

Inkjet print in colours, glaze and foilblock Edition of 55 69.2 x 55.5 cm Signed and numbered on the front Condition on request Whether it be figurative, abstract or landscape, we s...

Shepard Fairey Sunset As The Fall Approaches Screen print on thick cream Speckletone paper Year: 2023 Size: 24 x 36 inches Edition: 550 Signed, dated and numbered by hand COA provide...

Shepard Fairey Radical Peace (Diplomacy, Creativity, Mutual Benefit, Defending Rights and Dissent) Offset Lithograph on thick cream Speckletone paper Year: 2023-2024 Size: 36x24 inch...

Amazing Art Deco style on this stunning Screenprint. Gorgeous in multi colors, vivid and bright. This red version is bright and powerful. Very reminiscent of 1920’s artwork. Hand sig...

"I originally created this image in response to the terror attacks at the Bataclan and other parts of Paris in late 2015. At that terrible moment I wanted to create an image of support to show solidarity with Parisians and French people. Freedom, equality, fraternity – those are all things that I think democratic societies value. I intended for it to be interpreted and embraced by french people in a broad sense; however, I’d like to see those actions be meaningful. When I saw the attack on my mural and read some of the meaning behind it, I realized that it was done as a statement to oppose injustice. I side with people who oppose injustice, especially regarding human rights, and my beliefs in peace, harmony, and equality – all of which I work to embody through my art. If this image is used by people that don't incorporate those principles, I disapprove of that. I do not want this image to be hijacked for those who don't believe in its meaning. We're all part of shaping the world the way we want it to be and everyone should play their role, me included, in making sure that those terms are defined through action. That is why I am releasing a new version of the print that says, "actions are more important than words." If we do that properly, I think liberty, equality, and fraternity are all good things to keep in mind and continue to define in the most positive ways possible. For all the times those principles have been abandoned or have not been defined positively, I included a teardrop on Marianne. I believe in using my art to shed light on issues and support people who do work on the ground for those issues. I hope that this image's best intention can be realized as we work towards a better future." -Shepard Fairey Materials Fine Art Cream Speckletone Paper Size 36 × 24 in 91.4 × 61 cm Rarity Open edition Medium Print Condition Print is in pristine condition and has been stored flat since purchase. Signature Hand-signed by artist, Hand signed and dated by the artist Shepard Fairey, 2021. Certificate of authenticity Included (issued by gallery) Frame Not included Publisher Obey Giant Studio...

Screenprint in colors with glitter on heavy wove paper. Hand signed in pencil verso, numbered from the edition of 150 verso with artists copyright inkstamp. Published by Other Crite...

Hand signed and marked AP (Artist Proof) by Shepard Fairey. Rare Limited edition Artist Proof (Regular edition is only 85). Hand pulled Screenprint on Cream Speckle Tone paper. Cream...

Amazing Art Deco style on this stunning Screenprint. Gorgeous in multi colors, vivid and bright. This blue version is moody and reminiscent of 1920’s artwork. Hand signed by Fairey o...

Damien Hirst (British, born 1965) Forever, 2020 Medium: Laminated Giclee print on aluminium composite panel Dimensions: 39 x 39 cm Edition of 2573: Printed signature and edition numb...

Hand signed and marked AP (Artist Proof) by Shepard Fairey. Rare Limited edition Artist Proof (Regular edition is only 85). Hand pulled screen print on Cream Speckle Tone paper. Crea...

Damien Hirst (British, b. 1965) Theodora (The Empresses, H10-3), 2022 Medium: Laminated giclée print on aluminium composite, screen printed with diamond dust Dimensions: 100 × 100 cm...

Shepard Fairey Muhammad Ali – Heavyweight Ideals Screen print on thick cream Speckletone paper Year: 2023 Size: 24 x 18 inches Edition: 500 Signed, dated and numbered by hand COA pro...

Damien Hirst H12-4: Beautiful, Everlasting, Inexhaustibly Interesting, Self-Revelatory Gyration Painting, 2023 Mixed Media Giclée print on poly-cotton artist canvas mounted on a birc...

Shepard FAIREY (OBEY) and Ernesto YERENA (Ganas) Dia de los Muertos / Day of the Dead Two Original letterpress set (serigraphy) Handsigned in pencil Numbered /250 copies On black ve...

Shepard Fairey (American, b. 1970) Floral Harmony (Red Yin/Yang), 2020 Medium: 2 screenprints on paper Dimensions: each 24 x 18 in (61 x 46 cm) Edition of 100: Each hand-signed and n...

Artist: Hirst, Damien Title: Diamond Skull (For the Love of God) Date: 2007 Medium: Screenprint with Glazes Unframed Dimensions: 39.25" x 29.5" Framed Dimensions: 40.5" x 30.5" ...

Joy Division Ian Curtis Heart and Soul. Screen print on thick cream Speckletone paper From a 2023 collaboration between Shepard Fairey and photographer Kevin Cummins. Artist Proof...

Artsist: Damien Hirst Title: 'H13-1 Deadman's Cove" Year: 2023 Medium: Laminated Giclee print on aluminium composite panel Size: 47.2 x 35.4 Inches Edition: Edition of 346 Numbered a...

Artsist: Damien Hirst Title: 'H13-7 Mill Bay, Salcombe' Year: 2023 Medium: Laminated Giclée print on aluminium composite panel Size: 35.4 x 35.4 inches Edition: Edition of 289 Number...

Giclée print on poly-cotton artist canvas mounted on birch plywood stretcher Unique variant from an edition of 606 70 cm (27.5 in) (diameter) Signed on the front Mint. Sold in th...

TECHNICAL INFORMATION Shepard Fairey Obey ‘89 2006 Screenprint 42 x 30 in. Edition of 89 Pencil signed & numbered Accompanied with COA by Gregg Shienbaum Fine Art Condition:...

Shepard Fairey Liberte Egalite Fraternite Offset lithograph on paper Year: 2019-2023 Signed and dated by hand Size: 33.7 × 22.2 on 35.7 × 23.8 inches Frank Shepard Fairey (born Febr...

The Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

Damien Hirst The Currency set of 4 (Yellow, Pink, Purple & Blue), 2022 Offset lithograph on thick semi-gloss poster paper of Damien Hirst's Currency project currently on display at ...

'Colour Chart' Aluminum Panel Silkscreen with Glitter, 2017 is signed and numbered by the Artist on verso. Published by HENI in 2017. Edition of 250 + 8AP, number #152 of edition. T...

Shepard Fairey Parks for Everyone Screen print on thick cream Speckletone paper Year: 2022 Size: 24 x 18 inches Edition: 500 Signed, dated and numbered by hand COA provided Ref.: 924...

Damien Hirst (British, born 1965) Earth (from The Elements, H6-6), 2020 Medium: Diasec-mounted giclée print on aluminium composite panel Dimensions: 100 x 100 cm (39 3/8 x 39 3/8 in)...

The 'Cineole' Multicolor Spot Etching, 2004 is an edition of 145 + 35 AP, signed by the Artist on front in pencil, numbered on verso, AP. Published by the Paragon Press, London. The...

Tracing its roots back to 1992, ‘Spin Paintings’ was Hirst’s reaction to Abstract Expressionism and his desire to devise a machine to make art, based on his idea that one could mecha...

Forever (small) - Damien Hirst, Contemporary Art, 21st Century, YBAs, Colorful, Giclée Print, Brush Stokes, Paint, Glossy, Limited Edition Laminated Giclée print on aluminium compos...

Damien Hirst 'Pyronin Y' Limited Edition Spots Etching on Hahnemühle paper, with full margins. Edition of 65 + 20 AP, numbered on verso, AP. Signed by the Artist on front. Published ...

Laminated Giclée print on aluminium composite panel Edition of 411 Signed and numbered on the back Mint. Sold in the original HENI packaging

I’ve enjoyed bringing some of the spray paint textures from my fine art into my screen prints. I like the subtle color shifts and ethereal gradients that can be achieved with spray p...

'Horizontal 'Spots' I Spots Woodcut Print, 2018 is an edition of 55, number #45 of edition. Signed by the Artist on front in pencil. Part of Damien Hirst's 2018 Woodcut series. The s...

This Wetland Powers print examines the repercussions of a Supreme Court largely in the pockets of big oil. Government is supposed to create the greatest good f...

With my ICONS art show happening this weekend, it made sense to celebrate the musical and philosophical icon Joe Strummer, lead singer and lyricist of the Clash who are my all-time f...

From an edition of 150 (matching numbered pair). Each hand signed by Damien Hirst and stamped with the artist's seal on the backing board. Silkscreen print with glitter.

Laminated Giclée print on aluminium composite panel Edition of 601 Signed and numbered on the back Mint. Sold in the original HENI packaging

The vertical Spots 'Gly-Gly-Ala' by Damien Hirst is a multi-color woodcut in his signature palette formed with series unique colors. This exquisite piece is created in a limited edit...

Laminated Giclée print on aluminium composite panel Edition of 346 Signed and numbered on the back Mint. Sold in the original HENI packaging

Shepard Fairey OBEY Peace and Freedom Dove Sign 24” Reflective BTS Signed 2021. Shepard Fairey Peace and freedom dove on metal sign 24 inch diamet...

A complete set of 6 exhibition posters from the 'Cerisiers En Fleurs' Paris Cartier Foundation exhibition, printed in colours on 220 gsm fine art paper. The Cartier Foundation for C...

Damien Hirst, The Currency set of 4 Prints (Yellow, Pink, Purple & Blue), 2022 Offset lithograph on thick semi-gloss poster paper of Damien Hirst's 35 × 23 2/5 in 88.9 × 59.4 cm

The ‘All You Need Is Love, Love, Love’ butterfly heart with diamond dust by contemporary master artist, Damien Hirst, was created in 2010. It is signed and numbered by the Artist and...

Cant Stop the Bum Rush Original and Classic Obey lithograph. Released in 2001 this classic is 24" X 36" or a large print on thick/ heavy-stock paper, Signed and Dated by the artis...

Damien Hirst, H13 The Empresses, H10-3, Theodora, 2022 Limited Edition. 100 cm by 100 cm, 39.3 in by 39.3 in. Beautiful large piece; stored since original purchased. Laminated Gicl...

Damien Hirst 'Ethidium Bromide Aqueous Solution' Spots Etching, 2005. Signed by the Artist on front. Edition of 65. Published by the Paragon Press, 2005. The iconic 'Spot Series' i...

Shepard Fairey Paint it Black Letterpress Letterpress on white cotton paper with hand-deckled edges Year: 2023 Size: 16 x 12 inches Edition: 275 Signed, dated and numbered by hand CO...

Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

SHEPARD FAIREY Bureau of Public Works (on Wood), 2004 Mixed media silkscreen on wood panel. Hand signed and annotated on both the recto and verso. In original handmade artist's frame...

Artist: Damien Hirst Title: 'FRUITFUL' (LARGE) H8-1 Year: 2020 Medium: Laminated Giclée print on aluminium composite panel Edition: 1928; digitally signed and numbered on publisher'...

This limited edition bandana from Shepard Fairey was part of a 2020 campaign titled "Artists Band Together," in support of organizations working to increase voter turnout. Produced...

Shepard Fairey Fragile Cargo Screen print on thick cream Speckletone paper Year: 2022 Size: 24 x 18 inches Edition: 650 Signed, dated and numbered by hand COA provided Ref.: 924802-8...

Damien Hirst, H10 The Empresses, H10-2, Nur Jahan, 2022 Limited Edition. 100 cm by 100 cm, 39.3 in by 39.3 in. Beautiful large piece; stored since original purchased. Laminated Gic...

Shepard Fairey Swan Song Screen print on thick cream Speckletone paper Year: 2023 Size: 24 x 36 inches Edition: 550 Signed, dated and numbered by hand COA provided Ref.: 924802-1603 ...

Shepard Fairey OFF! You Will Do What We Say, 2019 Medium: Screenprint on paper Dimensions: 18 × 24 in (45.7 × 61 cm) Edition of 600: Hand-signed and numbered Condition: Mint

Damien Hirst The Currency (Purple), 2022 Offset lithograph on thick semi-gloss poster paper of Damien Hirst's Currency project currently on display at Newport Street Gallery. 35 × ...