Prints and Multiples

111.8 x 140.3 cms (44 x 55.25 ins) Edition of 50 Impressed with Solo Press stamp and the printer’s stamp. Lithograph (from three plates) with hand colouring in gouache (two greys...

Lithograph from a stone printed in sepia and green, with hand colouring in two shades of blue gouache. On Velin Arches mould-made paper (300 gsm) Signed and dated 77 in pencil, lower...

Lithograph from five zinc plates, using tusche and crayon with splatter, printed in red, orange, green, black, and pink. On J Green paper (250 gsm) Signed, numbered and dated '68 in ...

80 x 94 cms (31.5 x 37 ins) Edition of 100

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From the folio, Une Aventure méthodique, 1950; published ...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Georges Braque Si je mourais là-bas (If I Died There) (Vallier 181), 1962 Wood engraving printed in blue, on Japon paper Hand signed lower right Edition IV / X lower left Printed by...

Lithograph, 1956 Handsigned by the artist in pencil and numbered 26/95 Publisher : Maeght (Paris) Catalog : [Maeght n.1016 Vallier p.293] 55.00 cm. x 112.50 cm. 21.65 in. x 44.29 in...

Etching, 1962 Handsigned by the artist in pencil and numbered 60/90 Publisher : Maeght (Paris) Catalog : Vallier 172 55.00 cm. x 42.00 cm. 21.65 in. x 16.54 in. (paper) 23.00 cm. x ...

Etching, 1959 Handsigned by the artist in pencil and numbered 49/60 Publisher : Maeght (Paris) Printer : Crommelynck et Dutrou (Paris) Catalog : Vallier 139 47.00 cm. x 36.00 cm. 18...

Etching, 1958 Signed on the plate Publisher : Maeght (Paris) 18.00 cm. x 21.50 cm. 7.09 in. x 8.46 in. (paper) 11.00 cm. x 13.00 cm. 4.33 in. x 5.12 in. (image) Original Etchin Ne...

Original Edition Lithograph on English cartridge paper. Edition: 3,000. Inscription: Signed in the plate and unnumbered. Excellent Condition; never framed or matted. Notes: Published...

Howard Hodgkin (1932-2017), one of Britain’s greatest contemporary artists became best known for his vibrantly colored paintings that chronicle his personal experiences. IN TANGIER...

Medium: original lithograph. Published in 1963 as the frontispiece of the "Braque Lithographe" catalogue raisonne, and printed in Paris by Mourlot Freres. The sheet measures 12 1/2 x...

Original lithograph, printed in an edition of 75, numbered and signed by the artist. Number 64/75. 44x52.5cm Publication: Maeght, Paris Printing: Mourlot, Paris Ref: Vallier 129/130,...

HOWARD HODGKIN Blue Skies, Nothing but Blue Skies, 2002 Screenprint in Colors, Scrunched Up and Presented in a Box 5 3/25 × 6 3/10 x 2 inches Edition of 500 (unnumbered) Momart is a British company specialising in the storage, transportation, and installation of works of art. Today, the company is best known for two things: its annual artist Christmas Card, and a 2004 warehouse fire that destroyed irreplaceable art works including Tracey Emin's famous "Everyone I Have Ever Slept With. Momart's clients include the Royal Academy of Arts, Victoria & Albert Museum, National Gallery, Tate Modern, Tate Britain and Buckingham Palace. The tradition of the MOMART "Christmas card" (which would later morph into actual artist-designed work) goes back to 1984 when the first object – a festive card – was designed for the company by Bruce McLean. Since then Momart collaborated on this project with many of the top British and international artists. The complete series of Momart Christmas cards is now part of the permanent collections of the Victoria and Albert Museum and the Tate. The present item is the vintage 2002 MOMART Christmas card, designed by Howard Hodgkin. It is a rich blue screenprint, scrunched up in a box - with the printed text MOMART CHRISTMAS CARD 2002 inside the box, the artist's name and work title, "Blue Skies, Nothing But Blue Skies" and a credit at the bottom "With thanks to Gagosian Gallery London and Peter B. Willberg." And that's the MOMART "gift". Very cool and collectible! Unnumbered, but known to have been issued in an edition of 500 About Howard Hodgkin For an artist, time can always be regained . . . because by an act of imagination you can always go back. —Howard Hodgkin One of England’s most celebrated contemporary painters, Howard Hodgkin (1932–2017) was deeply attuned to the interplay of gesture, color, and ground. His brushstrokes, set against wooden supports, often continue beyond the picture plane and onto the frame, breaking from traditional confines. Embracing time as a compositional element, his work is testament to his immersion in the intangibility of thoughts, feelings, and fleeting private moments. Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54). Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames. In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1998 Hodgkin joined Gagosian, and the gallery presented his first show in the United States since his critically acclaimed 1995–96 exhibition at the Metropolitan Museum of Art, New York, which had traveled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent. Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group...

"L'oiseau de sables" ("Bird of the Sands") is an original signed lithograph by Georges Braque executed in 1962. It is 37 of an edition of 125. The work is one of five lithographs cre...

Oiseau Multicolore by Georges Braque, French (1882–1963) Date: 1950 Aquatint Etching, signed and numbered in pencil Edition of 69/200 Image Size: 10 x 19.5 inches Size: 17.75 x 25.25...

Georges Braque's 1955 lithography titled "Le Bouquet," part of the Edition Verve collection and printed on Arche paper, stands as a testament to the artist's enduring fascination wit...

" Migration " is an etching realized by  Georges Braque  in 1962. The print is hand signed and numbered. This is an edition of 90 prints. Bibliography: D. Vallier,  Braque : l'oeuvre gravé: catalogue raisonné , Flammarion, Paris 1982, p.241, n.72. Georges Braque  (1882-1963) was a French Fauve painter who began to rethink his own painting style after admiring Picasso’s  Les Demoiselles...

Etching, burin and Aquatint. Edition of 50 prints, numbered and hand signed. Rare and in very good conditions. Bibliography: G. Bloch, Picasso: Catalog of the Printed Graphic work 1...

Hand signed and numbered. Edition of 150 prints. 

Etching with drypoint, 1912, on Arches wove paper, a fine impression printing with plate tone and much burr, hand signed and numbered. Eiditon of 50 prints (there were also ten  hors...

Aquatint, 1955 Handsigned by the artist in pencil and annotated HC Printer : Crommelynck (Paris) 50.50 cm. x 66.00 cm. | 19.88 in. x 25.98 in. (paper) 48.00 cm. x 29.00 cm. | 18.9 in...

Here we are in Croydon by Howard Hodgkin highlights the artist's abstract black and white brushwork which became increasingly spontaneous and loose towards the end of the 1970s when ...

Georges Braque Cinq Poésies en Hommage à Georges Braque (Five Poems in Homage to Georges Braque), 1958 is the image Braque designed for the cover of a book containing five poems by R...

Georges Braque (1882-1963) Hesiod's theogony : Artémis Original etching, 1932 Hand signed in pencil Numbered /50 copies On Hollande vellum size 49 x 38.5 cm (c. 19 x 15 in) Publishe...

Georges Braque (1882-1963) Hesiod's theogony : Gaia & Ouranos Original etching, 1932 Hand signed in pencil Numbered /50 copies On Hollande vellum size 49 x 38.5 cm (c. 19 x 15 in) P...

Georges Braque (1882-1963) Hesiod's theogony : Pegasus Original etching, 1932 Hand signed in pencil Numbered /50 copies On Hollande vellum size 49 x 38.5 cm (c. 19 x 15 in) Publishe...

Very large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles. Striking print to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is more painterly, expressionist, and abstract. Paper 45 x 55 in. / 114.3 x 139.7 cm. Souvenir by Howard Hodgkin. Screenprint on Arches aquarelle mould-made paper. Signed by the artist with initials and dated 80 in pencil lower center, numbered in pencil lower left. This bold Howard Hodgkin print layers five shades of black, with a wide variety of marks including some from the artist’s fingerprints and hand. Scribbles and lines of grey loosely define what could be an interior space with furniture. As is typical of his prints, there is a sense of space, and of the passage of time, expressed through shapes that seem to recede through the picture, deep black shades and, unusually for Hodgkin’s work, the white of the paper showing through. The last photograph displays these rich surface textures on the sheet at an angle. Catalogue reference: Elizabeth Knowles...

Georges Braque (1882-1963) Hesiod's theogony : the divinity and the dove Original etching, 1932 Hand signed in pencil Numbered /50 copies On Hollande vellum size 49 x 38.5 cm (c. 19...

Georges Braque Nature morte (avec un pichet et citrons) [Still Life with Pitcher and Lemons], c. 1950, a beautifully arranged and elegant still lif...

Lithograph, 1959 Handsigned by the artist in pencil and numbered 256/300 Publisher : Maeght (Paris) Printer : Mourlot (Paris) Catalog : Maeght 1031 Vallier p. 295 54.50 cm. x 76.00 c...

Etching, 1956 Handsigned by the artist in pencil and numbered 155/300 Publisher : Guy Spitzer (Paris) 48.00 cm. x 65.00 cm. | 18.9 in. x 25.59 in. (paper) 24.00 cm. x 35.00 cm. | 9.4...

Original color lithograph, 1983. Edition of 150 signed and numbered impressions on Arches paper. Art and Sport portfolio: The Yugoslav Olympic Committee of the Winter Olympic Games Sarajevo 1984 wished to give a certain cultural-artistic accent to this world festivity. The admire of the Olympic idea, those who have a liking for the Olympic winter sports and the art connected with them will be, in agreement with the art publisher Visconti Art Lazo Vujić, honored by creations contributed by world known prominent artist. A portfolio containing sixteen original prints, handsigned and numbered by the artists, is published in a limited edition of 200 originals by each artist. Names like Dorazio, Folon, Greco, Helnwein, Hodgkin, Hwang, Kolar, Moore, Paladino, Pistoletto, Rosenquist, Santomaso, Stupica, Twombly and Warhol guarantee the high quality of the artistic idea and its realization. The size of the original print is 85 x 62 cm. The edition of the original graphic portfolio will be accompanied by limited editions of art posters of the same size, not numbered, but each of them carrying an impression of the inscription “Olympic Games Sarajevo 1984” and its logotype. The themes proposed by the artists are either winter sports, the Olympic idea or the town of Sarajevo. All the artists remain faithful to their own specific expression, using the formal elements of the language developed through the years of their creative presence in world’s art. So every print included in the portfolio is at the same time a particular contribution to the continuity of their artistic orientation, the theme being an additional iconographic impulse to their visual research. The symbiosis of the Olympic idea and art is certainly an interesting creative proposal that will fascinate art-collectors and sport-lovers as well. Howard Hodgkin was a British painter and printmaker, famous for his abstractions. He became a prominent artist for painting on wooden supports such as drawing boards...

Lithograph, 1959 Handsigned by the artist in pencil and numbered 75/300 Catalog : Vallier p.294 Maeght n°1029 45.50 cm. x 55.00 cm. | 17.91 in. x 21.65 in. (paper) 32.00 cm. x 38.00 ...

This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin. The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, green watercolor contrasts beautifully with marigold orange, crimson, and terra cotta red. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring in a yellow watercolor wash and green gouache on Stoneridge mould-made etching paper. Edition 100. Howard Hodgkin was introduced to the etching technique used in Artist and Model (in green and yellow) at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Catalogue reference: Elizabeth Knowles...

Lithograph, 1963 Handsigned by the artist in pencil and annotated HC 3/4 Publisher : Edwin Engelberts (Genève) Printer : Mourlot (Paris) Catalog : Vallier 187 Mourlot 121 37.80 cm. ...

Artist: Howard Hodgkin Title:Tropic Fruit Medium: Color screenprint Year: 1981 Initialed and dated lower center 'HH 81' and numbered lower right, '80/100' aside from the artist's pro...

Artist: Georges Braque (after), French (1882 - 1963) Title: Profil de Femme from Souvenirs de Portraits d'Artistes. Jacques Prévert: Le Coeur à l'ouvrage (M.25) Year: 1972 Medium: Li...

Often seen as a minor accessory in a larger painting, few artists have thought fish worthy of depiction in their own right. In this piece, Braque (Argenteuil-sur-Seine, 1882- Paris, ...

Georges Braque Phaéton, Char I (Phaethon, Chariot I), 1945 originates from Greek mythology and is filled with symbolic power. Phaeton refers to the son of the God Helios who was resp...

In sharp contrast to his strict cubist style, this work offers a view of Braques (Argenteuil-sur-Seine, 1882- Paris, 1963) more mature whimsical aesthetic. In contrast to his classic...

Toreros seek to elicit inspiration and art from their work. Their intentions are not to deliberately cause harm the bull, but create an emotional connection with the crowd through th...

Expressing the talent and skill of Braque’s graphic works, this piece illustrates the artist’s remarkable ability to create imaginative abstract still lives. In this sense, Braque ha...

Braque Still Life with Apples, 1956 utilizes the cubist concept of flattening objects and playing with perspective in tandem with modeled volume...

Braque Oiseau dans son nid (Bird in its Nest) from Août (August), 1958 is an exquisite work that revisits Braque’s beloved bird motif. Beautifully inspir...