Prints and Multiples

Henri Matisse Figure assise, le bras droit appuyé sur une table 1929 Etching on Chine appliqué on Arches Vélin paper, Edition of 25 Image size: 18.4 x 12.3 cms (7 1/4 x 4 3/4 ins) ...

Lithograph on Japon paper, Edition of 50 Paper size: 43.7 x 28.1 cms (17.2 x 11.1 ins) Image size: 39.1 x 23.7 cms (15 3/8 x 9 1/4 ins)

Henri Matisse Jeune Polonaise 1917/18 Etching on Chine appliqué on wove paper, Edition of 15 Paper size: 38 x 28.5 cms (15 x 11 1/4 ins) Plate size: 18 x 12.7 cms (7 x 5 ins) HM16662

Henri Matisse Nu. Étude d’un mouvement de jambes 1929 (printed in 1935) Lithograph on Arches paper, Edition of 50 Paper size: 50 x 66 cms (19 3/4 x 26 ins) Image size: 43.3 x 55.5 cm...

Aquatint on BFK Rives paper, Edition of 25 Paper size: 56 x 38 cms (22 x 15 ins) Image size: 34.8 x 27.7 cms (13 3/4 x 10 7/8 ins)

Linocut on Daragnès paper, Edition of 25 Paper size: 52 x 33 cms (20 1/2 x 13 ins) image size: 18.5 x 14.3 cms (7 5/8 x 5 5/8 ins)

Hand signed on front; numbered on verso by the artist. From the 'A Tool Box' Portfolio. Printed by Christopher Prater; published by Editions Alecto. Artwork is in excellent condition...

Henri Matisse Nu Au Coussin Bleu, 1924 Original lithograph, hand signed in pencil From the edition of 50 on arches vellum paper, numbered 5/50. Sheet measures: 29.5 x 22 inches Frame...

Hand signed on front; numbered on verso by the artist. From the 'A Tool Box' Portfolio. Printed by Christopher Prater; published by Editions Alecto. Artwork is in excellent condition...

Lithograph on Japon paper, Edition of 50 Paper size: 35 x 27.8 cms (13 3/4 x 11 ins) Image size: 18.6 x 12.8 cms (7 1/2 x 5 ins)

Lithograph on Arches Velin paper, Edition of 25 Paper size: 45 x 32 cms (17 5/8 x 12 5/8 ins) Image size: 30 x 22.8 cms (11 3/4 x 9 ins)

Etching on Chine appliqué on Arches Velin paper, Edition of 25 Paper size: 28.5 x 38 cms (11 1/4 x 15 ins) Plate size: 14.9 x 19.6 cms (5 7/8 x 7 5/8 ins)

Lithograph on Arches Velin paper, Edition of 50 Paper size: 50.6 x 66 cms (19 7/8 x 26 ins) Image size: 45.4 x 54 cms (17 7/8 x 21 1/4 ins)

Original linocut printed in black ink on Rives wove paper. Bearing the artist's estate monogram blindstamp in the paper lower right. A superb impression of the definitive state...

Artist: Dine, Jim Title: Cream and Red Robe on a Stone Date: 2010 Medium: Lithograph Unframed Dimensions: 53" x 39" Framed Dimensions: 60.5" x 46.75" Si...

Lacking the artist's signature in pencil as sited in Duthuit. We have found numerous other impressions of this image with the initials and lacking the pencil signature; Signed with...

Original linocut printed in black ink on Rives wove paper. Bearing the artist's estate monogram blindstamp in the paper lower right. A superb impression of the definitive state...

Bearing the artist's estate monogram blindstamp in the paper lower right. A richly printed impression of the definitive state from the edition of 100, numbered "75/100" in pencil ...

Artist: Matisse, Henri Title: Tête de Femme (frontispiece from Portraits) Date: 1954 Medium: Lithograph Unframed Dimensions: 12.5" x 9.75" Framed Dimensions: 20.75" x 18" Signa...

Jim Dine (born June 16, 1935) is an American artist. Dine’s work includes painting, drawing, printmaking (in many forms including lithographs, etchings, gravure, intaglio, woodcuts, ...

Original lithograph on acetate and Velin Arches paper - Published by Petersburg Press London - Suite: The Picture of Dorian Gray - Hand Signed by Dine Edition of 200 Signed

Original lithograph on acetate and Velin Arches paper - Published by Petersburg Press London - Suite: The Picture of Dorian Gray - Hand Signed by Dine Edition of 200 Signed

Original lithograph and woodcut printed in colours on Hahnemühle paper - Published Pace Prints New York - Hand signed and dated in pencil Edition of 17 Signed

"Mlle Landsberg" (grade planche, pl. 16), 1914 Henri Matisse (French, 1869-1954) Signed and Numbered Lower Right Edition 12/15 Image size: 7 7/8 x 4 5/16 inches Sheet size: 17 11/16 x 12 1/2 inches With frame: 19 1/2 x 14 1/2 inches Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension. Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris. Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died. Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts). By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913. At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...

Created in 1988, this lithograph on BFK Rives wove paper is hand-signed in pencil by Jim Dine (Cincinnati, Ohio, 1935 –) in the lower right margin and numbered from the edition of 30...

Created in 2008, this woodcut is hand-signed by Jim Dine (Cincinnati, Ohio, 1935 –) on verso and is numbered from the edition of 118 on verso. Published by Lincoln Center List Poster & Print Program, New York. About the Framing: Framed to museum-grade, conservation standards, Jim Dine Pinocchio...

Etching on paper, signed and numbered by the artist - (W. C. 219) - - Please note that for delivery of this artwork inside the EU, there is an additional 19% VAT

Edition of 75 - - Please note that for delivery of this artwork inside the EU, there is an additional 19% VAT

Jim Dine Robe in Furnace Original etching in colors on copperplate deluxe paper From the rare, limited edition impression 4 of 31 Hand signed by artist and numbered Image Size 27...

In 1971 Jim Dine produced the first works in which a large heart appears on its own, a device to which he has since returned both on canvas and in his graphic work, as with this exam...

Lithograph and collage - Edited by Madison Museum of contemporary art

Screenprint in Colors with Collage on Paper - Published by Editions Alecto London - Suite: A Tool Box Edition of 150

Screenprint in Colors with Collage on Paper - Published by Editions Alecto London - Suite: A Tool Box Edition of 150

Henri Matisse Figure endormie dans un intérieur, 1929 etching, on chine appliqué Signed in pencil and inscribed Bon à tirer, the final proof approved by th...

Henri Matisse Nu couché, renversé, 1929 etching, on chine appliqué Signed in pencil and numbered from the edition of 25 Plate: 3 5/8 x 4 7/8 inches (9.2 x 12.4 cm) Sheet: 11 x 14 15/...

Henri Matisse Torse, bras gauche derrière la tête, 1926 drypoint, on chine appliqué, signed in pencil and numbered 4 from the edition of 7 Plate: 5 13/16 x 3 7...

Henri Matisse Figure assise sur fond de carreaux fleuris, 1929 etching, on chine appliqué Signed in pencil and numbered 12 from the edition of 25 Plate: 4 3/8 x 5 7/8 inches (11.1 x ...

Henri Matisse Nu assis, bras croisés sur la poitrine, 1929 drypoint, on chine appliqué, signed in pencil and numbered 22 from the edition of 25 Plate: 5 9/16 x 3 15/16 inches (14.1 x...

Henri Matisse Nu couché sur le côté, les jambes repliées, 1929 etching, on chine appliqué Signed in pencil and inscribed Bon à tirer, the final proof appro...

Henri Matisse Visage de profil reposant sur un bras, paravent Louis XIV, 1924 lithograph on China paper, edition 7 of 50, + 10 AP 26 x 20 1/16 in. (66 x 51 cm) Ref: Duthuit 447; Cat....

Henri Matisse Torse de face, 1913 lithograph on Japanese vellum, edition 31 of 50 19 11/16 x 13 in. (50 x 33 cm) Ref: Duthuit 407; Cat. 31 signed in ink and numbered 31/50

Henri Matisse Petite Liseuse, 1923 lithograph on Japanese vellum, edition 3 of 12 AP, apart from the edition of 50 17 3/16 x 11 in. (43.7 x 27.9 cm) Ref: Duthuit 431; Cat. 40 signed...

Henri Matisse Nu couché, jambe repliée - Étude de jambes, 1925 lithograph on Japanese vellum, edition of 50 18 x 22 1/16 in. (45.7 x 56 cm)

Henri Matisse Nu accroupi, profil à la chevelure noire, 1906 lithograph on Japanese vellum, edition of 25 17 11/16 x 11 in. (44.9 x 27.9 cm)

Henri Matisse La capeline de paille d'Italie, 1923 lithograph on China paper, AP 22 7/16 x 18 1/16 in. (57 x 45.9 cm)

Henri Matisse Jeune fille en robe fleurie au col d'organdi, 1923 lithograph on China paper, edition of 50 14 15/16 x 11 1/4 in. (37.9 x 28.6 cm)

Henri Matisse Jeune fille au col d'organdi, 1923 lithograph on China paper, edition of 50 14 15/16 x 11 3/8 in. (37.9 x 28.9 cm)

Henri Matisse Figure devant tapa africain, 1929 lithograph on Japanese vellum, edition of 50 25 3/8 x 19 11/16 in. (64.5 x 50 cm)

Henri Matisse Danseuse endormie, 1926-27 lithograph on Japanese vellum, AP 17 5/16 x 22 in. (44 x 55.9 cm)

Henri Matisse Danseuse à mi-jambes, Main au Menton (Pl. de l'album Dix danseuses), 1927 lithograph on wove paper 19 3/4 x 13 in. (50.2 x 33 cm)

Henri Matisse Le Grand Nu, 1906 Lithograph, on China paper, edition of 50 Image: 11 1/4 x 10 inches (28.6 x 25.4 cm) Sheet: 17 3/4 x 13 7/8 inches (45.1 x 35.2 cm)

This hand-colored etching on handmade paper was created in 1999. Signed in pencil and numbered, from the edition of 20. Available for local pick up from ...

3 lithographs - 45 x 69cm each

Lithograph on Wove Paper AP

A superb, evenly-printed impression of this lithograph with bold contrasts on thin laid paper. Signed and numbered 105/250 in pencil by Matisse. Catalogue reference: Duthuit 445.

This print depicts a hand adorned with ornate jeweled rings, printed in teal turquoise. Underneath the hand is written “Study for the Rings on Dorian Gray’s Hand”. In Oscar Wilde’s novel The Picture of Dorian Gray...

Original linocut printed in black ink on Rives wove paper. Bearing the artist's estate monogram blindstamp in the paper lower right. A superb impression of the definitive state fro...

Original linocut printed in black ink on Rives wove paper. Bearing the artist's estate monogram blindstamp in the paper lower right. A superb impression of the definitive state fro...