Prints and Multiples

111.8 x 140.3 cms (44 x 55.25 ins) Edition of 50 Impressed with Solo Press stamp and the printer’s stamp. Lithograph (from three plates) with hand colouring in gouache (two greys...

Lithograph from a stone printed in sepia and green, with hand colouring in two shades of blue gouache. On Velin Arches mould-made paper (300 gsm) Signed and dated 77 in pencil, lower...

Lithograph from five zinc plates, using tusche and crayon with splatter, printed in red, orange, green, black, and pink. On J Green paper (250 gsm) Signed, numbered and dated '68 in ...

80 x 94 cms (31.5 x 37 ins) Edition of 100

Mel Ramos (American, born 1935) Hav-A-Havana 3, 1999 Medium: Lithograph in colors, on wove paper Dimensions: 57.5 x 57.5 cm Edition of 199: Hand-signed and numbered Condition: Mint

Mel Ramos (1935-2018) Virnaburger (Verna Burger), 1965 Offset lithograph A proof aside from the numbered edition of 500 Signed and dated LR: M Ramos 65 Image 19 x 14 inches In a vint...

Artist: Mel Ramos, American (1935 - ) Title: Mixed Nuts Year: 2008 Medium: Enamel on Steel, signed and numbered in marker Edition: 125, 25 AP Size: 28 in. x 20 in. x 1.5 in. (71.12 c...

Set of 3 lithographs on heavy smooth white wove paper. Each sheet measures 31.5 x 23 inches. Each hand signed and numbered in pencil. Numbered A.P. 18/50 (artist's proofs aside fro...

Mel Ramos (born 1935) Toblerone Tess, 2007 Medium: Llithograph in colors Dimensions: 58 x 94 cm Edition of 199: Hand-signed and numbered Condition: Flawless “Mr. Ramos (…) began pai...

Howard Hodgkin (1932-2017), one of Britain’s greatest contemporary artists became best known for his vibrantly colored paintings that chronicle his personal experiences. IN TANGIER...

Medium: original lithograph. Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Size: 16 1/4 x 11 1/2 inches (408 x 290 mm). Ther...

Phantom Lady is a serigraph on paper, mounted on black paper. The image size is 31 x 24 inches and the print is signed lower right in the black paper 'Mel Ramos' and numbered lower left. From the edition of 289, numbered 56/100 (there were also another 10 APs and 5 PPs mounted on black paper and the versions on just white paper - 100 Arabic plus 10 AP and 5 PPs). Robert Bane...

Mel Ramos (American, born 1935) Hav-A-Havana 6, 1999 Medium: Lithograph in colors, on wove paper Dimensions: 52.5 x 55.5 cm Edition of 199: Hand-signed and numbered Condition: Mint

Mel Ramos (born 1935) Coca-Lola No. 4, 2004 Medium: Lithograph in colors Image dimensions: 67.5 x 44.5 cm Sheet dimensions: 88 x 60 cm Edition of 100: Hand signed and numbered “Mr. ...

Artist: Mel Ramos Title: Senorita Rio (from One Cent Life) Series: One Cent Life Year: 1964 Medium: Lithograph Dimensions: 16.25 x 23" Provenance: Private Collection, Berlin Origin...

HOWARD HODGKIN Blue Skies, Nothing but Blue Skies, 2002 Screenprint in Colors, Scrunched Up and Presented in a Box 5 3/25 × 6 3/10 x 2 inches Edition of 500 (unnumbered) Momart is a British company specialising in the storage, transportation, and installation of works of art. Today, the company is best known for two things: its annual artist Christmas Card, and a 2004 warehouse fire that destroyed irreplaceable art works including Tracey Emin's famous "Everyone I Have Ever Slept With. Momart's clients include the Royal Academy of Arts, Victoria & Albert Museum, National Gallery, Tate Modern, Tate Britain and Buckingham Palace. The tradition of the MOMART "Christmas card" (which would later morph into actual artist-designed work) goes back to 1984 when the first object – a festive card – was designed for the company by Bruce McLean. Since then Momart collaborated on this project with many of the top British and international artists. The complete series of Momart Christmas cards is now part of the permanent collections of the Victoria and Albert Museum and the Tate. The present item is the vintage 2002 MOMART Christmas card, designed by Howard Hodgkin. It is a rich blue screenprint, scrunched up in a box - with the printed text MOMART CHRISTMAS CARD 2002 inside the box, the artist's name and work title, "Blue Skies, Nothing But Blue Skies" and a credit at the bottom "With thanks to Gagosian Gallery London and Peter B. Willberg." And that's the MOMART "gift". Very cool and collectible! Unnumbered, but known to have been issued in an edition of 500 About Howard Hodgkin For an artist, time can always be regained . . . because by an act of imagination you can always go back. —Howard Hodgkin One of England’s most celebrated contemporary painters, Howard Hodgkin (1932–2017) was deeply attuned to the interplay of gesture, color, and ground. His brushstrokes, set against wooden supports, often continue beyond the picture plane and onto the frame, breaking from traditional confines. Embracing time as a compositional element, his work is testament to his immersion in the intangibility of thoughts, feelings, and fleeting private moments. Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54). Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames. In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1998 Hodgkin joined Gagosian, and the gallery presented his first show in the United States since his critically acclaimed 1995–96 exhibition at the Metropolitan Museum of Art, New York, which had traveled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent. Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group...

Peek a Boo Mel Ramos, American (1935–2018) Date: 2015 Print Catalogue with Lithograph, signed and numbered in pencil Edition of 999 Image Size: 9.5 x 7 inches Size: 11.5 x 9 in. (29....

Mel Ramos (born 1935) Reese's Rose, 2008 Medium: Lithograph in colors Dimensions: 93.5 x 55 cm Edition of 199: Hand-signed and numbered Condition: Mint

Mel Ramos 50 Years of Pop Art (Hand signed, dated and inscribed to Nadine by Mel Ramos), 2010 Softback monograph with dust jacket (hand signed, dated and inscribed by Mel Ramos) Hand...

Artist: Mel Ramos Title: Tiger Girl Portfolio: 1¢ Life Medium: Lithograph Year: 1964 Edition: 2000 Image Size: 16.25 in x 11.75 in Sold Unframed

Mel Ramos (born 1935) Caramia Caramello, 2008 Medium: Lithograph in colors Dimensions: 94.5 x 58 cm Edition of 199: Hand-signed and numbered Condition: Excellent “Mr. Ramos (…) bega...

Here we are in Croydon by Howard Hodgkin highlights the artist's abstract black and white brushwork which became increasingly spontaneous and loose towards the end of the 1970s when ...

MEL RAMOS Señorita Rio, from the Deluxe signed edition of 1 Cent Life (Artists & Collaborators), 1963 Color lithograph on wove paper Hand signed and dated on the lower right front; print numbered on the colophon page a copy of which is affixed to the back of the frame (see photo) Edition 85/100 Published by E.W. Kornfeld, Germany, Written by Walasse Ting, Edited by Sam Francis Framed: Elegantly floated and framed in a museum quality wood frame with UV plexiglass Provenance: Acquired from original, complete 1 Cent Life Portfolio, # 85/100 (Artists & Collaborators) from the Estate and Collection of Robert Indiana This original lithograph, splayed across two pages, is from the Deluxe edition of the legendary 1 Cent Life Portfolio, one of the most documented and celebrated artistic collaborations of the 1960s. Chinese American artist and writer Walasse Ting, in collaboration with Sam Francis, assembled a group of the most significant Pop and Abstract Expressionist artists in America, including Pop Artist Mel Ramos, along with the European COBRA artist to create the definitive artistic portfolio, with text by Walasse Ting. The Deluxe edition, which features hand signed prints was published in a limited edition of only 100. This is one of them. Of the 100, editions numbered 60-100, or 40 portfolios, were reserved exclusively for Artists & Collaborators. This hand signed Mel Ramos lithograph is from the portfolio numbered 85 (Artists & Collaborators), which was acquired from the Estate and Collection of Robert Indiana, one of the artists who contribute to the 1 Cent Life portfolio. The racy text to the right of the print -- an anti-Corporate American screed, was written by Walasse Ting. It is elegantly floated and framed in. amuseum frame with UV plexiglass. Signed examples of this portfolio with such superb provenance rarely appear on the marketplace. This is a true collectors item, from the most desirable and influential era in Pop Art history. Mel Ramos became famous for his ironic portraits of pin ups and how they are used in American advertising. (see detailed biography below). The poem called America to the right of the lithograph, entitled "America" was written by Chinese born artist Walasse Ting, and matches the image perfectly, as it's also a commentary on American commercial culture. The poem begins: Brain made by IBM & FBI stomach supported by A & P and Horn & Hardart love supported by Time & Life tongue supported by American Telephone & Telegraph soul made by 7up skin start with Max Factor heart red as U.S. Steel Measurements: Framed 19 inches vertical by 26 inches by 2 inches Lithograph 16 inches vertical by 22.5 inches More about the Signed (Deluxe) Edition of 1 Cent Life portfolio In 1962, the Chinese-American artist Walasse Ting shared his dream project with painter Sam Francis: to create an anthology of his poetry illustrated by leading artists of their time. Over the next two years, Ting and Francis recruited leading Abstract Expressionists and Pop artists—Andy Warhol, Joan Mitchell, Robert Rauschenberg...

Very large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles. Striking print to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is more painterly, expressionist, and abstract. Paper 45 x 55 in. / 114.3 x 139.7 cm. Souvenir by Howard Hodgkin. Screenprint on Arches aquarelle mould-made paper. Signed by the artist with initials and dated 80 in pencil lower center, numbered in pencil lower left. This bold Howard Hodgkin print layers five shades of black, with a wide variety of marks including some from the artist’s fingerprints and hand. Scribbles and lines of grey loosely define what could be an interior space with furniture. As is typical of his prints, there is a sense of space, and of the passage of time, expressed through shapes that seem to recede through the picture, deep black shades and, unusually for Hodgkin’s work, the white of the paper showing through. The last photograph displays these rich surface textures on the sheet at an angle. Catalogue reference: Elizabeth Knowles...

Mel Ramos at Kantor Gallery (Hand Signed), 1997 Limited Edition Offset Lithograph (hand signed by Mel Ramos) Pencil signed and dated on lower front Frame Included: framed in dark woo...

Original color lithograph, 1983. Edition of 150 signed and numbered impressions on Arches paper. Art and Sport portfolio: The Yugoslav Olympic Committee of the Winter Olympic Games Sarajevo 1984 wished to give a certain cultural-artistic accent to this world festivity. The admire of the Olympic idea, those who have a liking for the Olympic winter sports and the art connected with them will be, in agreement with the art publisher Visconti Art Lazo Vujić, honored by creations contributed by world known prominent artist. A portfolio containing sixteen original prints, handsigned and numbered by the artists, is published in a limited edition of 200 originals by each artist. Names like Dorazio, Folon, Greco, Helnwein, Hodgkin, Hwang, Kolar, Moore, Paladino, Pistoletto, Rosenquist, Santomaso, Stupica, Twombly and Warhol guarantee the high quality of the artistic idea and its realization. The size of the original print is 85 x 62 cm. The edition of the original graphic portfolio will be accompanied by limited editions of art posters of the same size, not numbered, but each of them carrying an impression of the inscription “Olympic Games Sarajevo 1984” and its logotype. The themes proposed by the artists are either winter sports, the Olympic idea or the town of Sarajevo. All the artists remain faithful to their own specific expression, using the formal elements of the language developed through the years of their creative presence in world’s art. So every print included in the portfolio is at the same time a particular contribution to the continuity of their artistic orientation, the theme being an additional iconographic impulse to their visual research. The symbiosis of the Olympic idea and art is certainly an interesting creative proposal that will fascinate art-collectors and sport-lovers as well. Howard Hodgkin was a British painter and printmaker, famous for his abstractions. He became a prominent artist for painting on wooden supports such as drawing boards...

This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin. The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, green watercolor contrasts beautifully with marigold orange, crimson, and terra cotta red. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring in a yellow watercolor wash and green gouache on Stoneridge mould-made etching paper. Edition 100. Howard Hodgkin was introduced to the etching technique used in Artist and Model (in green and yellow) at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Catalogue reference: Elizabeth Knowles...

Four prints by Mel Ramos. “Tomato Catsup, A.C. Annie, Lola Cola,” and “Tobacco Red” are pop art, offset lithographs in a palette of yellows, orange, and pink by the playful Mel Ramos. The artwork is signed in pencil in the lower right of each print, “Mel Ramos 72.” Framed dimensions are 37 x 31 5/8 x 1 7/8 inches each. Mel Ramos is a California based Pop artist best known for his paintings of superheroes and female nudes, including Marilyn Monroe and Scarlet Johansson, with pop culture imagery. Many of his subjects emerge from Chiquita bananas...

Artist: Howard Hodgkin Title:Tropic Fruit Medium: Color screenprint Year: 1981 Initialed and dated lower center 'HH 81' and numbered lower right, '80/100' aside from the artist's pro...

Mel Ramos Batman and Robin (Hand signed Postcard), ca. 1991 Offset Lithograph on Card Hand signed by the artist on the lower front Held in original v...

Nobody depicted Americana quite like Mel Ramos: he is at once insolent and ecstatic in the face of this raging consumerist culture. He synthetizes artefacts with nubile women that pr...

Initialled and dated in pencil, numbered from the edition of 75 (there were also 25 artist's proofs). Printed by Jack Shirreff at the 107 Workshop, Wiltshire. Commissioned and publi...

Screenprint from 20 screens with embossing. On Velin Arches mould-made paper Based on 'Lotus', textile dyes on hand-made Indian paper, 1978 Signed and dated in pencil, lower centre. ...

Artist: Howard Hodgkin Title: Red Palm Year: 1986-87 Medium: Lithograph in colors with hand-coloring on Buff Arches paper Edition: 85; hand signed, dated and numbered in pencil Shee...

Artist: Mel Ramos Title: I Still Get A Thrill When I See Bill I Medium: Lithograph in colors Date: 1979 Signed, dated and numbered 81/500 in pencil Excellent condition Dimensions: 28...

Etching and aquatint with carborundum and hand-colouring in tempera on wove paper. Signed and dated in pencil, numbered from the edition of 100. Printed by Jack Shirreff at 107 Work...

Artist: Mel Ramos Title: Velazquez Vision Year: 1974 Medium: Lithograph, signed and numbered in pencil Edition: 245/250 Image Size: 16 x 23 inches Paper Size: 19.25 x 27 inches Fr...

Lithograph from three aluminium plates using tusche washes, printed in transparent dark green, light green, and fire red, with hand colouring in gouache (an orange to red blend, pink, green, and deep red). On buff Velin Arches mould-made paper (300 gsm) Signed with initials, numbered and dated 82 in pencil, lower centre Published by Bernard Jacobson Ltd. Exhibition History: 'Howard Hodgkin: Views. An Exhibition of Early Prints', Bernard Jacobson Gallery, London, 02 March - 02 April 2013 'London, Henri Matisse: The Goldfish Bowls and Other Prints (LOPF)', Bernard Jacobson Gallery, London, 1 - 28 May 2021 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022 Literature: Frances Spalding, 'Howard Hodgkin: Tate Gallery and Bernard Jacobson', Arts Review, vol. 34, no. 20, 24 September 1982, p. 484; Elizabeth...

Artist: Mel Ramos, American (1935 - ) Title: Candy (Baby Ruth) Year: 1981 Medium: Lithograph, signed and numbered in pencil Edition: 250 Paper Size: 24.5 in...

Howard Hodgkin (1932-2017) was a renowned British painter and printmaker and an acclaimed figure of twentieth-century abstraction. Hodgkin's distinct aesthetic is marked by broad, ...

In 1983, Hodgkin was asked by Andy Warhol to contribute to the official art portfolio of the Olympic Winter games to be held in Sarajevo in 1984. He produced this striking print, wit...

Artist: Mel Ramos (American, b. 1935) Title: Reese's Rose Year: 2009 Medium: Lithograph, signed and numbered in pencil Edition: AP 50, 199 Size: 45 in. x 27.5 in. (114.3 cm x 69.85 cm)

Original vintage London Underground poster - Highgate Ponds nearest stations Hampstead, Highgate. Colourful painterly image of flowers, trees and water inside a yellow orange framed ...

A very good, richly-inked impression of this large, scarce print. Hand-painted carborundum relief (hand-painted in Permanent Maroon and Prussian Blue Hue, then printed in Titanium Wh...

Artist: Mel Ramos Title: Pepsi Cola Year: 2005 Medium: Enamel Print on Aluminum, signed and numbered in marker Edition: 999 Size: 16 x 16 x 1 inches; 40.64 x 40.64 x 2.54 cm

Original vintage London Underground poster - Highgate Ponds nearest stations Hampstead, Highgate. Colourful painterly image of flowers, trees and water inside a yellow orange framed ...

Mel Ramos Campbell's Soup Girls (set of 3); 11 3/4 x 9 inches Offset Lithograph Edition of 450 Unframed.

Carborundum etching on paper Published by the Metropolitan Museum of Art Exhibition History: 'Graphics Drawings and Small Works', Bernard Jacobson Gallery...

A superb, richly-inked impression of this color etching and carborundum with hand-coloring in alizarin red egg tempera on TH Saunders handmade paper. Initialed, dated and numbered 41...

Lithograph from six zinc plates printed in beige, brown, and four shades of green. On TH Saunders paper (250 gsm) Signed and dated 76 in pencil, lower right, verso. Numbered in penci...

Lithograph from three zinc plates printed in emerald green, red brown, and grey with hand colouring in yellow watercolour and red gouache. On Velin Arches mould-made paper (300 gsm) ...

Artist: Mel Ramos, American (1935 - ) Title: Chic from 11 Pop Artists Year: 1965 Medium: Silkscreen, signed and numbered in pencil Edition: 200, XXII/L ...

Aquatint from three copper plates printed in black, red, and orange. On cream Velin Arches mould-made paper Signed, numbered, and dated 74 in pencil, lower right Published by Petersb...

Aquatint from three copper plates printed in black, violet, and green. On cream Velin Arches mould-made paper Published by Petersburg Press Signed, numbered, and dated 74 in pencil, ...

Soft-ground etching from one copper plate printed in black. On buff BFK Rives mould-made paper Signed, numbered and dated '79 in red crayon, lower centre Published by Petersburg Press Exhibition History: 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022 Literature: Jacqueline Brody, 'Howard Hodgkin, Alone in the Museum of Modern Art and Not Quite Alone in the Museum of Modern Art (1979)', The Print Collector's Newsletter, vol. 10, no. 3, July-August 1979, p. 93; Pat Gilmour, 'Howard Hodgkin', The Print Collector's Newsletter, vol. 12, no. 1, March-April 1981, p. 4 (ill.); 'Prints by Six British Painters: Stephen Buckley, Robyn Denny, Howard Hodgkin, John Hoyland, Richard Smith, John Walker', Tate Gallery, London, 1981-82 (n.p.); 'The Tate Gallery: Illustrated Catalogue of Acquisitions 1980-82', London, 1984, p. 261; Mary Rose...

Screenprint from 18 screens. On Velin Arches mould-made paper Based on 'Still Life', textile dyes on hand-made Indian paper, 1978 Signed with initials and dated 1980 in pencil, lower...

TECHNICAL INFORMATION Mel Ramos Leo 1971-72 4 color serigraph 25 1/4 x 20 1/2 in. Edition of 150 Pencil signed and number Accompanied with COA by Gregg Shienbaum Fine Art Conditi...

Lithograph from four zinc plates, printed in red, yellow, blue and green. On Hosho vellum Japanese paper or Arches (250 gsm) Published by Felix Man and Galerie Wolfgang Ketterer, Mun...