Prints and Multiples

Larry Rivers Stencil Camel - each piece in the edition is unique 1978 Lithograph in colors/wove paper with pochoir & graphite/acetate 24 7/8 x 21 3/8 in. - 30 x 30 in. Framed Signed,...

Mel Ramos (American, born 1935) Hav-A-Havana 3, 1999 Medium: Lithograph in colors, on wove paper Dimensions: 57.5 x 57.5 cm Edition of 199: Hand-signed and numbered Condition: Mint

Larry Rivers (American, 1923-2002) Larry Rivers Exhibition, Hirshhorn Exhibition Poster, 1981 Lithograph (?) Sight: 34 3/4 x 24 1/2 in. Framed: 36 x 24 1/2 x 1 1/4 in. Signed and num...

Mel Ramos (1935-2018) Virnaburger (Verna Burger), 1965 Offset lithograph A proof aside from the numbered edition of 500 Signed and dated LR: M Ramos 65 Image 19 x 14 inches In a vint...

Artist: Mel Ramos, American (1935 - ) Title: Mixed Nuts Year: 2008 Medium: Enamel on Steel, signed and numbered in marker Edition: 125, 25 AP Size: 28 in. x 20 in. x 1.5 in. (71.12 c...

Set of 3 lithographs on heavy smooth white wove paper. Each sheet measures 31.5 x 23 inches. Each hand signed and numbered in pencil. Numbered A.P. 18/50 (artist's proofs aside fro...

Mel Ramos (born 1935) Toblerone Tess, 2007 Medium: Llithograph in colors Dimensions: 58 x 94 cm Edition of 199: Hand-signed and numbered Condition: Flawless “Mr. Ramos (…) began pai...

Medium: original lithograph. Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Size: 16 1/4 x 11 1/2 inches (408 x 290 mm). Ther...

Phantom Lady is a serigraph on paper, mounted on black paper. The image size is 31 x 24 inches and the print is signed lower right in the black paper 'Mel Ramos' and numbered lower left. From the edition of 289, numbered 56/100 (there were also another 10 APs and 5 PPs mounted on black paper and the versions on just white paper - 100 Arabic plus 10 AP and 5 PPs). Robert Bane...

Mel Ramos (American, born 1935) Hav-A-Havana 6, 1999 Medium: Lithograph in colors, on wove paper Dimensions: 52.5 x 55.5 cm Edition of 199: Hand-signed and numbered Condition: Mint

Mel Ramos (born 1935) Coca-Lola No. 4, 2004 Medium: Lithograph in colors Image dimensions: 67.5 x 44.5 cm Sheet dimensions: 88 x 60 cm Edition of 100: Hand signed and numbered “Mr. ...

Artist: Mel Ramos Title: Senorita Rio (from One Cent Life) Series: One Cent Life Year: 1964 Medium: Lithograph Dimensions: 16.25 x 23" Provenance: Private Collection, Berlin Origin...

Peek a Boo Mel Ramos, American (1935–2018) Date: 2015 Print Catalogue with Lithograph, signed and numbered in pencil Edition of 999 Image Size: 9.5 x 7 inches Size: 11.5 x 9 in. (29....

Mel Ramos (born 1935) Reese's Rose, 2008 Medium: Lithograph in colors Dimensions: 93.5 x 55 cm Edition of 199: Hand-signed and numbered Condition: Mint

Mel Ramos 50 Years of Pop Art (Hand signed, dated and inscribed to Nadine by Mel Ramos), 2010 Softback monograph with dust jacket (hand signed, dated and inscribed by Mel Ramos) Hand...

Artist: Mel Ramos Title: Tiger Girl Portfolio: 1¢ Life Medium: Lithograph Year: 1964 Edition: 2000 Image Size: 16.25 in x 11.75 in Sold Unframed

Mel Ramos (born 1935) Caramia Caramello, 2008 Medium: Lithograph in colors Dimensions: 94.5 x 58 cm Edition of 199: Hand-signed and numbered Condition: Excellent “Mr. Ramos (…) bega...

MEL RAMOS Señorita Rio, from the Deluxe signed edition of 1 Cent Life (Artists & Collaborators), 1963 Color lithograph on wove paper Hand signed and dated on the lower right front; print numbered on the colophon page a copy of which is affixed to the back of the frame (see photo) Edition 85/100 Published by E.W. Kornfeld, Germany, Written by Walasse Ting, Edited by Sam Francis Framed: Elegantly floated and framed in a museum quality wood frame with UV plexiglass Provenance: Acquired from original, complete 1 Cent Life Portfolio, # 85/100 (Artists & Collaborators) from the Estate and Collection of Robert Indiana This original lithograph, splayed across two pages, is from the Deluxe edition of the legendary 1 Cent Life Portfolio, one of the most documented and celebrated artistic collaborations of the 1960s. Chinese American artist and writer Walasse Ting, in collaboration with Sam Francis, assembled a group of the most significant Pop and Abstract Expressionist artists in America, including Pop Artist Mel Ramos, along with the European COBRA artist to create the definitive artistic portfolio, with text by Walasse Ting. The Deluxe edition, which features hand signed prints was published in a limited edition of only 100. This is one of them. Of the 100, editions numbered 60-100, or 40 portfolios, were reserved exclusively for Artists & Collaborators. This hand signed Mel Ramos lithograph is from the portfolio numbered 85 (Artists & Collaborators), which was acquired from the Estate and Collection of Robert Indiana, one of the artists who contribute to the 1 Cent Life portfolio. The racy text to the right of the print -- an anti-Corporate American screed, was written by Walasse Ting. It is elegantly floated and framed in. amuseum frame with UV plexiglass. Signed examples of this portfolio with such superb provenance rarely appear on the marketplace. This is a true collectors item, from the most desirable and influential era in Pop Art history. Mel Ramos became famous for his ironic portraits of pin ups and how they are used in American advertising. (see detailed biography below). The poem called America to the right of the lithograph, entitled "America" was written by Chinese born artist Walasse Ting, and matches the image perfectly, as it's also a commentary on American commercial culture. The poem begins: Brain made by IBM & FBI stomach supported by A & P and Horn & Hardart love supported by Time & Life tongue supported by American Telephone & Telegraph soul made by 7up skin start with Max Factor heart red as U.S. Steel Measurements: Framed 19 inches vertical by 26 inches by 2 inches Lithograph 16 inches vertical by 22.5 inches More about the Signed (Deluxe) Edition of 1 Cent Life portfolio In 1962, the Chinese-American artist Walasse Ting shared his dream project with painter Sam Francis: to create an anthology of his poetry illustrated by leading artists of their time. Over the next two years, Ting and Francis recruited leading Abstract Expressionists and Pop artists—Andy Warhol, Joan Mitchell, Robert Rauschenberg...

Untitled (Picasso) Screen print, 1974 Signed, numbered and dated in red pencil lower right (see photo) from Homage to Picasso (Hommage à Picasso) Publisher: Propyläen-Verlag, Berlin ...

Mel Ramos at Kantor Gallery (Hand Signed), 1997 Limited Edition Offset Lithograph (hand signed by Mel Ramos) Pencil signed and dated on lower front Frame Included: framed in dark woo...

Four prints by Mel Ramos. “Tomato Catsup, A.C. Annie, Lola Cola,” and “Tobacco Red” are pop art, offset lithographs in a palette of yellows, orange, and pink by the playful Mel Ramos. The artwork is signed in pencil in the lower right of each print, “Mel Ramos 72.” Framed dimensions are 37 x 31 5/8 x 1 7/8 inches each. Mel Ramos is a California based Pop artist best known for his paintings of superheroes and female nudes, including Marilyn Monroe and Scarlet Johansson, with pop culture imagery. Many of his subjects emerge from Chiquita bananas...

Larry Rivers At The Dwan Gallery: Rivers Small Recent Work (Hand Signed), 1965 Silkscreen on wove paper Hand signed and dated "Rivers, 1965" in graphite pencil lower right front Fram...

Larry Rivers LARRY RIVERS (hand signed and inscribed first edition book), 1989 Hardback monograph with a dust jacket (hand signed and inscribed "Enjoy the Matisse" Signed, dated and inscribed by Larry Rivers in red marker on the title page 11 3/5 × 9 4/5 inches Lavishly illustrated hardback monograph with dust jacket on the occasion of the artist's career retrospective. Text is by the distinguished art historian and Princeton professor Sam Hunter. Hand signed, dated and dedicated in red marker on the title page. Inscription reads: To Joanne and Ira Enjoy the Matisse Larry Rivers, April 2, 1992 About the book: Hunter, Sam. LARRY RIVERS. 358 pp. with 400 illustrations, including 155 plates in color. Folio, cloth. New York, Rizzoli, 1989. New York: Rizzoli, 1989. First edition. Hardcover. 358 pages. Retrospective monograph on Larry Rivers. Features text by Sam Hunter. Includes 400 illustrations of which 155 are in color. Publisher's Blurb: Rivers' public persona as an artist combines that of bohemian outsider, sensualist and entertainer. His best-known images of the 1960s--Dutch Masters cigars, French money, cigarette packs--became Pop icons. Eschewing abstraction, he came up with startling, disquieting figures, such as his obese, sagging mother-in-law depicted in the nude with brutal honesty ( Double Portrait of Berdie ). Yet there is more to Rivers than the hipster, as this lavishly illustrated monograph by a former Princeton art historian shows. Hunter makes a case for Rivers as a social realist: witness his powerful construction piece Ghetto Stoop or recent works that include searching portraits of Primo Levi...

Larry Rivers Downtown Lion (1st State), 1967 Etching on wove paper, signed, inscribed and dated with blind stamps Signed, dated and inscribed in graphite; Printers Proof aside from ...

Larry Rivers Republique De Guinee, for Andy Warhol, Inscribed in ink to Andy Warhol, 1977 Color Pochoir, Acrylic Airbrush and Pencil on paper with deckled edges...

Mel Ramos Batman and Robin (Hand signed Postcard), ca. 1991 Offset Lithograph on Card Hand signed by the artist on the lower front Held in original v...

Larry Rivers Happy 20th Birthday Lincoln Center, 1979 Lithograph on wove paper Hand signed, numbered 80 from the limited edition of 108 and dated on the front by Larry Rivers 26 × 35 inches Unframed This hand signed and numbered limited edition lithograph was commissioned by the prestigious Vera List print program in NYC which invited artists to create works that would help fundraise for Lincoln Center, which many New Yorkers consider the cultural center of the city. This is Larry Rivers' clever homage to...

Nobody depicted Americana quite like Mel Ramos: he is at once insolent and ecstatic in the face of this raging consumerist culture. He synthetizes artefacts with nubile women that pr...

Larry Rivers Homage to Vladimir Ilyich Lenin, signed and inscribed to Arthur Gold and Robert (Bobby) Fizdale, 1973 Lithograph and Screenprint on Paper Hand signed and inscribed on lo...

Larry Rivers What Did I Do? The Unauthorized Biography, 1992 Lithograph on wove paper Hand signed, numbered 3/325 and dated on lower right front Frame In...

Larry Rivers Larry Rivers Hirshhorn Museum and Sculpture Gallery (Hand Signed), 1974 Silkscreen in colors on wove paper Hand Signed, annotated HC and numbered in white marker from th...

A challenging piece by American Pop artist Larry Rivers. This collage-style print centers on the duality of colorism, particularly in the US. White people are encouraged to use produ...

Larry Rivers "The Music Festival of the Hamptons / July 18-27 1997" poster, Not hand signed. [Dimensions: 24" H x 18" W] Larry Rivers (born Yitzroch Loiza Grossberg) (1923 – 2002) was an American artist, musician, filmmaker, and occasional actor. Considered by many scholars to be the "Godfather" and "Grandfather" of Pop art, he was one of the first artists to merge non-objective, non-narrative art with narrative and objective abstraction. Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947–48. He earned a BA in art education from New York University in 1951. His work was quickly acquired by the Museum of Modern Art. A 1953 painting Washington Crossing the Delaware was damaged in fire at the museum five years later. He was a pop artist of the New York School, reproducing everyday objects of American popular culture as art. He was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery in 1955 along with Paul Mommer, Leonard Baskin, Peter Grippe During the early 1960s Rivers lived in the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol Factory and where he brought several of his French nouveau réalistes friends like Yves Klein who wrote there in April 1961 his Manifeste de l'hôtel Chelsea, Arman, Martial Raysse, Jean Tinguely, Niki de Saint-Phalle, Christo & Jean Claude, Daniel Spoerri or Alain Jacquet, several of whom, like Rivers, left some pieces of art in the lobby of the hotel for payment of their rooms. In 1965, Rivers had his first comprehensive retrospective in five important American museums. His final work for the exhibition was The History of the Russian Revolution, which was later on extended permanent display at the Hirshhorn Museum and Sculpture Garden in Washington, DC. He spent 1967 in London collaborating with the American painter Howard Kanovitz. In 1968, Rivers traveled to Africa for a second time with Pierre Dominique Gaisseau to finish their documentary Africa and I, which was a part of the groundbreaking NBC series Experiments in Television. During this trip they narrowly escaped execution as suspected mercenaries. During the 1970s, Rivers worked closely with Diana Molinari and Michel Auder on many video tape projects, including the infamous Tits, and also worked in neon. Rivers's legs appeared in John Lennon and Yoko Ono's 1971 film Up Your Legs Forever. From 1940–1945 he worked as a jazz saxophonist in New York City, changing his name to Larry Rivers in 1940 after being introduced as "Larry Rivers and the Mudcats" at a local pub. He studied at the Juilliard School of Music in 1945–46, along with Miles Davis, with whom he remained friends until Davis's death in 1991. Larry Rivers was born in the Bronx to Samuel and Sonya Grossberg, Jewish immigrants from Ukraine. In 1945, he married Augusta Berger, and they had one son, Steven. Rivers also adopted Berger's son from a previous relationship, Joseph, and reared both children after the couple divorced. In 1949 he had his first one-man exhibition at the Jane Street Gallery in New York. This same year, he met and became friends with John Ashbery, and Kenneth Koch. In 1950 he met Frank O’Hara. This same year he took his first trip to Europe spending eight months in Paris, France, reading and writing poetry. Beginning in 1950 and continuing until Frank’s death in July of 1966, Larry Rivers and Frank O’Hara cultivated a uniquely creative friendship that produced numerous collaborations, as well as inspired paintings and poems. In 1951 Rivers’ works were shown at the Tibor de Nagy Gallery where he continued to show annually (except 1955) for about 10 years. In 1954 he had his first exhibition of sculptures at the Stable Gallery, New York. In 1955 The Museum of Modern Art acquired Washington Crossing the Delaware. This same year he won 3rd prize in the Corcoran Gallery national painting competition for “Self-Figure.” Rivers’ also painted “Double Portrait of Berdie” in 1955, which was soon purchased by the Whitney Museum. In 1957 he and Frank O’Hara began work on “Stones,” a collaborative mix of images and poetry in a series of lithograph for Tatyana Grosman company ULAE. During this time he also appeared on the television game show “The $64,000.00 Question” where along with another contestant, they both won, each receiving $32,000.00. In 1958 he again spent time in Paris and played in various jazz bands. In 1959 he painted Cedar Bar Menu...

Artist: Mel Ramos Title: I Still Get A Thrill When I See Bill I Medium: Lithograph in colors Date: 1979 Signed, dated and numbered 81/500 in pencil Excellent condition Dimensions: 28...

Artist: Larry Rivers (1923-2002) Title: Camel Year: 1980 Medium: Color lithograph on wove paper Edition: 75, plus proofs Size: 11.13 x 8.64 inches Condition: Excellent Inscription: Signed & inscribed A.P. in pencil, lower margin Notes: Larry Rivers is considered by many to be the father of the Pop Art movement. In Rivers's 1980 work "Camel," we see a slightly out of focus Camel Cigarette pack, an item from consumer culture Rivers has appropriated to create a critique of commoditization and consumer culture. Rivers would have certainly been aware of the work of Stuart Davis and his 1921 painting...

Artist: Mel Ramos Title: Velazquez Vision Year: 1974 Medium: Lithograph, signed and numbered in pencil Edition: 245/250 Image Size: 16 x 23 inches Paper Size: 19.25 x 27 inches Fr...

Lucky Strike In The Mirror (Lucky Strike I), 1961 Lithograph on paper 30 x 22 1/4” Edition of 20

Artist: Mel Ramos, American (1935 - ) Title: Candy (Baby Ruth) Year: 1981 Medium: Lithograph, signed and numbered in pencil Edition: 250 Paper Size: 24.5 in...

The work of controversial post-Abstract Expressionist artist Larry Rivers is in the collection most Major Museums. In 2021 a work of his sold at Sotheby's for over 2 Million Dollars. "Red Coats" 1970 is a signed and numbered Silkscreen print with hand Collage. The red coats are a red velvet like material that is glued to and collaged onto the silkscreened image. The silver boots are also collaged onto the silkscreened image. This work is one of the larger works Larry Rivers created in 1970 for a series of silkscreens based on his Boston Massacre...

A very good impression of this color lithograph on Rives BFK. Signed, dated and numbered 64/175 in pencil by Rivers. Published by Marlborough Graphics, Inc., New York.

Artist: Mel Ramos (American, b. 1935) Title: Reese's Rose Year: 2009 Medium: Lithograph, signed and numbered in pencil Edition: AP 50, 199 Size: 45 in. x 27.5 in. (114.3 cm x 69.85 cm)

Artist: Mel Ramos Title: Pepsi Cola Year: 2005 Medium: Enamel Print on Aluminum, signed and numbered in marker Edition: 999 Size: 16 x 16 x 1 inches; 40.64 x 40.64 x 2.54 cm

Larry Rivers The Last Civil War Veteran, 1970 Silkscreen and mixed media collage on paper 29 × 19 3/4 inches Frame included Edition of 100 Hand signed and numbered 55/100 in graphite lower front 1970 Mixed media collage multiple based upon famous Larry Rivers 1961 painting "The Last Civil War Veteran'. (In 1979-80, Rivers reprised this theme with another edition of 125, but this is the original 1970 print from the limited edition of only 100) In 1962, the Museum of Modern Art acquired The Last Civil War Veteran and by early 1963 put it on view. 1963 marked the hundred-year anniversary of the Emancipation Proclamation...

Mel Ramos Campbell's Soup Girls (set of 3); 11 3/4 x 9 inches Offset Lithograph Edition of 450 Unframed.

Artist: Larry Rivers, American (1923 - 2002) Title: Queen of Clubs Year: 1979 Medium: Lithograph and Silkscreen, signed and numbered in pencil Edition: ...

A very good impression of this scarce, early color lithograph with additions in pencil and crayon on Auvergne à la main (Richard de bas) ivory laid paper. Signed, dated and numbered 15/45 in pencil, lower margin. Printed by Robert Blackburn...

A very good impression of this color lithograph on Arches. Signed, dated and numbered 49/90 in pencil by Rivers. Printed by Styria Studio, Inc., New York, with the blind stamp lower left. Based on Rembrandt van Rijn's oil on canvas, "The Polish Rider," 1655, currently in the Frick Collection...

Artist: Mel Ramos, American (1935 - ) Title: Chic from 11 Pop Artists Year: 1965 Medium: Silkscreen, signed and numbered in pencil Edition: 200, XXII/L ...

TECHNICAL INFORMATION: Larry Rivers Stencil Camel 1978 Color stencil and pochoir printed on acetate and color lithograph on two sheets 25 x 21 1/2 in. Artist's Proof (A.P.) of 25 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art. Condition: This work is in excellent condition. Frame: This work is framed in a wood frame. ABOUT THIS WORK: The logo of Camel cigarettes...

TECHNICAL INFORMATION Mel Ramos Leo 1971-72 4 color serigraph 25 1/4 x 20 1/2 in. Edition of 150 Pencil signed and number Accompanied with COA by Gregg Shienbaum Fine Art Conditi...

TECHNICAL INFORMATION Mel Ramos Pucci Pants 2015 22 color lithograph mounted o cardboard, shaped and applied on gold leaf 19 x 16 1/2 in. Edition of 300 Presented in its original bo...

Larry Rivers 1970s Exhibition Poster Published by: Robert Miller Gallery New York in 1977 Medium: Offset lithograph Dimensions: 32 × 30 inches Very good condition About Larry River...

Larry Rivers Modernist mixed media "Brandeis Show Collage" work on cut paper. (this appears to be a vintage lithograph. It has a label that describes it as watercolor and charcoal on back. It is definitley hand cut.) Signed in several areas and stencilled across center. Work measures approx. 34 3/4" height x 20 3/4" width. Frame measures approx. 38 3/8" height x 26 1/4" width overall including frame. Silver paint loss on frame. Larry Rivers (born Yitzroch Loiza Grossberg) (1923 – 2002) was an American artist, musician, filmmaker, and occasional actor. Considered by many scholars to be the "Godfather" and "Grandfather" of Pop art, he was one of the first artists to merge non-objective, non-narrative art with narrative and objective abstraction. Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947–48. He earned a BA in art education from New York University in 1951. His work was quickly acquired by the Museum of Modern Art. A 1953 painting Washington Crossing the Delaware was damaged in fire at the museum five years later. He was a pop artist of the New York School, reproducing everyday objects of American popular culture as art. He was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery in 1955 along with Paul Mommer, Leonard Baskin, Peter Grippe During the early 1960s Rivers lived in the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol Factory and where he brought several of his French nouveau réalistes friends like Yves Klein who wrote there in April 1961 his Manifeste de l'hôtel Chelsea, Arman, Martial Raysse, Jean Tinguely, Niki de Saint-Phalle, Christo & Jean Claude, Daniel Spoerri or Alain Jacquet, several of whom, like Rivers, left some pieces of art in the lobby of the hotel for payment of their rooms. In 1965, Rivers had his first comprehensive retrospective in five important American museums. His final work for the exhibition was The History of the Russian Revolution, which was later on extended permanent display at the Hirshhorn Museum and Sculpture Garden in Washington, DC. He spent 1967 in London collaborating with the American painter Howard Kanovitz. In 1968, Rivers traveled to Africa for a second time with Pierre Dominique Gaisseau to finish their documentary Africa and I, which was a part of the groundbreaking NBC series Experiments in Television. During this trip they narrowly escaped execution as suspected mercenaries. During the 1970s, Rivers worked closely with Diana Molinari and Michel Auder on many video tape projects, including the infamous Tits, and also worked in neon. Rivers's legs appeared in John Lennon and Yoko Ono's 1971 film Up Your Legs Forever. From 1940–1945 he worked as a jazz saxophonist in New York City, changing his name to Larry Rivers in 1940 after being introduced as "Larry Rivers and the Mudcats" at a local pub. He studied at the Juilliard School of Music in 1945–46, along with Miles Davis, with whom he remained friends until Davis's death in 1991. Larry Rivers was born in the Bronx to Samuel and Sonya Grossberg, Jewish immigrants from Ukraine. In 1945, he married Augusta Berger, and they had one son, Steven. Rivers also adopted Berger's son from a previous relationship, Joseph, and reared both children after the couple divorced. In 1949 he had his first one-man exhibition at the Jane Street Gallery in New York. This same year, he met and became friends with John Ashbery, and Kenneth Koch. In 1950 he met Frank O’Hara. This same year he took his first trip to Europe spending eight months in Paris, France, reading and writing poetry. Beginning in 1950 and continuing until Frank’s death in July of 1966, Larry Rivers and Frank O’Hara cultivated a uniquely creative friendship that produced numerous collaborations, as well as inspired paintings and poems. In 1951 Rivers’ works were shown at the Tibor de Nagy Gallery where he continued to show annually (except 1955) for about 10 years. In 1954 he had his first exhibition of sculptures at the Stable Gallery, New York. In 1955 The Museum of Modern Art acquired Washington Crossing the Delaware. This same year he won 3rd prize in the Corcoran Gallery national painting competition for “Self-Figure.” Rivers’ also painted “Double Portrait of Berdie” in 1955, which was soon purchased by the Whitney Museum. In 1957 he and Frank O’Hara began work on “Stones,” a collaborative mix of images and poetry in a series of lithograph for Tatyana Grosman’s company ULAE. During this time he also appeared on the television game show “The $64,000.00 Question” where along with another contestant, they both won, each receiving $32,000.00. In 1958 he again spent time in Paris and played in various jazz bands. In 1959 he painted Cedar Bar Menu...

Artist: Mel Ramos, American (1935 - ) Title: Leo Year: 1972 Medium: Serigraph (unsigned) Edition Size: 3000 Image Size: 12 x 17 inches Size: 14 x 18 in. (35.56 x 45.72 cm) Published...

"Bronx Zoo" lithograph and silk screen by Larry Rivers from "New York, New York" portfolio published by New York Graphic Society. Numbered 5/250, signed Larry Rivers and dated '83 lo...

Colorful Pop Art screenprint by Mel Ramos from a limited edition of 100. Signed by Ramos and numbered in pencil. Printed by Accent Studios, Los Angeles. Published by Robert Bane...

Artist: Mel Ramos, American (1935 - ) Title: Nude Descending a Staircase Year: 2012 Medium: Lithograph, signed and numbered in pencil Editi...

Artist: Mel Ramos (American, b. 1935) Title: Peek-a-Boo Marilyn 1 Year: 2002 Medium: Lithograph, signed and numbered in pencil Edition: 199 Size: 31.5 in. x 23 in. (80.01 cm x 58.42 cm)