Prints and Multiples

Vija Celmins "Spider Web" 2009; Screenprint 17 1/2 x 19 inches Edition of 117 Signed and numbered unframed

Complete Set of 6 Guggenheim Museum Retrospective Limited Edition Robert Rauschenberg porcelain plates dated 1997. Each plate features a different screen-printed image of Rauschenber...

12-color screen print on deckle edge paper of a collage of Moroccan street scenes including an orange stand, umbrellas, a motorcycle shop and a F...

Robert Rauschenberg Earth Tie (Stoned Moon Series), 1969 Color lithograph 48 x 34 inches Edition of 48

Collage multiple on cream wove paper. Signed, dated and numbered in pencil by the artist, from an edition of 57. With the artist's work number in pencil on verso.

Robert Rauschenberg Score, 1970 Lithograph 26 x 19 1/2 inches Edition 51 of 75 Signed This print belongs to Rauschenberg’s “Stoned Moon” seri...

"Banco", an aquatint from Robert Rauschenberg' s "Ground Rules" series is an exemplary piece where the window moldings become a metaphor for the formal role it plays in anchoring it into a simple, legible grid. A vivid palette with brilliant, translucent greens, blues, and oranges render discrete patches and the clarity of the printing seems more firmly "grounded" than the photographs in their grids. There is a recurrence of artistically self-referential motifs like the central white rectangle with a sign, YOUR NAME HERE, superimposed over the window rather obliquely. In the window of "Banco" reflections become opacities that destroy its translucency, bring back the surface; and across that surface, scraps of imagery drift, bringing back, in turn through their transparency, the illusion of depth. The sheet itself is 41 5/16 x 27 9/16" (105 x 70 cm). This is number 32 from an edition of 44 and has been numbered and signed by the artist. Robert Rauschenberg, the irrepressibly prolific American artist, is known as the one who time and again reshaped art in the 20th century. He was a painter, photographer, printmaker, choreographer, onstage performer, and set designer. In later years, it is said, he was even a composer. He defied the traditional idea that an artist must stick to one medium or style. He pushed, prodded and sometimes reconceived all the mediums in which he worked. Similar to the artists, Marcel Duchamp, Kurt Schwitters, Joseph Cornell, John Cage and others, Rauschenberg helped obscure the lines between painting and sculpture, painting and photography, photography and printmaking, sculpture and photography, sculpture and dance, sculpture and technology, technology and performance art. Per the art critic, Jerry Saltz: Rauschenberg invented a new form called the combine. It was not quite a painting nor was it considered sculpture. For Rauschenberg, though, it was like discovering fire it so transformed his art. He used bedding, doors, parachutes, a tire, a stuffed goat and combined them into new forms. One combine, Monogram, features a stuffed goat encircled by a tire atop a horizontal painting. Saltz says, “Rauschenberg is a mischievous Satyr grazing on art history, or the goat is a gargoyle protecting the art. Either way, the title suggests that Rauschenberg was leaving his mark.” And leave his mark he did. He became known as the giant of American Art. Jasper Johns, his sometime lover, said, “Rauschenberg was the man who in this century invented the most since Picasso.” Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. He received numerous awards during his nearly 60-year artistic career. Among the most prominent were the International Grand Prize in Painting at the 32nd Venice Biennale in 1964 and the National Medal of Arts in 1993. He lived and worked in New York City and on Captiva Island, Florida, At 18, Rauschenberg was admitted to the University of Texas at Austin where he began studying pharmacology, but he dropped out shortly after due to the difficulty of the coursework—not realizing at this point that he is dyslexic—and his unwillingness to dissect a frog in biology class. He was drafted into the United States Navy in 1944. Based in California, he served as a neuropsychiatric technician in a Navy hospital until his discharge in 1945 or 1946. Rauschenberg subsequently studied at the Kansas City Art Institute and the Académie Julian in Paris, France, where he met fellow art student Susan Weil...

Rauschenberg, Robert. Poster Galerie Beyeler, Basel 2/84-4/84 screenprint in colors, 1984, on wove paper, from an unknown edition size, published by ...

Robert Rauschenberg Leo Castelli Gallery 1986: Vintage Robert Rauschenberg exhibition poster published by Castelli Graphics in conjunction with the exhibition, Robert Rauschenberg: Tibetan Keys and Locks, May 21-June 18, 1986 at Leo Castelli New York. A unique vintage Rauschenberg collectible featuring the artist's signature collage style. Well-sized and suitable for framing. Off-set lithograph 1986. 20 x 29.75 inches. Double-quattro fold-lines as originally issued; minor edge wear to one fold-line; otherwise very good condition (no rips, tears, stains, etc.) Scarce form an edition of unknown; unsigned. First edition, 1st printing; postmarked 1986 on the verso. Artist biography Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as a true art world rebel rouser...

Offset lithograph on hodgkins handmade paper. Hand signed and numbered in pencil by the artist. Certificate of authenticity included. Edition of 100. Framed. All reasonable offers w...

Offset lithograph in colors. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 48. All reasonable off...

Color silkscreen and collage. Framed. Hand signed, dated and numbered by the artist. Certificate of authenticity included. Edition PP 2/6. All reasonable offers will be considered.

TECHNICAL INFORMATION Robert Rauschenberg Equal Justice Under Law 1976 Lithograph and screenprint with collage 30 1/4 x 22 3/4 in. Edition of 125 P...

TECHNICAL INFORMATION Robert Rauschenberg Artist’s Rights Today 1981 Embossed Lithograph 40 x 27 in. Edition of 200 Pencil signed, dated & numbered Accompanied with COA by ...

color lithograph on Japanese paper

TECHNICAL INFORMATION Robert Rauschenberg Source from Speculations 1996 28 color screenprint 47 3/4 x 70 1/4 in. Edition of 35 Pencil signed & numbered Accompanied with COA ...

TECHNICAL INFORMATION Robert Rauschenberg Chow Bags - Monkey Chow 1977 Screenprint with collage of string 48 1/8 x 36 3/8 in. Edition of 100 with 20 ...

Robert Raushenberg The Razorback Bunch (Etching VI), 1982 Intaglio in 2 colors on handmade Twinrocker paper 29 1/2 x 21 3/4 inches Edition of 24 Framed

Number 74 in an edition of 79. Signed, numbered, and dated lower right margin: 'Rauschenberg 74/79 '69'. With blindstamp lower right corner. A fine impression in fine condition.

TECHNICAL INFORMATION Robert Rauschenberg Ape, from Stoned Moon 1970 Lithograph 46 x 38 in. Edition of 46 with 6 artist proofs. Pencil signed, dated ...

This artwork titled "Why You Can Tell #2" from the suite "Nine Prints" is an original serigraph with offset lithograph and collage on Wove paper by American artist Robert Rauschenberg, 1925-2008. It is hand signed and numbered 36/100 in pencil by the artist. Published by Multiples, New York and Printed by Styria Studio, New York. With the blind stamp of the printer at lower left corner. The sheet size is 22.75 x 30 inches, framed is 43 x 34.25 inches. This particular artwork is held in several museums, including the Museum of Modern Art, New York. It is beautifully framed in a wooden gold frame, with fabric matting and color bevel. About the artist. Born in Port Arthur, Texas in 1925, Robert Rauschenberg imagined himself first as a minister and later as a pharmacist. It wasn't until 1947, while in the U.S. Marines, that he discovered his aptitude for drawing and his interest in the artistic representation of everyday objects and people. After leaving the Marines, he studied art in Paris on the G.I. Bill, but quickly became disenchanted with the European art scene. Rauschenberg's enthusiasm for popular culture and his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. He found his signature mode by embracing materials traditionally outside of the artist's reach. He would cover a canvas with house paint, or ink the wheel of a car and run it over paper to create a drawing, while demonstrating rigor and concern for formal painting. By 1958, at the time of his first solo exhibition at the Leo Castelli Gallery, his work had moved from abstract painting to drawings like "Erased De Kooning" (1953) (which was exactly as it sounds) to what he termed "combines." These combines (meant to express both the finding and forming of combinations in three-dimensional collage) cemented his place in art history. As Pop Art emerged in the 1960s, Rauschenberg turned away from three-dimensional combines and began to work in two dimensions, using magazine...

Artist: Robert Rauschenberg Title: Surface Series from Currents, #51 Year: 1970 Medium: Hand-Printed Silkscreen on Aqua B 844 Paper, signed and numbered in pencil Edition: 100 Paper ...

Artist: Robert Rauschenberg Title: Features from Currents, #57 Year: 1970 Medium: Hand-Printed Silkscreen on Aqua B 844 Paper, signed and numbered in pencil Edition: 50 Paper S...

Hand signed, numbered and dated in yellow felt pen. Mixed media with handmade paper, bamboo and fabric mounted on black board and framed. Published by Gemini G.E.L., Los Angeles. Cer...

TECHNICAL INFORMATION Robert Rauschenberg Soviet American Array VI 1988 - 1990 Intaglio in 16 colors on Saunders Paper 88 1/2 x 52 in. Editi...

Robert Rauschenberg Autobiography, 1968 Three panel offset lithograph on three sheets of paper 66 1/4 x 48 3/4 inches each Ed. 2000, unsigned Unframed Can be displayed horizontally o...

Soviet / American Array VI is a 1991 color intaglio by Robert Rauschenberg. Soviet / American Array VI is part of a larger series entitled Soviet / American Array where Rauschenberg pairs pictures of the Soviet Union with those of the United States. Soviet / American Array VI is from an edition of 59 plus artist and printers proofs. Soviet / American Array VI is signed by Rauschenberg.

Soviet / American Array II is a 1990 color intaglio by Robert Rauschenberg. Soviet / American Array II is part of a larger series entitled Soviet / American Array where Rauschenberg pairs pictures of the Soviet Union with those of the United States. Soviet / American Array II is from an edition of 55 plus artist and printers proofs. Soviet / American Array II is signed by Rauschenberg.

Frame size: 61 7/8 x 41 inches Printer and Publisher: ULAE, West Islip, New York Signed, dated, and numbered in pencil, lower margin Provenance: The Emily Fisher Landau Collection

A colorful lithograph from the “Stoned Moon” series by American artist Robert Rauschenberg (1925-2008). Born Milton Rauschenberg in Port Arthur, Texas, Rob...

Created in 2000, this color screenprint is hand-signed by Robert Rauschenberg (Port Arthur, 1925 - Captiva, 2008) in pencil in the lower left margin and is numbered from the edition ...

Created in 1952, this Engraving, paper, cut paper, tissue paper and graphite on paper mounted on paperboard is hand-signed by Robert Rauschenberg (Port Arthur, 1925 - Captiva, 2008) in pencil in the lower left margin. Numbered from the edition of 65 in pencil in the lower left margin. About the Framing: Framed to museum-grade, conservation standards, Robert Rauschenberg Untitled (Christian Symbol) from the North African Collage...

Created in 1991, this color lithograph and screenprint on Arches Cover paper is hand-signed by Robert Rauschenberg (Port Arthur, 1925 - Captiva, 2008) in pencil in the lower left mar...

Created in 1991, this color screenprint is hand-signed by Robert Rauschenberg (Port Arthur, 1925 - Captiva, 2008) in pencil in the lower left margin and is numbered from the edition ...

Commissioned by the United Nations in 1994, Robert Rauschenberg created Bulkhead (Day Lights) commemorating the UN's International Conference on Po...

C.O.R.E. 1965 Lithograph Signed and numbered edition of 200 36 X 24 inches Robert Rauschenberg’s work reflects a methodology between the approaches of structuralism and post-...

Created by Robert Rauschenberg as an original color screenprint in 1996, Untitled (Two Bicycles) measures 20 x 15 in (50.8 x 38.1 cm), unframed.  The artwork is hand-signed, dated an...

Robert Rauschenberg "Untitled" 1973 Medium: Screenprint and collage in colors Printed and Published by Styria Studios, New York and with their blindstamp Signed and Numbered 71/100 Images Size: approx. 28 x 20 inches Framed Size: approx. 34 x 26 inches Born with the name Milton Rauschenberg in Port Arthur, Texas, Robert Rauschenberg became one of the major artists of his generation and is credited along with Jasper Johns of breaking the stronghold of Abstract Expressionism*. Rauschenberg was known for assemblage*, conceptualist methods, printmaking, and willingness to experiment with non-artistic materials--all innovations that anticipated later movements such as Pop Art*, Conceptualism*, and Minimalism*. In May, 1999, ARTNews magazine featured him as one of the top twenty-five influential western artists, stating: "His irreverent notions of what an artwork could be gained him the status of an enfant terrible. . .Rauschenberg pushed the viewer to accept the unexpected." He has said that he believes painting should relate to both life and art and that he wants is artwork to be the intermediary between the two. He received much formal art education beginning with the Kansas City Art Institute in 1947 and 1948. He studied briefly in Paris at the Academie Julian*, and from 1948 to 1949 was at Black Mountain College* in North Carolina with Josef and Anni Albers. This period was followed by several years attendance at the Art Students League* in New York City with Morris Kantor and Vaclav Vytlacil. In 1951, he exhibited all white and black paintings incorporating viewer participation through the shadows they cast on the works. At Black Mountain College, he had met composer, John Cage, and dancer- choreographer, Merce Cunningham, for whom he worked in his company as a designer, manager, and performer. Frequently he scoured the area in which they were performing for 'unusual' objects such as tires, old radios...

Artist: Robert Rauschenberg, American (1925 - 2008) Title: Narcissus, from ROCI USA (Wax Fire Works) Year: 1990 Medium: Acrylic, Enamel, and Fire Wax on Sta...

Medium: Lithograph Printer and Publisher: Cirrus Editions, Los Angeles Catalogue reference: MMA 4 Edition size: 65, plus proofs Signed, dated, and numbered in pencil, lower margin

Arcanum V is a 1981 color serigraph with hand-coloring and collage elements by Robert Rauschenberg. Arcanum V is part of Rauschenberg's Ancanum series, comprised of thirteen pieces f...

Frame size: 30 7/8 x 48 inches Printer: Ed Hamilton, Cirrus Editions Publisher: Cirrus Editions, Los Angeles Edition: 65, plus proofs Catalogue reference:...