Prints and Multiples
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Prints and Multiples For Sale
Style: Vienna Secession
Style: Post-War
"Brothers" signed Lithograph 14"x10" in Edition 62/100 by Hamed Abdalla
Located in Culver City, CA
"Brothers" signed Lithograph 14"x10" in Edition 62/100 by Hamed Abdalla
Hamed Abdallah (1917-1985), a trailblazer in Egyptian and Arab modernism, took his artistic focus one step fu...
Category
20th Century Post-War Prints and Multiples
Materials
Lithograph
European Mid-Century 1959 Fashion Design Vintage Lithograph Print
Located in Melbourne, Victoria
European fashion design from the 'Atelier Sogra', published in Vienna.
325mm by 220mm (sheet)
Category
Mid-20th Century Post-War Prints and Multiples
Materials
Lithograph
"Husband and Wife" signed Lithograph 14"x10" in Edition 22/100 by Hamed Abdalla
Located in Culver City, CA
"Husband and Wife" signed Lithograph 14"x10" in Edition 22/100 by Hamed Abdalla
Hamed Abdallah (1917-1985), a trailblazer in Egyptian and Arab modernism, took his artistic focus one...
Category
20th Century Post-War Prints and Multiples
Materials
Lithograph
H.O. Miethke Das Werk folio "Water Snakes II" collotype print
Located in Chicago, IL
Water Snakes II, no. 9 from the fourth installment of Das Werk Gustav Klimts
The last painting Klimt exhibited with the Secession before resigning, Water ...
Category
Early 1900s Vienna Secession Prints and Multiples
Materials
Paper
French Mid-Century 1960s Mens Fashion Design Vintage Suit Lithograph Print
By Jean Darroux
Located in Melbourne, Victoria
French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...
Category
Mid-20th Century Post-War Prints and Multiples
Materials
Lithograph
Galloping Race, from: Fables - French Urban Street Art Pop Art
Located in London, GB
JEAN DUBUFFET 1901-1985
(Philippe-Arthur) 1901 Le Havre - Paris 1985 (French)
Title: Galloping Race, from: Fables Course la galope: Fables, 1976
Technique: Original Hand Signed, D...
Category
1970s Post-War Prints and Multiples
Materials
Screen
French Mid-Century 1960s Mens Fashion Design Vintage Suit Lithograph Print
By Jean Darroux
Located in Melbourne, Victoria
French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...
Category
Mid-20th Century Post-War Prints and Multiples
Materials
Lithograph
H.O. Miethke Das Werk folio "Danaë" collotype print
Located in Chicago, IL
Danaë, no. 2 from the fourth installment of Das Werk Gustav Klimts
Danae originates from Greek mythology. She is the daughter of the King of Argos. Because a...
Category
Early 1900s Vienna Secession Prints and Multiples
Materials
Paper
Fruit Trees by Gustav Klimt, Das Werk lifetime landscape collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Impressionist Fruit Trees landscape, painted in 1901. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300.
Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...
Category
Early 1900s Vienna Secession Prints and Multiples
Materials
Paper
Farmhouse in Buchberg by Gustav Klimt, Das Werk lifetime collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Farmhouse in Buchberg (Upper Austrian Farmhouse), painted in 1911. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300.
Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...
Category
Early 1900s Vienna Secession Prints and Multiples
Materials
Paper
Farm Garden Sunflowers by Gustav Klimt, Das Werk lifetime collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Farm Garden With Sunflowers, painted in 1913. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300.
Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...
Category
Early 1900s Vienna Secession Prints and Multiples
Materials
Paper
French 1950s women’s fashion design style illustration art print with swatches
Located in Melbourne, Victoria
French 1950s women's fashion design from 'Les Tendances de la Mode' a Parisien fashion periodical showing the designs of Gaston Verbie. Descriptions in F...
Category
Mid-20th Century Post-War Prints and Multiples
Materials
Lithograph
Schloss Kammer Lake Attersee II by Gustav Klimt, Das Werk collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Schloss Kammer on Lake Attersee II (Das Werk Gustav Klimts), originally painted in 1909. Publishe...
Category
Early 1900s Vienna Secession Prints and Multiples
Materials
Paper
Malcesine on Lake Garda by Gustav Klimt, Das Werk landscape collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Malcesine on Lake Garda, painted in 1913. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300.
Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...
Category
Early 1900s Vienna Secession Prints and Multiples
Materials
Paper
Crochet V
Located in New York, NY
From Crochet Series I-V
Framed
Initialed in pencil and numbered 49/50
Mixografia printed in red on handmade paper
Sheet size is 33.5 x 28 inches
Framed size is 37.25 x 32.13 inches...
Category
1990s Post-War Prints and Multiples
Materials
Handmade Paper
Houses at Unterach on the Attersee, Gustav Klimt An Aftermath collotype, 1931
Located in Chicago, IL
Original 1931 collotype created from Gustav Kilmt’s Houses at Unterach on the Attersee, oil on canvas, c. 1916. Published by Max Eisler and printed by Österreichischer Staatsdruckerei (Austrian State Printing Office), Vienna, in an edition of 500.
In 1931, Max Eisler published the most notable posthumous collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original...
Category
1930s Vienna Secession Prints and Multiples
Materials
Paper
Portrait of Lady in Red and Black by Gustav Klimt, Das Werk collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Portrait of Lady in Red and Black. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300. Collotype on chine colle paper laid down on heavy deckled-edge cream-wove paper.
Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...
Category
Early 1900s Vienna Secession Prints and Multiples
Materials
Paper
Thunderstorm (The Large Poplar II) by Gustav Klimt, Das Werk lifetime collotype
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Approaching Thunderstorm (The Large Poplar II), painted in 1903. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300.
Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts, a folio of collotypes representing Gustav Klimt’s most notable works leading up to 1913. Klimt’s original oil paintings were painstakingly reproduced as collotypes on a handmade, deckled-edge cream wove paper using a complex gravure process overseen by master technicians as well as the artist himself. Each image presented in the folio was assigned its own unique signet, which was designed by Klimt and struck below the image using a technique similar to letterpress. The signet corresponded to a matching signet in the justification page which detailed the piece’s size, location, and owner.
Published under the artist’s direct supervision, this series allowed Klimt, who had completely divorced himself from public commissions following the outcry from his University of Vienna paintings, to more effectively present his artworks to institutions and patrons across the world. A testament to the masterful design and printmaking demonstrated by Das Werk Gustav Klimts, Emperor Franz Joseph himself purchased the first copy of the folio.
Klimt’s The Swamp...
Category
Early 1900s Vienna Secession Prints and Multiples
Materials
Paper
Untitled (Head of a Man)
Located in Rancho Santa Fe, CA
Inscribed and signed lower center: "Monoprint H Lee-Smith"
Provenance: The Waintrob Project for the Visual Arts (Foundation); Sidney and Abraham Waintrob
This item is in our New Yo...
Category
1960s Post-War Prints and Multiples
Materials
Monotype, Paper
Composition III, from: One Week
Located in London, GB
GEORG BASELITZ b. 1938
Born in Deutschbaselitz 1938 (German)
Title: Composition III, from: One Week Eine Woche, 1972
Technique: Original Hand Signed, Dated, and Numbered Drypoint ...
Category
1970s Post-War Prints and Multiples
Materials
Drypoint
E. Strache, Handzeichnungen folio, "Nursing Mother with Child" Collotype plate
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA
“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...
Category
1920s Vienna Secession Prints and Multiples
Materials
Paper
The Swamp by Gustav Klimt, Das Werk lifetime landscape collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s The Swamp, painted in 1900. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Sta...
Category
Early 1900s Vienna Secession Prints and Multiples
Materials
Paper
Death and Life by Gustav Klimt, Das Werk lifetime collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Death and Life, painted in 1908. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und St...
Category
Early 1900s Vienna Secession Prints and Multiples
Materials
Paper
Untitled (Face Study)
Located in Rancho Santa Fe, CA
Inscribed and signed lower center: "Monoprint H Lee-Smith"
Provenance: The Waintrob Project for the Visual Arts (Foundation); Sidney and Abraham Waintrob
This item is in our New Yo...
Category
1960s Post-War Prints and Multiples
Materials
Monotype, Paper
French Mid-Century Winter 1949 Fashion Design Skiing Skiers Lithograph Print
By Jean Darroux
Located in Melbourne, Victoria
French skiing fashion design published as a Supplement to 'L'Homme', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several series of designs, probab...
Category
Mid-20th Century Post-War Prints and Multiples
Materials
Lithograph
Untitled (Profile Looking Left)
Located in Rancho Santa Fe, CA
Inscribed and signed lower center: "Monoprint H Lee-Smith"
Provenance: The Waintrob Project for the Visual Arts (Foundation); Sidney and Abraham Waintrob
This item is in our New Yo...
Category
1960s Post-War Prints and Multiples
Materials
Monotype, Paper
The Drunkard in Spring —after Gustav Mahler's 'The Song of the Earth'
Located in Myrtle Beach, SC
Arthur Paunzen, 'Der Trunkene im Frühling' (The Drunkard in Spring) from the suite 'Song of the Earth', etching, aquatint, and drypoint, 1920. Signed and titled in pencil. Signed in the plate, lower right. A fine, richly-inked impression, on cream, wove Japan paper; the full sheet with margins (2 1/4 to 4 1/4 inches), in good condition. Image size 12 3/8 x 9 1/8 inches; sheet size 19 5/8 x 13 5/8 inches. Matted to museum standards, unframed.
ABOUT THIS WORK
Pauzen’s suite of six etchings 'Das Lied von der Erde' (The Song of the Earth), published in 1920, was inspired by Gustav Mahler...
Category
1920s Vienna Secession Prints and Multiples
Materials
Etching, Drypoint, Aquatint
Seated woman with shawl, Gustav Klimt Handzeichnungen (Sketch), 1922
Located in Chicago, IL
Original collotype lithograph of Gustav Kilmt’s Seated woman with shawl, published in the 1922 Handzeichnungen portfolio by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwork is presented in archival rag mat and arrives accompanied by a certificate of authenticity.
Klimt’s mastery of depth is most evident in the gentleness of his linework. Without the aid of shadow or the subtlety of values, the gestures of line allow the viewer a sense of a three-dimensional person or object. The meticulous lithographic process used to create Klimt’s Handzeichnungen portfolio ensures exceptionally crisp markings bearing a strong resemblance to the original sketches. This series showcases the quintessence behind Klimt’s signature visual style. This artwork arrives accompanied by a certificate of authenticity.
Century Guild has curated collections of Gustav Klimt’s printed...
Category
1920s Vienna Secession Prints and Multiples
Materials
Lithograph, Paper
French Mid-Century 1960s Mens Fashion Design Vintage Suit Lithograph Print
By Jean Darroux
Located in Melbourne, Victoria
French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...
Category
Mid-20th Century Post-War Prints and Multiples
Materials
Lithograph
Female semi-nude on bedding, Gustav Klimt Handzeichnungen (Sketch), 1922
Located in Chicago, IL
Original collotype lithograph of Gustav Kilmt’s Female semi-nude on bedding, published in the 1922 Handzeichnungen portfolio by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwork is presented in archival rag mat and arrives accompanied by a certificate of authenticity.
Klimt’s mastery of depth is most evident in the gentleness of his linework. Without the aid of shadow or the subtlety of values, the gestures of line allow the viewer a sense of a three-dimensional person or object. The meticulous lithographic process used to create Klimt’s Handzeichnungen portfolio ensures exceptionally crisp markings bearing a strong resemblance to the original sketches. This series showcases the quintessence behind Klimt’s signature visual style. This artwork arrives accompanied by a certificate of authenticity.
Century Guild has curated collections of Gustav Klimt’s printed...
Category
1920s Vienna Secession Prints and Multiples
Materials
Lithograph, Paper
Bandstand III, Eastbourne, UK - Black and White Vintage Photography
By Samuel Field
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by.
This artwork is a...
Category
1980s Post-War Prints and Multiples
Materials
Photographic Paper, Black and White, C Print, Silver Gelatin
Max Eisler Eine Nachlese folio "Portrait of Baroness Wittgenstein" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #4, Bildnis Baronin Wittgenstein; dark grey monochrome collotype after the 1905 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931.
2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight.
Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category
1930s Vienna Secession Prints and Multiples
Materials
Paper
Untitled (Head of a Woman)
Located in Rancho Santa Fe, CA
Inscribed, signed, and dated lower center: "Monoprint H Lee-Smith '69"
Provenance: The Waintrob Project for the Visual Arts (Foundation); Sidney and Abraham Waintrob
This item is i...
Category
1960s Post-War Prints and Multiples
Materials
Monotype, Paper
Portrait of Charlotte Pulitzer, Gustav Klimt An Aftermath collotype, 1931
Located in Chicago, IL
Original 1931 collotype created from Gustav Kilmt’s Portrait of Charlotte Pulitzer, oil on canvas, 1915. Published by Max Eisler and printed by Österreichischer Staatsdruckerei (Austrian State Printing Office), Vienna, in an edition of 500.
In 1931, Max Eisler published the most notable posthumous collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original...
Category
1930s Vienna Secession Prints and Multiples
Materials
Paper
Max Eisler Eine Nachlese folio "Italian Garden Landscape" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #23, Italienische Landschaft; blue-grey monochrome collotype after the 1913 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931.
2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight.
Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category
1930s Vienna Secession Prints and Multiples
Materials
Paper
Standing nude, Gustav Klimt Handzeichnungen (Sketch), Thyrsos Verlag, 1922
Located in Chicago, IL
Original collotype lithograph of a figure drawing from Gustav Kilmt’s handzeichnungen (sketch) in 1922 by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwork is pr...
Category
1920s Vienna Secession Prints and Multiples
Materials
Paper, Lithograph
Tête de Jeune Homme
Located in Knowle Lane, Cranleigh
Offset Lithograph, Limited Edition from an edition of 175. Signed in pencil, lower right and framed in a handmade gold leaf frame.
Based on an original Pastel drawn in Fontainebleau, during the summer of 1921.
This neoclassical head...
Category
1920s Post-War Prints and Multiples
Materials
Lithograph
European Mid-Century 1959 Fashion Design Vintage Lithograph Print
Located in Melbourne, Victoria
European fashion design from the 'Atelier Sogra', published in Vienna.
325mm by 220mm (sheet)
Category
Mid-20th Century Post-War Prints and Multiples
Materials
Lithograph
French Mid-Century 1960s Men's Fashion Design Vintage Suit Lithograph Print
By Jean Darroux
Located in Melbourne, Victoria
French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...
Category
Mid-20th Century Post-War Prints and Multiples
Materials
Lithograph
French Mid-Century 1950s Mens Fashion Design Vintage Suit Lithograph Print
Located in Melbourne, Victoria
French men's fashion design from 'La Revue de l'Homme' a Parisien fashion periodical.
370mm by 270mm (sheet)
Category
Mid-20th Century Post-War Prints and Multiples
Materials
Lithograph
French Mid-Century 1960s Mens Fashion Design Vintage Suit Lithograph Print
By Jean Darroux
Located in Melbourne, Victoria
French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...
Category
Mid-20th Century Post-War Prints and Multiples
Materials
Lithograph
Spring by Robert Engels, Medieval Art Nouveau lithograph with gold ink, 1897
Located in Chicago, IL
Allegorien-Neue Folge was a serialized folio published in installments between 1895 and 1900. Martin Gerlach, its publisher, was inspired by the rise of modernist design in Vienna an...
Category
1890s Vienna Secession Prints and Multiples
Materials
Lithograph
Beethoven Frieze (detail) by Gustav Klimt, Das Werk collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from a detail of Gustav Klimt’s Beethoven Frieze. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an e...
Category
Early 1900s Vienna Secession Prints and Multiples
Materials
Paper
French Mid-Century 1960s Men's Fashion Design Vintage Wedding Lithograph Print
By Jean Darroux
Located in Melbourne, Victoria
French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...
Category
Mid-20th Century Post-War Prints and Multiples
Materials
Lithograph
French Mid-Century 1960s Schoolboys Fashion Design Vintage Suit Lithograph Print
By Jean Darroux
Located in Melbourne, Victoria
French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...
Category
Mid-20th Century Post-War Prints and Multiples
Materials
Lithograph
Mimmo Rotella The Lights of the City Slashed Silk-screen Print on Canvas
Located in Paris, FR
Mimmo Rotella, Le Luci della citta
2005
Slashed silk-screen print on canvas
Edition of 60
Signed and numbered on the lower left
124 x 86 cm
Mimmo Rotella is an Italian artist and poet known for his collages made from torn advertising posters, which he calls "double décollages". Born October 7, 1918 in Catanzaro, Italy, he studied at the Accademia di Belle Arti in Naples before settling in Rome in 1945 and getting closer to Lettrism. Alongside Raymond Hains...
Category
Early 2000s Post-War Prints and Multiples
Materials
Screen, Canvas, Silk
Woman in dress, Gustav Klimt Handzeichnungen (Sketch), Thyrsos Verlag, 1922
Located in Chicago, IL
Original collotype lithograph of Gustav Kilmt’s Woman in dress, published in the 1922 Handzeichnungen portfolio by Thyrsos Verlag, Leipzig and Vienna, i...
Category
1920s Vienna Secession Prints and Multiples
Materials
Lithograph, Paper
Prime Pump from ROCI USA
Located in Palm Desert, CA
A print by Robert Rauschenberg. "Prime Pump from ROCI USA" is a color screenprint on paper and Lexan print from the Wax Fire Works Series. "Prime Pump from ...
Category
1990s Post-War Prints and Multiples
Materials
Paper, Screen
Max Eisler Eine Nachlese folio “Sunflowers” collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #3, Sonnenblumen; multi-color collotype after 1908 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931.
2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight.
Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category
1930s Vienna Secession Prints and Multiples
Materials
Paper
Of Youth —after Gustav Mahler's 'The Song of the Earth'
Located in Myrtle Beach, SC
Arthur Paunzen, 'Von der Jugend' (Of Youth) from the suite 'Song of the Earth', etching, aquatint, and drypoint, 1920. Signed and titled in pencil. Signed in the plate, lower left. A fine, richly-inked impression, on cream, wove Japan paper; the full sheet with margins (2 1/4 to 4 1/4 inches), in good condition. Image size 12 1/4 x 9 1/16 inches; sheet size 19 3/4 x 13 5/8 inches. Matted to museum standards, unframed.
ABOUT THIS WORK
Pauzen’s suite of six etchings 'Das Lied von der Erde' (The Song of the Earth), published in 1920, was inspired by Gustav Mahler...
Category
1920s Vienna Secession Prints and Multiples
Materials
Etching, Drypoint, Aquatint
Bandstand II, Eastbourne, UK - Black and White Vintage Photography
By Samuel Field
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by.
This artwork is a...
Category
1980s Post-War Prints and Multiples
Materials
Photographic Paper, Black and White, C Print, Silver Gelatin
Max Eisler Eine Nachlese folio “Portrait of Baroness Bachofen-Echt” collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler #22, Bildnis Baronin Bachofen-Echt; multi-color collotype after 1914-1916 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931.
2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight.
Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category
1930s Vienna Secession Prints and Multiples
Materials
Archival Paper
The Solitary One in Autumn—after Gustav Mahler's 'The Song of the Earth'
Located in Myrtle Beach, SC
Arthur Paunzen, 'Der Einsame im Herbst' (The Solitary One in Autumn) from the suite 'Song of the Earth', etching, aquatint, and drypoint, 1920. Signed and titled in pencil. Signed in the plate, lower left. A fine, richly-inked impression, on cream, wove Japan paper; the full sheet with margins (2 3/8 to 4 1/8 inches), in good condition. Image size 12 3/8 x 8 7/8 inches; sheet size 19 5/8 x 13 3/4 inches. Matted to museum standards, unframed.
ABOUT THIS WORK
Pauzen’s suite of six etchings 'Das Lied von der Erde' (The Song of the Earth), published in 1920, was inspired by Gustav Mahler...
Category
1920s Vienna Secession Prints and Multiples
Materials
Etching, Drypoint, Aquatint
Church in Cassone by Gustav Klimt, Das Werk lifetime collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Church in Cassone, painted in 1913. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300.
Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...
Category
Early 1900s Vienna Secession Prints and Multiples
Materials
Paper
Max Eisler Eine Nachlese folio "Poppy Field (Poppies in Bloom)" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler #5, Mohnwiese; multi-color collotype after 1907 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931.
2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight.
Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category
1930s Vienna Secession Prints and Multiples
Materials
Archival Paper
Formulation: Articulation
By Josef Albers
Located in Palm Desert, CA
A print by Josef Albers. "Formulation: Articulation" is a geometric abstract screen print in a green and yellow palette by Post War artist Josef Albers. The artwork is numbered 1981....
Category
Mid-20th Century Post-War Prints and Multiples
Materials
Screen
Italian Garden Landscape, Gustav Klimt An Aftermath collotype, 1931
Located in Chicago, IL
Original 1931 collotype created from Gustav Kilmt’s Italian Garden Landscape, oil on canvas, 1913. Published by Max Eisler and printed by Österreichischer Staatsdruckerei (Austrian State Printing Office), Vienna, in an edition of 500.
In 1931, Max Eisler published the most notable posthumous collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original...
Category
1930s Vienna Secession Prints and Multiples
Materials
Paper
Seated nude, Gustav Klimt Handzeichnungen (Sketch), Thyrsos Verlag, 1922
Located in Chicago, IL
Original collotype lithograph of Gustav Kilmt’s Seated nude, published in the 1922 Handzeichnungen portfolio by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwork is presented in archival rag mat and arrives accompanied by a certificate of authenticity.
Klimt’s mastery of depth is most evident in the gentleness of his linework. Without the aid of shadow or the subtlety of values, the gestures of line allow the viewer a sense of a three-dimensional person or object. The meticulous lithographic process used to create Klimt’s Handzeichnungen portfolio ensures exceptionally crisp markings bearing a strong resemblance to the original sketches. This series showcases the quintessence behind Klimt’s signature visual style. This artwork arrives accompanied by a certificate of authenticity.
Century Guild...
Category
1920s Vienna Secession Prints and Multiples
Materials
Lithograph, Paper
Fine Art Prints for Sale — Animal Prints, Abstract Prints, Nude Prints and Other Prints
Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.
Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.
Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.
Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.
Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.
“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.
Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.
For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)
Find fine art prints for sale on 1stDibs today.
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