Vertical Abstract Prints

This exquisite lithograph by Alberto Giacometti (1901–1966), titled Georges Braque le 31 aout 1963 (Georges Braque, August 31, 1963), originates from the 1964 folio Derriere le Miroi...

This original etching is hand signed in pencil by the artist “Chillida” at the lower left margin. It is also hand numbered in pencil from the edition of 100, at the lower right margi...

Lithograph on Arches Vellum Hand-signed and numbered 29 1/2h x 22w in 74.93h x 55.88w cm 5/50 HMA006 D. 442 (or D.-M. 442)

Agustin Fernandez Armour - 1979 Print - Lithograph on Arches archival paper Deluxe Edition with Matchsticks Collage Paper size 21.75'' x 29.5'' Edition: Signed in pencil, dated and m...

Lithograph, 1966 Handsigned by the artist in pencil and numbered 39/150 Catalog : Sorlier 66 80.00 cm. x 57.00 cm. 31.5 in. x 22.44 in. (paper) 65.00 cm. x 50.00 cm. 25.59 in. x 19...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Profil et tete de femme (Profile and Head of a Woman), originates from the rare 1970 folio Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide. Published and printed by Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve, in collaboration with Albert Skira, Geneve, this edition presents faithful reproductions of the original etchings created by Picasso in 1930–31 for the landmark illustrated book Les Metamorphoses d'Ovide. The composition exemplifies Picasso’s classical refinement and psychological sensitivity, capturing the female profile and visage with elegant contour, sculptural simplicity, and emotional depth. Executed on velin papier Verge fin blanc des papeteries de Bellerive, this lithograph measures 11.02 x 8.66 inches (28 x 22 cm) with an image size of 4.3 x 5.5 inches (10.9 x 14 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1970 publication format. This edition, produced under Albert Skira’s supervision, preserves the balance, tonal nuance, and line purity of the original copper etchings created by Picasso for the 1931 deluxe edition of Les Metamorphoses d'Ovide, one of the most celebrated artist’s books of the 20th century. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Profil et tete de femme (Profile and Head of a Woman), from Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide, 1970 Medium: Lithograph on velin papier Verge fin blanc des papeteries de Bellerive Dimensions: Paper size 11.02 x 8.66 inches (28 x 22 cm); Image size 4.3 x 5.5 inches (10.9 x 14 cm) Inscription: Unsigned and unnumbered, as issued Date: 1970 (after the 1931 etchings) Publisher: Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve Printer: Production Edito-Service S.A., in collaboration with Albert Skira, Geneve Condition: Well preserved, consistent with age and medium Provenance: From the 1970 folio Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide, authorized by Albert Skira, Geneve Notes: Excerpted from the 1970 folio (translated from French): "The original edition of Les Metamorphoses d'Ovide, full text of the association, Guillaume Bude, established and translated by Georges Lafaye, is illustrated with XXX original etchings by Picasso. The draw, completed on October 25, 1931, in Paris, on the presses of Leon Pichon for typography, and by Louis Fort for the engravings, was limited to CXLV examples, all numbered in the press and signed by the artist. The edition included XXX examples on Japon blanc a la forme fabrique specialement par la manufacture imperiale, including V examples, numbered from I to V, each containing a sequel on Japon with remarks in bistre, a suite on Chine with remarks in black and an original drawing by the artist; XXV examples, numbered from VI to XXX, each containing a sequel on Japon with remarks in black; XCV examples, numbered from XXXI to CXXV, on verge de pur chiffon fabrique specialement a la main par les papeteries d'Arches; and CX non-commerce examples, numbered in Roman numerals from I to XX, reserved for the artist and collaborators. The coppers used to draw the illustrations were scratched by the artist in the presence of the publisher. This album has been presented to collectors and bibliophiles of the United States of America by Marie Harriman. This lithograph edition, 22 x 28 cm, was printed with Albert Skira's authorization on papier Verge fin blanc des papeteries de Bellerive." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Málaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musée Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso lithograph, Profil et tete de femme Picasso, Profile and Head of a Woman Picasso...

"Pour Caroline" is a Limited Edition Lithograph, E/A by Marcel Mouly. The print is pencil-signed by the artist. It measures 30.75 x 22.75 inches. The date of creation is unknown, but...

Joan Miró "Le Pitre Rose", 1974 Original etching and aquatint From the edition of 50 on arches paper, hand signed and numbered 9/50. Sheet measures: 55 x...

Large format photograph of Brutalist architecture in south of Italy ( Sicily ) Modica (2020) by Frank Schott 72 x 48 inches / 182cm x 122cm...

Artist: Chryssa, Greek (1933 - 2013) Title: Chinatown Portfolio II, Image 2 Year: circa 1978 Medium: Screenprint, signed and numbered in pencil Edition: 150 Size: 40 in. x 30.5 in....

Colour lithograph, 1890. 285mm by 210mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...

Edition of 300. Murakami signed and numbered in silver marker pen along the lower right edge. Offset lithograph with cold foil stamp and high gloss varnishing on UV paper. 70 x 52.8 ...

Mark Tobey, American (1890 - 1976) - Summer Joy, Year: 1971, Medium: Color Aquatint, signed, numbered and dated in pencil, Edition: 10/96, Image Size: 10.75 x 8.75 inches, Frame Si...

Jean-Michel Basquiat (untitled) Gray 1980: Basquiat illustrated & printed this exceptionally rare flyer for his band Gray in 1980. Executed similarly in the manner of his well-documented Anti-Product Cards of the period - Basquiat draws over a found image, then employs his famous William Burroughs style 'cut-up' technique; completing the piece by abstractly scrawling the word, 'Gray' above. Few known to have survived. Not to be passed upon. Literature: Jean-Michel Basquiat 1981: The Studio of the Street', (Deitch, Cortez, Vassell); Seeing Loud: Basquiat and Music (Buchhart, Bessières, Desmarais). Exhibited: Jean-Michel Basquiat 1981: The Studio of the Street: Jeffrey Deitch Gallery, New York, 2006; New York, New Music 1980-86: Museum of the City of New York (2021); Montreal Museum of Fine Arts: Seeing Loud: Basquiat and Music (2022); Basquiat Soundtracks: The Philharmonie de Paris, 2023 (The Paris Philharmonic). Further background as follows: Medium: Color Xerox on paper. 1980. Dimensions: 8.5 x 11 inches. Condition: Good overall vintage condition; scattered soiling marks; minor signs of handling & aging; typewriting on the reverse; minor corner bending in one or more places. Unsigned from an edition of unknown; few known to have survived. Provenance: Obtained directly from a prominent Basquiat Gray...

Joan Miro Danse Barbare (from Artigas) Original Color Lithograph Year: 1963 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 139-140 Publisher: Maeght Editeur, Paris 1963 Catalogue ...

Joan Miro Lithographier Originale Original Color Lithograph Year: 1961 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 125-126 Publisher: Maeght Editeur, Paris 1961 Additional text...

Ellen Tiberino (1937-1992). Head of Woman, ca. 1980. edition 450. Offset print on paper, image measuring 15.5 x 21 inches. 21.5 x 27 inches in matting. Hand signed and numbered i...

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe V Year: 1981 E...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

Philip Guston at David McKee Gallery (pencil signed by Philip Guston), 1974 Lithograph and offset lithograph poster Signed in graphite pencil under the image 24 1/2 × 20 inches Unframed, unnumbered Rare vintage lithographic poster of 1974 Guston exhibition at David McKee Gallery Signed under the image in graphite pencil by Philip Guston Another hand signed edition is in the permanent collection of Vassar College; otherwise we haven't seen another besides the present work; a true collectors item when hand signed by the artist. Philip Guston Biography Philip Guston (1913 – 1980) is one of the great luminaries of twentieth-century art. His commitment to producing work from genuine emotion and lived experience ensures its enduring impact. Guston’s legendary career spanned a half century, from 1930 to 1980. His paintings—particularly the liberated and instinctual forms of his late work—continue to exert a powerful influence on younger generations of contemporary painters. Born in Montreal, Canada, in 1913 to poor Russian Jewish émigrés, Guston moved with his family to California in 1919. Briefly attending the Otis Art Institute in Los Angeles in 1930, he was otherwise completely self-taught. Guston’s first precocious work, Mother and Child, was completed when he was only seventeen years of age. Influenced by the social and political landscape of the 1930s, his earliest works evoked the stylized forms of Giorgio de Chirico and Pablo Picasso, social realist motifs of the Mexican muralists, and classical properties of Italian Renaissance frescoes of Piero della Francesca and Masaccio that he had seen only in reproduction. Painted in Mexico with another young artist, the huge fresco The Struggle Against War and Fascism drew national attention in the US. Guston’s success continued in the WPA, a Depression-era government program that commissioned American artists to create murals in public buildings. While not widely known today, the young artist’s early experiences as a mural painter allowed a development of narrative and scale that he would draw upon in his late figurative work. In the early 1940s, as the WPA program was ending, Guston found work teaching at universities in the Midwestern United States. In his studio, he was working in oils on easel paintings that were more personal and smaller in scale, focusing on portraits and allegories, like Martial Memory and If This Be Not I. His first solo exhibition in Iowa was well received and, within a few years, he was offered his first solo show in New York City. Guston was awarded a Prix de Rome, allowing him to leave teaching and spend a year in Italy, studying firsthand the Italian masters he loved. By the time he had finished The Tormentors, Guston’s move to abstraction was all but complete. On his return from Italy, he continued dividing his time between the artists’ colony of Woodstock in Upstate New York and New York City, which was then emerging as the center of the postwar art world. He rented a studio on 10th Street, where abstract expressionists Jackson Pollock, Willem de Kooning and Mark Rothko also worked. For Guston, success was never what mattered most. He was already impatient with the language of pure abstraction and experimenting with larger forms, using a limited palette of grays, pinks and blacks. As his forms became still more reduced, he stopped painting altogether and embarked on a series of simplified abstract “pure drawings” in brush or charcoal. At this juncture, Guston removed himself from the art scene in New York, living and working in Woodstock for the remainder of his life. Guston’s move ­was hardly a withdrawal. Freed from the distractions and formal constraints of the art world and the opinions of critics, he was able to experiment with new forms and to engage more deeply with the issues that mattered to him. The 1960s was a period of great social upheaval in the United States, characterized by assassinations and violence, civil rights and anti-war protests. “When the 1960s came along I was feeling split, schizophrenic,” Guston later said. “The war, what was happening to America, the brutality of the world. What kind of man am I, sitting at home, reading magazines...

ARTIST: Salvador Dali TITLE: La Femme Visible MEDIUM: original Heliogravure - Etching in the book titled "La Femme Visible" SIGNED: Hand Signed by Salvador Dali on the frontispie...

Over the past 20 years, Michelle Oppenheimer has become well known for composing paintings that capture the imaginative and organic possibilities of abstract watercolor and acrylic. ...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Dupin, Jacques, et al. ...

This serigraph was created by German Op artist Herbert Aach. Aach's prints play with geometry and form, and trick the viewer's eyes by juxtaposing bright neon colors. This print is s...

Watercolor on paper 32 x 25 inches framed

Silkscreen and Cut Paper on Fine Art paper. Geometrical form Work Title : "Forme et Ciel 1" Artist : Marie Vandooren (French b. 1976) The work is sig...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Fragment de corps de femme (Fragment of a Woman’s Body), originates from the rare 1970 folio Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide. Published and printed by Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve, in collaboration with Albert Skira, Geneve, this edition presents faithful reproductions of the original etchings created by Picasso in 1930–31 for the landmark illustrated book Les Metamorphoses d'Ovide. The composition captures a sensuous study of the female form, expressed through Picasso’s masterful economy of line and timeless classical influence. Executed on velin papier Verge fin blanc des papeteries de Bellerive, this lithograph measures 11.02 x 8.66 inches (28 x 22 cm) with an image size of 4.3 x 5.5 inches (10.9 x 14 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1970 publication format. This edition, produced under Albert Skira’s supervision, preserves the tonal clarity and refined contours of the original copper etchings created by Picasso for the 1931 deluxe edition of Les Metamorphoses d'Ovide, one of the most celebrated artist’s books of the 20th century. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Fragment de corps de femme (Fragment of a Woman’s Body), from Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide, 1970 Medium: Lithograph on velin papier Verge fin blanc des papeteries de Bellerive Dimensions: Paper size 11.02 x 8.66 inches (28 x 22 cm); Image size 4.3 x 5.5 inches (10.9 x 14 cm) Inscription: Unsigned and unnumbered, as issued Date: 1970 (after the 1931 etchings) Publisher: Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve Printer: Production Edito-Service S.A., in collaboration with Albert Skira, Geneve Condition: Well preserved, consistent with age and medium Provenance: From the 1970 folio Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide, authorized by Albert Skira, Geneve Notes: Excerpted from the 1970 folio (translated from French): "The original edition of Les Metamorphoses d'Ovide, full text of the association, Guillaume Bude, established and translated by Georges Lafaye, is illustrated with XXX original etchings by Picasso. The draw, completed on October 25, 1931, in Paris, on the presses of Leon Pichon for typography, and by Louis Fort for the engravings, was limited to CXLV examples, all numbered in the press and signed by the artist. The edition included XXX examples on Japon blanc a la forme fabrique specialement par la manufacture imperiale, including V examples, numbered from I to V, each containing a sequel on Japon with remarks in bistre, a suite on Chine with remarks in black and an original drawing by the artist; XXV examples, numbered from VI to XXX, each containing a sequel on Japon with remarks in black; XCV examples, numbered from XXXI to CXXV, on verge de pur chiffon fabrique specialement a la main par les papeteries d'Arches; and CX non-commerce examples, numbered in Roman numerals from I to XX, reserved for the artist and collaborators. The coppers used to draw the illustrations were scratched by the artist in the presence of the publisher. This album has been presented to collectors and bibliophiles of the United States of America by Marie Harriman. This lithograph edition, 22 x 28 cm, was printed with Albert Skira's authorization on papier Verge fin blanc des papeteries de Bellerive." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Málaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musée Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso lithograph, Fragment de corps de femme Picasso, Fragment of a Woman’s Body Picasso, Picasso Metamorphoses...

'Middle Ages - Moyen-Age - Mittel Alter' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' ...

"Galerie Maeght Miro" is an original color lithograph poster with art by Joan Miro. It was printed by Maeght Editeur Imprimeur in 1970. The poster showcase...

Max Epstein, Canadian (1932 - 2002) - Art Expo, Year: 1977, Medium: Poster, Size: 29 x 23 in. (73.66 x 58.42 cm)

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

Tribal Sign, 1987 Signed and dated in pencil with publisher's blindstamp Eleven color lithograph on mauve TGL handmade paper Sheet: 24 x 18.5 inches Frame: 33 x 27 inches Edition 25 ...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Colour lithograph, 1890. 285mm by 210mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...

Rippling, limited edition lithograph, Japanese, black, white, red, signed,number

Caviar20 is thrilled to be offering the work of Louise Nevelson. "Moon Garden" is a superb example of one of her impressive molded reliefs in black paper pulp. Although Nevelson is...

The Dienen, Dienen exhibition poster, featuring the work of Antoni Tàpies, was published by Galerie Lelong in 1997. This poster was designed to promote an exhibition of Tàpies' work,...

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...

Screen print realized by Mino Meno in 1980s. Hand signed lower right. Numbered lower left. Edition of 100. Excellent condition.

David Shrigley You are not alone, 2014 Linocut on wove paper 31 x 21 cm (image) 39 x 29 cm (paper) Edition 42 of 100 signed and numbered by the artist published by Schafer Editions ...

Tracey Emin You Left Me Breathing (Hand signed and inscribed with a hand drawn heart flourish by Tracey Emin), 2008 Hardback monograph with no dust jacket as issued (Hand signed and ...

This is an original cyanotype permanently sealed and mounted on a round wooden panel. It requires no framing. This monoprint was made using tall grass from my own garden during the ...

Engraving Edition : 30/80 77.00 cm. x 64.00 cm. 30.31 in. x 25.2 in. (paper) Handsigned by the artist in pencil Ref : LCD2470

Richard Anuszkiewicz, American (1930 - 2020) - New York City Center of Music and Drama, Year: 1968, Medium: Screenprint, signed, dated and numbered in pencil, Edition: 6/144, Image S...

Black/White/Black, 1970 Screenprint in colors on Special Arjomari Edition of 75 42 1/4 x 29 3/4 in. Publisher: Gemini G.E.L., Los Angeles

Accidents, Injuries and other Calamities poster Judy Chicago (Hand signed and inscribed), 1988 Offset lithograph on thin board (signed and inscribed by Judy Chicago) 26 × 20 1/4 inch...

Pablo Picasso (after) "Femme dans un fauteuil" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 31/500 lower left From the estate of Pab...

Sitting in an armchair, the woman with a heart-shaped torso is rendered with simple rectangular shapes outlined by cobalt blue and bright yellow. Set against a soft pastel background...

Artist: Robert Indiana Title: Liberty from Kent-Bicentennial Portfolio Spirit of Independence Year: 1975 Medium: Offset Lithograph Paper Size: 14 x 17 inches Frame: 19 x 18 inches F...

Lithograph, 1956 Handsigned by the artist in pencil Edition : 125 ex. Publisher : Société suisse des arts graphiques Catalog : [Arntz 333] 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 i...

'Russian - Russe - Russisch' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' Ornement Pol...

Roy Lichtenstein 1970-1980 (Hand Signed and dated by Roy Lichtenstein), 1981 Offset lithograph. Hand signed and dated in ink Hand-signed by artist, H...

Judy Rifka (American, b. 1945) 44/84 Lithograph on paper titled "Thou Shalt Not Bear False Witness against Thy Neighbor"; Depicting an abstract composition in blue, green, red and black tones with Hebrew script. Judaica interest. (I have seen this print described as a screenprint and as a lithograph) Hand signed in pencil and dated alongside an embossed pictorial blindstamp of a closed hand with one raised index finger. Solo Press. From The Ten Commandments Kenny Scharf; Joseph Nechvatal; Gretchen Bender; April Gornik; Robert Kushner; Nancy Spero; Vito Acconci; Jane Dickson; Judy Rifka; Richard Bosman and Lisa Liebmann. Judy Rifka (born 1945) is an American woman artist active since the 1970s as a painter and video artist. She works heavily in New York City's Tribeca and Lower East Side and has associated with movements coming out of the area in the 1970s and 1980s such as Colab and the East Village, Manhattan art scene. A video artist, book artist and abstract painter, Rifka is a multi-faceted artist who has worked in a variety of media in addition to her painting and printmaking. She was born in 1945 in New York City and studied art at Hunter College, the New York Studio School and the Skowhegan School of Painting and Sculpture in Maine. Rifka took part in the 1980 Times Square Show, (Organized by Collaborative Projects, Inc. in 1980 at what was once a massage parlor, with now-famous participants such as Jenny Holzer, Nan Goldin, Keith Haring, Kenny Scharf, Jean-Michel Basquiat, and Kiki Smith, the roster of the exhibition reads like a who’s who of the art world), two Whitney Museum Biennials (1975, 1983), Documenta 7, Just Another Asshole (1981), curated by Carlo McCormick and received the cover of Art in America in 1984 for her series, "Architecture," which employed the three-dimensional stretchers that she adopted in exhibitions dating to 1982; in a 1985 review in the New York Times, Vivien Raynor noted Rifka's shift to large paintings of the female nude, which also employed the three-dimensional stretchers. In a 1985 episode of Miami Vice, Bianca Jagger played a character attacked in front of Rifka's three-dimensional nude still-life, "Bacchanaal", which was on display at the Museum of Art Fort Lauderdale. Rene Ricard wrote about Rifka in his influential December 1987 Art Forum article about the iconic identity of artists from Van Gogh to Jean-Michel Basquiat and Keith Haring, The Radiant Child.The untitled acrylic painting on plywood, in the collection of the Honolulu Museum of Art, demonstrates the artist's use of plywood as a substrate for painting. Artist and writer Mark Bloch called her work "imaginative surfaces that support experimental laboratories for interferences in sensuous pigment." According to artist and curator Greg de la Haba, Judy Rifka's irregular polygons on plywood "are among the most important paintings of the decade". In 2013, Rifka's daily posts on Facebook garnered a large social media audience for her imaginative "selfies," erudite friendly comments, and widely attended solo and group exhibitions, Judy Rifka's pop art figuration is noted for its nervous line and frenetic pace. In the January 1998 issue of Art in America, Vincent Carducci echoed Masheck, “Rifka reworks the neo-classical and the pop, setting all sources in quotation for today’s art-world cognoscenti.” Rifka, along with artists like David Wojnarowicz, helped to take Pop sensibility into a milieu that incorporated politics and high art into Postmodernism; Robert Pincus-Witten stated in his 1988 essay, Corinthian Crackerjacks & Passing Go that "Rifka’s commitment to process and discovery, doctrine with Abstract Expressionist practice, is of paramount concern though there is nothing dogmatic or pious about Rifka’s use of method. Playful rapidity and delight in discovery is everywhere evident in her painting." In 2016, a large retrospective of Rifka's art was shown at the Jean-Paul Najar Foundation in Dubai. In 2017, Gregory de la Haba presented a Rifka retrospective at the Amstel Gallery in The Yard, a section of Manhattan described as "a labyrinth of small cubicles, conference rooms and small office spaces that are rented out to young entrepreneurs, professionals and hipsters". In 2019 her video Bubble Dancers New Space Ritual was selected for the International Istanbul Bienali. Alexandra Goldman Talks To Judy Rifka About Ionic Ironic: Mythos from the '80s at CORE:Club and the Inexistence of "Feminist Art" Whitehot Magazine of Contemporary Art. She was included in "50 Contemporary Women Artists", a book comprising a refined selection of current and impactful artists. The foreword is by Elizabeth Sackler of the Brooklyn Museum’s Sackler Center for Feminist Art. Additional names in the book include sculptor and carver Barbara Segal...

This exquisite lithograph after Henri Matisse (1869–1954), titled Series L, Variation 19, originates from the rare 1943 folio Henri Matisse, Dessins, Themes et Variations. Published ...

Edward Landon 'Astral Comic', color serigraph, 1978, edition 25, Ryan 12. Signed, titled, and annotated 'Edition 25' in pencil. A superb, painterly impression, with fresh colors, on ...

Ed Ruscha EE-NUF! (hand signed by Ed Ruscha), 2020 Color lithographic poster on wove paper (hand signed by Ed Ruscha) Boldly signed by Ed Ruscha in black marker on the front 32 1/4 × 23 inches Unframed This iconic image was plastered on billboards declaring "Enough of Trump" throughout the United States. (see attached photos) - and it was even prominently featured in a segment on MSNBC's Rachel Maddow Show about artists against Trump. (see also attached screengrab). Here, Ed Ruscha has had EE-NUF of Trumpism and he decries White Supremacy, anti-Democracy, Fascism, pollution and the overturning of Roe vs. Wade. There's no subtlety in this imagery of a tattered and burned American flag...

Over the past 20 years, Michelle Oppenheimer has become well known for composing paintings that capture the imaginative and organic possibilities of abstract watercolor and acrylic. ...

"Original Lithograph XI" is an original color lithograph by Joan Miro, published in "Miro Lithographs II, Maeght Publisher" in 1975. It depicts Miro's signature biomorphic abstract s...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 7...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London...