Miniature Abstract Prints

Damien Hirst From the Cradle to the Grave, 2005 Limited Edition hardback monograph (Hand signed and numbered) Hand signed and numbered 998/1500 by Damien Hirst on the title page 16 ×...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 117, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...

Vicente Rojo (Mexico, 1932-2021) 'Novela', 2007 book, sugar aquatint on paper Guarro Biblos 250g. 4.8 x 4.4 in. (12 x 11 cm.) Edition of 50 ID: ROJ-124 Unframed

Maciunas & George Brecht, George Maciunas, George Brecht No Smoking, ca. 1973 Rare, historic Hand pulled Fluxus silkscreen Limited edition and rarely found collectible (though exact number produced not known) 16 31/50 × 16 3/4 inches Black and white hand-pulled silk screen by George Maciunas of George Brecht's iconic ”No Smoking” offset wallpaper squares George Maciunas was a Lithuanian American artist, art historian, and art organizer who was the founding member and central coordinator of Fluxus, an international community of artists, architects, composers, and designers. "George Maciunas had an extreme dislike of smoking. Being an asthmatic he could not tolerate it personally and with his complete devotion to Fluxus, professionally he felt there was no time or space for such a self-indulgent act. This disdain led fellow Fluxus artist, George Brecht to suggest a “no smoking” sign...

Untitled - XIV Olympic Games of Sarajevo is a vintage poster realized by the artist Piero Dorazio, in occasion of the XIV Winter Olympics games in Sarajevo, in 1984.  Very good conditions. The work is one of the typical compositions realized by the Italian artist Piero Dorazio (Rome, 1927 - Perugia 2005). In 1945—together with Achille Perilli, Mino Guerrini, Lucio Manisco, Carlo Aymonino, Carlo Busiri Vici, Alfio Barbagallo, and Renzo Vespignani—he founded the Gruppo Ariete and later the Gruppo Arte Sociale. In 1947, with Giulio Turcato, Concetto Maugeri...

Milivoj Uzelac (1897-1977) title Le Water Polo medium original Pochoir from Les Joies du Sport published by Maurice and Jacques Goddet 1932 paper size 16.50 x 12.13 image size 12 x 9 condition very good 'Le Water Polo' shows four figures swimming in a circle under water with balls in their outstretched arms and the water god Poseidon in the middle of the circle. The god is presented completely in blue. Le Water Polo is from Les Joies du Sport” a collection of 45 original pochoir illustrations by Milivoj Uzelac a Croatian artist ( 1897 – 1977) born in Mostar now Bosnia Hercegovina. Published in Paris as a limited edition of 750 for a book by Maurice and Jacque Goddet for the 1932 Olympics...

"Miró Lithographe II - Plate I" is a lithograph realized by Joan Miró in 1975. Perfect conditions. It comes from the set of 11 lithographs realized for the catalog "Miró Lithograph ...

Lithograph on vélin Chiffon de Mandeure paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Lithographies et Eaux-Fortes Originales, Livres Illustres Or...

Original black and white abstract lithograph on archival paper by the well known American modernist artist, James Brooks. Signed in pencil by the artist and dated 1961 lower right. ...

Lithograph on Guarro vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: Published by Art Conseil, Paris; printed by La Polígrafa, Barcelona, 1974 in...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From volume, Joan Miro by Jacques Prévert and Georges R...

Boris Viskin (Mexico, 1960) Untitled from 'El exilio de los sentidos', 2004 engraving on paper 15 x 15 in. (38 x 38 cm.) Edition of 75 ID: VIS1662-001 Han...

"Sticky Sonnets I + II" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper titled "Sticky Sonnets I + II" by Jim Crabb (American, b. 1947). This piece resembl...

Abstract print with fall colors, from a series inspired by ground cover and vegetation. Signed, titled and numbered from the edition of 10. Charles Eckart was born in Oakland, Calif...

Medium: Etching with aquatint on chine colle Signed, titled, numbered in pencil Image Size: 8.5 x 6.75 inches Edition Size: 10 Rosalyn Richards has been a member of the Bucknell Un...

Abstract Multi Layer Woodblock Print on Heavy Paper, 1/1 Brightly colored one-of-a-kind multi-layer abstract composition by Michael William Eggleston (American, 20th Century). Patche...

Vegetation an original Lithograph artwork realized by Daniele Dimitri. Hand-signed at the bottom. Numbered, edition 91/100. In excellent conditions. Passepartout included 70 x 50...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Manufacturer Obey Giant Edition Details Year: 2021 Class: Art Print Status: Official Released: 03/30/21 Run: 387/400 Technique: Screen Print Paper: Cream Specketone Size: 18 X 18 Ma...

Robert Indiana 4, from the original Numbers portfolio (Sheehan 46-55), 1968 Color Silkscreen on Wove Paper Limited Edition of 2500 Not Signed Frame included: Elegantly matted and fr...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Victor Guadalajara (Mexico, 1965) 'Islote', 2012 silkscreen on paper 17 x 14.8 in. (43 x 37.5 cm.) ID: GUA-362 Hand-signed by author

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

José Niebla (Spain, 1945) Untitled, 1996 silkscreen on paper 15.8 x 11.9 in. (40 x 30 cm.) Edition of 150 ID: NIE1205-005-150_5 Hand-signed by author

Digital print, limited edition of 5, signed by the author.

Hand Signed. Edition of 90 pieces plus some Artist's Proofs. Excellent conditions.

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Signed, titled and numbered in pencil by the artist. Edition of 15. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physic...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London...

Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacre a Pierre Reverdy et Georges Braque,...

Amsterdam II is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade and is b...

"41 Budmen" - 1975 Lithograph on Paper Black and white figurative lithograph by Jim Crabb (American, b. 1947). Numerous abstracted figures take up the paper, with black, white and g...

Etching on fine art paper, E.A. 1/1 from the cycle " Botanical Dream Nr. 11", recently presented in the Danubiana Meulenstein Art Museum in Bratislava.

Robert Indiana ERR (Sheehan 29), 1963 Photoengraving and Etching on off-white Rives BFK paper Hand signed, dated and annotated on lower front with artist's blind stamp from Coenties ...

John Baldessari Pillow Cases in Bespoke Presentation Box (one pillowcase hand signed by John Baldessari) for The Thing Quarterly Issue 22, 2014 Silkscreen on 100% cotton 320 thread count sateen pillowcases (Hand signed by John Baldessari) Boldly signed in ink by John Baldessari on one of the pillowcases (see photo) Unframed One of the pillowcases is hand signed in ink by John Baldessari: John Baldessari was one of the artists who were invited to contribute an object (or "thing") with text for a special project for "The Thing" publication (read on for more on "The Thing") ; the conceptual object therefore had to incorporate text. Baldessari's contribution in 2014 was a silkscreened pillowcase with text. A limited (unknown) number of these pillowcases were marketed and sold as a set of two in a bespoke box. However, exceptionally, Baldessari hand signed a very few of pillowcases in ink. This is one of the very special sets bearing one hand signed pillow case - purchased directly from "The Thing". (a copy of the 2014 receipt is shown here.) The rest of these boxed sets were not hand signed. The pillowcase is brand new, and will look gorgeous once pressed and framed by a professional framer. More about this boxed set: Issue 22 of THE THING Quarterly is by LA-based conceptual artist John Baldessari. It consists of two 100% cotton sateen pillowcases featuring an image of a woman clutching a pillow. The black and white image is taken from a Hollywood film still in Baldessari's collection and has been silkscreened on each pillowcase with environmentally-friendly, water-based ink. The pillowcases are standard-sized and envelope-style. For those who like their thread count high, the issue clocks in at a solid 320 thread count. Measurements: Box 10.5 inches by 13 inches by 2 inches Pillow 20 inches vertical by 26 inches What was The Thing Quarterly? THE THING was an experimental publication created in collaboration with Will Rogan as part of an artist residency. We saw it as a quarterly periodical in the form of an object. Each year, four artists, writers, musicians or filmmakers were invited to create an everyday object that somehow incorporates text. The object is reproduced and hand wrapped at wrapping parties and then mailed to the homes of the subscribers with the help of the United States Postal Service. It began as part of an artist residency in San Francisco’s Southern Exposure. Will and I had met in grad school at UC Berkeley and discovered our mutual affinity for quarterlies. He was a librarian at SFAI for five years and I had been a high school teacher for five years. WE were both interested pushing the boundaries of publication. Our plan was to create a 1 year publication with four artists, but from the very start the project generated so much interest and international excitement that we found ourselves running a publication complete with a brick and mortar storefront and a staff of four individuals. After 10 years, 34 issues, 59 projects and countless live events, we decided to end the publication in order to pursue our individual projects. We are still working together on a less ambitious new project, and hope to launch it at some point in 2021. CONTRIBUTORS: have included John Baldessari, Dave Eggers, Miranda July...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 141, 1963. Published by Maeght É...

Lithograph on Van Gelder Zonen Bütten paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Der Mensch ist kein Haustier, 1937. Published by...

Lithograph on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Poêmes insoumis, 1963. Published by Marc Barbezat, Paris; ...

Signed, inscribed and dated number 27/30 1998 Originally distrbuted by Alan Cristea Gallery London Each Frame 11.5" x 9.75" Gordon House produced many of his own prints first at K...

Zao WOU-KI Abstract composition, 1996 Original etching and aquatint Unsigned as issued On vellum 34 x 30 cm (c. 14 x 12") Excellent condition REFERENCES : Agerup #380/86 This etch...

Oskar Kokoschka, Austrian (1886 - 1980) - Musizierender Faun, Year: 1976, Medium: Lithograph on laid paper, signed and numbered in pencil, Edition: 100, Image Size: 10.25 x 8 inche...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 190, published by Aimé Maeght, Éditeur, Paris; printed ...

This artwork titled "Kimi Fuji" c.1975 in an original color aquatint by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed in pencil by the artist. The image (plat...

Untitled  is an artwork realized by Dorothea Tanning  in 1974. Colored lithograph. Good conditions. Printed by  Atelier Pierre Chave in Vence, France. This lithograph was realized...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

André Masson, French (1896 -1987) - L'oeuf Cosmique, Year: circa 1946, Medium: Etching, numbered in pencil, Edition: Epreuve d'Artiste, Image Size: 9.75 x 8 inches, Size: 14.5 x...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 144-145-146, 1964. Published by Aimé Maeght, Éditeur, P...

Myril Adler "Jerusalem" c.1960s Collagraph ink on paper 2.75"x2.75 ash wood gallery frame 9.5"x9.5" Titled in pencil, estate stamp Myril Adler, was born on September 22, 1920 in Vi...

Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró...

The work of Ruth Leavitt (1944, Saint Paul, Minnesota) employs computation to manipulate and alter abstract forms by virtually stretching, rotating and deforming them across three ax...

Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró...

Myril Adler "Flare" c.1960s Intaglio etching collage, ink on paper 4.75"x2.75" site unframed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, Russia ...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London...

Etching on fine art paper, E.A. 1/1 from the cycle " Botanical Dream Nr. 11", presented in the Danubiana Meulenstein Art Museum in Bratislava/2021.

Alain LE YAOUANC Construction Original lithograph Handsigned in pencil On Japan paper, 40,5 x 31,5 cm (c. 15,9 x 12,4 inch) Excellent condition

Joan Miró Les Revolutions Sceniques Du XXe Siecle - II Color lithograph Year: 1975 Size: 12.2×9.4in on 14.7×10.4in Unsigned as issued From an edition with unknown size (pres. <1,500...

Jill Moser, Venus, 2021 Woodcut print on Khadi 100 % cotton paper Signed and numbered by the artist on recto Paper size: 8.25 x 8 in Edition of 18 Published by Eminence Grise Editions, New York Printed by Andrew Mockler...