Oversized Abstract Prints

Matt Kleberg Assembly (Dogpile for Duccio), 2024 Carborundum relief print on joined sheets 36 1/2 x 50 in (92.7 x 127 cm) Edition of 8 Co-published by Farrington Press and Josh Paz...

Artist: Roy Lichtenstein (American, 1923-1997) Title: "Entablature IV" Portfolio: Entablature Series *Signed and dated by Lichtenstein in pencil lower right Year: 1976 Medium: Original Screenprint and Collaged mat pink Metallic Foil with Embossing on Rives BFK paper Limited edition: 14/30, (there were also 9 artist's proofs) Printer: Tyler Graphics Ltd., Bedford Village, NY Publisher: Tyler Graphics Ltd., Bedford Village, NY Reference: "The Prints of Roy Lichtenstein: A Catalogue Raisonné 1948-1997" - Corlett No. 141, page 144; PCN 7 (July-August 1976); "Tyler Graphics Catalogue Raisonné 1974-1985" - Tyler No. 337:RL5, page 210 Framing: Framed in a contemporary white moulding with plexiglass and matted with a custom hand-wrapped 8 ply linen mat Framed size: 39.5" x 55" Sheet size: 29.19" x 44.82" Image size: 20.19" x 38" Condition: Some light cosmetic wear to frame; presently no hanging wire. The artwork is in mint condition Very rare Notes: Provenance: private company collection - Miami, FL, acquired directly from the publisher Tyler Graphics Ltd., Bedford Village, NY in the 1970's. Numbered by Lichtenstein in pencil lower left. Comes from Lichtenstein's 1976 "Entablature Series" portfolio of 11 prints, (Corlett No. 138-148). Printed in six colors, in seven runs, from five screens, and one embossing plate. Collaboration: Kenneth Tyler (project supervision, plate/screen preparation, proofing, collage, and embossing); Kim Halliday (screen preparation and processing, proofing, and edition printing); Betty Fiske (proofing and edition printing). Swan Engraving processed the magnesium plate. Tyler Graphics Ltd. chop mark/blind stamp lower right. Workshop number inscribed in pencil lower left on verso: "RL75-197". Comes with its original Tyler Graphics "Entablature Series" booklet. Between 1971 and 1976 Lichtenstein produced two series of "Entablature" paintings, using photographs of architectural ornament he had taken in New York as the starting point for his compositions (see Cowart [1981]). The first "Entablature" paintings (1971-72) were black and white. The second group used color and were produced at roughly the same time the "Entablature" series of prints were in production at Tyler Graphics Ltd., 1974-76. The first discussions between Lichtenstein and Ken Tyler concerning the "Entablature" prints took place in May, 1974. As recorded in the Tyler catalogue raisonne, technical research for the project began in September 1974 and production was completed in April 1976. Lichtenstein produced one or more collages for each print in the series to serve as models for the plates and screens. Both the "Entablature" paintings and prints are intimately concerned with texture - the metallic paint and sand of the paintings, the foils and embossing/debossing techniques employed in the prints. The imagery itself - machined architectural ornament - takes technology as its subject. As Barbara Rose suggests, "That industrialism disrupted our notion of style as much as reproduction altered our conception of representation appears to be the subjects of Lichtenstein's "Entablatures". For each print in this series, the Tyler Graphics Ltd. catalogue raisonne gives exact method and press types, as well as the initials of the printers for each run. To complete certain phases of the project, Tyler employed the following companies: Drake Engineering, Danbury, CT (for machining of the metal die); Swan Engraving, Bridgeport, CT (for plate processing); Tallix Foundry, Beacon, NY (for bronze casting); and Tompkins Tooling, Gardena, CA (for machining of the metal die). The ten embossing plates for the series are now in the collection of the National Gallery, Canberra, Australia. Biography: American artist Roy Lichtenstein was born in New York City on October 27, 1923, and grew up on Manhattan's Upper West Side. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. Inspired by advertisements and comic strips, Lichtenstein's bright, graphic works parodied American popular culture and the art world itself. He died in New York City on September 29, 1997. Lichtenstein was committed to his art until the end of his life, often spending at least 10 hours a day in his studio. His work was acquired by major museum collections around the world, and he received numerous honorary degrees and awards, including the National Medal of Arts in 1995. In 2013 the painting "Woman with Flowered Hat" set another record at $56.1 million as it was purchased by British jeweler Laurence Graff from American investor Ronald O. Perelman. This was topped in November of 2015 by the sale of "Nurse" for 95.4 million dollars at Christie's auction. Subsequently, that was topped with the private sale of his 1962 painting...

17-color silkscreen

Archival pigment ink print with silkscreened high gloss varnish and diamond dust. Hand signed, dated and numbered 19/25 lower right by Kenny Scharf. Artwork size: 42 x 42 inches. ...

Artist: Corson Hirschfeld, American (1941 - ) Title: American Bannerstones, 5000-1000 B.C. Year: circa 1979 Medium: Mezzotint, signed and numbered in pencil Edition: 170 Image Size:...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel, signed and numbered in pencil. Date: 1980 Medium: Screenprint, signed, ...

This abstract limited edition print by Teodora Guererra features a warm palette, with large strokes and washes of grey, muted yellow-orange, burnt sienna, and white, which move acros...

Artist: Barry Le Va, American (b. 1941) Title: III from Plazas in Transition: Foundations of Fragmented Perspectives Year: 1981 Medium: Etching with Aquatint on grey BFK Rives, si...

Artist: Lynda Benglis, American (b. 1941) Title: Dual Nature (Brown) Year: 1991 Medium: Lithograph with Gold Leaf on Hand Tinted Paper, signed and numbered verso Edition: 20, A.P. Si...

Jim Dine The First Woodcut Gate (The Landscape) Hand Embellished Woodcut, 1983 Size : 35.75” x 44.75” inches Edition number 27 of 49 with 7 APs Signed and dated in pencil Printed ...

Artist: Donald Sultan Title: Mimosa, April 12, 2023 Year: 2023 Medium: Archival pigment ink print on 315 gsm fine art paper Edition: 50; signed, titled, dated and numbered in pencil ...

Milton Glaser Sony Tape, Full Color Sound poster 1980: Vintage original 1980s Milton Glaser poster designed by Glaser for the world-recognized brand Sony. A classic Milton Glaser advertising design featuring the profile of a 19th-century music listener silhouetted against music liner paper. Offset lithographic poster in colors. 30 x 45 inches. Very good overall vintage condition with the exception of perhaps some minor signs of handling. Vintage original print. Milton Glaser printed signature upper left; from an edition of unknown. Literature: Milton Glaser Posters, Glaser, pg. 251. Legendary graphic designer, illustrator, and art director Milton Glaser created some of the most recognizable iconography in America today —including the iconic I ♥ N Y logo —and countless posters and ad campaigns. Glaser changed the face of commercial art in the 1960s and ’70s, breaking with the conventions of modernism and drawing inspiration from a wide variety of art-historical and pop-cultural sources, from Art Nouveau to comic illustration...

This abstract Limited Edition giclee print by Sofie Swann features thin, dark blue parallel rectangles of varying heights, each with a white and yellow bottom. A single yellow line i...

Artist: Henri Matisse (after) Title: La Piscine I Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Sheet Size: 14" x 42" Signature: Unsigned Ref...

Artist: Georgette Batlle Title: Collage Elements III Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 125 Size: 44 x 30 in. (111.76 x 76.2 cm)

Complete set of 4 soft-ground etchings (2 with hand coloring in black gouache) on BFK Rives paper. Smallest - 29 1/2"x38 3/4" , Largest - 30 3/4"x40 1/4". Each artist's proofs, aside...

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 25. Paper size is 36"h x 82"w with an image size of 20"h x 66"w. Rob...

Damien Hirst, Superstition (Framed), 2007 Offset lithograph on thick semi-gloss paper in colours Unframed size: 100 × 66 cm (39 2/5 × 26 in) Framed size: 105 × 71 cm (41.33 × 27.95...

This Limited Edition abstract print, "Lemon Lime Goodness," by Sofie Swann measures 50" x 40" and is an edition of 95. Printed on canvas, this gicl...

This unframed, signed, limited edition pigment print printed on natural cotton rag paper by world renown artist Robert Kelly exists in an edition of 30 that is available as a single ...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and...

Calm as a Palm - 21st Century Contemporary Black and White Photographic Print, Polaroid Original, Shadow Gapped Frame - Photographic Print on Aluminium Dibond - Edition of 10 + 1, wi...

Victor Vasarely Ionau, 1987 Serigraph Ed. 145 of 300 40 x 72 in Signed and numbered in pencil. Victor Vasarely (9 April 1906 – 15 March 1997), was a Hungarian-French artist, who is ...

Artist: Robert Rauschenberg Title: Technology Year: 1994 Medium: Lithograph with vegetable dye water transfer on Arches Infinity paper Edition: 50; signed, dated and numbered in penc...

The work of Blue Chip artist Frank Stella is in the collection of every Major Museum Worldwide. In 2019 a work of his sold at Christies for over 28 Million Dollars. This etching, screenprint, and relief on white TGL handmade paper by Frank Stella is from a very limited edition of only 25 works, there were also eight artists proofs. Titled, "Green Journal", Created in 1985, it is hand signed, dated, and numbered in pencil 13/25 F. Stella 85 in the lower right. The TGL Blind Stamp is located on the lower right from the publisher Tyler Graphics Ltd. Paper size is a large 66x51" and the framed size 76x62". Catalog Raisonne reference is Axsom 163. "Green Journal" is a first for Frank Stella, in that it is the first time a printed word occurs in a Stella print...

Set of four screenprints by Mel Bochner, Barry LeVa, Sol LeWitt, and Robert Mangold. Sol Lewitt's tight crosshatching over teal, Mel Bochner's tessellated blue houses, Barry Le Va's...

Created in 2002 as an original etching, this unique work on paper by David Shapiro is signed, dated and inscribed “AC/MP” (artist’s collection/monoprint) in pencil. The artwork measu...

David Hockney inspired fluorescence figurative blue figurative Portrait . Born and raised in Silicon Valley, Matthew Tierney studied UCLA’s School of Theater, Film, and Television, ...

Universe IV (Blue) by Mark Francis, 2015 Additional information: Medium: archival inkjet 106 x 88 cm 41 3/4 x 34 5/8 in signed, titled, dated and numbered 10/10

Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts ...

Kenneth Noland Ojai Festival print (Deluxe signed limited edition), 1986 Lithograph with offset lettering Hand signed and numbered 6/100 by Kenneth Noland on lower front Frame inclu...

David Shapiro’s minimalist works are meditative and quiet. This beige and black piece has a reductive Zen quality. Shapiro was born in Brooklyn in 1944 and passed away in 2014. He d...

Artist: Larry Zox Title: Niagara Series III Grey Year: 1980 Print - Linocut Lithograph 29.75'' x 42.25'' inches Edition: signed in pencil and numbered 22/88 UNFRAMED GOOD CONDITION...

A poster belonging to Erik Nitsche's third series for General Dynamics, promoting the reactor Triga of its General Atomic division. Founded 1952, General Dynamics hired Nitsche as A...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

Red- original litograph abstract limited edition painting Original graphic work by CASAMADA. edition P.A. 1/5 Signed and numbered in pencil. framed RÀFOLS CASAMADA, Albert (Barcelo...

A superb impression of this large color etching. Signed and numbered 29/30 in pencil, lower margin. Printed by Joan Barbarà, Barcelona. Published by Maegh...

Frank Stella challenges the narrative possibilities of abstraction in this tribute to the literary work “Moby-Dick”. Rather than plainly depicting scenes of the novel, Stella instead...

Zevs Liquidated LV, 2017 Screnprint 58" x 46 " Edition of 20 signed and numbered in pencil Zevs is an anonymous contemporary French graffiti artist...

David Shapiro’s minimalist works are meditative and quiet. This black and tan print has a reductive Zen quality. Shapiro was born in Brooklyn in 1944 and passed away in 2014. He did ...

JOHN CHAMBERLAIN Untitled Self-Portrait, 2006 Digital monoprint on canvas, mounted on wood. Unsigned. W 36” x H 90 1⁄2” Chamberlain began to explore photography in the late 1960s...

Louisa Chase, American (1951 - 2016) - Untitled - Hands (Primary), Year: 1990, Medium: Etching and Chine Colle, Signed and Numbered in Pencil, Edition: 30, Size: 35 x 48.5 in. (8...

Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts ...

Very good impressions of these 4 color screenprints on white wove paper. Each signed, dated and numbered 15/25, 18/36, 15/39 or 6/40 in pencil.

David Shapiro’s minimalist works are meditative and quiet. This beige piece has a reductive Zen quality. Shapiro was born in Brooklyn in 1944 and passed away in 2014. He did his und...

Echo in Grey Mixed media intaglio with embossing, c. 1980's Signed and numbered in pencil (see photo) Edition: 25 (24/25) Condition: Soft handling issues in top and bottom margin. Do...

large format photograph of sun reflections on pool water surface, mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic ...

Flux # 202301 (Abstract photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas, backed with extruded polystyrene, concrete, acrylic, enamel and pigments Backed with Dibond ...

3 Daughters, More Rain is an original color etching and silkscreen realized in 1987 by John Chamberlain. Hand-signed on the lower right corner by the artist. Numbered on the lower l...

Rafael Canogar (Spain, 1935) 'Fuego', 2003 silkscreen, collage on board 59.1 x 48.1 in. (150 x 122 cm.) Edition of 100 Unframed ID: CAN1030-096 Hand-signed by author ________________...

Caviar20 is excited to offer "Train" - a signed and numbered print based on one of the artist's early ambitious sculptures "Jim Bean - J.B. Turner Train". The work debuted in 1986 a...

Robert Motherwell (1915-1991) is one of the essential American abstract painters that radically defined post-war abstraction in New York City. Today, his work appears in museum collections around the world and is instantly recognizable for its boldness and black forms. His auction record was set in 2018 at $12.6 million USD. In addition to his impressive paintings, Motherwell is also revered as a printmaker. He is one of the most innovative and prolific printmakers of the 20th century. He was always searching for new techniques, whether at his own printmaking atelier, or collaborating with others, to expand his ideas and express his aesthetic. "America-La France...

Gene Davis Large Scale Lithograph on Archival paper Signed and numbered in pencil. Titled Yankee Doodle and executed in 1972. Original frame with plexiglass. Printed by Fine Creati...

Artist: Joseph Zirker (American, born 1924) Title: Untitled Year: 1988 Medium: Color monotype Paper: Arche 88 Size: 42 x 30 inches Signature: Signed and dated in pencil by the artist Printer: The artist Condition: Very good Frame: Unframed About the artist. Joseph Zirker is a noted American modern artist, educator, lecturer that was born on August 13, 1924 in Los Angeles, California, United States. As a young man he Served with United States Navy, from 1944 to 1946. He attended the University of California in Los Angeles 1946—1947. He got a bachelor of Fine Arts at the University of Denver in 1949 and a master of Fine Arts, University Southern California, 1951. He was a printer and research fellow at Tamarind Lithography Workshop in Los Angeles, 1961—1963. Lecturer University Southern California, 1963. Instructor Los Angeles County Art Institute, 1964, San Jose City College, California, 1966—1980. Lecturer Stanford University, 1981—1983, 1986—1990. All along his carer, he had numerous acclaimed shows in the U.S and abroad. He is known worldwide as an innovator in monotype and printmaking. His works are represented in private and public collections, both in the USA and worldwide, including: Grunwald Collection, U.C.L.A., Los Angeles, California, Brooklyn Museum, Brooklyn, New York Free Library of Philadelphia, Pennsylvania June Wayne, Tamarind Lithography Workshop, Los Angeles, California Tamarind Archives, Tamarind Lithography Workshop, Los Angeles, California, Charles White, Los Angeles, California Stanley Freeman Collection, Los Angeles County Museum, Los Angeles, California Ben Smith...

"The Bighorn at Night" is an original woodcut signed and titled by the artist, Carol Summers. It is edition 48/50. Catalogue raisonné listing: cat. 105...

Color aquatint.

Over the past 20 years, Michelle Oppenheimer has become well known for composing paintings that capture the imaginative and organic possibilities of abstract watercolor and acrylic. ...

Mirror #7 (C.112) is a screenprint and lithograph on paper, 29.75 x 17.37 inches, signed and dated 'rf Lichtenstein '72' lower right and numbered 62/80 lower left. From the edition of 96 (there were also 10 AP, and 6 other various proofs). Framed in a contemporary white frame. Catalog - Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.125, #112. About Lichtenstein’s Mirror...