Framed Abstract Prints

Alvar (b.1935). Still Life with Watermelon, ca. 1970. Lithograph on paper, image measures 16 x 24.5; 24.5 x 29 inches framed. Signed and numbered in pencil by artist, lower margin. E...

Screen print in colors on paper. Hand signed and numbered by Futura. From the edition of 80. Custom framed as pictured. Frame size approx 40 x 28 inches. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered. About the Artist: Futura 2000 is a contemporary American graffiti artist. Over the course of his career, he transitioned from making New York-based subway graffiti in the early 1970s, to exhibiting at Fun Gallery in the 1980s alongside major artists such as Jean-Michel Basquiat, Keith Haring, and Kenny Scharf. McGurr’s major contribution to graffiti art was his use of abstraction, adopting a style of painting characterized by its blending of text and imagery. Born Leonard McGurr on November 17, 1955 in New York, NY, he went on to collaborate with the punk...

This large Abstract Geometric screenprint by Mario Yrisarry is named after the famous early video game, Tetris. Like the game, Yrisarry combines several colorful blocks in rotating o...

Artist: Alberto Magnelli, Italian (1888 - 1971) Title: III from La Magnanerie de la Ferrage Year: 1971 Medium: Linocut on Japon, signed in pencil Edition: Pour Leon Amiel Image Size:...

Louisa Chase, American (1951 - 2016) - Untitled - Hands (Primary), Year: 1990, Medium: Etching and Chine Colle, Signed and Numbered in Pencil, Edition: 30, Size: 35 x 48.5 in. (8...

JAMES ROSENQUIST (B. 1933) Sunglass Lens-Landing Net-Triangle Original etching, 1974 Catalog #80 Sheet size: 19 1/2” x 35 1/4” Edition number 11 of 80 Signed, numbered, and date...

Michael Challenger’s “Red Snort” is a dynamic and visually captivating screen print that exemplifies the artist’s skillful manipulation of geometric forms and bold color contrasts. T...

Knox Martin Alice in Wonderland, ca. 1972 Etching with hand-coloring in watercolor on wove paper Hand signed and annotated "AP" on lower front (a unique variant) Frame included (held...

This beautiful yellow-hued print is one of a kind print, in which artist Deborah Sibony incorporates multiple techniques: screen print with a monotype a...

Romare Bearden Louisiana Serenade (from Jazz Series) - 1979 Print - Lithograph Framed - 33 x 42 inches Edition: Signed in pencil and marked 159/175 Romare Bearden is among the pree...

An evocative silkscreen by the artists Ina Barfuss (b.1949) and Thomas Wachweger (1943-2015) depicting a mother shielding her child from ghostly abstract faces. As husband and wife, ...

Jesus Rafael Soto “Untitled” Serigraph Ed. 7 of 200 24 ½ x 24 ½ in Provenance: Roland Auction, New York. Estates sale. 27 March 2021, lot #0515.

Screenprint Edition 110 of 120 76 x 56 cm (29.9 x 22 in) Frame 89.2 x 69.2 x 3.5 cm, 35.1 x 27.2 x 1.4 in Signed, titled, dated and numbered Artwork in excellent condition considerin...

Archival Quality Giclée Reproduction on Heavy Weight Enhanced Matte Professional Stock

Jack Bush (1909-1977) is Canada's most successful abstract artist of the 20th century. Bush was a graduate of OCAD (Ontario College of Art & Design) and a key member of Painters El...

#396, 2016 Silver Gelatin Luminogram Print, Framed (classic museum style white book mount board and black frame) Image size: 40.6 x 30.5 cm Framed: 58 x 49 cm Unique Series: The Self Representation of Light Signed and dated in pen on verso © Michael Jackson The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting. After moving to Wales in 2007, Michael Jackson spent the next eight years creating an extensive study of a single local beach - Poppit Sands. After years of examining the beach, he realised that in effect he was studying himself and his reaction to the beach - rather than the physical landscape. He then started looking at the beach as simply a way of dividing up the camera frame - the lines and curves and focal points. It was during the long period of producing Poppit Sands prints in the darkroom that he discovered how to start making luminograms. "I feel strongly that the luminograms represent a form of moulded light. You use your process to direct and mould the light and the paper receives it in its own magical way and translates that into a form that seems fantastical but also it has one foot in reality. The piece itself so often seems like a photograph of a sculpture, when it fact it is neither. I imagine that I am taking something that you cannot feel and I am making it appear in a seemingly three dimensional form that is balanced and controlled. Just like sculpting clay." Michael G Jackson...

About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...

Lithograph Optical Pop Art Attrib. Victor Vasarely, 1970s with frame

Artist: Jonathan Borofsky Title: The Balance of Love and Work Produces Energy Year: 1994 Medium: Screenprint and 22ct. Gold-leaf on Fabriano, Signed and numbered in pencil Edition: 5...

Gerd Leufert Title: Erebos Signed, titled, dated ‘91 and inscribed P/A in pencil (lower center) Screenprint on paper 23⅝ by 22⅜ in. / 60 by 56.8 cm. Executed in 1991, this work is an artist’s proof from an edition of 35 plus 1 artist’s proof. Provenance: Private Collection, Venezuela - Acquired from the above by the present owner - Sotheby's Auction “The first duty of the creator: restlessness,” Gerd Leufert wrote in 1985, looking back on his 30-year career as an artist, designer, museum worker, and professor of art in Venezuela.1 Bridging the worlds of commerce and culture in Caracas, Leufert’s impact on art and design owed to his interdisciplinary approach: the influence of cutting-edge developments in abstract art appeared in his graphic design, while the efficiency and bold contrast of mid-century design characterized his paintings. An immigrant born in German-controlled Lithuania at the cusp of the first World War, Leufert studied arts and design in Hannover, Mainz, and, finally, in Munich with the German typographer Fritz H...

Created in 1989 as a color etching, David Shapiro's Seven Centers is signed, titled, dated, and numbered in pencil. Measuring 29 x 21 3/4 in. (73.6 x 55.3 cm.), unframed, this artwor...

Arnaldo Pomodoro Untitled, 1970 Color Lithograph on Wove Paper Hand signed and numbered 15/15 Hand-signed by artist, pencil signed and dated lower right margin, limited edition noted...

Woodcut in colors Image size: H 33 x W 22 in. Sight size: H 33.5 x W 22 in. Numbered, titled, signed, and dated lower edge This work can be viewed at our New York City showroom by a...

Serigraph on paper. Hand signed and numbered by the artist. Artwork size 36 x 18 inches. Frame size approx 49 x 30 inches. From the edition of 200. Certificate of authenticity i...

Sam Francis was an American artist known for his exuberant large-scale abstract paintings. His practice incorporated elements from Abstract Expressionism, Color Field painting, Imp...

Richard Lin 1933-2011 May 1, 1971 screenprint on wove and acetate sheet 50.8 x 50.8 cm 20 x 20 in signed and numbered in pencil edition of 70 Born in Taichung, Taiwan, and brought u...

Artist: Salvador Dali Medium: Heliogravure Title: The Rabbit Sends in a Little Bill Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sh...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe III Catalogue Raisonne. Nicely framed. Lithograph III...

Paula Valenzuela Monkey Mind, 2019 Giclée archival inkjet print on watercolor paper Unframed dimensions: 15 x 15 inches Framed dimensions: 17.12 x 17.12 inches Edition of 10 Limited...

Blue toned abstract figurative enhanced giclée depicting three men wearing funky hats and red striped vests. Signed by artist at the bottom right. Framed in a black and gold thick fr...

Born in Brooklyn in 1928 to Polish immigrants, Al Held claims to have been expelled from high school in the Bronx in 1944. After serving in the U.S. Navy from 1945 to 1947, Held asso...

Richard Prince Angie Dickinson (Angie from Untitled Portfolio) from the estate of Vera G. List, 1986 Large Color Polaroid (w/Barbara Gladstone & Sotheby's Gallery Labels) Signed and ...

Victor Rosado, Puerto Rican (1938 - ) - Abstract Composition, Year: circa 1975, Medium: Screenprint, signed and numbered in pencil, Edition: 94/400, Image Size: 18.25 x 14.5 inch...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe II Catalogue Raisonne. Nicely framed. Lithographs II ...

Wassily Kandinsky, Accent en Rose, 1926/2021 Image size: 26 × 21 cm Framed size: 38 × 32 cm ‘Accent on rose’ was produced by Wassily Kandinsky in 1926 whilst he was working at a r...

Nicolas DE STAEL, Oeuvre gravé, Bibliotheque Nationale Exhibition, 1979 Original print poster, size is framed Excellent condition

Central Park is part of a group of prints based on a visit to New York City, Because I live and work in quiet isolation and often don't meet anyone apa...

"The bottomless depths of a private koi pond in a Sussex garden. Dancing light, rhythmic flow and a coloured whirl of so many flashing fins, all help to convey the dark mystery of a life below the surface" ETERNAL FLAME III, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf 30 x 30 cm image glass size/ 31 x 31 cm/ 12.2 x 12.2 inches (Framed) From edition of 5 Series: Southern Song Each piece is individually hand finished by the artist with White Gold and Silver leaf giving the piece its own unique style. Larger dimensions available from limited edition of 5 also available and made upon order. The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "I am primarily driven by an exploration of colour and form. My objective is to bring an emotional element and aesthetic balance to my work. I try to depict the subtleties of the landscape and am happiest making images from the smallest, most insignificant detail - the challenge being to portray the essence of what is about my subject matter that has taken my eye." - Valda Bailey...

Woodcut, collagraph and photo-engraving in colors, on Rives Lightweight Cream paper, with full margins. Hand signed, dated and numbered lower front by Jim Dine. From the edition of...

Artist Fernando Palos employs a straightforward interplay of shapes and colors in this lithograph. A first impression leads us to assemble geometric figures, initiating the idea of m...

STEVE KAUFMAN – "ABRAHAM LINCOLN" ⚜ Serigraph on Canvas ⚜ Initialed Verso ⚜ Edition 48/50 AP ⚜ Black Float Frame VIBRANT POP ICONOGRAPHY OF AN AMERICAN LEGEND This bold 1990 serigra...

Jellyfish Eyes - Black 5 is an offset lithograph on paper, 19.75 x 19.75 inches, signed and numbered 144/300 lower right. Framed in a contemporary white frame.

Artist: Joan Miro Title: Plate I Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 16" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2" x ...

This artwork titled "Curvy Brushstrokes" 1997 is a colors etching with sugar lift aquatint on Somerset textured white paper by renown artist Sol (Solomon) LeWitt, 1928-2007. It is hand signed and numbered 1/15 in pencil by the artist. The image size is 29.90 x 39.90 inches, paper sheet size is 40.5 x 49.80 inches, framed size is 43.75 x 53 inches. Published by Crown Point Press, San Francisco, printed by Dana Sywulak, assisted by Dena Schneleit, Mary Andrews and Case Hudson at Crown Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne, plate #1997.07. Custom framed in a wooden black frame, floated on white backing, with white spacer. It is in excellent condition, the frame has minor very small restorations, practically invisible. About the artist: Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality. Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman) Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman) Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art. LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...

An abstract, black and white lithograph contained in an interesting shape enclosed by clean negative space. Signed L. Siekman, titled Jupiter Four and numbered 9/10. It is part of a ...

BASF Luren on aluminum 37 5/8 x 37 5/8 in. Signed lower right The Kantra Series Edition 8 of 8 Publisherd by Editions Pyra AG, Zürich, Switzerland Vasarely Catalogue Raisonné No. 17...

Myril Adler "Magic Journeys" c.1960s Intaglio etching collage, ink on paper 6"x3" mahogany wood gallery frame 11.25"x8.25" Signed and titled in ink Myril Adler, was born on Septemb...

Screenprint in 4 colours plus white under print on paper Edition of 75 88.8 x 61 cm (35 x 24 in) Frame: 94.7 x 66.5 x 3.7 cm, 37.3 x 26.2 x 1.5 in Signed, numbered, dated and titled ...

large scale glass mounted photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes f...

Ensamble armónico 1 (Harmonic Ensemble 1), 2022, (1/1) Monotype (linocut and chine collé on paper) Unframed dimensions: 10 x 10 inches Framed dimensions: 18 x 18 inches This monotype (one-of-a-kind artwork) comes framed using mahogany wood and is signed by the artist. Claudia Martínez Lanz (b. 1957, Mexico City) is a multi-disciplinary artist primarily focused on experimental techniques related to printmaking, painting and ceramics. Martínez Lanz finds her inspiration in nature, and more recently, she’s been exploring themes as diverse as art, music and mathematics from passages found in the Gödel, Escher, Bach book. Martínez Lanz often develops her own materials, incorporates found-objects in her work, and experiments with new techniques based on trial and error. Her work is continuously seeking a dialogue with the materials that she transforms. Beauty, order, form and color are her go-to elements to find a feeling or an emotion which is the main goal of her work. Trained as a graphic designer, Martínez Lanz eventually discovered her true passion and became an artist. She has studied several disciplines in the Escuela Nacional de Artes Plásticas, San Carlos and other institutions. She’s had several renowned teachers including Luis Nishizawa...

" El pi de Formentor, 1976 " original lithograph . framed Edition only in black. 1976 82x58 cm Edition 100 Copies + P.A. on paper Guarro signed in pencil and numbered P.A.. Printed a...

A six block woodcut published in an edition of only 23. It is signed and archivaliity David Kapp is best known for his paintings of the contemporary urban landscape. His paintings ...

Screen print on 310gsm Somerset Tub Sized Satin paper. Hand signed, dated and numbered by the artist. Edition 249/300. Frame size approx 23 x 31 inches. Mr Doodle...

'Pink Trash' is a vibrant pop print by contemporary master Gavin Turk. The pink, yellow, green, and blue hues give this work a playful energy. ‘Pink Trash’ is edition 6 of 30 and is ...

Colored lithograph on archival paper by Joan Miro. Part of the “Lizard with the Golden Feathers series. Signed in pencil “Miro” lower right. “H.C.” lower left. (See details below) ...

Jasper Johns Jasper Johns Drawings (Hand signed and inscribed to Michael Crichton's brother), 1980-1981 Color offset Lithograph poster for Margo Leavin Gallery exhibition Signed, dated and dedicated in ink by Jasper Johns on the front Vintage metal frame included Jasper Johns’s first truly abstract artworks are his “Crosshatch” paintings and prints, which he developed from 1972 to 1983. These compositions feature hatched lines in various colors, though the term “Crosshatch” is a bit of a misnomer—Johns’s lines...

The work is a Lithograph, not numbered, but signed and dated by the artist, Piero Dorazio. The print has an intense color field with a strong linear element being composed of quadril...

Tracey Emin Svart katt / Black cat (2008), from the exhibition TRACEY EMIN/EDVARD MUNCH: THE LONELINESS OF THE SOUL (hand signed), 2021 Offset lithograph promotional print on card st...

This abstract limited edition print by Roger Mudre features light, translucent circles layered over one another throughout the composition. The under layers are a deep green and yell...

22 color hand pulled silkscreen print in colors on wove paper. Hand signed lower right by CB Hoyo. Hand numbered 124/315 lower left. Sheet size 23.62 x 15.75 inches. Frame size 3...