Unframed Abstract Prints

Untitled is an etching and collage on paper realized by Hans Richter in 1973. Published by La Nuova Foglio, a publishing house of Macerata. Monogrammed by Frida Richter and numbered in pencil on the lower margin. Edition of 99 prints. Good conditions. On the lower left margin of the back, there are a dry-stamp of the publishing house and a black-ink stamp "Estate Hans Richter". From a portfolio of seven etchings published by The New Sheet under the supervision of Hans Richer, who signed for each " bon à tirer " before his death, which took place in Locarno on 1 February 1976...

ABOUT THIS PIECE: Alberto practices high-speed photography. He has mastered the balance of pouring varnish into water and using his high-speed photography knowledge to capture the mo...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 94-95, 1957. Published by Aimé Maeght, Éditeur, Paris; ...

Joan MIRO Garden Under the Moonlight, 1973 Original lithograph (Mourlot workshop) Printed signature in the plate On wove paper 33 x 24 cm (c. 13 x 10 in) REFERENCE : Catalog raison...

I Find Beauty Everywhere, 2010 Signed and numbered in pencil with thumbprint in verso Screenprint with hand finishing 22 x 30 inches Edition 19 of 75

Artist: Robert Natkin, American (1930 - 2010) Title: Untitled - IV Year: circa 1977 Medium: Lithograph, Signed in Pencil Size: 31 in. x 24 in. (78.74 cm x 60.96 cm)

Lithograph realized by Lorenzo Indrimi in 1970s. Edition of 150. Hand signed and numbered. Very good condition.

David Shapiro (American, b. 1922) Waterfall I (de-accessioned from the Denver Art Museum), 1979 Spit-bite etching, drypoint and carborundrum on Lanaq...

This original signed poster, titled Expo de Gravures de la Guilde Graphique, was created by French Canadian artist Julien Lacroix for an exhibition. The poster, published in 1973, is...

Eduardo CHILLIDA (after) Composition in Black Lithograph Signed in the plate On kraft paper 81 x 55,5 cm (c. 32 x 22 in) Excellent condition

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Joan Miró Lithographs, Volume II, 1975...

Color lithograph realized by Tapiès on Arches paper in 1973. Edition of 173/200. Hand signed  and numbered in pencil. Published by Kestner Gesellschaft, Hannover. Printer: Erker-P...

Hannes Grosse Title: Gestural Abstraction Medium: Color silkscreen Size: 23 × 16 inches Year: 1969 Signed and dates by the artist COA provided Condition: Overall good vintage condit...

Marcel Gromaire (1892-1971) - The Painter. 1943, paper, lithograph, 56x46 cm

Lithograph realized by Nicolas Carrino in 1970. Edition of 150 pieces plus 30 pieces in Roman Numbers. One of the 30 specimen in roman numbers. Excellent condition.

An abstract composition of several long black lines that end with a bright yellow bulb. In the upper right is a more detailed view of one of the bulbs. This lithograph is signed in p...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Luis Feito (Spain, 1929-2021) 'Guadarrama VI', 2004 intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Edition of 76 Unframed ID: FEI1051-064 Hand-signed by author

Artist: Risaburo Kimura– Japanese/American (1924-2014 ) Title: City 381 Year: circa 1972 Medium: Serigraph Sight size: 19.25 x 25.5 inches. Sheet size: 22.75 x 28.75 inches. Signat...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 114, 1959. Published by Aim...

One of 50 copies MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing a...

Untitled is an artwork realized by Johnny Friedlaender, 1970s. Etching on wove paper. Signed and numbered. Edition of 135 copies. Good conditions!

"Miró Lithographe I - Plate VII" is a vintage lithograph realized by Joan Miró in 1972. Perfect conditions. It comes from the set of 11 lithographs realized for the catalogue "Mir...

This stunning Artist's Proof is an one-off, oil hand-painted, signed at front and on the back label too; each proof is 80% hand painted by Shizico Yi, because the nature of hand mixe...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...

Artist: KAWS (1974) Title: What Party (Orange) Year: 2020 Medium: Silkscreen on Saunders Waterford paper Size: 22 x 22 inches Edition: 100, plus 20 proofs Condition: Excellent Inscri...

Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. Print lead time 2 weeks. A "Certificate of Authenticity" issued by the artist is in...

This is an exclusive handprinted limited edition of a cyanotype. This beautiful triptych is called "Fresh California Pool patterns", which shows the semi-abstract movements of light reflecting in a California swimming pool. Details: + Title: Fresh California Pool Patterns + Edition Size: only 20 + Stamped and Certificate of Authenticity provided. + Measurements : 100x210 cm (40 x 84 in.) Each paper measures 100cm x 70cm (about 40 in. x 28 in.) each. , a standard frame size. + All cyanotype prints...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 130, 1961. Published by Aim...

Artist: Victor Vasarely (1908-1997) Title: Vertigo Year: 1982 Medium: Silkscreen on Arches paper Edition: 88/325, plus proofs Size: 26.75 x 22.75 inches Condition: Good Inscription: ...

Lithograph on vélin papier d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Georges Braque le solitaire, 1959. Published by Editions XXe Si...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 79-80-81, 1955. Published by Aimé Maeght, Éditeur, Pari...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Hemisphere' Hemisp...

This image is from an edition of 50. The artist's subject matter was enigmatic: a recurring theme was that of anonymous packages tied with knots of rope; sometimes there are prison bars...

Myril Adler Untitled c.1960s Collagraph ink on paper 10"x8.25" unframed Estate stamp on reverse Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (now Belarus), and imm...

Artist: Rafael Bogarin – Venezuelan (1946- ) Title: Jupiter 4 Year: 1980 Medium: Screen Print Sight size: 19.5 x 25.5 inches. Sheet size: 22.5 x 28.5 inches. Signature: Signed lower right Edition: 295 This one: 116/295 Condition: Excellent Unframed This exceptional geometric abstract serigraph is by the noted Venezuelan artist Rafael Bogarin (1946- ). This is Jupiter 4. I have others from the series, also for sale. The print has never been framed and is in excellent condition. It measures 22.5" x 28.5". Rafael Bogarin is an established contemporary Venezuelan artist known for his abstract serigraphs. Bogarin was born in 1946, in El Tigre, where he grew up making his own toys and learning to draw. He studied in Caracas at the Cristobal Rojas School of Fine Arts, specializing in lithography and etching. From 1970 to 1992, Bogarin, like so many artists, lived in New York. As he explored various techniques, he became an expert in serigraphs, earning himself acclaim in Latin America as a pioneer. In South America he traveled the continent giving classes and learning about native cultures. When he returned to the land of his youth, he was inspired to create the concept of the entire world in the Museo Vial in El Tigre in 1982. Later he made others along the route between Colombia and Venezuela. Recently he has been creating and realizing ideas like the Museo de Murales a Cielo Abierto (Museum of Murals to the Open Sky). Detailed biographical information (source: artist's website): Rafael Bogarín was born in El Tigre, Anzoátegui state, Venezuela, on January 20, 1946. He studied at the Cristóbal Rojas School, which he finished in 1966; Among his teachers are Luis Guevara Moreno, Pedro León Zapata, Luisa Palacios and Luis Chacón. Upon returning from school he founded the Zapato Roto group with other artists, with the aim of taking art to the streets. In 1966 he directed the outdoor exhibitions of the Venezuelan American Center, and two years later he participated in the XXVIII Official Salon, where he received the Rome Prize. During that time he ordered elements such as nuts and serrated blades in relation to discs engraved with burin and other techniques, and made the final impression in planes of one color. In 1970 he received a scholarship and traveled to New York; He studies at the Pratt Graphic Center and the Blackburn Printmaking Workshop. In 1973 he founded, together with Manuel Kohn, the Bogarín Printmaking Workshop, a workplace for Venezuelan artists living in the United States; This workshop, of which he has been master printer, allowed continuity to his artistic work. Bogarín investigates the possibilities of super eight cinema and makes films with quality similar to commercial formats; From these experiences emerge The Lonely World (1975) and New World Symphony (1976). In 1977 he deepened his study of color with The New Color, a portfolio where he produced superimposed colors through transparencies and glazes. His teaching experience includes courses at the Rafael Monasterios School of Plastic Arts in Maracay (1969-1970), Ceagraf (1979), as well as workshops in various cities around the world. In 1980 he made an exhibition of silkscreen prints in cities in Italy, El Salvador, Colombia, Mexico and the United States. That year he resumed his interest in outdoor exhibitions with a museum project with murals by 30 artists for El Tigre (Venezuela); The Rafael Bogarín Road Museum was inaugurated in 1982 and brought together 30 murals on 2 x 4 meter fences, by artists such as Mario Toral, Édgar Sánchez and Paul Davis. He carried out the project to recover the architectural spaces of El Tigre (Venezuela), through murals, sculptures, plazas and humanized spaces. In 2006 he painted the largest painted flag in the world in El Tigre, Venezuela. Bogarín has exhibited his work on all 5 continents and currently lives and works in Panama City in his private workshop and in the Articruz workshop. Individual exhibitions Ø 1966. Gallery of the Medical College. Caracas Venezuela. Ø 1966. Venezuelan American Center. Caracas Venezuela. Ø 1970. Protobello Gallery. Caracas Venezuela. Ø 1977. First National Bank of Louisville. Luosville, Kentucky, USA. Ø 1978. Venezuela Gallery. New York City, USA. Ø 1979. Julián Marchena Room, Museum of Costa Rica. San Jose Costa Rica. Ø 1979. La Otra Banda Gallery. Merida, Venezuela. Ø 1980. Galeter Center. Adro, Italy. Ø 1980. Gallery of Modern Art. Santo Domingo Dominican Republic. Ø 1980. Jewish Community Center. Monmouth, New Jersey, USA. Ø 1980. Frank Fedele Fine Arts. New York City, USA. Ø 1980. El Túnel Gallery. Guatemala, Guatemala. Ø 1981. Garcés – Velásquez Gallery. Bogota Colombia. Ø 1982. Siete Siete Gallery. Caracas Venezuela. Ø 1984. Acquavella Gallery. Caracas Venezuela. Ø 1985. Cultural Center. Santa Cruz, Bolivia. Ø 1992. Sotage Gallery, Puerto La Cruz, Venezuela. Ø 2017. Arteconsult Gallery. Panama City, Panama. Awards Ø 1969. Rome Prize. XXIX Official Salon of Venezuelan Art, Museum of Fine Arts. Caracas Venezuela. Ø 1971. Honorable mention. First Young Artists' Salon. Maracay, Venezuela. Ø 1984. First prize, Salón Aragua. Maracay, Venezuela. Murals Ø 1974. Venezuelan Consulate. New York City, USA. Ø 1982. Creator of the First Road Museum in the World. El Tigre, Venezuela. Ø 1983. Road Museum. Roldanillo, Colombia. Ø 1984. Bicentennial Road Museum. Cucuta, Colombia. Ø 2000. Ceramic mural. Dairy, Venezuela. Group exhibitions Ø 1963 to 1966. Spiral Gallery. Caracas Venezuela. Ø 1966. El Pez Dorado Gallery. Caracas Venezuela. Ø 1966. “Zapato Roto” Festival. Caracas Venezuela. Ø 1967. D´Empaire Hall. Maracaibo Venezuela. Ø 1970. Drawings and engravings room. Central University of Venezuela. Caracas Venezuela. Ø 1966 and 1971. Arturo Michelena Hall. Valencia, Venezuela. Ø 1966 to 1968. Annual Venezuelan Art Salon. Museum of Fine Arts. Caracas Venezuela. Ø 1968. Luis Ángel Arango Library. Bogota Colombia. Ø 1969. Tertulia Room. Cali, Colombia. Ø 1969. Lunn Gallery. Washington, DC, USA. Ø 1969. Gallery of Visual Arts. Maracay, Venezuela. Ø 1970. Venezuelan Cultural Week. Miami and Jamaica. Ø 1972. Two Rivers Gallery. Binghampton, New York City, USA. Ø 1972. Moos Gallery. Montreal, Canada. Ø 1973. Spoleto Festival. Italy. Ø 1974. Young Artists, Union Carbide Building. New York City, USA. Ø 1975. Government of Caracas. Caracas Venezuela. Ø 1975. Graphic VII, Mendoza Gallery. Caracas Venezuela. Ø 1976. Brooke Alexander Gallery. New York City, USA. Ø 1977. Denise Rene Gallery. New York City, USA. Ø 1978. Sam Flax...

Artist: Domenick Turturro, Italian/American (1936 - 2002) Title: Wedding Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 300 Image Size: 13 x 35 inches Size: 18 ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From volume, Derrière le miroir, N° 186, 1970. Published by Aimé Maeght, Éditeur, P...

Artist: Henri Matisse (after) Title: La Piscine II Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Sheet Size: 14" x 42" Signature: No Referenc...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 94-95, 1957. Published by A...

Fritz Scholder (United States, 1937-2005) 'Mask of a mystery woman', 1982 engraving on paper 30 x 22.1 in. (76 x 56 cm.) ID: SCH1341-002-000 Unframed

This listing is for the one Silkscreen serigraph piece listed here. Mexico City, 1945. First edition. plate signed, limited edition of 1000, these serigraph plates depict various types of traditional and folk art indigenous clothing...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Derrière le miroir, N° 164-165, 1967. ...

This artwork titled " Etoile de Mer Rouge (Red Star Fish)" From the suite "Si je Mourais la Bas" is a rare original color woodcut on L.B hand made paper ...

Lithograph on Auvergne du Moulin Richard de Bas filigrané paper. Inscription: Watermarked with the artist's signature and unnumbered, as issued. Good condition. Notes: From the folio...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°8, 1957. Published and printed under the direct...

Artist's Proof. Hand signed and titled lower center.

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good Condition. Notes: From folio, Miró 1959-1960, 1961. Published by Pierre Matisse Gallery, New York; pr...

ABOUT THIS PIECE: A 1 inch white border is included in the listed image size (W x H) as per the artist's request. Inspired by the warm light, open vistas, and saturated colors of he...

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, La mélodie acide, 14 lithographies originales de Joan Miró, 1980. Published...

This is original watercolor over a limited edition woodcut political poster. hand signed, dated and numbered. it bears similarity to works by Alexander Calder. Employing a star and abstract design. Katherine Porter is an American artist born in Cedar Rapids, Iowa in 1941. She received her BA from Colorado College in 1963. Katherine Porter received an honorary doctorate from Colby College. She has shown twice in the Whitney Biennial and solo exhibitions at the Knoedler Gallery in London, the Nina Nielsen Gallery in Boston, and the Andre Emmerich and Salander-O'Reilly Galleries in New York. Her work is in the collections of the Metropolitan Museum of Art, Museum of Modern Art, Whitney Museum of American Art, Museum of Fine Arts in Boston, and the Tel Aviv Museum and Bezalel Museum in Jerusalem. (Katherine Page Porter, Katherine Pavlis Porter) Her exhibitions include biennials in 1976 and 1981 at the Whitney Museum of American Art in New York City; 1980 at the San Francisco Museum of Fine Arts; 1981, Dartmouth College, Hanover, New Hampshire; 1985, Brandeis University, Waltham, Massachusetts; and 1987 at the Sidney Janis Gallery, New York City. Classic Americana. American Abstract Expressionism. Early Pattern and Decoration piece, The movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch all worked in this same vein. SELECTED SOLO EXHIBITIONS Galerie Hubert Winter, Vienna, Austria Victoria Munroe Fine Art, Boston, MA Meridian Gallery, San Francisco, CA Salander O’Reilly Gallery, New York, NY Bowdoin College Museum of Art, Brunswick, ME Andre Emmerich Gallery, New York, NY Knoedler Gallery, London Sidney Janis Gallery, New York, NY Pace Gallery, Addison, ME Dartmouth College, Hanover, NH (drawings) Harcus Krakow Gallery, Boston, MA SELECTED GROUP EXHIBITIONS Contemporary Landscape Painting, Nagoya/Boston Museum of Art, Nagoya, Japan From the Collection of Edward Broida, Palm Beach Art Museum, Palm Beach, FL Abstraction Per Se (through January 1993), Pratt Manhattan Gallery, NY Painting Self-Evident (Curator), Picolo Spoleto Festival, Charleston, SC Art on Paper 1990, Weatherspoon Art Gallery, The University of North Carolina, Museo Barjola, Gijon, Spain; Calouste Gulbenkian Foundation, Lisbon, Portugal; Pratt Manhattan Gallery, NY Sightings, Instituto de Estudios Norteamericanos, Barcelona; Casa Revilla, Valladolid, Invitational, New Britain Museum of American Art, New Britain, CT Atelier Project, Neuberger Museum, SUNY Purchase, NY Landscape Show, Allan Frumkin Gallery, NY Rethinking the Avant-Garde, by Jonathan Fineberg, The Katonah Gallery, NY Nancy Hoffman Gallery, NY Group Show, Van Abbemuseum, Eindhoven, Holland Contemporary Drawings, Museum of Modern Art, New York, NY International Survey of Recent Painting and Sculpture, Museum of Modern Art, NY Modern Expressionist: German, Italian, & American Painters, Sidney Janis Gallery, NY American Women Artists, Part II: Younger Generation, Sidney Janis Gallery, NY Contemporary Works on Paper, Frumkin-Adams Gallery, NY Hassam Speicher Purchase Fund Exhibition, American Academy of Arts and Letters, NY The End of the World: Contemporary Visions of the Apocalypse, The New York Museum of Contemporary Art, NY Recent Acquisitions, Museum of Modern Art, New York, NY Homage to Arthur Dove, Hobart and William Smith Colleges, Geneva, NY Six Painters, The Hudson River Museum, Yonkers, NY Twenty New York Painters, Institute of Contemporary Art, Philadelphia, PA 74th American Exhibition, The Art Institute of Chicago, Chicago, IL Abstract Painting, Women’s Caucus, NY Biennial, Whitney Museum of American Art, New York Spoleto Choice, Spoleto Festival, Charleston, SC From Women’s Eyes, Rose Art Museum, Brandeis University, Waltham, MA Theodoran, Solomon R. Guggenheim Museum, New York, NY Three If By Air, Obelisk Gallery, Boston, MA Betty Parsons Collection, Finch College, New York, NY SELECTED PUBLIC COLLECTIONS Addison Gallery of American Art, Andover, MA Albertina Museum, Vienna, Austria California Palace of the Legion of Honor (Achenbach Foundation), San Francisco, CA Detroit Art Institute, Detroit, MI Fogg Art Museum, Harvard University, Cambridge, MA Gemeentsmuseum of the Hague, The Hague, Netherlands (permanent installation) Solomon R. Guggenheim Museum, New York, NY High Museum of Art, Atlanta, GA Houston Museum of Fine Art, Houston, TX Massachusetts Institute of Technology, Cambridge, MA Metropolitan Museum of Art, New York, NY Mount Holyoke...

Artist: Elizabeth Murray, American (1940 - 2007) Title: Untitled from Doctor's of the World Year: 2001 Edition: 24/100 Medium: Pigmented Digital Print, signed, numbered, and dated in...

Phrases - Sombre is a Contemporary artwork realized by the Italian Contemporary artist Achille Perilli  (1927 -2021) and by the French philosopher Philippe Lacoue-Labarthe (1940-2007...

Caisse, 2013, Digital print on Fine art 100% cotton paper Edition 294/300 Image: 52.1×40.2cm (20 ³³/₆₄ x 15 ⁵³/₆₄ in) Sheet: 70.2×50.2cm (27 ⁴¹/₆₄ x 19 ³/₄ in) Limited edition signe...

ABOUT THIS PIECE: "This particular series is a an homage to photographs taken with film. They are the result of an aberration of light passing through a locked shutter and the camera...