Screen Abstract Prints

Edward Landon, 'Arrangement with Blue Major', color serigraph, edition 40, 1942, Ryan 9. Signed, titled, and annotated 'Edition 40' in pencil. A superb impression, with fresh colors, on cream, wove paper; the full sheet with margins (3/4 to 1 5/8 inches), in excellent condition. Image size 15 x 9 3/4 inches (381 x 248 mm); sheet size 17 15/16 x 11 3/4 inches (456 x 298 mm). Matted to museum standards, unframed. 'Arrangement with Blue Major' was selected for the landmark ‘Artists for Victory’ exhibition at the Metropolitan Museum of Art in 1942. Impressions of this work are also in the collections of the Asheville Art Museum, Five Colleges and Historic Deerfield Museum Consortium, Georgetown University (Special Collections), Mount Holyoke College Art Museum, Rutgers University, Smith College Museum of Art, and the Springfield Museum of Fine Arts. ABOUT THE ARTIST Born in Hartford, Connecticut, Edward Landon dropped out of high school to study art at the Hartford Art School. In 1930 and 1931, he was a student of Jean Charlot at the Art Students League in New York, after which he traveled to Mexico to study privately for a year with Carlos Merida. In 1933 he settled near Springfield, Massachusetts, painted murals in the local trade school, and exhibited with the Springfield Art League. His painting 'Memorial Day' won first prize at the fifteenth annual exhibition of the League at the Springfield Museum of Fine Arts. Landon became an active member of the Artists Union of Western Massachusetts, serving as president from 1934-1938. Landon acquired Anthony Velonis’s instructional pamphlet on the technique of serigraphy in the late 1930s. With colleagues Phillip Hicken, Donald Reichert, and Pauline Stiriss, he began experimenting with screen printing techniques. The artists' groundbreaking work in screen printing as a fine art medium was the subject of the group’s landmark exhibition at the Springfield Museum of Fine Arts in 1940. Landon became one of the founding members of the National Serigraph Society and served as editor of its publication, 'Serigraph Quarterly,' in the late 1940s and as its president in 1952 and 1953. The Norlyst Gallery in Manhattan held a one-person show of his prints in 1945. Awarded a Fulbright Fellowship in 1950, Landon traveled to Norway, where he researched the history of local artistic traditions and produced the book 'Scandinavian Design: Picture and Rune Stones...

Die Noten is a screen print realized by Paolo Minoli in 1992. Hand-signed and dated in pencil on the lower right. Numbered "Artist's proof" on the lower left, Edition 7/20 prints. ...

Yona FRIEDMAN (1923-2019) Pictograms of Genesis (Purple), 1975 Original screenprint (Silium workshop) Signed in pencil Numbered / 100 copies On Arches v...

This whimsical screenprint by Eduardo Paolozzi pictures giant inkwells being carried on old style train cars. The composition looks like a printed image blown up to reveal the halfto...

Date: circa 1975 Screenprint Image Size: 15.25 x 28 inches Size: 20.5 x 33.5 in. (52.07 x 85.09 cm)

Perspective in Red is an original screen print on white paper realized by Italian artist by Tonino Maurizi. Hand-signed on the lower right. Numbered o...

Pierre Clerk Plate V : Yellow-Red - 1973 Print - Serigraph on Somerset paper 32'' x 36'' inches Edition: signed in pencil and marked 34/100 The images ...

Christopher Wool (b. 1955) Untitled, 2006 Screenprint in colors on Rives BFK paper 30 x 22 inches (unframed) P.P. 2/4 (A printer's proof aside from an edition of 40) Signed, numbered...

Joseph Grippi, American (1924 - 2001) - Flight Paths, Year: circa 1970, Medium: Screenprint Monoprint, signed and numbered in pencil, Edition: 40/40, Size: 14 x 29 in. (35.56 x 7...

Stephen Powers Turn to Me I See Eternity, 2016 Three color screenprint on 235g Coventry Rag Pencil with artist's trademark hat logo and numbered from the edition of 100 12 × 12 inche...

Bright and bold screen print by Spanish artist Guido Lopez (Spain, 20th century). Titled "Poezia Marina", signed lower right "Guido Lopez', 12/150. Unframed. Image 22.5"H x 25"L, Mat...

This artwork titled "Ohne Titel" 1973 is an original color silkscreen by noted New York artist Nicholas Krushenick, 1929-1999. It is hand signed, dated and ...

Edward Landon 'Salient in February', color serigraph, 1945, edition 40, Ryan 166. Signed in pencil. Titled, dated, and annotated 'ED. 40' in pencil. A fine impression, with fresh col...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Mark Tobey, American (1890 - 1976) - They've Come Back I, Year: 1972, Medium: Screenprint on Arches, signed, numbered and dated in pencil, Edition: 96, Image Size: 23.75 x 16.5 inc...

Artist: Julian Stanczak (1928-2017) Title: Sequential Chroma Year: 1978 Edition: 2/175, plus proofs Medium: Silkscreen on Somerset paper Size: 30.25 x 25.75 inches Condition: Good In...

Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 63/200 on lower front. Bears the publisher's blind stamp on the fro...

Edward Landon, 'Untitled Fantasy', color serigraph, 1983, edition 30, Ryan 214. Signed, titled, and annotated 'Edition 30' in pencil. A fine impression, with fresh colors, on off-whi...

Silkscreen screenprint with woodblock and gold leaf Hand signed and numbered. Joseph Charles Tilson RA (born 24 August 1928 in London) is an English pop art painter, sculptor and pr...

Sparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet. Enzo Cucchi Sparire 1, 1988 Color etching, aquatint and silkscreen 30 1/2 × 118 in ...

A minimal geometric silkscreen of a traditional Japanese living room with cushions and a portable hand warmer by Yuiichiro Kato (Japanese, b- 1926). Displayed in a metal frame. Image...

Screenprint, from the posthumous edition of 50 printed in 1964 (first edition of 25 printed in 1951) With the blindstamp of the estate: “Estate of J. Pollock 1964” and “Strathmore us...

This is a 33 color screen print titled, Small Abstract by Thomas Nozkowski (1944 - 2019). It was created in 2007 as a signed and numbered edition of 108. The edition was published by...

Screenprint in two colours with ash from Iraqi Kurdistan on paper
 Signed by the artist and numbered on verso
 106.5 x 74 cm
 Edition of 89 published by Migrate Art Shepard Fairey ...

With the Scythe is an original color serigraph on paper, realized in 1968 by the German artist Axel Knipschild (1946, Erfurt - Dusseldorf, 1983). Signed and dated with in pencil on ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Robyn Denny (1930-2014) Portrait Series A (1) Screenprint 80 x 58 cm Signed to the bottom right and blind stamped Numbered 23/30 ​‘No painting should reveal all it has to say ...

Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th-century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Gotthard Johnny Friedlaender was born in Pless (Pszczyna), Prussian Silesia, as the son of a pharmacist. He was graduated from the Breslau (Wrocław) high school in 1922 and then attended the Academy of Arts (Akademie der Bildenden Kunste) in Breslau, where he studied under Otto Mueller. He graduated from the Academy as a master student in 1928. In 1930 he moved to Dresden where he held exhibitions at the J. Sandel Gallery and at the Dresden Art Museum. He was in Berlin for part of 1933, and then journeyed to Paris. After two years in a Nazi concentration camp, he emigrated to Czechoslovakia, where he settled in Ostrava, where he held the first one-man show of his etchings. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L ‘Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947 he produced the work Reves Cosmiques and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Staël and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951 and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968 Friedlaender was travelling to Puerto Rico, New York City and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth-century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain...

Juan Rivero (Cuba, 1976) 'Inmersión (La Huella Múltiple)', 2002 engraving on paper 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition of 300 ID: HUE-252 Hand-signed by author

Shirai Akiko, Japanese (1935 - 2001) - Orange Clouds, Year: 1969, Medium: Screenprint, signed, numbered, titled and dated in pencil, Edition: EA, Image Size: 11.75 x 16.75 inches...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Robyn Denny (1930-2014) Portrait Series A (5) Screenprint 80 x 58 cm Signed to the bottom right and blind stamped Numbered 23/30 ​‘No painting should reveal all it has to say ...

From the Evolution Series by Thomas Benton, this bold red screenprint resembles an eye with the iris descending down into it. Benton drew upon his career as an architect, the strong ...

Cozette de CHARMOY (1939-) Battlefield List Screen Print Handsigned in pencil Limited to 75 copies and a few EA (here an EA proof) On Arches vellum 88 x 60 cm (c. 35 x 24 inch) Exc...

Robert Indiana, American (1928 - 2018) - Die Deutsche Liebe, 1968, Portfolio: The American Dream, Year: 1997, Medium: Screenprint on Wove Paper, Edition: 395, Image Size: 14 x 1...

Oscari NIVESE Colored Geometrical Pattern Original screen print Handsigned in pencil Numbered / 60 ex On vellum 38 x 56 cm (c. 15 x 22 inch) Excellent condition

Julian Schnabel Invierno Primaveral, 1995 Hand-painted, 17-color screenprint with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 signed in pencil and stamped on verso ...

Red Grooms "Expedition" (aka "EAT", aka "Stockholm Print"), 1973 Silkscreen on 100% rag paper Pencil signed, dated and numbered recto (front); Stamped in black on verso "© Copyright ...

Screenprint in colors with glitter on heavy wove paper. Hand signed in pencil verso, numbered from the edition of 150 verso with artists copyright inkstamp. Published by Other Crite...

Yona FRIEDMAN (1923-2019) Pictograms of Genesis (Red), 1975 Original screenprint (Silium workshop) Signed in pencil Numbered / 100 copies On Arches vell...

Luis Feito red original engraving limited edition painting. framed In this abstract expressionist, engraving, Luis Feito's palette has been simplified to black, red and purple. The dynamic red brushstrokes are reminiscent of oriental art, where an image is reduced to its core. Born in 1929, in Madrid, Luis Feito trained at the Escuela superior de bellas artes de San Fernando, Madrid, in 1950. His early figurative style was followed by an experimentation in Cubism which eventually evolved to abstract expressionism .In 1955, he relocated to Paris to study the avant-garde movement. He remained in close contact with his Spanish contemporaries and was a founding member of the group El Paso in Madrid (1957–60) with artists Rafael Canogar, Juana Francés, Manolo Millares, Manuel Rivera, Antonio Suárez, Antonio Saura, Pablo Serrano, Martín Chirino and Manuel Viola...

Kinetic Composition is an original Contemporary artwork realized by Alvin Mavignier da Silva (Rio de Janeiro, 1925; Hamburg, 2018) in 1969. Original colored Silkscreen. Hand signed on the lower right with white pencil by the artist, dated on the lower left, stamped on the reverse with "HBK. Hamburg Edition Griffelkunst". Good conditions: lightly wave. Brazilian artist Almir da Silva Mavignier...

"Vicente Rojo (Mexico, 1932-2021) 'Aforismo C', 2009 collagraph on paper Deponte 300 g. 20.1 x 25.6 in. (51 x 65 cm.) Edition of 30 ID: ROJ-149"

Beauty is a beautiful colored screen print on paper, realized by the Italian artist and pioneer of Abstract art  Mario Radice  (1898-1987), in 1964. Hand-signed and numbered in penc...

Michael Rothenstein Little Zoo III, 1990 Screenprint on Velin Arches paper 54 x 45 cm Edition 9 of 100 hand-signed and numbered 9 of 100. published by Flowers Graphics, London in 19...

Sparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet. Enzo Cucchi Sparire II, 1988 Color etching, aquatint and silkscreen 30 1/2 × 118 in...

Robert Indiana New York City Center of Music and Drama (Hand signed limited edition), 1968 Color Silkscreen 35 × 25 inches Edition 23/144 Hand signed and dated lower right recto; num...

Rafael Canogar (Spain, 1935) 'Tierra', 2003 silkscreen, collage on board 59.1 x 48.1 in. (150 x 122 cm.) Edition of 100 Unframed ID: CAN1030-100 Hand-signed by author _______________...

Domenick Turturro, American (1936 - 2002) - Fire, Year: circa 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 40 AP, Image Size: 23 x 30 inches, Size: 26 x 3...

NOTE: Shown framed for inspiration only; this edition is unframed and in mint condition (never framed): Thelma Appel The Magician, 2018 18 Color Silkscreen on 320 gram Coventry Rag ...

Abstract composition is a contemporary artwork realized by Otto Hofmann in 1989. Mixed-colored screen print. Hand-signed on the lower right margin. Num...

Artist: Jurgen Peters, German (1936 - ) Title: Spur Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP Image Size: 20 x 31.5 inches Size: 24 in. x 36...

Abstract composition is a contemporary artwork realized by Umberto Maria Casotti in 1970s. Mixed colored screen print. Hand signed and dated on the lower margin. Edition of 7/12.

Abstract expressionist print by American artist Michael Steiner, who is most commonly known for his large scale sculptures. Pales I Michael Steiner, American (1945) Date: circa 198...

A silkscreen print by Ilya Bolotowsky circa 1970. A retro modern piece with an abstract geometric design. Artist: Ilya Bolotowsky, Russian/American (1907 - 1981) Title: Series 4...

Robert Morris A Final Tomb for Frank "Jelly" Nash, 1980 Silkscreen on wove paper Hand signed, dated and numbered 153/180 in graphite by the artist on the front 26 × 32 inches Unframe...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Santoro, "Untitled: Lavender, Blue & Pink Serigraph (Edition 303/350)" Mid-Century Modern Serigraph/ Abstract Geometric Screenprint, Signed in Graphite lower right, marked as an Edit...

Limited Edution 2/6, signed by artist. Anna Ładecka is a Paris-based polish illustrator and painter. Graduated from Warsaw Academy of Fine Arts, Master of Art - Diploma in painting...

Fire Tower Water Tower (1974) Silkscreen Lithograph by Wolfgang Hutter Wolfgang Hutter (1928 – 2014) was a painter, draughtsman, printmaker and stage designer. Hutter's imagery is c...