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Period: 1960s
The original limited edition 1965 Los Angeles County Museum of Art LACMA poster
Located in New York, NY
Alexander Calder The original Los Angeles County Museum of Art poster, 1965 Limited Edition vintage Offset Lithograph 32 × 24 3/4 inches 81.3 × 62.9 cm Edition of 300 This is the OR...
Category

Modern 1960s Abstract Prints

Materials

Lithograph, Offset

Paris L' Opera Le Plafond Romeo and Juliet Place de la Concorde Lt Ed Lithograph
Located in New York, NY
Marc Chagall Paris L' Opera Le Plafond, Romeo and Juliet at Place de la Concorde and Arc de Triomphe, 1965 Original lithograph on wove paper Unsigned Limited Edition of 5000 24 3/4 ×...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Soulages, Sans titre, Pierre Soulages, Peintres d'aujourd'hui (after)
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Pierre Soulages, Peintres d'aujourd'...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Soulages, Sans titre, Pierre Soulages, Peintres d'aujourd'hui (after)
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Pierre Soulages, Peintres d'aujourd'...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

de Staël, Ciel à Honfleur, Nicolas de Staël, Peintres d'aujourd'hui (after)
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Nicolas de Staël, Peintres d'aujourd'hui, 1960. Published by Fernand Hazan, Éditeur, Paris; rendered by Bussière et Nouël, Paris; printed by l'Imprimerie Lecot, Paris, May 1960. Excerpted from the folio (translated from French), CCCLXXV examples of this album, numbered from I to CCCLXXV, are accompanied by an unpublished board illustrating a glued paper of the artist and shot on the presses of Daniel Jacomet, in Paris. The illustrations of this album, completed in May 1960, were shot by Bussière and Nouël and printed by the l'Imprimerie Lecot. The text was drawn by l'Imprimerie Damien and the binding made by F.l.A.P. according to the models of Marcel Jacno. Fernand Hazan Éditeur, 35-37, rue de Seine, Paris. 1960. Droits de reproduction réservés A.D.A.G.P. - Paris. NICOLAS DE STAEL (1914-1955) was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles. Known for his abstract landscapes and still lifes that uniquely blend colour, form and texture, Nicolas de Staël was fascinated by the world’s many spectacles and documented them through his art. De Staël was born in 1914 into an aristocratic family in Saint Petersburg, Russia. His father served as a cavalry general under Tsar Nicholas II and the family was forced to flee after the Russian Revolution. Both Nicolas’s parents died in the early 1920s, meaning he and his siblings were raised by a foster family in Brussels where he would begin his formal art education at the Académie Royale des Beaux-Arts. De Staël’s early work was influenced by the European avant-garde movements of the early 20th century, including Cubism and Fauvism. However, he soon developed his own distinctive style with thick impasto and a bold use of colour. His early paintings, often sombre in tone, gradually evolved into more vibrant and dynamic compositions, reflecting his growing interest in the emotional and expressive potential of colour and form. In 1938 de Staël had moved to France, where he became an integral part of the post-war Parisian art scene. Having worked initially in the atelier of Fernand Léger, de Staël’s circle of friends came to include Sonia Delaunay, Le Corbusier and Jean Arp, who encouraged his tendencies towards abstract work. His work during this period marked a significant departure from traditional representation, moving towards abstraction while maintaining a strong sense of structure and form. De Staël's paintings from this era showcase his ability to balance abstraction with figuration, using broad, gestural strokes and a vibrant palette to convey movement and energy. What truly set de Staël apart, though, was the step he took beyond abstraction. This came with his football paintings...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Onde, Derrière le miroir
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, Poètes, peintres, sculpteurs, N° 11...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

The Souper Dress screenprint cellulose w/ label, edition at Warhol & Met Museums
Located in New York, NY
Rarely found in such excellent condition! Others found on the market are often cut on the bottom with the yellow lined hem missing. This one is not! After Andy Warhol The Souper Dr...
Category

Pop Art 1960s Abstract Prints

Materials

Cotton, Mixed Media, Screen

Miró, Sans titre (Cramer 102; Mourlot 428-449), Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered. Notes: From the folio, Derrière le miroir, N° 151-152, 1965. Published by Aimé Maeght, Éd...
Category

Surrealist 1960s Abstract Prints

Materials

Lithograph

Sans titre, Derrière le miroir
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 156, 1966. Published by Aimé Mae...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Jacqueline à l'étamine (Cramer 115), Diurnes
Located in Southampton, NY
Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...
Category

Cubist 1960s Abstract Prints

Materials

Lithograph, Stencil

Jean Dubuffet Painted Sculptures at Pace Gallery-Lithograph-Vintage
Located in Brooklyn, NY
This is an original poster designed by Jean Dubuffet for his 1968 exhibition Painted Sculptures at Pace Gallery, held from April 13th to May 18th. Created by the artist specifically ...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

USA : McGovern for McGovernment - Original Screen Print HANDSIGNED
Located in Paris, IDF
Alexander CALDER USA : McGovern for McGovernment, 1972 Original screenprint Handsigned in pencil Justified EA (artist proof) On BFK Rives Vellum 88 x 60 cm (c. 35 x 24 in) Authentic...
Category

Pop Art 1960s Abstract Prints

Materials

Screen

"Eternal Hexagon" original serigraph
Located in Henderson, NV
Medium: original serigraph / silkscreen. In 1964 Samuel Wagstaff, Jr. (at that time Curator of Paintings at the Wadsworth Atheneum in Hartfordford, Connecticut) selected ten importan...
Category

Pop Art 1960s Abstract Prints

Materials

Screen

Rare Abstract Expressionist flower lithograph, 1969 Top Chinese-US artist Signed
Located in New York, NY
Walasse Ting 丁雄泉 Abstract Expressionist Flower, 1969 Color lithograph with publisher's blindstamp Pencil signed, dated, and numbered IV/XV by Walasse Ting on the front 23 × 30 inche...
Category

Abstract Expressionist 1960s Abstract Prints

Materials

Lithograph, Pencil

Obra Inèdita Recent I
Located in Toronto, Ontario
Joan Miró (1893-1983) is one of the greatest artists of the 20th century. He is renowned internationally as a painter, sculptor, printmaker, and ceramicist. Miró’s works, which wer...
Category

Surrealist 1960s Abstract Prints

Materials

Lithograph

Intimite (Mourlot, Paris, Master Printer)
Located in Kansas City, MO
Jacques Villon Intimite 1964 Original Reproduction of a Gouache on Velin d'Arches Size: 10x7.375in Signed in the stone Edition: 2,000 Annotated verso Publisher: Mourlot, Paris Printer: Mourlot, Paris COA provided Notarized facsimile of the imprint showing the edition size included Framing in a simple white or black frame made from composite wood with plex and mat available for $90. Please inquiry within. Ref.: 924802-1542 Jacques Villon (July 31, 1875 – June 9, 1963), also known as Gaston Duchamp, was a French Cubist and abstract painter and printmaker. Many important museums include works by Villon in their collections, including the Fine Arts Museums of San Francisco; Minneapolis Institute of Arts; Museum of Fine Arts, Boston; Art Institute of Chicago; Columbus Museum of Art (Columbus, Ohio); Museum of Modern Art, New York City...
Category

Modern 1960s Abstract Prints

Materials

Vellum

Silkscreen from the estate of Stephen Poleskie, Berggruen 11, Clark 12 Harrison
Located in New York, NY
Helen Frankenthaler Untitled, from the estate of Stephen Poleskie (Berggruen 11, Clark 12, Harrison and Boorsch 11), 1967 Color silkscreen on wove paper Unframed A unique unsigned pr...
Category

Abstract Expressionist 1960s Abstract Prints

Materials

Screen

L'Imperatrice (The Empress), Mourlot 396, hand signed lithograph
Located in Aventura, FL
Lithograph in colors on arches wove paper. Hand signed lower right by Joan Miro. Hand numbered 27/75 lower left. Sheet size: 35.25 x 24.25 inches. Frame size: 43 x 31.68 inches. ...
Category

Surrealist 1960s Abstract Prints

Materials

Paper, Lithograph

“Gemini Series Untitled (Red)”
Located in Southampton, NY
Original screen print from the Gemini series “Untitled” (Red), 1968 by Larry Zox. Condition is good. Mild toning of the white areas in the screen print. Other colors are still vibra...
Category

Post-Modern 1960s Abstract Prints

Materials

Archival Paper, Screen

Rare historic 1960s Lt Ed Fluxus poster Pittsburgh International Carnegie Museum
Located in New York, NY
Mary Bauermeister Pittsburgh International Carnegie Museum, 1967 Offset Lithograph Poster 20 × 37 inches Edition of 500 Unframed This is the original, historic poster designed by Mar...
Category

Abstract 1960s Abstract Prints

Materials

Offset, Lithograph

Miró, Composition (Mourlot 551; Cramer 118), Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin Chiffon de Mandeure paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Lithographies et Eaux-Fortes Originales, Livres Illustres Or...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Rubin from Album Lapidaire - Op Art
Located in London, GB
Victor Vasarely (Hungarian/French, 1906-1997) Rubin, 1964 Screenprint in Colours from the Lapidaire portfolio signed in pencil lower right with blind stamp, numbered edition "41/15...
Category

Op Art 1960s Abstract Prints

Materials

Screen

Bullfight No. 5 original signed limited edition lithograph by Salvador Dali
Located in Paonia, CO
      Bullfight No. 5 is a signed limited edition ( 4/300 ) original lithograph by Salvador Dali from the Taureaumachie Suite of five original lithographs. Published by Phyllis Lucas...
Category

Surrealist 1960s Abstract Prints

Materials

Lithograph

Roy Lichtenstein -Guggenheim Museum-1969 Serigraph Pop Art
Located in Brooklyn, NY
This original poster, designed by Roy Lichtenstein for his first solo exhibition at the Guggenheim Museum in New York (September 19–November 16, 1969), is a screen print on white glo...
Category

Pop Art 1960s Abstract Prints

Materials

Screen

Braque, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin Chiffon de Mandeure paper. Signed in the plate and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the album, Lithographies et Eaux...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

"The Youth Circle" Lithograph by Pablo Picasso
Located in Pasadena, CA
It is considered a significant work by Picasso, reflecting his themes of peace and humanity. The piece depicts figures in a circular dance around a dove of peace, conveying a sense of optimistic energy and hope for the future. Through the use of crisp vibrant colors and the fluid use of line, Picasso creates a sense of optimistic energy that is focused around the dove of peace in Pablo Picasso La Ronde de...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Miró, Bleu Il (Cramer 69; Dupin 292; Mourlot 286-294) (after)
Located in Southampton, NY
Lithograph, stencil on vélin paper. Paper Size: 9.24 x 11.5 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Jo...
Category

Surrealist 1960s Abstract Prints

Materials

Lithograph

Kidio
Located in Paris, FR
Silksreen, 1969 Handsigned by the artist in pencil Edition : 120/250 Publisher : Fondation Vasarely, Château de Gordes Printer : Arcay, Paris Catalog : Benavides 165 72.00 cm. x 62....
Category

Abstract 1960s Abstract Prints

Materials

Silk

Sans titre, Société internationale d'art XXe siècle
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, New Séries, XXIIIth year, N°17 - Christ...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Hero as a Riddle by Eduardo Paolozzi gold silver pop art with Basquiat style
Located in New York, NY
Hero as a Riddle (1963) depicts a smiling head printed in gold, silver, and black. The shapes and lines composing the figure’s face are architectural and geometric: the eyes are comp...
Category

Pop Art 1960s Abstract Prints

Materials

Screen

Picasso, Pour Roby (after)
Located in Fairfield, CT
Title: Pour Roby (L’Age de Soleil) Year: 1969 Medium: Restrike Etching on Arches paper Size: 12.875 x 10 inches Condition: Good Inscription: Signed in the plate in reverse. Notes: ...
Category

Cubist 1960s Abstract Prints

Materials

Etching

Picasso, Pour Roby (after)
Picasso, Pour Roby (after)
$1,600 Sale Price
20% Off
de Staël, Nu debout, Nicolas de Staël, Peintres d'aujourd'hui (after)
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Nicolas de Staël, Peintres d'aujourd'hui, 1960. Published by Fernand Hazan, Éditeur, Paris; rendered by Bussière et Nouël, Paris; printed by l'Imprimerie Lecot, Paris, May 1960. Excerpted from the folio (translated from French), CCCLXXV examples of this album, numbered from I to CCCLXXV, are accompanied by an unpublished board illustrating a glued paper of the artist and shot on the presses of Daniel Jacomet, in Paris. The illustrations of this album, completed in May 1960, were shot by Bussière and Nouël and printed by the l'Imprimerie Lecot. The text was drawn by l'Imprimerie Damien and the binding made by F.l.A.P. according to the models of Marcel Jacno. Fernand Hazan Éditeur, 35-37, rue de Seine, Paris. 1960. Droits de reproduction réservés A.D.A.G.P. - Paris. NICOLAS DE STAEL (1914-1955) was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles. Known for his abstract landscapes and still lifes that uniquely blend colour, form and texture, Nicolas de Staël was fascinated by the world’s many spectacles and documented them through his art. De Staël was born in 1914 into an aristocratic family in Saint Petersburg, Russia. His father served as a cavalry general under Tsar Nicholas II and the family was forced to flee after the Russian Revolution. Both Nicolas’s parents died in the early 1920s, meaning he and his siblings were raised by a foster family in Brussels where he would begin his formal art education at the Académie Royale des Beaux-Arts. De Staël’s early work was influenced by the European avant-garde movements of the early 20th century, including Cubism and Fauvism. However, he soon developed his own distinctive style with thick impasto and a bold use of colour. His early paintings, often sombre in tone, gradually evolved into more vibrant and dynamic compositions, reflecting his growing interest in the emotional and expressive potential of colour and form. In 1938 de Staël had moved to France, where he became an integral part of the post-war Parisian art scene. Having worked initially in the atelier of Fernand Léger, de Staël’s circle of friends came to include Sonia Delaunay, Le Corbusier and Jean Arp, who encouraged his tendencies towards abstract work. His work during this period marked a significant departure from traditional representation, moving towards abstraction while maintaining a strong sense of structure and form. De Staël's paintings from this era showcase his ability to balance abstraction with figuration, using broad, gestural strokes and a vibrant palette to convey movement and energy. What truly set de Staël apart, though, was the step he took beyond abstraction. This came with his football paintings...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Kandinsky, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 118, 1960. Published by Aim...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Five Continents - United Nations
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Five Continents - United Nations MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: World Federation of United Nations Associations EDITION NUMBER: ...
Category

Surrealist 1960s Abstract Prints

Materials

Lithograph

'Map of Life', University of Fine Arts, Tokyo, Still Life of Flowers, Benezit
Located in Santa Cruz, CA
Signed lower right, "Ryonosuke Fukui" (Japanese, 1923-1986), a listed artist, and created circa 1965. An artist's proof, hand-colored etching comprising superimposed, stylized plan...
Category

1960s Abstract Prints

Materials

Paper, Etching

Lithographier Originale (Abstract Expressionism)
Located in Kansas City, MO
Joan Miro Lithographier Originale Original Color Lithograph Year: 1961 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 125-126 Publisher: Maeght Editeur, Paris 1961 Additional text...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Composition with Red and Blue Ball - Original lithograph (Mourlot)
Located in Paris, IDF
Alexander CALDER Composition with Red and Blue Ball Original lithograph (printed in Mourlot workshop) Printed signature in the plate On Arches vellum 25 x 19 cm (c. 10 x 8 inch) Edi...
Category

American Modern 1960s Abstract Prints

Materials

Lithograph

Violet Torso on Orange Stripes
Located in London, GB
Lithograph in four colours on Japon nacré paper 31 x 31 cm - framed Edition of 75 Hand-signed and numbered by the artist Henry Moore’s prints are a vital aspect of his artistic lega...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Sam's Art, from the New York International portfolio, signed/n lithograph 1966
Located in New York, NY
Saul Steinberg Sam's Art, from The New York International Portfolio), 1966 Lithograph on wove paper with blind stamp Pencil signed and numbered 12/225 on the front Published by Tanglewood Press, Knickerbocker Machine and Foundry, Inc., New York Printed by Irwin Hollander with blind stamp Unframed This Steinberg lithograph is titled Sam's Art, which of course refers to Uncle Sam, the nickname for the United States government. It features his version of the motto seen on our dollar bills, "Annuit Coeptis", which is one of the mottoes found on the Great Seal of the United States. It is directly underneath the "Eye of Providence" and is translated by the US Treasury and State Department as "God (or Providence) favors our undertakings". American President Abraham Lincoln, sitting in front of an easel, is also depicted as an artist in this telling 1960s work. Commentary: "In Saul Steinberg’s lithograph ‘Sam’s Art’, Abraham Lincoln, in stove-pipe hat, poses as the artist in front of his canvas. While his attention looks fixed on rendering the slightly wobbly pyramid with an eye, the Masonic motif from the back of the one dollar bill, the line from his brush has floated off the canvas to become a cubist-futurist cloud in the sky. The American Eagle looks on, perched on a civil war cannon...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Lichtenstein Paper Plate — Pop Art Icon
Located in Myrtle Beach, SC
Roy Lichtenstein, 'Paper Plate', serigraph, 1969, edition unknown, Corlett III.45. Printed in dark blue ink verso, 'Roy Lichtenstein © On 1st Inc. 1969'. A fine impression, on white paperboard pressure formed into a 3-dimensional plate; age toning verso, otherwise in very good condition. Published by Bert Stern, New York. Image size 10 1/4 inch diameter, 1-inch depth. Archivally sleeved, unmounted, unframed. Carefully protected for shipping. Literature: John Russell. 'Art: Time for Old-Master Prints', New York Times (July 27, 1979), p. C16. Jan Howard. 'Reflections on 'The Prints of Roy Lichtenstein', Print Collector's Newsletter 26 (July–August 1995), p. 82. Mark M. Johnson. 'The Great American Pop Art Store: Multiples of the '60s', Art & Activities 123 (June–Summer 1998), ill. p. 37 (color). Mary Lee Corlett. 'The Prints of Roy Lichtenstein: A Catalogue Raisonné', New York, 2002, p. 286, no. III.45. Susan Dackerman, ed., 'Corita Kent and the Language of Pop', exhibition catalog, Harvard Art...
Category

Pop Art 1960s Abstract Prints

Materials

Screen

Joan Miro und Katalonien - Lithograph by Joan Miró
Located in Long Island City, NY
Artist: Joan Miro, Spanish (1893 - 1983) Title: Joan Miro und Katalonien Year: 1969 Medium: Lithograph on Arches, signed in the plate Size: 20 in. x 26 in. (50.8 cm x 66.04 cm) Frame...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Josef Albers, Blue Reminding, dazzling 1967 silkscreen (signed/numbered) Framed
Located in New York, NY
Note: This is a unique text variant which Albers titled in pencil "Blue Reminder" instead of "Blue Reminding". The authenticity of this work has been kindly confirmed by Brenda Danil...
Category

Abstract Geometric 1960s Abstract Prints

Materials

Screen, Pencil

Flowers by Andy Warhol (1964) Art Print – Iconic Pop Art Design
Located in Winterswijk, NL
A bold and vibrant reproduction of Andy Warhol’s iconic 1964 Flowers series, this striking artwork is printed on heavy art paper, showcasing the enduring brilliance of Pop Art. The c...
Category

Pop Art 1960s Abstract Prints

Materials

Paper

Soulages, Sans titre, Pierre Soulages, Peintres d'aujourd'hui (after)
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Pierre Soulages, Peintres d'aujourd'...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Composition (Cramer 105), Femmes, Joan Miró
Located in Southampton, NY
Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

original lithograph
Located in Henderson, NV
Medium: original lithograph. Printed in 1960 for the art revue XXe Siecle (No. 14) and published in Paris by San Lazzaro. Size: 12 1/8 x 9 1/8 inches (308 x 230 mm). Not signed. Con...
Category

1960s Abstract Prints

Materials

Lithograph

Composition (Cramer 105), Femmes, Joan Miró
Located in Southampton, NY
Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Untitled - Expression no. 2 - Screen Print After Jackson Pollock - 1964
Located in Roma, IT
JACKSON POLLOCK (American, 1912-1956) Untitled, CR1093 (after painting Number 9, CR340), 1951–printed 1964 Screenprint, on Strathmore wove paper, numbered in pencil lower left, and with the Estate of Jackson Pollock 1964 blindstamp lower left(?) From the second posthumous printing of 50 authorized by his widow, Lee Krasner in 1964 (there was also a lifetime edition of 25) Published by Bernard Steffen...
Category

Abstract Expressionist 1960s Abstract Prints

Materials

Screen

Variation II on Mauve Corner (Harrison, 17), Color Lithograph, Signed/N, Framed
Located in New York, NY
Helen Frankenthaler Variation II on Mauve Corner (Harrison, 17), 1969 Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published by ULAE, West Islip, NY, with their blind stamp Frame included Accompanied by gallery issued Certificate of Guarantee Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published and printed by ULAE, West Islip, NY, with their blind stamp Literature: Frankenthaler, A Catalogue Raisonné: Prints 1961-1994, Harrison, no. 17, ppg. 106-109 Accompanied by gallery issued Certificate of Guarantee Elegantly floated and framed in a museum quality wood frame under UV plexiglass Measurements: Framed: 23.75 (vertical) x 28.75 (horizontal) x 2 inches Artwork: 20 inches (vertical) x 25 inches (horizontal) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...
Category

Abstract Expressionist 1960s Abstract Prints

Materials

Lithograph

Seeing Voices 4, Abstract Lithograph by Paul Jenkins
Located in Long Island City, NY
A lithograph from the portfolio "Seeing Voices", a collection that also includes several poems. This abstract piece by Paul Jenkins is signed and numbered on the front of the print i...
Category

1960s Abstract Prints

Materials

Lithograph

"The Sun Shines All Over", Vintage Geometric Abstract Landscape Screen Print
Located in Soquel, CA
"The Sun Shines All Over", a bold minimalist vintage abstract landscape print by the renowned printmaker Shiou-ping Liao (Taiwanese, b.1936). A perfectly circular, high voltage rainb...
Category

Abstract Geometric 1960s Abstract Prints

Materials

Paper, Printer's Ink, Screen

Quarry
Located in Washington, DC
Artist: Robert Rauschenberg Title: Quarry Medium: Offset lithograph in colors Year: 1968 Edition: 500 Frame Size: 41 1/2" x 33" Sheet Size: 35 1/2" x 26 1/2" Signature: Signed in the...
Category

Pop Art 1960s Abstract Prints

Materials

Lithograph

Kandinsky, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 118, 1960. Published by Aimé Maeght, Éditeur, Paris; pr...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Nitibos, Abstract Geometric Screenprint by Omar Rayo
Located in Long Island City, NY
Artist: Omar Rayo, Colombian (1928 - 2010) Title: Nitibos Year: 1968 Medium: Screenprint, signed and numbered in pencil Edition: 75 Image Size: 17 x 17 inches Size: 24 x 20 i...
Category

Abstract Geometric 1960s Abstract Prints

Materials

Screen

Les Fleurs et Fruits Salvador Dali Lithograph Interpretation of Currier & Ives
Located in Paonia, CO
Les Fleurs et Fruits original limited edition lithograph from the series “The World Of Currier And Ives as interpreted by Salvador Dali” publishe...
Category

Surrealist 1960s Abstract Prints

Materials

Lithograph

Niki de Saint Phalle, Last Night I Had a Dream, Rare Silkscreen Signed/N Framed
Located in New York, NY
Niki de Saint Phalle Last Night I Had a Dream, 1968 Silkscreen on colored paper Signed and numbered 67/75 in graphite pencil on the front Frame included It is elegantly floated and f...
Category

Pop Art 1960s Abstract Prints

Materials

Screen

Max Ernst Dada Surrealist Hand Signed Lithograph Poster for a Jewish Museum
Located in Surfside, FL
Max Ernst (German, American, 1891-1976) Color lithograph Titled, "Poster For The Jewish Museum" 1966 Hand signed lower right Hand numbered HC I/XVII Dimensions: 34.75 x 28.5 sight 25 X 19.25 Max Ernst (German 1891 – 1976) was a German-born painter, sculptor, printmaker, graphic artist, and poet. A prolific artist, Ernst was a primary pioneer of the Dada movement and surrealism in Europe. He had no formal artistic training, but his experimental attitude toward the making of art resulted in his invention of frottage—a technique that uses pencil rubbings of textured objects and relief surfaces to create images—and grattage, an analogous technique in which paint is scraped across canvas to reveal the imprints of the objects placed beneath. Max Ernst showed for the first time in 1912 at the Galerie Feldman in Cologne. At the Sonderbund exhibition of that year in Cologne he saw the work of Paul Cezanne, Edvard Munch, Pablo Picasso, Paul Gauguin and Vincent van Gogh. In 1913 he met Guillaume Apollinaire and Robert Delaunay and traveled to Paris. Ernst participated that same year in the Erste deutsche Herbstsalon. In 1914 he met Jean Arp in Cologne who was to become a lifelong friend. In 1921 Ernst exhibited at the Galerie au Sans Pareil in Paris. He was involved in Surrealist activities in the early 1920s with Paul Eluard and André Breton. His work was exhibited that year together with that of the Das Junge Rheinland group, at Galerie Feldman in Cologne, and then in several group exhibitions in 1913. In his paintings of this period, Ernst adopted an ironic style that juxtaposed grotesque elements alongside Cubist and Expressionist motifs. Ernst fought in world war I. Several German Expressionist painters died in action during the war, among them August Macke and Franz Marc. In 1918, Ernst was demobilised and returned to Cologne. He soon married art history student Luise Straus, of Jewish ancestry, whom he had met in 1914. In 1919, he visited Paul Klee in Munich and studied paintings by Giorgio de Chirico. In the same year, inspired by de Chirico and mail-order catalogues, teaching-aide manuals and similar sources, he produced his first collage works (notably Fiat modes, a portfolio of lithographs), a technique which later dominated his artistic pursuits. Also in 1919, Ernst, social activist Johannes Theodor Baargeld and several colleagues founded the Cologne Dada group. In 1919–20, Ernst and Baargeld published various short-lived magazines such as Der Strom, die Schammade and organised Dada exhibitions. Ernst and Luise's son Ulrich Jimmy Ernst was born on 24 June 1920; he later would also become a painter. In 1921, he met Paul Éluard, who became a lifelong friend. Éluard bought two of Ernst's paintings (Celebes and Oedipus Rex) and selected six collages to illustrate his poetry collection Répétitions. A year later the two collaborated on Les malheurs des immortels and then with André Breton, whom Ernst met in 1921, on the magazine Littérature. Ernst developed a fascination with birds which was prevalent in his work. His alter ego in paintings, which he called Loplop, was a bird. He suggested that this alter-ego was an extension of himself stemming from an early confusion of birds and humans. In 1927, he married Marie-Berthe Aurenche and it is thought his relationship with her may have inspired the erotic subject matter of The Kiss and other works of that year. He collaborated with Joan Miro on designs for Sergei Diaghilev Ballet that same year. The following year the artist collaborated with Salvador Dali and the Surrealist Luis Bunuel on the film L'Age d'or. His first American show was held at the Julien Levy Gallery, New York, in 1932. In 1936 Ernst was represented in Fantastic Art, Dada, Surrealism at the Museum of Modern Art in New York. Ernst began to sculpt in 1934 and spent time with Alberto Giacometti. In 1938, the American heiress and artistic patron Peggy Guggenheim acquired a number of Max Ernst's works, which she displayed in her new gallery in London. Ernst and Guggenheim were married from 1942 to 1946. In September 1939, the outbreak of World War II caused Ernst, being German, to be interned as an "undesirable foreigner" in Camp des Milles, near Aix-en-Provence, along with fellow surrealist, Hans Bellmer, who had recently emigrated to Paris. He had been living with his lover and fellow surrealist painter, Leonora Carrington who, not knowing whether he would return, saw no option but to sell their house to repay their debts and leave for Spain. Thanks to the intercession of Paul Éluard and other friends, including the journalist Varian Fry, he was released a few weeks later. Soon after the German occupation of France, he was arrested again, this time by the Gestapo, but managed to escape to America with the help of Fry and Peggy Guggenheim, a member of a wealthy American art collecting family. Ernst and Peggy Guggenheim arrived in the United States in 1941 and were married at the end of the year. Along with other artists and friends (Marcel Duchamp and Marc Chagall) who had fled from the war and lived in New York City, Ernst helped inspire the development of abstract expressionism. His marriage to Guggenheim did not last. In October 1946 he married American surrealist painter Dorothea Tanning in a double ceremony with Man Ray and Juliet P. Browner in Beverly Hills, California. The couple made their home in Sedona, Arizona from 1946 to 1953. He and Tanning hosted intellectuals and European artists such as Henri Cartier-Bresson and Yves Tanguy. Sedona proved an inspiration for the artists and for Ernst, who compiled his book Beyond Painting and completed his sculptural masterpiece Capricorn while living in Sedona. As a result of the book and its publicity, Ernst began to achieve financial success. From the 1950s he lived mainly in France. In 1954 he was awarded the Grand Prize for painting at the Venice Biennale. In 2005, "Max Ernst: A Retrospective" opened at the Metropolitan Museum of Art. Contemporary artist tapestries have had their true believers. He produced a tapestry for Gloria Ross...
Category

Surrealist 1960s Abstract Prints

Materials

Lithograph

Original Op Art Abstract Color Screenprint "Planetary Folklore" Signed #2/250
Located in Portland, OR
A Op Art abstract color screenprint, "Planetary Folklore" 1968, by Victor Vasarely (1906-1997). This very striking work by Vasarely is comprised of various colorful geometric shapes, the work is signed lower right "Vasarely" and numbered lower left "2/250. This is an early and crisp impression in excellent condition and housed under glass in a gilt & silvered hardwood frame. This very eye-catching work by one of the 20th century's leading Op artists is ready to hang on your wall. 14" x 14.50" at sight without frame Numered 2/250 A Franco-Hungarian painter, Victor Vasarely (1906-1997) first studied medicine before turning to art. In Budapest, he frequented artists from the Hungarian Bauhaus...
Category

Op Art 1960s Abstract Prints

Materials

Lithograph, Handmade Paper, Color, Screen

Marc Chagall - Opera
Located in OPOLE, PL
Marc Chagall (1887-1985) - Opera Lithograph from 1965. Dimensions of work: 32 x 23.5 cm. Publisher: André Sauret, Monte Carlo. The work is in Excellent condition.
Category

Abstract 1960s Abstract Prints

Materials

Lithograph

Pink Pop Art "In the Sun", 1960s
Located in Washington, DC
Psychedelic silkscreen work by Noche Crist (1909- 2004). Self printed by the artist. Wonderful work and one of only two remaining from her estate. Image is from her "In the Sun" ser...
Category

Pop Art 1960s Abstract Prints

Materials

Paper

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