Abstract Abstract Prints
ABSTRACT STYLE
Beginning in the early 20th century, abstract art became a leading style of modernism. Rather than portray the world in a way that represented reality, as had been the dominating style of Western art in the previous centuries, abstract paintings, prints and sculptures are marked by a shift to geometric forms, gestural shapes and experimentation with color to express ideas, subject matter and scenes.
Although abstract art flourished in the early 1900s, propelled by movements like Fauvism and Cubism, it was rooted in the 19th century. In the 1840s, J.M.W. Turner emphasized light and motion for atmospheric paintings in which concrete details were blurred, and Paul Cézanne challenged traditional expectations of perspective in the 1890s.
Some of the earliest abstract artists — Wassily Kandinsky and Hilma af Klint — expanded on these breakthroughs while using vivid colors and forms to channel spiritual concepts. Painter Piet Mondrian, a Dutch pioneer of the art movement, explored geometric abstraction partly owing to his belief in Theosophy, which is grounded in a search for higher spiritual truths and embraces philosophers of the Renaissance period and medieval mystics. Black Square, a daringly simple 1913 work by Russian artist Kazimir Malevich, was a watershed statement on creating art that was free “from the dead weight of the real world,” as he later wrote.
Surrealism in the 1920s, led by artists such as Salvador Dalí, Meret Oppenheim and others, saw painters creating abstract pieces in order to connect to the subconscious. When Abstract Expressionism emerged in New York during the mid-20th century, it similarly centered on the process of creation, in which Helen Frankenthaler’s expressive “soak-stain” technique, Jackson Pollock’s drips of paint, and Mark Rothko’s planes of color were a radical new type of abstraction.
Conceptual art, Pop art, Hard-Edge painting and many other movements offered fresh approaches to abstraction that continued into the 21st century, with major contemporary artists now exploring it, including Anish Kapoor, Mark Bradford, El Anatsui and Julie Mehretu.
Find original abstract paintings, sculptures, prints and other art on 1stDibs.
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Style: Abstract
Period: 1980s
Foment
Located in San Francisco, CA
Artist: Maggie Hazell-Rosen – American (1919-2010)
Title: Foment
Year: circa 1990
Medium: Monotype
Image size: 12.5 x 11.75 inches.
Framed size: 28.25 x 24 inches
Signature: Signed...
Category
1980s Abstract Abstract Prints
Materials
Monotype
Swan Engraving IV, from Swan Engravings
By Frank Stella
Located in London, GB
Etching and relief, 1982, on white TGL handmade paper, signed and dated in pencil, lower right: F. Stella ‘82, numbered from the edition of 30, workshop number in pencil, verso, printed by published by Tyler Graphics, Ltd., Bedford Village, New York, with their blindstamp, 169.5 x 129.5 cm. (66¾ x 51 in.)
Swan Engravings is one of Stella’s most extensive printmaking projects to date, including twenty-five prints published over a three year period. The name for the series itself comes from the Swan Engraving Company in Bridgeport, Connecticut with whom Stella worked with. The series was initiated by nine large-scale black and white intaglio...
Category
1980s Abstract Abstract Prints
Materials
Etching
ZAO WOU-KI - L’encre, l’eau, l’air, la couleur. Encre de Chine et aquare
By Zao Wou-Ki
Located in BRUCE, ACT
ZAO WOU-KI (1920-2013) and Philippe DAGEN (born in 1959).
L’encre, l’eau, l’air, la couleur. Encre de Chine et aquarelles 1954 - 2007.
Paris : Albin Michel. 2008.
In-folio (455 x ...
Category
1980s Abstract Abstract Prints
Materials
Lithograph
Ipotesi di piegatura:3, 4, 5, 6 -Set of 4 Screen Prints by R. Boero - 1980
By Renata Boero
Located in Roma, IT
The four works are part of the portfolio named "Ipotesi di piegatura" (Folding Theories).
Hand titled by the artist. 3 pieces are unsigned, while the fourth is signed lower right. ...
Category
1980s Abstract Abstract Prints
Materials
Screen
The visible of the invisible-Blu composition - Screenprint by Italo Bressan-1989
Located in Roma, IT
The visible of the invisible - Blu composition is an original contemporary artwork realized by Italo Bressan in 1989.
Mixed colored screen print.
Hand ...
Category
1980s Abstract Abstract Prints
Materials
Screen
Désertique
Located in Paris, FR
Lithograph, 1981
Handsigned by the artist in pencil and numbered 45/100
Publisher : Maeght - Lelong SA (Paris)
Printer : Pierre Badey (Paris)
Catalog : Mason Putman 390
LCD5156
Category
1980s Abstract Abstract Prints
Materials
Lithograph
California Abstract Expressionist Linocut Lithograph Sepia Print Edition of 6
Located in Surfside, FL
Untitled, 1983, lithograph printed in sepia ink,
Hand signed and dated lower right, numbered in pencil with the artist's chop mark lower left, inscribed
by artist. From a series of experimental abstract linocuts done in 1983. These are very small editions and were gifted to a friend of the artist. They are done on deckle edged French Arches Art paper.
Hans Gustav Burkhardt (1904 – 1994) was a Swiss-American abstract expressionist artist.
Hans Burkhardt was born in the industrial quarter of Basel, Switzerland. Captivated by Germanic art, he began dabbling in art in his spare time while learning how to decorate furniture in antique styles. He became foreman of the furniture company's decorating department. From 1925 to 1928 he attended the Cooper Union School of the Arts, where he befriended mentor Arshile Gorky and Willem de Kooning—sharing Gorky's studio from 1928 to 1937.
Burkhardt's paintings of the 1930s are part of the genesis of American abstract expressionism. In 1937 he moved to Los Angeles and represented the most significant bridge between New York and Los Angeles. His experimental investigative approach paralleled, and in many instances anticipated, the development of modern and contemporary art in New York and Europe including the work of Mark Rothko, Jackson Pollock, and Barnett Newman.
Burkhardt held his first solo exhibition in 1939 at Stendahl Gallery in Los Angeles, arranged by Lorser Feitelson, and, in response to the Spanish Civil War, he painted his first anti-war works. From the late 1930s he began to produce apocalyptic anti-war compositions, a theme which became particularly pronounced in an abstract expressionist style after the atom bomb was dropped on Hiroshima and Nagasaki at the end of the Second World War. In the years following an acclaimed (1945) solo exhibition at the Los Angeles County Museum, Burkhardt continued in his art to respond to WWII, in the aftermath of Gorky's suicide in 1948, Burkhardt delved into his grief and celebration of Gorky's life creating several versions of “Burial of Gorky” and a series entitled “Journey into the Unknown.” Burkhardt first visited Mexico in 1950, and spent the next decade living half of the year in and around Guadalajara. Strongly influenced by Mexican attitudes towards the dead, and by the country's colors, sensuality, and spiritual qualities, Burkhardt “painted the soul of Mexico” with Mexican themes and colors—especially those of burials and ceremonies surrounding death—permeating his abstract work. His Mexican work flirted with Surrealism although he was never really considered a Surrealist artist. Art critics of the time considered him a "great Mexican master” alongside Orozco, Diego Rivera, and Siqueiros, and Rufino Tamayo admired his work. Overall, in the 1950s Burkhardt held 23 solo exhibitions in Los Angeles and Mexico, and participated in group shows at over thirty museums worldwide. He was friends with June Wayne from Tamarind Press.
In the 1960s he produced paintings in protest against the Vietnam War, some of which incorporated the human skulls he had collected from Mexican graveyards. As art historian Donald Kuspit stated, Burkhardt was “a master—indeed the inventor—of the abstract memento mori.” In 1964, for the first time in forty years, Burkhardt returned to Basel, and began making annual summer visits where he became a friend of Mark Tobey—printing linocuts for the artist and collecting his work. In the 1970s Burkhardt continued his anti-war paintings—incorporating protruding wooden spikes into the canvas—while simultaneously painting abstractions of merging lovers and cityscapes during his summer visits to Basel. His “Small Print” (protesting smoking), “Graffiti,” and “Northridge” series demonstrate the evolution of his symbolism, and his “Desert Storms” series, in response to Iraq's invasion of Kuwait, was discussed by critic Peter Selz at a presentation at the International Congress of Art Critics Conference.
In the last decades of his life, Burkhardt's work had moved from images of imbalance to a study of human tragedy—which he embraced in an attempt to discover beauty and facilitate understanding. Critic Peter Frank called Burkhardt “…one of America’s most vital abstract expressionist painters, someone who took the seed of the movement and cultivated it a rather different way in very different soil.”
Burkhardt taught at numerous colleges and universities and retired as a professor emeritus from California State University, Northridge. In 1992 Burkhardt was honored as the recipient of the Lifetime Achievement Award by the American Academy and Institute of Arts and Letters’ Jimmy Ernst (son of Max Ernst) Award. Also in 1992, he established the Hans G. and Thordis W. Burkhardt Foundation. In 1993, the last year of his career, his final series “Black Rain” channeled pain and hardship, but provided poignant, symbolic beacons of hope and wishes for a better future for humanity. His unique role as an important American painter is affirmed by the constant interest and continuing reassessment afforded his work.
Select Solo exhibitions
1939: Stendahl Gallery, Los Angeles, March 27 – April 17
1945: Hans Burkhardt, Los Angeles County Museum of Art
1951: Museo de Bellas Artes, Guadalajara, Mexico: Exhibición de Pinturas Modernas; Comara Gallery, Los Angeles
1953: Fisher Gallery, University of Southern California, Los Angeles
1957: Pasadena Art Museum, California: Ten Year Retrospective, June 14 – July 14;
1968: San Diego Museum of Art: Vietnam Paintings...
Category
1980s Abstract Abstract Prints
Materials
Lithograph, Linocut
Red Composition - Screen Print by Otto Hofmann - 1989
By Otto Hofman
Located in Roma, IT
Red composition is a contemporary artwork realized by Otto Hofmann in 1989.
Mixed colored screen print.
Hand signed on the lower right margin.
Numbered on the lower left. Edition ...
Category
1980s Abstract Abstract Prints
Materials
Screen
"Pink Sky" Abstract Geometric Screen Print, 7/30
Located in Soquel, CA
Colorful and bright limited edition abstract silkscreen print with fun colors and bold geometric shapes arranged in a lively, dynamic composition by Harvey Daniels (English, 1936-201...
Category
1980s Abstract Abstract Prints
Materials
Ink, Screen, Paper
Victory of white
Located in Paris, FR
Lithograph, 1980
Handsigned by the artist in pencil and annotated EA
Edition : 100
Publisher : Maeght (Paris)
Printer : Pierre Badey (Paris)
Catalog : Mason Putman 355
59.00 cm. x 83...
Category
1980s Abstract Abstract Prints
Materials
Lithograph
Jean Marie Haessle Abstract Geometric Op Art Silkscreen Lithograph Print
Located in Surfside, FL
Jean Marie Haessle, French-American (1939-)
Serigraph silkscreen
Hand signed in pencil and numbered
Bermuda Triangle (Blue background)
1980
Jean Ma...
Category
1980s Abstract Abstract Prints
Materials
Lithograph, Screen
Odon II, Abstract Screenprint by Larry Zox
By Larry Zox
Located in Long Island City, NY
Artist: Larry Zox
Title: Odon II
Year: 1981
Medium: Serigraph, Signed and numbered in Pencil
Edition: 38/185
Size: 42 x 30 in. (106.68 x 76.2 cm)
Category
1980s Abstract Abstract Prints
Materials
Screen
Blue Composition - Original Screen Print by Otto Hofmann - 1989
By Otto Hofman
Located in Roma, IT
Blue is an original contemporary artwork realizedby Otto Hofmann in 1989.
Mixed colored screen print.
Hand signed on the lower right margin.
Numbered on the lower left. Edition of...
Category
1980s Abstract Abstract Prints
Materials
Screen
Composition - ScreenPrint by Carmelo Cappello - 1986
Located in Roma, IT
Composition is an original artwork realized by Carmelo Cappello in 1985.
Colored screen print on paper.
The print is hand-signed and dated in pencil on the lower right. Numbered on...
Category
1980s Abstract Abstract Prints
Materials
Screen
"Untitled" screenprint by artist Pierre Soulages from "Kinderstern" portfolio
Located in Boca Raton, FL
"Untitled" abstract screenprint (Encrevé/Miessner Kat. N° 113) by artist Pierre Soulages from the "Kinderstern" portfolio published by Edition Domberger to raise money to house famil...
Category
1980s Abstract Abstract Prints
Materials
Screen
Abstract Color Field Gradient Lithograph Eric Orr Poligrafia Barcelona LA Artist
By Eric Orr
Located in Surfside, FL
Eric Orr, (American 1939-1998)
In Barcelona, 1989,
Color lithograph, hand signed in pencil and numbered from edition of 75
sheet 30 x 22",
Published by Poligrafia
Eric Orr (1939–1998) is an artist who lived and worked in Venice, California from 1965–1998. Before moving to Los Angeles in 1965, Orr was a civil rights worker in Mississippi. A key figure of the Light and Space movement, Orr developed alongside Southern California conceptual art and created perceptual-based installations commonly associated with Light and Space art. Orr's work spanned a variety of artistic practices (including installation art, sculpture, painting, and performance art that challenged the definition of art making. Orr's work incorporated a broad range of cultural references, including space icons found in ancient religions and cultures, Egyptian symbolism, and Buddhist spiritualism.
Orr participated in a number of international exhibitions during his life, including documenta VII (1982), the Sydney Biennale (1986), and the Venice Biennale (1986). His work can be found in many public and private collections, including the Los Angeles County Museum of Art; the Whitney Museum of American Art, New York; the Solomon R. Guggenheim Museum, New York; the San Francisco Museum of Modern Art; and the Centre Pompidou, Paris; Orr died in Venice, California, in 1998." His archives are available at The Getty Research Institute.
In both his installations, sculpture and paintings, Eric Orr worked with elemental qualities of natural materials, e.g. stone, metal, water, and fire, gold leaf, lead, blood, human skull, and AM/FM radio parts. Orr worked with the "phenomenological exploration of perception." His body of work also includes monochromatic paintings, and large scale fountains (with water & fire). His work was influenced by a religio-philosophical conceptualization of space icons found in ancient religions and cultures, such as Egyptian symbolism and Buddhist Spiritualism. Orr is associated with Light and Space, a group of mostly West Coast artists whose work is primarily concerned with perceptual experience stemming from the viewer's interaction with their work. "The space itself changes you, instead of an object." This group also includes, among others, artists James Turrell, Dewain Valentine...
Category
1980s Abstract Abstract Prints
Materials
Lithograph
Jupiter 5 (Edition 5/295)
Located in New York, NY
Rafael Bogarin (Venezuelan 1946 - ) "Jupiter 5" Edition 5/295, Abstract Geometric Serigraph signed, titled and numbered in Pencil, 28 x 22.50, Late 20th Century, 1981
Colors: Blue, ...
Category
1980s Abstract Abstract Prints
Materials
Screen
Grey Composition - Screen Print by Otto Hofmann - 1989
By Otto Hofman
Located in Roma, IT
Grey composition is an original contemporary artwork realizedby Otto Hofmann in 1989.
Mixed colored screen print.
Hand signed on the lower right margin....
Category
1980s Abstract Abstract Prints
Materials
Screen
Untitled (SFE-013), Colorful Abstract Etching by Sam Francis
By Sam Francis
Located in Long Island City, NY
Untitled (SFE-013)
Sam Francis, American (1923–1994)
Date: 1984
Aquatint on Somerset, signed and numbered in pencil
Edition of AP, 17
Image Size: 23.75 x 8 inches
Size: 32.5 x 16 in. (82.55 x 40.64 cm)
Frame Size: 43 x 27 inches
Printer: Jacob Samuel...
Category
1980s Abstract Abstract Prints
Materials
Etching, Aquatint
Untitled - Lithograph by Sam Francis - 1986
By Sam Francis
Located in Roma, IT
Untitled is an original contemporary artwork realized by Sam Francis in 1986
Lithograph on BFK Rives.
Hand signed on the lower right margin.
Numbered on the lower left margin.
Edition of 23/55.
Dryp stamp of the Editor The Litho Shops Inc Santa Monica. George Page...
Category
1980s Abstract Abstract Prints
Materials
Lithograph
Red Composition - Print by Otto Hofmann - 1989
By Otto Hofman
Located in Roma, IT
Red composition is an original contemporary artwork realizedby Otto Hofmann in 1989.
Mixed colored screen print.
Hand signed on the lower right margin.
...
Category
1980s Abstract Abstract Prints
Materials
Screen
Untitled (SF-314) Michel Waldberg: Sky Poems
By Sam Francis
Located in London, GB
SAM FRANCIS 1923-1994
San Mateo, California 1923 – 1994 Santa Monica (American)
Title: Untitled (SF-314) Michel Waldberg: Sky Poems Michel Waldberg: Poèmes dans le Ciel...
Category
1980s Abstract Abstract Prints
Materials
Lithograph
Man in a Harness
By Alice Neel
Located in New York, NY
A very good impression of this color lithograph on Arches. Signed, dated and numbered 88/100 in pencil by Neel. Published by Eleanor Ettinger, Inc., New York, with the blind stamp lo...
Category
1980s Abstract Abstract Prints
Materials
Color, Lithograph
Untitled - Etching by Martin Bradley - 1983
Located in Roma, IT
Untitled is an original is an original modern artwork realized by the English artist Martin Bradley (b. 1931) in 1983.
An amazing mixed co...
Category
1980s Abstract Abstract Prints
Materials
Etching
Collectors Limited Edition 1980's warm colourful abstract geometric graphic 2
Located in Norfolk, GB
Canton II
Limited Edition, unframed silkscreen print
Size unframed: 100cm x 80cm
Available both as a unique print or as part of the Triptych, Canton I, II & III (see separate listin...
Category
1980s Abstract Abstract Prints
Materials
Screen, Archival Paper
Blue Composition - Screen Print by Otto Hofmann - 1989
By Otto Hofman
Located in Roma, IT
Blue composition is an original contemporary artwork realizedby Otto Hofmann in 1989.
Mixed colored serigraph.
Hand signed on the lower right margin.
Numbered on the lower left. A...
Category
1980s Abstract Abstract Prints
Materials
Screen
Mojo, Abstract Screenprint by Dan Christensen
Located in Long Island City, NY
Artist: Dan Christensen, American (1942 - 2007)
Title: Mojo
Year: circa 1980
Medium: Silkscreen, Signed and numbered in Pencil
Edition: 11/175
Size: 43 in. x 29.5 in. (109.22 cm x 74...
Category
1980s Abstract Abstract Prints
Materials
Screen
Grey Compostion - Original Screen Print by Otto Hofmann - 1989
By Otto Hofman
Located in Roma, IT
Grey composition is an original contemporary artwork realized by Otto Hofmann in 1989.
Mixed colored screen print.
Hand signed on the lower right margin.
Artist's proof.
The artw...
Category
1980s Abstract Abstract Prints
Materials
Screen
Early Spring, Abstract Screenprint by Arnold Hoffmann
Located in Long Island City, NY
Artist: Arnold Hoffman, Jr., American (1915 - 1991)
Title: Early Spring
Year: circa 1980
Medium: Silkscreen, signed and numbered in pencil
Edition: 19/6...
Category
1980s Abstract Abstract Prints
Materials
Screen
Untitled
Located in Fairlawn, OH
Untitled
Monotype printed in colors, c. 1980
Signed in pencil lower right (see photo)
Condition: Excellent
Sheet size: 42 x 30 inches
Provenance: Distinguished Midwest Private Collec...
Category
1980s Abstract Abstract Prints
Materials
Monotype
Lettres
Located in Paris, FR
Engraving, 1989
Handsigned by the artist in pencil and numbered V/XXVI
Printer : atelier pasnic (Paris)
Moulin Laroque paper
LCD5207
Category
1980s Abstract Abstract Prints
Materials
Engraving
Grey Composition - Screen Print by Otto Hofmann - 1989
By Otto Hofman
Located in Roma, IT
Grey composition is an original contemporary artwork realizedby Otto Hofmann in 1989.
Mixed colored screen print.
Hand signed on the lower right margin....
Category
1980s Abstract Abstract Prints
Materials
Screen
Elena's Dream
Located in San Francisco, CA
Artist: Jean-Marie Haessle - French/American (1939-)
Title: Elena's Dream
Year: 1980
Medium: Screen Print
Sight size: 20 x 26 inches.
Sheet size: 23 x 29 inches.
Signature: Signed lower right
Edition: 295 This one: 58/295
Condition: Very good
Unframed
This bold abstract geometric print is by the well-known French/American artist, Jean-Marie Haessle (1939- ). It is in very good, never-framed condition with no flaws to note.
Jean Marie Haessle was born in Buhl, Haut-Rhin, France. After living for a few years in Paris, he moved to New York City in 1967 where he still works and lives in his studio on Spring Street in Soho. Over the years, he had numerous shows in the US, New York, Miami, Texas and California, France and Italy (see the resume). In the mid-80’s he worked for a period in France (Paris, Lyon, and Cannes). In the late 90’s he worked in Mexico (San Miguel de Allende) where he had a one person show in 1997 in the Museo de Art in Queretaro. He had a survey exhibition of the last 30 years of his work at the Korean University Museum, Seoul, Korea in spring 2014 and a major one person show in the Namu Modern &Contemporary gallery in Seoul in September of the same year. In September 2016 he had a sold out show at the Wada Garou gallery in Tokyo, Japan. In recent years, he had numerous shows in Korea, Seoul and Busan as well as in Japan, Tokyo, Kyoto, and Osaka.
One-Person Exhibitions
2021 Mizuma, Kips Gallery New York, USA
2020 Shijimi Gallery and Wada Garou, Tokyo, Japan
Mizuma, Kips Gallery New York, USA
Keumsan Gallery, Seoul, Korea
2019 Mizuma, Kips & Wada Art, New York, USA
2018 Wada Garou, Tokyo, Japan
Superior Gallery, Gangnam Seoul Korea
2017 Foley Gallery, New York, USA
KOUDOURAN, Kyoto, Japan
2016 Wada Garou Gallery, Tokyo, Japan
2015 Soohoh Gallery, Korea
Kips Gallery New York, USA
2014 Paintings 1983 – 2013, Korea University Museum, Seoul, Korea
NaMu Modern & Contemporary, Seoul, Korea
2013 Wada Garou Gallery Tokyo, Japan
Keumsan Gallery, Seoul, Korea
2012 Hillwood Art Museum, LIU Post, NU USA
Gallery Wooduk. Seoul Korea
SOOHOH Gallery, Seoul, Korea
bcs Gallery, Long Island City, NY, USA
2011 Chantal Bamberger Galerie, Strasbourg, France
Whitelabs Gallery, Milan, Italy
Kips Gallery New York, NY USA
2010 David Richard Contemporary, Santa Fe NM, USA
Gallery AKA Space, Seoul Korea
Gallery One Tokyo, Japan
2009 Kips Gallery New York, NY USA
La Minoterie Penze, France
2008 Galerie Claire Gastaud, Clermont-Ferrand, France
Kips Gallery, New York, NY USA
2007 Kips Gallery, New York, NY USA
2000 Gallery Yvonamor Palix, Mexico DF Mexico
1997 Galerie Gastaud & Caillard, Paris France
Galerie Prebet, Roanne France
Galerie de la Tour, Altkirch France
Ecole des Beaux Arts de Metz, Metz France
Kunsthous Santa Fe, San Miguel de Allende Mexico
Museo de Art, Queretaro Mexico
Museo Regional de Tlaxcala, Tlaxcala Mexico
1996 Kim Foster Gallery, New York NY USA
Galerie Gastaud, Clermont-Ferrand France
1995 Kim Foster Gallery, New York NY USA
Galerie Gastaud & Caillard, Paris France
Center Europeen d'action Artistiques Contemporaines, Strasbourg France
Galerie Athisma, Lyon France
1994 Chateau du Grand Jardin, Joinville France
1993 Galerie Catherine Fletcher, Paris France
1991 Galerie Gastaud, Clermont-Ferrand France
Galerie Athisma, Lyon France
1989 FCI Institut, New York NY USA
Galerie Jade, Colmar France
Galerie Laurentienne, Bordeaux France
1988 Galerie Lucien Durand, Paris France
1987 Galerie Lucien Durand, Paris France
Guggenheim Gallery, Miami Florida USA
1986 LittleJohn-Smith Gallery, New York NY USA
1985 Reynold Kerr Gallery, New York NY USA
Taylor Hudson Gallery, Boca Raton Florida USA
1981 Gabrielle Bryers Gallery, New York NY USA
1980 RR Gallery, New York NY USA
1979 National Academy of Sciences, Washington DC USA
The Atlantic Gallery, Washington DC USA
1973 Westbroadway Gallery, New York NY USA
1972 Westbeth Gallery, New York NY USA
1968 Panoras Gallery, New York NY USA
Selected Group Exhibitions
2021 KIAF art fair Seoul, Korea
Busan Art Fair, Kips gallery, Busan, Korea
Miami art fair, Miami, USA
2019 Busan Art Fair, Kips gallery, Busan, Korea
Kiaf Art Fair, Mizuma, Kips & Wada Art, Seoul, Korea
Osaka art fair, Wada Garou, Tokyo, Japan
2018 Mizuma, Kips & Wada Art, New York, NY USA
Busan Art Fair, Kips gallery, Busan, Korea
Wada Garou, Tokyo, Japan
2017 Busan Art fair, Kips Gallery, Busan, Korea
2016 Busan Art fair, Kips Gallery, Busan, Korea
Art Hamptons, Kips Gallery, NY USA
Busan Museum of Art, Busan, Korea
“Master Works” Galerie Claire Gastaud, Clermont-Ferrand France
“Diaspora in Contemporary Art” Permanent Mission of the
Republic of Korea to the United Nation , NY USA
Corps Accords Pôle Culturel, Drusenheim, France
Salon Zurcher, Zurcher Gallery, New York, NY USA
2015 Palm Springs Art Fair, Kips Gallery, CA USA
Houston Art Fair, Kips Gallery, Houston TX, USA
Art Hamptons, Kips Gallery, NY USA
KIAF Art Fair, Kips Gallery, Seoul, Korea
Busan Art fair, Kips gallery, Busan Korea
2014 CIGEE China International Gallery Exposition, Kips Gallery, Beijing, China
Palm Springs Art Fair, Kips gallery, CA USA
Houston Art Fair, Kips Gallery, Houston TX, USA
Art Hamptons, Kips Gallery, NY USA
KIAF Art Fair, Kips Gallery, Seoul, Korea
David Richard Contemporary, Santa Fe NM USA
2013 Art Hamptons, Kips gallery, NY USA
Houston Art Fair, Kips gallery, Houston, TX USA
KIAF Art Fair, Keumsan Gallery, Seoul, Korea
2012 Art Karlsruhe Germany, Galerie Chantal Bamberger
Kips Gallery, New York, NY USA
Lee C gallery, Seoul Korea
2011 KIAF Art Fair, Kips Gallery, Seoul Korea
St-Art, Galerie Chantal Bamberger, Strasbourg France
Houston Art Fair, DavidRichard Conremporary, TX, USA
Red Dot Art Fair, Kips Gallery, New York, NY, USA
Red Dot Art Fair, Miami, FL, USA
Art Chicago, Kips Gallery, New York, NY, USA
Wada Garou, Tokyo Japan
San Francisco Art Fair, Kips Gallery NY, USA
Dallas Art Fair, DavidRichard Contemporary Santa Fe, NM, USA
2010 David Richard Contemporary, Santa Fe, NM, USA
Claire Gastaud Galerie, Clermont-Ferrand, France
KIAF Art Fair, Kips Gallery, Seoul Korea
Korean Art Fair, New York, NY
Hong Kong Art Fair, Kips gallery
Hamptons Art Fair, USA Kips gallery
2009 Kips Gallery, New York NY 10012
Scope Art Fair Miami, Kips Gallery NY, USA
2008 Bridge Art Fair Miami, Kips Gallery, Fl. USA
2007 Kips Gallery, New York NY, USA
2004 Mexico Arte Contemperano, Gallery Yvonamor Palix, Mexico DF
2003 Galerie Kahn, Strasbourg, France
2002 Art Chicago, Yvonamor Palix Gallery, Chicago USA
St-Art, Galerie Khan, Strasbourg France
Art Paris, Galerie Claire Gastaud, Paris France
2001 Art Chicago, Yvonamor Palix Gallery, Chicago USA
2000 Art Chicago, Yvonamor Palix Gallery, Chicago USA
En construccion, Universidad de Guanajuato, Guanajuato, Gto Mexico
Nomad Territories, DFN Gallery, New York NY USA
1999 Gallery Yvonamor Palix, Mexico DF Mexico
1998 Albright-Knox Galleries, Buffalo NY USA
Galerie Gastaud, Clermont-Ferrand France
1997 Kim Foster Gallery, New York NY USA
Galerie Gastaud, Clermont-Ferrand France
Eric Linard Galerie, La Garde Adhemar France
Museo de Arte, Queretaro Mexico
1996 Art Chicago, Kim Foster gallery, Chicago USA
"Blue" Broadway Gallery, New York NY USA
1995 Galerie Cocotier, St Etienne France
Centre Europeen d'Action Artistiques Contemp., Strasbourg France
1994 Kim Foster Gallery, New York NY USA
Galerie Catherine Fletcher, Paris France
Foster-Peet Gallery, New York NY USA
1993 Andover-White Gallery, New York NY USA
Galerie Athisma, Lyon France
Cavaliero/Navarra Fine Arts, New York NY USA
1992 Cavaliero/Navarra Fine Arts, New York NY USA
"Contemporary Works on Paper" Gallery Standhal, New York NY USA
Foster-Peet Gallery, New York NY USA
1991 Cavaliero Fine Arts, New York NY USA
Salon de Montrouge, Paris France
Galerie Lucien Durand, Paris France
1990 Galerie Lucien Durand, Paris France
Galerie Jade Colmar, France, Chicago International
Art Fair, Chicago, USA
1989 Galerie Lucien Durand, Paris France
1988 Salon de Montrouge, Paris France
Galerie Lucien Durand, Paris France
1987 Art Barn Association, Washington DC USA
LittleJohn-Smith Gallery, New York NY USA
Galerie Jade Colmar France
1986 LittleJohn-Smith Gallery, New York USA
1985 Reynold Kerr Gallery, New York NY USA
1984 Reynold Kerr Gallery, New York NY USA
1983 Cavaliero Fine Arts, Kunstmess, Basel Switzerland
Galerie Bertin, Lyon France
1982 Cavaliero Fine Arts, Kunstmess, Basel Switzerland
1981 Gabrielle Bryers Gallery, New York NY USA
1980 Gabrielle Bryers Gallery, New York NY USA
1979 Katheryn Markel Gallery, New York NY USA
Haber-Theodore Gallery, New York NY USA
1977 The Aldrich Museum of Contemporary Art, Ridgefield, CT USA
Contemporary Reflexions. Untitled, acrylic and pencil on wall.
1977 Robert Friedus Gallery, New York NY USA
OIA, New York NY USA
1976 Fine Art Gallery, New York NY USA
1975 "Young Talent Festival" "75"Union Carbide, New York NY USA
1974 "Young Talent Festival" Pace Editions, New York NY USA
"59th Annual Juried Exhibition" Hudson River Museum, Yonkers NY
1973 Springfield Art Association, Springfield CT USA
Works on Paper, Triangle Church, New York NY USA
"Young Artists 73" Union carbide, New York NY USA
New York Contemporary Graphic Exhibition, Taiwan Museum, Taipei
1972 Palace of Fine Arts, Mexico DF Mexico
Albright-Knox Gallery, Buffalo NY USA
"9th Annual print Exhibition" Silvermine Guild, New Canaan, CT USA
1971 Martha Jackson Gallery, New York NY USA
Cornell University, Ithaca NY USA
Publications
1985 Renold Kerr Gallery, New York, NY USA Text by David Shaff
1989 Galerie Jade, Colmar France. The primary paintings of Haessle by
Frederick Ted Castle. Introduction by Jean-Yves Bainier
1994 Chateau du Grand Jardin, Joinville France. In memory of the body
Text by David Shapiro. Interview by Marc Vaudey. In French/English . ISBN 2-910695 -026
1994 Chateau du Grand Jardin, Joinville France. Edition of 200 exemplary
1995 Centre Europeen d’Action Artistiques Contemp., Strasbourg , France
Text by Gilbert Lascault. Interview by Jean-Yves Bainier. ISBN -2-910036-12 X
Hard cover. In French and English.
1995 HAESSLE 30 ans de peinture. Monograph 145 pages with 70 pages
Full color reproductions. Editions Alternatives ISBN : 2 86227 095 4
Text by David Shaff, David Shapiro, Jean-Yves Bainier.
Interview by Catherine Ulmer.
2008 Haessle, Selected works, M magazine, 15 pages all colors reproductions
2012 Haessle, paintings, Hillwood Art Museum, LIU Post NY. Text by Jonathan
Goodman (English), Bernard Zurcher (French) 52 pages, 35, color reproductions
2014 Haessle Paintings, 1983-2013, Korea University Art Museum. Text
by Jonathan Goodman (English, Korean) Robert Morgan...
Category
1980s Abstract Abstract Prints
Materials
Paper, Color, Screen
Rainbow Mountain, Silkscreen by Thomas W. Benton
Located in Long Island City, NY
Artist: Thomas W. Benton, American (1930 - 2007)
Title: Untitled - Rainbow Mountain
Year: 1981
Medium: Silkscreen, Signed and numbered in pencil
Edition: 250, XLV
Image Size: 3...
Category
1980s Abstract Abstract Prints
Materials
Screen
Yellow Composition - Screen Print by U. Mastroianni - 1980s
Located in Roma, IT
Yellow Composition is a contemporary artwork realized by Umberto Mastroianni, in the late 1980s.
Mixed colored screen print. Hand-signed by the artist on the lower right in pencil. ...
Category
1980s Abstract Abstract Prints
Materials
Screen
Blue Composition - Original Aquatint by Piero Dorazio - 1984
Located in Roma, IT
Aquatint on watermarked paper, hand-signed and hand-numbered in pencil on lower margin by Piero Dorazio. Edition of 55 prints.
Wonderful contemporary and abstract blue composition ...
Category
1980s Abstract Abstract Prints
Materials
Aquatint
Composition - Lithograph by U. Mastroianni - 1980s
Located in Roma, IT
Composition is a contemporary artwork realized by Umberto Mastroianni.
Mixed colored litograph. Hand-signed by the artist on the lower left in pencil. Numbered on the lower right in...
Category
1980s Abstract Abstract Prints
Materials
Lithograph
Lines - Original Etching by Guido Strazza - 1980 ca.
Located in Roma, IT
Limited edition of 25 prints in roman numberd (arab numbers edition not available). Beginning of 1980s, hand signed.
Category
1980s Abstract Abstract Prints
Materials
Etching
Mon Jardin Zoologique /// Contemporary Abstract Expressionist Animal Modern Art
Located in Saint Augustine, FL
Artist: Serge Helenon (French, 1934-)
Title: "Mon Jardin Zoologique"
*Signed by Helenon in pencil lower right
Year: 1989
Medium: Original Carborundum Engrav...
Category
1980s Abstract Abstract Prints
Materials
Engraving, Handmade Paper, Intaglio
FEMME PROFILE(Marie Therese Walter) Lithograph, Portrait Blonde Woman Blue Beret
Located in Union City, NJ
Artist: Pablo Picasso, After, Spanish (1881 - 1973)
Title: FEMME PROFILE(Marie Therese Walter) #15-A
Year of Original Artwork: 1937
Medium: Lithograph on Coventry Paper, 100% acid fr...
Category
1980s Abstract Abstract Prints
Materials
Lithograph
Mostly Mozart, Lincoln Center, Screenprint by Susan Crile
By Susan Crile
Located in Long Island City, NY
Mostly Mozart, Lincoln Center by Susan Crile, American (1942)
Date: 1985
Screenprint, signed, numbered, and dated in pencil
Edition of RP 3/5
Image Size:...
Category
1980s Abstract Abstract Prints
Materials
Screen
Composition for Lisa, Willem de Kooning
Located in Fairfield, CT
Artist: Willem de Kooning (1904-1997)
Title: Composition for Lisa
Year: 1984
Medium: Color silkscreen on wove paper
Edition: 250, plus proofs
Size: 17.75 x 23.25 inches
Condition: Ex...
Category
1980s Abstract Abstract Prints
Materials
Lithograph
Untitled, from: 12th Anniversary Galeria Joan Prats 1976-88 Portfolio
Located in London, GB
FRANCISCO TOLEDO 1940-2019
Juchitán de Zaragoza 1940-2019 Oaxaca (Mexican)
Title: Untitled, from: 12th Anniversary Galeria Joan Prats 1976-88 Portfolio, 1988
Technique: Original Hand Signed and Numbered Lithograph in Colours on Arches Wove Paper
Paper size: 56 x 38 cm. / 22 x 14.9 in.
Additional Information: This original lithograph in colours is hand signed in pencil by the artist “Toledo” in the centre right of the image.
It is also hand numbered in pencil from the edition of 100, next to the signature.
There were 20 artist’s proofs and 10 hors commerce [out of trade] impressions.
It was included in the portfolio “Carpeta Commemorativa 12e Aniversari” [Commemorative 12th Anniversary Portfolio], consisting of 20 lithographs and etchings by numerous artists.
The paper bears a partial Arches watermark in the upper right corner.
Note:
The contributing artists were: Sergi Aguilar, Frederic Amat...
Category
1980s Abstract Abstract Prints
Materials
Lithograph
Mountain, Large Abstract Expressionist Lithograph by Louisa Chase
By Louisa Chase
Located in Long Island City, NY
Artist: Louisa Chase
Title: Untitled (Mountain)
Year: 1987
Medium: Lithograph, Signed and Numbered in Pencil
Edition: 30
Paper Size: 44.5 x 30 Inches (111.76 x 76.2 cm)
Category
1980s Abstract Abstract Prints
Materials
Lithograph
Blue Composition - Screen Print by Otto Hofmann - 1989
By Otto Hofman
Located in Roma, IT
Blu composition is an original contemporary artwork realizedby Otto Hofmann in 1989.
Mixed colored screen print.
Hand signed on the lower right margin.
...
Category
1980s Abstract Abstract Prints
Materials
Screen
The Red and Yellow Structures - Original Screen Print by Renato Barisani - 1983
Located in Roma, IT
The Red and Yellow Structures is an original colored screen print realized by Renato Barisani in 1983.
Hand-signed and dated in pencil on the lower right. Numbered in pencil on the...
Category
1980s Abstract Abstract Prints
Materials
Screen
Untitled, 1986
By Sam Francis
Located in Palo Alto, CA
Created on 1986, Sam Francis Untitled, 1986 is a monotype in colors on hand made paper. This work is stamped with the artist’s stamp signature and Sam Francis Estate stamp on verso. ...
Category
1980s Abstract Abstract Prints
Materials
Ink, Oil, Watercolor, Handmade Paper, Pigment, Monotype
Tete de Femme, Lithograph, Abstract Portrait Head, Woman in Hat Terra Cotta Pink
Located in Union City, NJ
Artist: Pablo Picasso, After, Spanish (1881 - 1973)
Title: Tete de Femme , #26-2
Year of Original Artwork: 1938
Medium: Lithograph on Coventry Paper, 100% acid free
Edition of 1000, unnumbered, estate approved printed signature
Print Size: 29.25 x 21.25 in.
Publisher - Estate of Picasso (Marina Picasso), With Estate-approved Picasso signature printed below image
TETE DE FEMME is a limited edition lithograph re-created after an original ink wash painting from the estate Collection of Marina Picasso, Picasso's grand-daughter. Printed using hand drawn lithographic plates on archival heavy weight Coventry printmaking paper, 100% acid free. Edition was produced in accordance with the Picasso family under the supervision of Marcel Salinas, master chromist who worked closely with Pablo Picasso during his lifetime.
Bears the estate approved printed signature of Picasso on lower margin. Typeset under image reads Collection Marina Picasso. Lithograph is in excellent condition, never been framed or mounted. Picasso's Tete de Femme is an eye-catching abstract portrait head of a woman wearing an imaginative rendition of a designer hat...
Category
1980s Abstract Abstract Prints
Materials
Lithograph
Beyound (sic) - IX
Located in Fairlawn, OH
Beyond (sic) - IX
Mezzotint, n.d.
Signed, titled and numbered in pencil (see photos)
Edition: Unique impression (i/I)
Ninion and Sheldon Landy were major collectors of Hamanishi's works. They donated a large group of his mezzotints to Art Institute of Chicago, which formed the core of the exhibitions of his works at AIC in 2014 and again in 2019.
Condition: excellent
Plate/Image size: 9.75 x 7.75 inches
Sheet size: 12 1/2 x 9 5/8 inches
Provenance: Ninion and Sheldon Landy, Hamanishi's patrons
EXTREMELY RARE-UNIQUE
Katsunori Hamanishi
Born: 1949, Hokkaido
Medium: Mezzotint, with relief printing and metallic foil. Also a few woodblocks
Hamanishi studied painting and graduated from Tokai University with a degree in Art, in 1973. Since then, he has been living in the Tokyo area, where his primary focus is printmaking. Mezzotint is a variation of intaglio printing--an exacting and laborious process whereby ink is transferred from below the surface of the plate by use of a press. First, the entire copper plate is indented with a toothed steel rocker tool. Worked in all directions, this creates an even finely-grained texture over the surface of the plate. Each pit will hold ink and were the plate inked at this stage, it would print almost solid black.
To create the design the artist smoothes out some of the pits with a burnisher so they will hold less ink. Where highlights are required the plate is burnished and polished quite smooth. A wide range of tones are possible in mezzotint and the process can usually be recognized by a light design on a velvety black background. Hamanishi is internationally known for his mastery of this medium. He creates images with both subtle detail and dynamic composition that explore spatial relationships.
His genius is in balancing calm and meditative qualities with the energetic tensions of inanimate and natural objects. Early work had such things as pipes and branches wrapped with cloth, later rope, then straw. When he moved to a more rural area, rice fields became a common element. He has also been exploring the use of color and metallic leaf in his artwork. In 2005 Mr. Hamanishis began the Haze series exploring more abstract themes using the subtle differences between matte and black inks done in mezzotint and relief printing.
There is always a sense of mystery and intrigue in the complex mezzotint prints that come from Hamanishi’s deft hands. They compel the viewer to do a slow, thoughtful examination in order to fully absorb the vision the artist intends.
Exhibitions:
Worcester Art Museum, Massachusetts --2 person show with Hamaguchi
Ibiza Biennial, Spain--Grand Prize
Original Colored Graphic Print Triennial, Switzerland--Grand Prize
Cabo Frio International Print Biennial, Brazil--Grand Prize
CWAJ Print Show, Tokyo--Art Grant winner
Republic of China Print Exhibit--Gold Medal
Graphic Arts Council, Achenbach Foundation, San Francisco--commissioned print
Art Institute of Cleveland
University of Alberta, Edmonton, Canada--visiting artist
Shun-yo-Kai, Tokyo--prize winner
Bhara Bhavan International Print Biennale, India
Ren Brown...
Category
1980s Abstract Abstract Prints
Materials
Mezzotint
Bridge in Merida, Aquatint Etching by Diana Gonzalez Gandolfi
Located in Long Island City, NY
An Etching with Hand Coloring on paper, signed, numbered and dated in pencil by Argentinian/American artist, Diana Gandolfi.
Category
1980s Abstract Abstract Prints
Materials
Etching, Aquatint
The Yellow Structure - Original Screen Print by Renato Barisani - 1983
Located in Roma, IT
The Yellow Structure is an original colored screen print realized by Renato Barisani in 1983.
Hand-signed and dated in pencil on the lower right. Numbered in pencil on the lower lef...
Category
1980s Abstract Abstract Prints
Materials
Screen
Poster for P. Dorazio's Exhibition in Herrenhof Musbach, Germany
Located in Roma, IT
Composition is an original modern artwork realized by Piero Dorazio in 1987.
Original Lithograph after Piero Dorazio.
Very good conditions.
Composition is a vintage Poster for Pi...
Category
1980s Abstract Abstract Prints
Materials
Lithograph, Offset
California Abstract Expressionist Linocut Lithograph Ronald Reagan Political Art
Located in Surfside, FL
Untitled, 1983, lithograph printed in sepia ink,
Hand signed and dated lower right, with the artist's chop mark lower left, inscribed
by artist. From a series of experimental abstract linocuts done in 1983. These are very small editions and were gifted to a friend of the artist. They are done on deckle edged French Arches Art paper. This one does not appear to be editioned and might be unique a monoprint or monotype.
Hans Gustav Burkhardt (1904 – 1994) was a Swiss-American abstract expressionist artist.
Hans Burkhardt was born in the industrial quarter of Basel, Switzerland. Captivated by Germanic art, he began dabbling in art in his spare time while learning how to decorate furniture in antique styles. He became foreman of the furniture company's decorating department. From 1925 to 1928 he attended the Cooper Union School of the Arts, where he befriended mentor Arshile Gorky and Willem de Kooning—sharing Gorky's studio from 1928 to 1937.
Burkhardt's paintings of the 1930s are part of the genesis of American abstract expressionism. In 1937 he moved to Los Angeles and represented the most significant bridge between New York and Los Angeles. His experimental investigative approach paralleled, and in many instances anticipated, the development of modern and contemporary art in New York and Europe including the work of Mark Rothko, Jackson Pollock, and Barnett Newman.
Burkhardt held his first solo exhibition in 1939 at Stendahl Gallery in Los Angeles, arranged by Lorser Feitelson, and, in response to the Spanish Civil War, he painted his first anti-war works. From the late 1930s he began to produce apocalyptic anti-war compositions, a theme which became particularly pronounced in an abstract expressionist style after the atom bomb was dropped on Hiroshima and Nagasaki at the end of the Second World War. In the years following an acclaimed (1945) solo exhibition at the Los Angeles County Museum, Burkhardt continued in his art to respond to WWII, in the aftermath of Gorky's suicide in 1948, Burkhardt delved into his grief and celebration of Gorky's life creating several versions of “Burial of Gorky” and a series entitled “Journey into the Unknown.” Burkhardt first visited Mexico in 1950, and spent the next decade living half of the year in and around Guadalajara. Strongly influenced by Mexican attitudes towards the dead, and by the country's colors, sensuality, and spiritual qualities, Burkhardt “painted the soul of Mexico” with Mexican themes and colors—especially those of burials and ceremonies surrounding death—permeating his abstract work. His Mexican work flirted with Surrealism although he was never really considered a Surrealist artist. Art critics of the time considered him a "great Mexican master” alongside Orozco, Diego Rivera, and Siqueiros, and Rufino Tamayo admired his work. Overall, in the 1950s Burkhardt held 23 solo exhibitions in Los Angeles and Mexico, and participated in group shows at over thirty museums worldwide. He was friends with June Wayne from Tamarind Press.
In the 1960s he produced paintings in protest against the Vietnam War, some of which incorporated the human skulls he had collected from Mexican graveyards. As art historian Donald Kuspit stated, Burkhardt was “a master—indeed the inventor—of the abstract memento mori.” In 1964, for the first time in forty years, Burkhardt returned to Basel, and began making annual summer visits where he became a friend of Mark Tobey—printing linocuts for the artist and collecting his work. In the 1970s Burkhardt continued his anti-war paintings—incorporating protruding wooden spikes into the canvas—while simultaneously painting abstractions of merging lovers and cityscapes during his summer visits to Basel. His “Small Print” (protesting smoking), “Graffiti,” and “Northridge” series demonstrate the evolution of his symbolism, and his “Desert Storms” series, in response to Iraq's invasion of Kuwait, was discussed by critic Peter Selz at a presentation at the International Congress of Art Critics Conference.
In the last decades of his life, Burkhardt's work had moved from images of imbalance to a study of human tragedy—which he embraced in an attempt to discover beauty and facilitate understanding. Critic Peter Frank called Burkhardt “…one of America’s most vital abstract expressionist painters, someone who took the seed of the movement and cultivated it a rather different way in very different soil.”
Burkhardt taught at numerous colleges and universities and retired as a professor emeritus from California State University, Northridge. In 1992 Burkhardt was honored as the recipient of the Lifetime Achievement Award by the American Academy and Institute of Arts and Letters’ Jimmy Ernst (son of Max Ernst) Award. Also in 1992, he established the Hans G. and Thordis W. Burkhardt Foundation. In 1993, the last year of his career, his final series “Black Rain” channeled pain and hardship, but provided poignant, symbolic beacons of hope and wishes for a better future for humanity. His unique role as an important American painter is affirmed by the constant interest and continuing reassessment afforded his work.
Select Solo exhibitions
1939: Stendahl Gallery, Los Angeles, March 27 – April 17
1945: Hans Burkhardt, Los Angeles County Museum of Art
1951: Museo de Bellas Artes, Guadalajara, Mexico: Exhibición de Pinturas Modernas; Comara Gallery, Los Angeles
1953: Fisher Gallery, University of Southern California, Los Angeles
1957: Pasadena Art Museum, California: Ten Year Retrospective, June 14 – July 14;
1968: San Diego Museum of Art: Vietnam Paintings...
Category
1980s Abstract Abstract Prints
Materials
Lithograph, Linocut
Echo Structure, Geometric Abstract Mixed Media Screenprint by Jon Becklers
Located in Long Island City, NY
Artist: Jon Becklers
Title: Echo Structure
Year: circa 1980
Medium: Silkscreen and collage multiple, signed and numbered in pencil
Edition: 9/25
Size: 39 x 27 in. (99.06 x 68.58 cm)
Category
1980s Abstract Abstract Prints
Materials
Mixed Media, Screen
Abstract Etching by Laddie John Dill
Located in Long Island City, NY
Laddie John Dill, American (1943)
Date: 1988
Etching with Aquatint on Rives BFK, signed, numbered and dated in pencil
Edition of 74/75
Image Size: 9 x 22.5 inches
Size: 22.5 x 30 in....
Category
1980s Abstract Abstract Prints
Materials
Etching, Aquatint
Oneida, Abstract Print by Darryl Hughto
Located in Long Island City, NY
Artist: Darryl Hughto, American (1943 - )
Title: Oneida
Year: circa 1981
Medium: Serigraph, Signed and Numbered in Pencil
Edition: 160
Size: 42 in. x 29.5 in. (106.68 cm x 74.93 cm)
Category
1980s Abstract Abstract Prints
Materials
Screen
"Le Grand Petit Dejeuner One" Etching by Sherry Schrut
Located in Pasadena, CA
Embossed abstract lithograph signed and numbered 1/12 by Los Angeles artist Sherry Schrut who was one of the prolific contributors of 20th- century Ameri...
Category
1980s Abstract Abstract Prints
Materials
Lithograph
Green Darkness
Located in New York, NY
etching, edition 76 of 90
25 1/2 x 36 1/2 in.
framed: 27 1/4 x 38 1/4 x 1 1/2 in.
Beginning in the 1947, the figurative painter Victor Pasmore (1908-1998) veered towards pure abstra...
Category
1980s Abstract Abstract Prints
Materials
Etching
Abstract abstract prints for sale on 1stDibs.
Find a wide variety of authentic Abstract abstract prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add abstract prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Dadodu , Francisco Nicolás, Teodora Guererra, and Joan Miró. Frequently made by artists working with Lithograph, and Screen Print and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Abstract abstract prints, so small editions measuring 0.02 inches across are also available.