Realist Animal Prints
REALIST STYLE
Realist art attempts to portray its subject matter without artifice. Similar to naturalism, authentic realist paintings and prints see an integration of true-to-life colors, meticulous detail and linear perspectives for accurate portrayals of the world.
Work that involves illusionistic techniques of realism dates back to the classical world, such as the deceptive trompe l’oeil used since ancient Greece. Art like this became especially popular in the 17th century when Dutch artists like Evert Collier painted objects that appeared real enough to touch. Realism as an artistic movement, however, usually refers to 19th-century French realist artists such as Honoré Daumier exploring social and political issues in biting lithographic prints, while the likes of Gustave Courbet and Jean-François Millet painting people — particularly the working class — with all their imperfections, navigating everyday urban life. This was a response to the dominant academic art tradition that favored grand paintings of myth and history.
By the turn of the 20th century, European artists, such as the Pre-Raphaelites, were experimenting with nearly photographic realism in their work, as seen in the attention to every botanical attribute of the flowers surrounding the drowned Ophelia painted by English artist John Everett Millais.
Although abstraction was the guiding style of 20th-century art, the realism trend in American modern art endured in Edward Hopper, Andrew Wyeth and other artists’ depictions of the complexities of the human experience. In the late 1960s, Photorealism emerged with artists like Chuck Close and Richard Estes giving their paintings the precision of a frame of film.
Contemporary artists such as Jordan Casteel, LaToya Ruby Frazier and Aliza Nisenbaum are now using the unvarnished realist approach for honest representations of people and their worlds. Alongside traditional mediums, technology such as virtual reality, artificial intelligence and immersive installations are helping artists create new sensations of realism in art.
Find authentic realist paintings, sculptures, prints and more art on 1stDibs.
to
41
27
42
24
8
1
Overall Width
to
Overall Height
to
1,968
1,405
410
285
222
153
120
81
41
39
33
12
12
3
6
6
6
5
5
6
17
72
9
4
4
3
6
12
11
5
58
39
4
57
32
21
20
18
10
10
10
9
9
9
8
7
6
6
5
5
4
4
4
50
40
18
15
7
16
14
83
19
Style: Realist
Mickalene Thomas, Portrait de Priscilla Le Petit Chien official COA S/N, Framed
Located in New York, NY
Mickalene Thomas
Portrait de Priscilla Le Petit Chien, 2012
Pigment print on 100% cotton rag paper
Edition 141/150
Frame included with official COA affixed to the back
Hand numbered ...
Category
2010s Realist Animal Prints
Materials
Laid Paper, Permanent Marker, Digital Pigment
HEARTLAND Hand Drawn Lithograph, Winter Landscape Stone Farmhouse Bucks County
Located in Union City, NJ
HEARTLAND is an original hand drawn, limited edition lithograph by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% ...
Category
1980s Realist Animal Prints
Materials
Lithograph
BUCK RUN BRIDGE Signed Lithograph Historic Covered Bridge Winter Landscape, Cows
Located in Union City, NJ
BUCK RUN BRIDGE is an original, hand drawn, limited edition lithograph(not a photo reproduction or digital print) by Peter Sculthorpe(b.1948 Ontario, Canada) printed in 1990 at JK Fine Art Editions Co. NYC, using hand lithography techniques on archival Arches paper, 100% acid free. Buck Run Bridge depicts a finely detailed drawing of a historic covered bridge in Chester County, Pennsylvania. BUCK RUN BRIDGE is an elongated horizontal composition, image measures 11.5 in. H x 36.75 in. W; a very appealing scenic Pennsylvania winter landscape with subtle details exhibiting fine line drawing and watercolor-like washes blending to form a wintry blue sky. The landscape captivating the viewer's eye with its delicate branches on bare trees, stone walls, split rail...
Category
1990s Realist Animal Prints
Materials
Lithograph
CIGAR Champion Horse Portrait Signed Lithograph Equine Art, Horse Racing History
Located in Union City, NJ
CIGAR - Champion Horse Portrait 1997 by the contemporary woman artist and distinguished realist painter Jenness Cortez, is an original hand drawn limited edition lithograph printed using hand lithography techniques on archival paper 100% acid free. CIGAR is a lifelike, realistic equine portrait depicting the superstar thoroughbred racehorse Cigar, who was two-time Horse of the Year winner, a member of the National Racing Hall of Fame, and arguably the greatest racehorse of the 1990s. CIGAR, a visually impressive handmade lithograph, displays an appealing neutral color palette in shades of warm copper brown, grays, and charcoal black on a light slate blue background.
Print size - 29.5" x 25", unframed, excellent condition, pencil signed by Jenness Cortez
Image Size - 26" x 21"
Edition size - 250, plus proofs
Year - 1997
Printer - JK Fine Art Editions Co., NJ
High quality hand drawn lithograph, classic equine portrait, sporting art print pencil signed by Ms. Cortez on lower margin, First-rate hand crafted print, not a commercially mass photo reproduced poster or digital reproduction.
ABOUT THE ARTIST:
Jenness Cortez is a mid-career artist with astonishing talent. Born 1944 in Indiana, Jenness Cortez began her formal art studies at the age of sixteen under the guidance of noted Dutch painter, Antonius Raemaekers...
Category
1990s Realist Animal Prints
Materials
Lithograph
Three Sheep
Located in Toronto, Ontario
Alex Colville (1920-2013) is one of the titans of Canadian art. Working across mediums, Colville is a revered painter, draughtsman, engraver, and muralist. He is one of the few Canad...
Category
1950s Realist Animal Prints
Materials
Lithograph
HILLTOPPER Signed Lithograph, Winter Landscape, Horse, Equestrian English Riding
Located in Union City, NJ
Hilltopper is an original, hand drawn, limited edition lithograph(not a photo reproductioon or digital print) by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% acid free. Hilltopper is a finely detailed winter landscape drawing depicting a snow covered hilltop with a lone, English style horseback rider and nature details including dried grasses, branches, and large bare tree firmly anchored to the frozen earth.
Print size - 32 x 27 inches, unframed, excellent condition, pencil signed by Peter Sculthorpe, inscribed PP#8(Printers Proof) aside from the edition of 275
Edition size - 275, plus proofs
Year published - 1989
Printer - J K Fine Art Editions Co. NY
Peter Sculthorpe's paintings are well known for their true to life depictions of rural stone barns, color changing shadowy skies, snow covered landscapes, cows, horses, lone figures that capture the countryside and stone architecture of the Brandywine Valley...
Category
1980s Realist Animal Prints
Materials
Lithograph
Tigre couché à l'entrée de son antre (Tiger Lying at the Entrance to its Lair)
Located in Middletown, NY
Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...
Category
Early 19th Century Realist Animal Prints
Materials
Laid Paper, Drypoint, Etching
Frogs and Toad, Signed lithograph (AP), from Conspiracy: The Artist as Witness
By Jack Beal
Located in New York, NY
Jack Beal
Frogs and Toad, 1971
Hand signed in pencil by Jack Beal, annotated AP
One-color lithograph proofed by hand and pulled by machine from a zinc plate on Arches buff paper with deckled edges at the Shorewood Bank Street Atelier
Stamped, hand numbered AP, aside from the regular edition of 150 Stamped on reverse: COPYRIGHT © 1971 BY JACK BEAL, bears blind stamp
18 × 24 inches
Unframed
18 x 24 inches
Stamped on reverse: COPYRIGHT © 1971 BY JACK BEAL, bears distinctive blind stamp of publisher (shown) Publisher: David Godine, Center for Constitutional Rights, Washington, D.C.
Jack Beal's "Frogs and Toads" is a classic example of protest art from the early 1970s - the most influential era until today. This historic graphic was created for the legendary portfolio "CONSPIRACY: the Artist as Witness", to raise money for the legal defense of the Chicago 8 - a group of anti-Vietnam War activists indicted by President Nixon's Attorney General John Mitchell for conspiring to riot during the 1968 Democratic National Convention. (1968 was also the year Bobby Kennedy was killed and American casualties in Vietnam exceeded 30,000.) The eight demonstrators included Abbie Hoffman, Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. (The eighth activist, Bobby Seale, was severed from the case and sentenced to four years for contempt after being handcuffed, shackled to a chair and gagged.) Although Abbie Hoffman would later joke that these radicals couldn't even agree on lunch, the jury convicted them of conspiracy, with one juror proclaiming the demonstrators "should have been shot down by the police." All of the convictions were ultimately overturned by the 7th Circuit Court of Appeals.
This lithograph has fine provenance: it comes directly from the original Portfolio: "Conspiracy The Artist as Witness" which also featured works by Alexander Calder, Nancy Spero and Leon Golub, Romare Bearden Sol Lewitt, Robert Morris, Claes Oldenburg, Larry Poons, Peter Saul, Raphael Soyer and Frank Stella - as well as this one by Jack Beal. It was originally housed in an elegant cloth case, accompanied by a colophon page. This is the first time since 1971 that this important work has been removed from the original portfolio case for sale. It is becoming increasingly scarce because so many from this edition are in the permanent collections of major museums and institutions worldwide.
Jack Beal wrote a special message about this work on the Portfolio's colophon page. It says, "In 1956, shortly after Sondra and I moved to New York, two friends were arrested and jailed for protesting air-raid drills. From them and their friends came our education. This work is dedicated to them and their families. "In Memory of Patricia McClure Daw and AL Uhrie" - This print was made for their children.
Jack Beal Biography:
Early in his career Walter Henry “Jack” Beal Jr. painted abstract expressionist canvases, because he believed it was “the only valid way to paint.” By the early 1960s he totally altered his approach and fully repudiated abstraction. Turning to representation, he painted narrative and figurative subjects, often enhanced by bright colors and dramatic perspectives.
Beal was born in Richmond, Virginia, and from 1950 to 1953 he attended the Norfolk Division of William and Mary College Polytechnic Institute, (now Old Dominion University) where he studied biology and anatomy. Shifting gears, he sought art training at the School of the Art Institute of Chicago where he focused on drawing, and met his wife, artist Sondra Freckelton. His art history instructor encouraged her students to paint in the manner of established artists, and to that end he frequented the Institute’s galleries. For Beal this was significant: “Until I saw pictures of real quality I had tended to think of painting as just so much self-indulgent smearing around, but when I saw masterpieces by Cézanne and Matisse, and other painters of similar stature, I was bowled over; suddenly I realized the force of art.”
After spending three years (1953–1956) at the Art Institute, Beal concluded his studies there without getting a terminal degree, thinking it was only useful if he wanted to teach, which, at the time, he did not. He also took courses at the University of Chicago in 1955 and 1956. During this period he married Freckelton, a fellow student and sculptor who began her career working in wood and plastic. Together they moved to New York’s SoHo District before its transformation from a wasteland of sweatshops and small factories into an arts district. They were active with the Artist Tenants Association which was instrumental in getting zoning laws changed so that artists could live and work in the well-lit lofts.
Embracing what came to be called “New Realism,” Beal initially painted an occasional landscape as well as earthy-toned still lifes which consisted of jumbled collections filled with personal objects. His signature style started with a series of female nudes—all modeled by Freckelton—based on Greek mythology. These were large canvases with flat paint surfaces, dramatic foreshortening, and unusual perspectives. He further enlivened them with vivid colors, stark lighting, and dynamic patterns derived from textiles and overstuffed furniture. He stopped painting nudes after two episodes. The first came as he was loading a canvas of his naked wife onto a truck in lower Manhattan; several laborers walked by and started to fondle and kiss the painting. On the one hand he felt his wife had been violated, while on the other he was pleased that his realism was so convincing. The second occurred after a solo exhibition in Chicago at which the reception had been sponsored by Playboy magazine. A few days later he was approached by a publicist and asked if Playboy bunnies could be photographed in front of his paintings. He refused.
Some portrait commissions came Beal’s way, but he preferred only portraying friends. More significant were four large murals on the History of Labor in America, the 20th Century: Technology (1975), which he undertook for the headquarters of the United States Department of Labor in Washington. Following a historical timeline, the themes were: colonization, settlement, nineteenth century industry, and twentieth century technology. The unveiling ceremony was attended by government officials and Joan Mondale, an arts advocate and wife of the vice-president. The reviewer for the Washington Post wrote enthusiastically: “They’re heartfelt and they’re big (each is 12 feet square). Their many costumed actors (the Indian, the trapper, the scientist, the hardhat, the capitalist in striped pants, the union maid, etc.) strike dramatic poses in dramatic settings (a seaside wood at dawn, an outdoor blacksmith’s forge, a 19th-century mill, a 20th-century lab). The lighting is theatrical. Beal’s compositions, with their swooping curves and bunched diagonals, are as complicated as his interwoven plots.” To accomplish the murals Beal assembled a team of assistants and models, much in the manner of Renaissance masters, which included artist friends and Freckelton. who by then was painting brightly colorful still lifes.
A second mural commission ensued from New York City’s Metropolitan Transit Authority for two twenty-foot long installations for the Times Square Interborough Rapid Transit Company subway station. Beal’s designs for The Return of Spring (installed in 2001, three days after the terrorist attacks in New York, Washington, DC and Philadelphia) and The Onset of Winter (installed in 2005), Beal captured the appearance of his models in an oil painting made to the scale of the intended mosaic. A collaboration with Miotto Mosaics, the canvases were shipped to the Travisanutto Workshop, in Spilimbergo, Italy, where craftsmen fabricated the design to glass mosaics. The Return of Spring depicted construction workers and other New Yorkers in front of a subway kiosk and an outdoor produce market and in The Onset of Winter, a crowd watches a film crew recording a woman entering the subway as snow falls against the city’s skyline. Harkening back to some of his early nudes based on Greek myth, Persephone, goddess of fertility and wife of Hades, appears in both. The symbolism is pertinent, since she spent six months each year below ground.
Although he disparaged teaching early on, Beal and Freckelton offered four summertime workshops on their farm in Oneonta, New York. He was an instructor at the New York Academy of Art, a graduate art school he helped to establish in 1982. Returning to Virginia, he taught at Hollins College...
Category
1970s Realist Animal Prints
Materials
Lithograph
Three Cocker Spaniels original signed etching by Leon Danchin
By Leon Danchin
Located in Paonia, CO
Three Cocker Spaniels is an original color etching by well known French sports artist Leon Danchin. The three Spaniels are in waiting mode with two lying down and one sitting ...
Category
1930s Realist Animal Prints
Materials
Etching
BACKLAND Signed Lithograph, Bucks County Landscape, Stone Farmhouse, Yellow Sky
Located in Union City, NJ
BACKLAND is an original hand drawn limited edition lithograph(not a photo reproduction or digital print) by the realist painter, Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% acid free. BACKLAND is a finely detailed drawing of a Bucks County...
Category
1990s Realist Animal Prints
Materials
Lithograph
Tortoise-shell Butterfly, Hawk Moth: Antique Hand-colored Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Tortoise-shell Butterfly and Privet Hawk Moth, which is plate 2 from Moses Harris' publication "The Aure...
Category
Mid-19th Century Realist Animal Prints
Materials
Engraving
Sacelle male, de la cote de Coromandel /// Ornithology Martinet Bird Animal Art
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800)
Title: "Sacelle male, de la cote de Coromandel" (Plate 949)
Portfolio: Histoire Naturelle Des Oiseaux
*Signed by Martinet in the...
Category
1770s Realist Animal Prints
Materials
Engraving, Watercolor, Laid Paper, Intaglio
Rhinoceros (State II), Wild Animal Art, Realist Art, Black white and gold art
By Tammy Mackay
Located in Deddington, GB
RHINOCEROS (state II) by Tammy Maclay.
Edition of 20.
Photopolymer print with hand painted gold detail.
22.2 H x 29.5 W (inches)
56.4 H x 75 W (CM)
Dürer’s iconic Rhinoceros print w...
Category
21st Century and Contemporary Realist Animal Prints
Materials
Metal
Butterflies & Moths in Nature: An Antique Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the the Brown Hairstreak Butterfly, the Larke Skipper Butterfly, the Small Skipper Butterfly, the Scarce Mar...
Category
Mid-19th Century Realist Animal Prints
Materials
Engraving
LITTLEWOODS Signed Lithograph, Historic Stone Farmhouse, Bucks County Landscape
Located in Union City, NJ
LITTLEWOODS is an original hand drawn, limited edition lithograph by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100...
Category
1980s Realist Animal Prints
Materials
Lithograph
Black Spaniel with Rabbit original signed etching by Leon Danchin
By Leon Danchin
Located in Paonia, CO
Black spaniel with Rabbit is an original signed etching by Leon Danchin with a very faint water stain on lower right side background that can be seen in the photo section. My ph...
Category
1930s Realist Animal Prints
Materials
Etching
Admirable Butterflies, Magpie Moths: A Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Admirable Butterfly and the Small Magpie Moth, which is plate 6 from Moses Harris' publication "The Aure...
Category
Mid-19th Century Realist Animal Prints
Materials
Engraving
Moths and a Lady Bug in a Landscape: A Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored engraving depicting the natural history of moths and a lady bug, which is plate 22 from Moses Harris' publication "The Aurelian: or Natural History of English Insects; Namely Moths & Butterflies", first published in London in 1766 and this from an 1840 edition. The engraving depicts the natural history developmental stages of the Burnished Brass Moth, the Dark Gothic...
Category
Mid-19th Century Realist Animal Prints
Materials
Engraving
Seven Crows
Located in Toronto, Ontario
Alex Colville (1920-2013) is one of the titans of Canadian art. Working across mediums, Colville is a revered painter, draughtsman, engraver, and muralist. He is one of the few Canad...
Category
1980s Realist Animal Prints
Materials
Rag Paper, Lithograph
Moths in Their Natural Landscape: Antique Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored engraving depicting the natural history of Pinkunderwing Moths, Cream Spotted Tyger Moths in their natural botanical environment, which is plate 4 from Moses H...
Category
Mid-19th Century Realist Animal Prints
Materials
Engraving
Samuel Howitt: 'Battle between Buffalo and Tiger' print after Thomas Williamson
By Thomas Williamson
Located in London, GB
Samuel Howitt (1765-1822) after Thomas Williamson (1758-1817)
Exhibition of a Battle between a Buffalo & a Tiger' from Oriental Field Sports (1819)
Hand-coloured aquatint
35 x 47 cm
Captain Thomas...
Category
Early 19th Century Realist Animal Prints
Materials
Aquatint
COOPER'S RAINBOW Signed Lithograph, Farm Landscape, Horses, Golden Field, Barn
By Wayne Cooper
Located in Union City, NJ
COOPER'S RAINBOW is an original, hand drawn, limited edition lithograph by the American painter Wayne Cooper printed in NYC using traditional hand lithogr...
Category
1970s Realist Animal Prints
Materials
Lithograph
Antoine Louis-Barye "Walking Lion" Antique Engraving by Firmin Gillot ca. 1870
Located in SANTA FE, NM
"Walking Lion"
Antoine Louis-Barye (France, 1775-1895)
Antique Engraving by Firmin Gillot
Circa. 1870
11 1/3 x 7 3/4 (21 3/8 x 17 1/2 frame) inches
This is "Walking Lion," along with "Walking Tiger...
Category
1870s Realist Animal Prints
Materials
Black and White
Hounds Gentlemen Please by Tom Carr - Engraving 26x31 cm
Located in Geneva, CH
Work on paper
Ed: 63/75
Category
Mid-20th Century Realist Animal Prints
Materials
Engraving
Red Breasted Merganser from Illustrations of British Ornithology Pl.58 by Selby
Located in Paonia, CO
Red Breasted Merganser PL 58 from a rare black and white edition of Prideaux John Selby’s two volume set of 222 engravings “Illustrations of British Ornithology”. These original...
Category
Mid-19th Century Realist Animal Prints
Materials
Engraving
DOMINO Signed Lithograph, Bucks County Landscape, Historic Stone Farmhouse, Cow
Located in Union City, NJ
DOMINO is an original hand drawn, limited edition lithograph(not a photo reproduction or digital print) by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography te...
Category
1980s Realist Animal Prints
Materials
Lithograph
"INDIAN ON HORSE" WESTERN NATIVE AMERICAN
Located in San Antonio, TX
Olaf Wieghorst
(1899 - 1988)
California, New York, New Mexico, Arizona, Texas Artist
Image Size: 11 x 8.5
Frame Size: 18.5 x 14.5
Medium: Print
"Indian on Horse...
Category
20th Century Realist Animal Prints
Materials
Archival Pigment
Antoine Louis-Barye "Walking Tiger" Antique Engraving by Firmin Gillot ca. 1870
Located in SANTA FE, NM
"Walking Tiger"
Antoine Louis-Barye
Antique Engraving by Firmin Gillot
Circa. 1870
11 1/3 x 7 3/4 (21 3/8 x 17 1/2 frame) inches
This is "Walking Tig...
Category
1870s Realist Animal Prints
Materials
Black and White
Italian Summer, Framed Etching by Michael Chapman
By Michael James Chaplin
Located in Brecon, Powys
Etching from the studio of this acclaimed British Watercolorist.
Good condition. Image 15.5" x 11.5"
English artist Michael Chaplin is a Member of the Royal Watercolor Society, pa...
Category
1990s Realist Animal Prints
Materials
Etching
Guy Allen, Horse Study Blue, Bright Art, Etching Print, Contemporary Equine Art
By Guy Allen
Located in Deddington, GB
Guy Allen
Horse Study Blue
Limited Edition Etching with Screen Print Overlay
Edition of 45
Image Size: H 53.5cm x W 56.5cm
Sheet Size: H 80cm x W 77cm x D 0.1cm
Sold Unframed
Please ...
Category
21st Century and Contemporary Realist Animal Prints
Materials
Paper, Etching, Screen
Hunting Dog speaking to a bunny "Be Quiet", lithograph signed by aris
Located in Clinton Township, MI
Hunting dog speaking to the rabbit: "Be Quiet".
Humor in art is rare! Titled and pencil signed by the artist Paul Wood.
Published in France by Paris Etching Society.
"Made in Fra...
Category
20th Century Realist Animal Prints
Materials
Lithograph
HUNTING FOR VOLES
Located in Aventura, FL
Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350.
Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...
Category
Late 20th Century Realist Animal Prints
Materials
Paper, Lithograph
"Finest Hope" original lithograph signed pop art abstract hyperrealism collage
Located in Milwaukee, WI
"Finest Hope" is an original color lithograph by Michael Knigin. The artist signed the piece in the lower right and wrote the edition number, 182/300, in the lower left with graphite...
Category
1980s Realist Animal Prints
Materials
Lithograph, Ink
Banana Grove
Located in New York, NY
George Biddle (1885-1973), Banana Grove, lithograph, 1928. Signed, titled and numbered in pencil [also annotated in the plate “Biddle/1928, lower right “47). References: Pennigar 81, Trotter 47. In excellent condition, the full sheet, on cream wove BFK RIVES paper, with their (partial) watermark. 12 1/2 x 9, the sheet 20 x 16, archival mounting (non attached mylar hinging between acid free board, glassine cover).
A fine fresh rich impression in pristine condition.
After Groton, Harvard College...
Category
1920s Realist Animal Prints
Materials
Lithograph
LION PORTRAIT Signed Lithograph, African Lion Heads, Modern Wildlife Art
Located in Union City, NJ
LION PORTRAIT by the British wildlife artist Sydney Taylor, is an original hand drawn limited edition lithograph(not a photo reproduction or digital print) printed using hand lithogr...
Category
1980s Realist Animal Prints
Materials
Lithograph
Griffon With Woodcock original signed etching by Leon Danchin
By Leon Danchin
Located in Paonia, CO
Griffon With Woodcock is an original etching by Leon Danchin showing a Griffon in a field pointing at a Woodcock trying to hide in the brush. This color etching is in good conditi...
Category
20th Century Realist Animal Prints
Materials
Etching
Two Britany Spaniel Heads Leon Danchin etching signed
By Leon Danchin
Located in Paonia, CO
Two Britany Spaniel Heads by Leon Danchin is a hand signed limited edition etching published in France and is in very good condition. The paper is slightly wavey which can be fl...
Category
20th Century Realist Animal Prints
Materials
Etching
Etching by Curtis C Harmon Fishing Boats at Gloucester Mass
Located in Chesterfield, NJ
Curtis C. Harmon
(American, 20th century)
Fishing Boats at Gloucester, Massachusetts
etching
signed Curtis C. Harmon (lower right) and titled (lower left)
18.75 x 19.75 framed
Disco...
Category
21st Century and Contemporary Realist Animal Prints
Materials
Etching
BROAD WINGED HAWK
Located in Aventura, FL
Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350.
Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...
Category
Late 20th Century Realist Animal Prints
Materials
Paper, Lithograph
TEAL DUCKS
Located in Aventura, FL
Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350.
Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...
Category
1980s Realist Animal Prints
Materials
Paper, Lithograph
Leopard in Tree, Wildlife Collotype on Canvas by Mon Han Lee
Located in Long Island City, NY
Mon Han Lee - Leopard in Tree, Year: 1980, Medium: Collotype on Canvas, signed and dated lower right, Size: 28 x 22 in. (71.12 x 55.88 cm), Description: Signed "Leehan" lower r...
Category
1980s Realist Animal Prints
Materials
Offset
BLACK BEAR IN THE CHICKCHOCS
Located in Aventura, FL
Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350.
Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...
Category
Late 20th Century Realist Animal Prints
Materials
Paper, Lithograph
A FINE SPRING DAY
Located in Aventura, FL
Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350.
Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...
Category
Late 20th Century Realist Animal Prints
Materials
Paper, Lithograph
DEER IN A CLEAR CUT
Located in Aventura, FL
Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350.
Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...
Category
Late 20th Century Realist Animal Prints
Materials
Paper, Lithograph
CARIBOU, MOUNT JACQUES CARTIER
Located in Aventura, FL
Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350.
Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...
Category
Late 20th Century Realist Animal Prints
Materials
Paper, Lithograph
WHITE OWL
Located in Aventura, FL
Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350.
Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...
Category
Late 20th Century Realist Animal Prints
Materials
Paper, Lithograph
CROWS BY THE WOODS
Located in Aventura, FL
Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350.
Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...
Category
Late 20th Century Realist Animal Prints
Materials
Paper, Lithograph
Five images from the popular 1886 Spanish Bullfighting Journal La Lidia
Located in Paonia, CO
La Lidia, the oldest and most popular bullfighting magazine was founded by Julian Palacios the owner of a prestigious lithograph and engraving workshop in Madrid. These colorful...
Category
1880s Realist Animal Prints
Materials
Lithograph
Spaniel with Duck original signed etching by Leon Danchin
By Leon Danchin
Located in Paonia, CO
Spaniel With Duck is an original signed etching by Leon Danchin in very good condition.
paper size 22.25 x 30 image size 16.50 x 24
Leon Danchin, born in Lille, Fra...
Category
1930s Realist Animal Prints
Materials
Etching
Kerr Eby Shepherd and His Flock
By Kerr Eby
Located in San Francisco, CA
Kerr Eby: 1889-1946. Very well listed Canadian American artist. He is best known as a printmaker for his fabulous etchings. He has auction results over $6300 for a single print. This...
Category
Early 20th Century Realist Animal Prints
Materials
Etching
Heron Moon
Located in San Francisco, CA
This artwork titled "Heron Moon" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed, titled and numbered 58/150 in pencil by the artist. The artwork (image) size is 8.5 x 21 inches, framed size is 15.75 x 28.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs, barely visible.
About the artwork:
This artwork required have 5 different carved wood blocks and 9 layers of colors to complete.
About the artist:
Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85).
She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa.
Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections.
Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines.
STUDIES:
Yoshida Woodblock Print Studio Tokyo, 84-85
Nova Scotia College of Art & Design, Halifax, 74-75 BFA
Ecole du Musee des Beaux Arts, Montreal, 74
Ontario College of Art, Toronto, 71-73
Mt. Allison University, 69-72
SELECTED SOLO SHOWS:
25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews.
Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999.
Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue)
Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991
New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987.
Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988
Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982
SELECTED GROUP SHOWS:
"A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog
"Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs
"Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...
Category
Late 20th Century Realist Animal Prints
Materials
Woodcut
'Foul Rope (Left)' — Early American Southwest Rodeo
Located in Myrtle Beach, SC
William Robinson Leigh, 'Foul Rope (Left)', etching, c. 1920, edition unknown but small. Signed in pencil and signed in the plate, lower left. A superb, richly-inked impression, in dark brown ink, on buff wove Umbria paper, the full sheet with margins (1 1/2 to 2 3/4 inches); slight toning at the sheet edges, otherwise in excellent condition. Very scarce. Archivally matted to museum standards, unframed.
Image size 14 7/8 x 11 15/16 inches (378 x 303 mm); sheet size 20 3/8 x 15 3/8 inches (518 x 391 mm).
ABOUT THE ARTIST
Born near Falling Waters, West Virginia, on a plantation a year after the Civil War and raised in Baltimore, William Robinson Leigh (1866 - 1955) became one of the foremost painters of the American West. His career spanning some seventy-five years, Leigh created some of the most iconic depictions of the Western landscape, with admirers referring to him as ‘The Sagebrush Rembrandt.’
The son of impoverished Southern aristocrats, Leigh received his first art training at age 14 from Hugh Newell at the Maryland Institute, where he was regarded as the best student in his class. From 1883 to 1895, he studied in Europe, mainly at the Royal Academy in Munich with Ludwig Loefftz. From 1891 to 1896, he painted six cycloramas or murals in the round, a giant German panorama.
In 1896, Leigh began working as a magazine illustrator for Scribner's and Collier's Weekly Magazine in New York City. He also painted portraits, landscapes, and genre scenes.
Leigh's trips to the Southwest began in 1906 when he agreed to paint the Grand Canyon with William Simpson, Santa Fe Railway advertising manager, in exchange for free transportation West. In 1907, he completed his Grand Canyon painting, which led to more commissions and an extensive painting trip through Arizona and New Mexico. These travels inspired him to paint western subjects for the next 50 years, and his primary interests were the Hopi and Navajo Indians.
In 1910, he traveled to Wyoming, where he painted in Yellowstone Park and created sketches, many of which he later converted into large canvases such as ‘Lower Falls of the Yellowstone’ (1915) and ‘Grand Canyon of the Yellowstone’ (1911).
In 1926, he traveled to Africa at the invitation of Carl Akeley for the American Museum of Natural History, and from this experience, wrote and illustrated 'Frontiers of Enchantment: An Artist's Adventures in Africa'. In 1933, he wrote and illustrated 'The Western Pony'. His adventures were chronicled in several popular magazines, including Life, the Saturday Evening Post, and Colliers.
For many years, Grand Central Art Galleries at the Biltmore Hotel handled his work exclusively in New York. In 1953, Leigh was elected an associate member of the National Academy of Design and became a full Academician in 1955.
In March 1999, the Historical Center of Cody, Wyoming, held an exhibition of his field sketches and finished works depicting his experiences near Cody early in the century. Between 1910 and 1921, when he often painted in the Carter Mountain vicinity, these years were considered pivotal to his artistic development and devotion to the Western landscape.
Leigh's work is held in many museum collections of American Western art...
Category
1920s Realist Animal Prints
Materials
Etching
Dog and Snipe original signed limited edition etching by Leon Danchin
By Leon Danchin
Located in Paonia, CO
Leon Danchin, born in Lille, France in 1887 began his career as an artist at the age of sixteen when he was accepted by the Salon des Artists in Paris. He eventually became known as ...
Category
20th Century Realist Animal Prints
Materials
Etching
Leucippus Fallax (Buffy Hummingbird) — Original Hand-colored Lithograph
Located in Myrtle Beach, SC
John Gould, 'Leucippus Fallax' (Buffy Hummingbird), original lithograph with hand-coloring (not a reproduction), c. 1850. Signed in typeset 'J. Gould and H. C. Richter, del et lith.'...
Category
1850s Realist Animal Prints
Materials
Lithograph
Giraffe
Located in Roma, IT
Hand Signed. Edition of 150 prints.
Category
1970s Realist Animal Prints
Materials
Lithograph
John Gould Turnstone Strepsilas Interpres, lithograph c.1850
By John Gould
Located in Soquel, CA
"Strepsilas Interpres." John Gould Turnstone lithograph c.1850 by John Gould (England, 1804-1881). Print by J. Gould & H.C. Richter, hand colored lithograph...
Category
Mid-19th Century Realist Animal Prints
Materials
Paper, Watercolor, Lithograph
Starling
Located in San Francisco, CA
This artwork titled "Starling" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed and numbered 82/150 in pencil by the artist. The artwork (image) size is 10 x 23.25 inches, framed size is 17.25 x 30.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs.
About the artwork:
This artwork required 3 different carved wood blocks and 7 layers of colors to complete.
About the artist:
Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85).
She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa.
Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections.
Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines.
STUDIES:
Yoshida Woodblock Print Studio Tokyo, 84-85
Nova Scotia College of Art & Design, Halifax, 74-75 BFA
Ecole du Musee des Beaux Arts, Montreal, 74
Ontario College of Art, Toronto, 71-73
Mt. Allison University, 69-72
SELECTED SOLO SHOWS:
25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews.
Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999.
Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue)
Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991
New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987.
Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988
Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982
SELECTED GROUP SHOWS:
"A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog
"Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs
"Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...
Category
Late 20th Century Realist Animal Prints
Materials
Woodcut
ERMINE
Located in Aventura, FL
Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350.
Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...
Category
Late 20th Century Realist Animal Prints
Materials
Paper, Lithograph
Realist animal prints for sale on 1stDibs.
Find a wide variety of authentic Realist animal prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add animal prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of green and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Carl Arlen, Peter Sculthorpe, Francois Nicolas Martinet, and Mari Kloppel. Frequently made by artists working with Lithograph, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Realist animal prints, so small editions measuring 0.5 inches across are also available. Prices for animal prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $50 and tops out at $10,150, while the average work sells for $410.