Small Prints and Multiples

Lady Washington's Levee - 1932 Etching on Paper 1932 black and white etching titled "Lady Washington's Levee" (from the portfolio "The Bicentennial Pageant of George Washington"), 1...

Signed and titled in pencil, from the edition of 25. A young native girl in traditional clothes. The turbulent times of the 70’s set the tone for Fuentes' approach to creating soc...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

Rare Limited Edition Serigraph of John Lennon's "Whatever Gets You Through The Night" originally drawn in 1974, this limited edition was released by Bag One Arts (The Lennon Estate...

Elizabeth Peyton Frederick Douglass, 1850, 2023 29-layer silkscreen print on 410gsm Somerset tub-sized radiant white paper hand-signed and numbered by the artist 47.5 x 37.5 cm - she...

PARR (1893-1969) KINNGAIT (CAPE DORSET) HUNTER HAULING A SEAL, 1966 #2, Stonecut, signed, titled numbered 28/50 Dorset 1966. Image 14 x 22 ¼. Full sheet ...

James Rosenquist Somewhere to Light, WACO, Texas 1966, from the New York International Portfolio Lithograph on wove paper Pencil signed and numbered 112/225 on the front Catalogue Ra...

This attractive and interesting map of Bermuda by Henricus Hondius in 1633 is entitled "Mappa Aestivarum Insularum, Alias Barmudas". It is based on a ...

Etching and aquatint in colours, 1964, on Richard de Bas wove paper, signed in pencil and numbered 41/50 from the edition of 50, printed by Pennequin for Atelier Crommelynck, publish...

Artist: Ben Shahn, American (1898 - 1969) Title: The First Word of Verse Arises from the Rilke Portfolio Year: 1968 Medium: Lithograph on Arches, signed in the plate Edition: 750 Siz...

The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...

Roby Dwi Antono, Okta, 2022 24-layer screen-print with curable UV inks, printed on 410gsm Somerset Tub Sized Radiant White paper with black box frame 44 x 50 cm (17.32 x 19.69 in) ...

Jean Marais (1913 - 1998) Woman, Flowers and Potteries Lithograph and offset print Signed with the stamp of the artist Bears also a printed signature in the plate Numbered / 100 On ...

Norman Rockwell, American (1894 - 1978) - Self Portrait, Medium: Lithograph on Japon paper, numbered in pencil and plate signed, Edition: AP, Size: 22 x 21 in. (55.88 x 53.34 cm)

Barbra Stresiand "Belle of 14th Street" 1973 CBS TV Special 20th Century Litho Signed and numbered 10/150 in pencil, lower margin. Etching, 13.5” x 9.75”. Framed 21.25” x 17.25”. Pulled in 1975. Belle of 14th Street After two successful television shows on CBS, Barbra's manager, Marty Erlichman told the press, “We don't intend to go to the well once too often. The next special will have other performers. However, Barbra will never become just another hostess for just another musical variety show. Whatever we decide to do in the future shows, she will dominate in a unique fashion.” Barbra’s third television special for CBS and her sponsor, Monsanto, was titled The Belle of 14th Street . In February 1966, shortly after finishing up Color Me Barbra , Streisand and husband Elliott Gould took a second honeymoon in Paris. The trip was financed by her television corporate sponsor, Chemstrand. Barbra told the press, “I’m here to purchase the wardrobe for my next TV special. Cost is no object because my sponsor is picking up the tab.” At that point the theme of her third TV show would be fashion, and Paris offered many couture choices. Barbra was seen at a Dior fashion show wearing not the designer’s clothes, but a jaguar suit and hat she had designed herself. In all, it is said Barbra chose nine Dior outfits at a cost of $150,000. However, Barbra Streisand's third television special for CBS was postponed. In March 1966, Barbra flew to London to appear at the Prince of Wales Theatre in Funny Girl . Shortly after beginning her run in London, Barbra announced her pregnancy. Not only did that cause her concert tour to be abbreviated, but Barbra’s television special was postponed as well. Barbra told the BBC in July 1966: “I also can’t do my third television show, which I was supposed to do here [London].” Returning to the States, Barbra performed four concert dates, and then retired to enjoy the rest of her pregnancy and give birth to her son, Jason, in December 1966. CBS and Chemstrand wanted a new special by the end of 1967, therefore production on the show picked up momentum in March 1967. (Barbra was due in Hollywood in May to begin shooting the Funny Girl film.) The format and theme of the television show had changed, too. Instead of centering on fashion, Barbra’s next special would be situated in a 1900’s Vaudeville theater. “We were all determined that the show not be just a variety format,” director Joe Layton said. “We wanted something different. So we hit upon the idea of restaging a vaudeville performance. All the acts, songs, skits and specialties had to be derivative of the period between 1895-1912.” Barbra’s creative collaborators did meticulous research on Vaudeville — “We even called George Burns in Hollywood and Jack Pearl,” said Barbra’s manager, Marty Erlichman. Entitled The Belle of 14th Street , the new special would allow Barbra to play several different characters but not have to shoulder the burden of carrying another one-woman show—this time Streisand would be accompanied by guest stars: Broadway actor Jason Robards; Vaudeville veteran John Bubbles; and Lee Allen...

Bats in the Belfry is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 135/275 (there were also 100 Roman and 20 A...

Selected from the Derujinsky: Around The World Portfolio, shot in Hong Kong for Harper's Bazaar Artist: Gleb Derujinsky Title: Hong Kong Harbor Yea...

David Shrigley The Paper Weighs Nothing, 2014 Lithograph on paper 22 2/5 × 15 in 57 × 38 cm Edition of 100 Hand-signed and numbered Published...

Selected from the Derujinsky: Around The World Portfolio, shot in Ceylon for Harper's Bazaar Artist: Gleb Derujinsky Title: Ceylon Sails Year Exposed: 1957 Estate Edition: signed...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Verve: Revue Artistique et Li...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 182. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions...

A very good, richly-inked impression of this etching with strong contrasts and no sign of wear. Anchor or fleur-de-lys in a double circle watermark. From "Prospectus locorum urbis Ro...

Lithograph on vélin des Papeteries du Marais paper. Double signed in the plate, verso, as issued. Good condition with centerfold and binding pinholes, as issued; lithography by Matis...

GREEN HORSE, TWO GEISHAS is an original lithograph printed using hand drawn lithography techniques on archival Somerset printmaking paper, 100% acid free, by the renowned Chinese born artist Walasse Ting (DING XIONGQUAN, Chinese, 1929-2010). Ting's use of bold colors and expressive calligraphic brush drawn forms convey vivid life energy. He is well known for his colorful images of women, flowers, fish, parrots and horses and was associated with artists Karel Appel, Asger Jorn, and Pierre Alechinsky, members of the avant-garde group called COBRA. Throughout his artistic life, Ting imbued his passion and spirit into his paintings, poetry and sculpture. GREEN HORSE, TWO GEISHAS is a freely expressed Chinese Ink Brush drawing depicting a colorful bright green horse with dark blue mane and tail standing with two lovely dark green haired Asian women...

Keith Haring designed a poster for the 1986 "Crackdown on Crack" concert in New York City, organized by concert promoter Bill Graham to combat the crack-cocaine epidemic. Haring's po...

This is a beautifully framed engraving, printed in colors with additional hand coloring, from the famous "Cries of London" series, depicting the lives and professions of the common p...

This is a hand-colored folio-sized lithograph entitled "Otidiphaps Nobilis" (Pheasant Pigeon) by John Gould from his monograph "The Birds of Asia", published in London in 1862-1879. The print, which was drawn by Gould and H. C. Richter and lithographed by Walter, depicts two Pheasant Pigeon birds...

A well executed, crisp silkscreen print showing a back street canal in Venice with boats reflecting in the rippling water. The artist has signed and numbered (11/300) to the lower ed...

Wolfgang Tillmans (German, born 1968) Freischwimmer TFL 150, 2013 Medium: Archival pigment print on Hahnemuehle photo-rag paper Dimensions: 56 x 47.5 cm Edition of 100: Hand-signed a...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...

"ALL WAR IS IN BAD TASTE," Al Diaz, 2022 Silkscreen on 320 gram Coventry Rag paper Dimensions: 14" x 20" Signed and numbered by the Artist in pencil An edition of 50 Al Díaz’s career spans five decades. Born and raised Puerto Rican in New York City, by age 15 he was an influential first-generation subway graffiti artist known as “BOMB-ONE.” His friendship and artistic collaboration with high school schoolmate Jean-Michel Basquiat on SAMO, (a late 70s Avant-garde graffiti tag project) has been noted often in contemporary art history. Díaz later contributed percussion to numerous musical recordings and performances, including Basquiat’s historic 1983 record, “Beat Bop,” (considered to be one of the earliest hip-hop albums...

Tim Southall Winter Woods Limited Edition Screen print Size: H 40cm x W 60cm Sold Unframed (Please note that in situ images are purely an indication of how a piece may look). Winter...

This original hand-colored copperplate engraved map of Africa entitled "Africa Vetus, Nicolai Sanson Christianiss Galliar Regis Geographi" was originally created by Nicholas Sanson d...

Qui ne se grime pas? (Who does not wear a mask?) Aquatint, roulette, drypoint, acid bite, and scorper, 1923 Signed in the plate loweer left (see photo) Dated in pencil Series: Miser...

This Blue Dog work consists of a blue dog on a background on a blue background. The dog is sitting in front of an American flag and they both appear to be underwater. The dog has a...

LUXIOR. Original antique French turn of the century rare antique automobile poster. Printer / atelier:: Henri Privat Livemont. Size: 15.75" ...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de André Lhote, 1960. P...

This circa 1900 original poster, created for Parfumerie Colgate, is a striking example of early 20th-century advertising that blends artistic charm with commercial appeal. Designed in an era when product quality was a major selling point, this poster promotes Colgate's shaving soap, emphasizing its gentle formula that does not dry out the skin. The illustration features a young woman, elegantly dressed in period attire, presenting a handful of lather. Her warm smile and inviting gesture create an engaging, human-centered approach to advertising, drawing viewers in with a sense of trust and quality. The soft color palette and simple yet effective composition reflect the Art Nouveau influence, which was dominant in commercial design during this time. The prominent placement of the Colgate name and the detailed product boxes in the corners suggest early brand marketing strategies still recognizable today. By using both visual appeal and strong textual reinforcement, this poster exemplifies the elegant and persuasive advertising methods of the Belle Époque. Today, this rare and beautifully designed advertisement serves as a collectible piece of Colgate’s rich history, offering a glimpse into the evolution of branding, consumer culture, and product marketing at the turn of the 20th century. Advertising - Childhood Grand prix Paris...

Héliogravure on Papeterie de Mandeure vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Alice's Adventures in Wonderland...

Frans Masereel - Exposition is an artwork realized in 1967. Woodcut. Signed on plate. Good condition.

"Cabaret" Liza Minnelli Joel Grey Broadway Film Academy Tony Award Musical Signed and numbered 12/150 in pencil, lower margin. Etching with aquatint, 15” x 10 1/2”. Framed 22” x 1...

Hand signed in pencil lower right. Printed by Colorcraft, New York. Published by Leo Castelli Gallery, New York. From an edition of unknown size. Catalogue Raisonné The Prints of Roy...

Léonor FINI (1907-1996) Surrealist lady Original etching, 1973 Hand signed in pencil Numbered /275 copies On Arches vellum size 56 x 38 cm (c. 22 x 15 in) Very good condition

Debbie Harry East Village, 1976 by celebrated New York photographer Fernando Natalici. Cooler than cool, this classic "Blondie" photo was captured on the set of "Unmade Beds" (direct...

First edition double page lithograph on pages 4,5 of Derriere le Miroir (DLM) No.177. Fold down the center as issued. ""All my mysteries have remained intact. Nobody understands t...

50x50cm, print on canvas Edition 20 pcs.

Klaus Basset Title: Geometric Composition Year: 1970 Medium: Color lithograph Signed, numbered and dated by hand Edition: 120 Size: 11.9 × 12.5 on 23.8 × 16.8 inches COA provided

Alfred S. Campbell, Rouge Rex Shoes, Art-Relievo, Embossed Platinum Print, Circa 1900-1910 " Rouge Rex " Shoes, circa 1900-1910 Sight Size: 8 3/4" x 6 3/4" Housed in its original ...

Speckled Corn Kachina, Dan Namingha, lithograph, Hopi, kachina, blue, orange hand pulled limited edition lithograph signed and numbered by the artist Glenn Green Galleries also pr...

Paul GAUGUIN (after) Tahitian Ladies Lithograph and Watercolor stencil Printed signature of the Monogram in the plate On thin vellum 47 x 58 cm (c. 19 x 25 inch) Edited by Jacomet ...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), This book was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnès for typography and by the Mourlot Frères for lithographs. It was shot on Vidalon blanc. Two hundred numbered copies from 1 to 200, including the first twenty with a suite on vélin paper of the Marais. It has been attached to each copy a simulated fac of the Sonnet d'Utrillo: "Lyric art...

Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with spine-fold, as issued. Notes: From the volume, Verve: Revue ...

Lithograph and stencil on vélin papier a la cuve du Moulin Richard de Bas spécialement filigrané pour cette édition paper. Unsigned and unnumbered, as issued. Good condition. Notes: ...

Brand new artwork by Richard Heeps featuring the iconic Empire State building in the mist. Photographed in New York City in 2017, he just executed this in his darkroom, printing it i...

This artwork titled "Soaking Up" c.1970 is an original lithograph on Wove paper by noted western artist Tom (Thomas) Ryan, 1922-2011. It is hand signed, titled and numbered 68/100 in pencil by the artist. The artwork (image) size is 12.25 x 17.35 inches, sheet size is 17.5 x 21.65 inches. It is in excellent condition About the artist: Tom Ryan was born Jan. 12, 1922, in Springfield, Ill., to William Martin Ryan — whose family immigrated to Illinois from Ireland in the 1880s — and Sarah Helen Behrens, whose ancestry predates the Revolutionary War. They had nine children — six boys and three girls. He began drawing before he went to school. "I was 4 years old and drawing airplanes, and an older brother was helping me," Ryan told the Reporter-Telegram in a 2002 interview at the Haley Library's going away party held in his honor. "Those were my first art lessons." He did not decide to be an artist until after his service in World War II. While in the U.S. Navy during the war, he "made quite a bit of money" drawing portraits of his shipmates and other servicemen. After being discharged in 1945, he picked up a Life magazine that carried an article about N.C. Wyeth. "I read the article, and I liked what I read, and I loved the pictures reproduced from his paintings in the article," Ryan said in 2002. "I decided then and there to be an artist." Following his graduation from the American Academy of Art, an education made possible through the GI Bill, he returned to Springfield where he married Jacqueline "Jacquie" Harvey, daughter of a local doctor. She died in 1998. The Ryans moved to New York City where he continued his studies at the Art Students League. During his second year at the Art Students League, he won a contest. His winning painting became the cover for Western writer Ernest Haycox's novel The Outlaw. "Every month after that I also received an assignment from this publisher, and they would be Western novels," Ryan said in 2002. "So that's what I did for the next six or seven years. Then I started exhibiting at the Latendorf Gallery on Madison Avenue. What I sold mainly were the book covers. They would be published and I would get paid by the publisher, and I'd take them to the gallery, and I'd get paid again." Ryan began making trips west in the late 1950s. He would stay three or four months painting, sketching and photographing scenes he'd need later. At that time, his works centered around historical events and places. "I particularly liked to do some of the trail drive things that I did, like the old longhorns," Ryan said in 2002. In the early 1960s, a work by Norman Rockwell and one by Ryan appeared in the same catalog. Rockwell, who was doing the Boy Scouts calendars for Brown and Bigelow, the premiere calendar publishing company in the United States, told the calendar company about Ryan. "The art director gave me a call and asked if I'd like to do a contemporary cowboy...

Jose Luis Cuevas (Mexico, 1934-2017) Artist Proof 'Fantasmas del Centro Histórico V', 2004 woodcut on paper Guarro Biblos 250g. 20.9 x 16 in. (53 x 40.5 cm.) Edition of 60 Unframed I...

Original vintage poster: 24 Heures du Mans; 10-11 Juni 1978; Automobile Club De L'Ouest. Artist: Lardrot. Linen backed French vintage automotive racing poster. Event: 24 Heu...