Small Prints and Multiples

Paper Size: 19.25 x 23 inches ( 48.895 x 58.42 cm ) Image Size: 19.25 x 23 inches ( 48.895 x 58.42 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additi...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 148, 1964. Published by Aim...

Original Pierre Dieuzey et ses Capetiens, Jazz New Orleans vintage poster. Artist: Pierre Merlin. Lithograph, archival linen-backed vin...

Mary Cassatt: Graphic Art at Smithsonian Institution Traveling Exhibition poster, 1981 Offset lithograph poster 22 × 18 inches Unframed and unsigned Publisher: Smithsonian Institutio...

Intaglio on Somerset paper, edition of 4 The artwork is shipped unframed. Please message us directly if you are interested in purchasing the piece already framed. Bio // Katie Van...

Jean-Claude Quilici Greece : Summer in Mykonos Original lithograph Handsigned in pencil Numbered / 250 ex On vellum 57 x 57 cm (c. 23 x 23 inch) Excellent condition

Artist: Willem de Kooning (1904-1997) Title: Composition for Lisa Year: 1984 Medium: Color silkscreen on wove paper Edition: 250, plus proofs Size: 17.75 x 23.25 inches Condition: Ex...

Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...

This lithograph (after the 1947 pochoir) is from the 1983 edition, published in New York by The Museum of Modern Art. The original 1947 edition of Matisse "Jazz" is now so rare it is...

Artist: Pablo Picasso Title: Square Head of a Woman Pouting (Plate XIII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" Sheet S...

This lithograph (after the 1947 pochoir) is from the 1983 edition, published in New York by The Museum of Modern Art. The original 1947 edition of Matisse "Jazz" is now so rare it is...

Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The Capitol and the Steps of S. Maria in Aracoeli) Etching, 1775 Watermark: Double Circle Fleur de Lys A lifetime impression with the price etching in the plate Printed in Rome, before the plates are moved to Paris and the numerous posthumous editions Reference: Hind 38 ii/IV Robison 38 ii/V with the price Wilton Ely 190 Condition: A fine Roman...

This is a framed Giovanni Battista Piranesi (1720-1778) etching entitled "Orthographia utriusque lateris arcuum ductus Aquae Virginis a specu principe ad Hadriani thermas, effossorum...

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame...

Art Deco, colored etching by Louis Icart ( 1888-1950 ), France. Signed in pencil lower right: Louis Icart. Framed. Dimensions: 21.85 x 18.11 in ( 55,5 x 46 cm )

Artist: Ellen Gunn (1951- ) Title: Petite Fleur Suite I Medium: Screenprint Image size: 11 x 14 inches Sheet size: 18 x 20 inches Signature: lower right Edition: 375 This one: 103/3...

School of Paris Artist, Andre Minaux (Paris 1923-86) Limited Edition 20/20, printed in 7 colours on Japon paper. Sheet size 57" x 38", image size 49" x 32" Signed Bottom right in pencil, editioned in pencil bottom left With a full sheet authenticity certificate, dated 1964 This is a fabulous original Limited Edition Lithograph, completely of its time when artists in Paris were pushing boundaries and trying to bring about new styles. The influence of artists like Matisse can be seen and Minaux was working alongside artists such as Picasso and with Bernard Buffet to reject ideas of Abstract painting. The text that accompanies the lithograph can be seen in the image of the certificate and is in French. The translation that follows on the certificate of Provenance gives an in depth description of this compelling still life: 'It is a singularly balanced art that that of André MINAUX, a typically French painting, made of power of clarity and nobility, in the tradition of our great modern masters as well as those of past centuries. And yet this painting under the hieratic appearance of the attitudes is not a wise painting, but on the contrary terribly dynamic, in which the passion and the virulence of the feelings are contained only by the simplicity and the purity of the forms. Each work of André Minaux is a miracle of balance between bubbling joy; joy of painting, joy of living; which animates the artist, and the voluntary serenity of the colors and volumes by which he translates his vision of beauty and grandeur. André Minaux's painting, full of a life in perpetual becoming, is the great and worthy expression of an art continually in evolution which moves without aggressiveness, but not without struggles, towards its final ends. And this painting, painting of an artist in full possession of all his means, of an extremely solid technique, and of a perfect trade is however that of a young person. Forty-one years is youth for a painter and at this age André Minaux, already recognized as one of the masters of the young French figurative school, has a future as brilliant and promising as behind him a long history of hard work and success. André Minaux is Parisian, born September 5, 1923. Very young he feels attracted to the graphic arts, he prepares and enters the School of Decorative Arts, but pure painting attracts him irresistibly and it is to her that he soon devotes himself exclusively. His young and great talent makes him quickly noticed. He first exhibited at the Salon des Sous de Trente Ans and later at other salons: des Indépendants, d'Automne, then at the Salon de Mai and at the Tuileries. In 1948 first private exhibition in Paris, others will follow in 1951, 1956 and 1957. In the meantime two exhibitions equal ment were devoted to him in London in 1953 and 1957. His last was a very important exhibition in 1963 at the David and Garnier Gallery in Paris. In 1949 at the 'Ecole de Paris', Galerie Charpentier, he had already won the Critics' Prize. Its reputation extends abroad thanks to numerous demonstrations of groups in England, Germany, Australia, Canada, Japon, U.S. A., etc... The Museum of Modern Art in Paris, several museums in the provinces, the Tate Gallery in London, have works by André Minaux, and his paintings can be found in major collections in Paris, London, New York, Tokyo, Stockholm, etc. ... Member of the French engraver painters, André Minaux is a remarkable lithographer, his lithographed work is already very important, he is also a member of the "Comité National du Livre Illustré Français and he has illustrated a certain number of luxury books...

You definitely need this fantastic Mid-Century serigraph of Chicago's Executive House hotel and the Chicago River by artist Mark Coomer, in its original of...

Roger Aguilar (Cuba, 1947) 'Untitled (from Porfolio Grabados Cubanos)', 1978 silkscreen on paper Canson 320 g. 23.6 x 17.6 in. (59.8 x 44.6 cm.) Edition of 200 ID: AGI-304 Hand-signe...

Cécile Reims (French, 1927–2020) Cécile Reims’s work is distinguished by its masterful technique, intricate detail, and deep engagement with themes of transformation and the natural ...

Roofs, Summer Night. 1906. Etching. Morse catalog 137 state ii. 5 1/4 x 7 (sheet 9 1/2 x 12 1/8). Series: New York City Life. A fine impression on cream ...

This gorgeous offset lithograph poster was created on the occasion of the Eva Arnold exhibition, Marilyn Monroe: An Appreciation, at the famed Leo Castelli Gallery in 1987 - Castelli...

"Retour (L'Estampe Moderne I)" is a color lithograph by Georges de Feure. It features a woman with red hair in an environment of flora and fauna with muted colors and the Art Nouveau...

Vintage poster realized in occasion of the Exhibition of Albrecht Durer's Etchings at Galleria Marino, Rome in 1970s. Limited edition of 1000. Very good condition.

Subject : Ancient Greek vase-painting depicting Dionysiac Group with satyrs and maenad from an Attic Attic bell-krater. Technique : Copper-line engraving with original hand-colourin...

Horter, Earl. UNTITLED (STREET MARKET, NEW ORLEANS). Etching. Signed in pencil. 7 3/8 x 11 1/4 inches. In excellent condition.

Paul KLEE (after) Portrait of a Yellow Lithograph and stencil (Jacomet process), on canson paper Printed signature in the plate 50 x 38.2 cm (19.6 x 14.9 in) INFORMATION : This lit...

Silksreen Handsigned by the artist in pencil After a gouache. Edition : 113/200 Printer : Jean Bruller (Paris) Catalog : Saphire E10 56.00 cm. x 38.00 cm. 22.05 in. x 14.96 in. (pa...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 119, 1960. Published by Aimé Maeght, Éditeur, Paris; pr...

Silkscreen printed in colours Edition of 200 47.5 x 49 cm (18.7 x 19.3 in) Signed, numbered and dated on the front Condition on request Published by the artist The seller can only p...

REDOUTÉ, Pierre-Joseph. Fritillaria Imperialis Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monument...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

From the portfolio "Formulation: Articulation", created by Josef Albers in 1972. In the portfolio, there were 127 screenprints, with only the colophon bearing Albers' signature and t...

Picture of the opening of the temporary Diet building is an original artwork realized in the 1890s by Ginko Adachi (born 1853; active c. 1870 – 1908). Sheet dimensions: 22 x 48 cm. ...

This Blue Dog work consists of a background of white and red with a lot of soulful yellow eyes of various sizes and 1 blue dog off-centered on the right. the dog also has soulful yel...

This is a 16th century original hand-colored copperplate engraved map of Tournai, Belgium, entitled "Tornacum" by Georg Braun & Franz Hogenberg, in volume IV of their famous city atlas "Civitates Orbis Terrarum", published in Cologne or Augsberg, Germany in 1575. The map provides a bird's-eye view of the walled city of Tournai, the second oldest city in Belgium. It lies approximately one hour by car southwest of Brussels or from Ghent. The names of thirty of its streets, prominent buildings, churches and squares are listed in a key within a strap-work cartouche in the lower left. These locations are numbered in the key corresponding to their locations on the map. This colorful map of Tournai (Tornacum or Tournay as it was called in the 16th century) includes the title in Latin in a cartouche in the upper center. Three crests are present across the upper map. A man and two woman are standing on a hill in the foreground in the lower right dressed in the style of 16th century upper class residents of the town. This is an English translation of an excerpt of Braun's description of Tornai: “Tornacum or Turnacum is a city in Gallia Belgica, situated on the Schelde in the territory of the Nervii, called Tournai by its French inhabitants, but Dorneck by the Germans. Tournai has always been a large and powerful city, with an abundance of goods and commercial activities and wonderfully resourceful craftsmen, who invent new articles every day, and although some of these go out of use they constantly conceive of other new things, both useful and delightful, so that they have at all times something that provides work and a means of livelihood for the poor." ReferencesVan der Krogt 4, 4435, State 1; Taschen, Braun and Hogenberg...

Portrait is a Lithograph realized by Ernesto Treccani in 1973. Limited edition of 125, editor "La Nuova Foglio SPA". Very good condition on a white cardboard. Hand-signed and numb...

Mily POSSOZ Cat and book Original etching Handsigned in pencil Limited /40 copies On Rives vellum 20 x 15" INFORMATIONS : Bears the blind stamp of the editor "Marcel Guiot" Excell...

Le Lézard aux Plumes d'Or is a beautiful and rare color lithograph on Jason Kochi paper, realized in 1971 by the Spanish Surrealist artist Joan Miró (Montroing, 1893 - Mallorca, 19...

GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma a Tivoli vicino a Ponte Lugan...

"Homage to the Square - Portfolio 2, Folder 4, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origina...

ABOUT THIS PIECE- Unframed Print FRAMING OPTIONS ALSO AVAILABLE: 23.5x18.8 edition of 25-This piece is available FRAMED with or without a mat in a white, black, natural, walnut, b...

This is an original gallery show poster the Boris Mirsky Gallery, Newbury St. Boston. titled Sculpture Prints Drawings. It is dated 1962. it is in red and black. Leonard Baskin (August 15, 1922 – June 3, 2000) was an American sculptor, illustrator, wood-engraver, printmaker, graphic artist, writer and teacher. Baskin was born in New Brunswick, New Jersey. While he was a student at Yale University, he founded Gehenna Press, a small private press specializing in fine book production. From 1953 until 1974, he taught printmaking and sculpture at Smith College in Northampton, Massachusetts. Subsequently Baskin also taught at Hampshire College in Amherst, Massachusetts. He lived most of his life in the U.S., but spent nine years in Devon at Lurley Manor, Lurley, near Tiverton, close to his friend Ted Hughes, for whom he illustrated Crow. Sylvia Plath dedicated Sculpto to Leonard Baskin in her famous work, The Colossus and Other Poems (1960). The Funeral Contege (1997) bronze, Franklin Delano Roosevelt Memorial, Washington, D.C. His public commissions include a bas relief for the Franklin Delano Roosevelt Memorial and a bronze statue of a seated figure, erected in 1994 for the Holocaust Memorial in Ann Arbor, Michigan. His works are owned by many major museums including the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Museum of Modern Art, the Art Institute of Chicago, the Boca Raton Museum of Art, the British Museum, the Honolulu Museum of Art, the Udinotti Museum of Figurative Art and the Vatican Museums. The archive of his work at the Gehenna Press was acquired by the Bodleian Library at Oxford, England, in 2009. The McMaster Museum of Art in Hamilton, Ontario owns over 200 of his works (some religious and biblical), most of which were donated by his brother Rabbi Bernard Baskin. In 1955, he was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery, they showed many great artists, Chaim Koppelman, for many years, headed the gallery's Print Division; printmakers such as Will Barnet, Leonard Baskin, Robert Conover...

Artist: Robert Motherwell, American (1915 - 1991) Title: No. 6 from Three Poems, collaboration with Octavio Paz Year: 1987 Medium: Lithograph on Japon with Chine Colle Edition: 750 I...

This extraordinary BMW toy car is my memory to my father. Photography/ fine art print, limited edition of 5, signed by the author.

Hans Jurgen Kleinhammes Untitled Color Serigraph Year: 1977 Size: 21 x 14 in Edition: 1,500 Signed in the plate Publisher: HMK Fine Arts, New York COA provided Ref.: 924802-922 Hans-Jürgen Kleinhammes ( November 16, 1937 in Augsburg – August 2008 there) was a German painter and graphic artist. He studied from 1959 to 1961 at the Academy of Fine Arts in Dresden, from 1961 to 1965 at the State University of Fine Arts in Hamburg with Thiemann, Mavignier and Wunderlich. In 1966 he went to Paris for a year on a grant (“ Cité Internationale des Arts ”). From the mid-1960s he developed his visual language, which was reduced to landscape fragments and signet-like abstraction. (“the representation is strongly objectified, but does not lack a surreal-poetic quality...”). He saw Caspar David Friedrich , René Magritte and Giogio de Chirico as his role models . From 1964 he titled his pictures with the term “New Landscape”, which he determined. At the same time, Werner Nöfer and Jens Lausen were working on a similar artistic program. In 1968 he was a co-founder of the CO-OP artists' cooperative Hamburg , which wanted to switch off the art market with several graphic portfolio editions (members included Bruno Bruni , Dizi, Klaus Geldmacher , Dieter Glasmacher , Ullrich Hohenhaus, Tomislav Laux, Ernst Mitzka, Werner Nöfer, Sigmar Polke , Anna Oppermann...

This bold color lithograph is signed, dated and numbered in pencil by Peyton, from an edition of 350. Published by the Public Art Fund, New York.

Lithograph on vélin d’Arches paper. Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Picasso au baiser d'Avignon, douze dessins, lavis, aquarelle...

A very good impression of this color lithograph on cream laid Japan paper. Signed and numbered 48/250 in pencil by de Kooning. Published by Brand X Editions, Ltd., New York, with the...

"Jeune Hindoue" is an original hand-signed and numbered lithograph realized by Henri Matisse in 1929. It belongs to an edition of 50 prints. Excellent condition. Reference : Duthuit...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she w...

Image Size: 13.5" x 13.5" Unframed Limited Edition Print of 250 Hand Signed by Victor Vasarely Slight Discolouration in S.W.

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: As a child, I was the flower girl in the wedding of a family friend. After much coaxing, I only agreed to walk down the aisle once I was promised gummy bears...

Monkey is an artwork realized by the Contemporary Italian artist Leo Guida (1992 - 2017) in the 1970s. Original black and white etching on paper. Good conditions. Leo Guida (199...

Paper Size: 19.75 x 16.25 inches ( 50.165 x 41.275 cm ) Image Size: 19.75 x 16.25 inches ( 50.165 x 41.275 cm ) Framed: Yes Frame Size: H: 20.75 x W: 17.25 x D: .75 in. Condition...

In "Still Night", Frederick Mershimer depicts a row of brownstone houses on Seventh Avenue near Flatbush Avenue between Park and Stirling Places. Mershimer remembers that as he was ...

"Pandemic" from the artist's Isolation Art series. Full moon rays shine behind figurative portrait of crowned and masked woman. Sky behind her with clouds and stars, mystical imagery, framed in beveled edge gold frame ABOUT THE ARTIST Deming King...